Soho Collection: The Essential Cole Porter

~ Release by Cole Porter (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Anything Goes
recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Cole Porter3:11
2I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Frank Sinatra2:55
3All Through the Night
recording of:
All Through the Night
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
Bing Crosby3:01
4You’re the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Cole Porter3:26
5Blow, Gabriel, Blow
recording of:
Blow, Gabriel Blow (Anything Goes)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Ethel Merman2:28
6Let’s Do It
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Billie Holiday2:58
7Let’s Misbehave
recorded in:
Hollywood, Los Angeles, California, United States (on 1928-03-01)
vocals:
Phil Saxe & chorus (on 1928-03-01)
recording of:
Let’s Misbehave (Paris musical) (on 1928-03-01)
lyricist and composer:
Cole Porter (composer) (in 1927)
part of:
Anything Goes
Irving Aaronson2:53
8Be Like the Bluebird
recording of:
Be Like the Bluebird
lyricist and composer:
Cole Porter (composer)
part of:
Anything Goes
Cole Porter2:57
9You Do Something to Me
vocals:
Marlene Dietrich (actress and singer) (on 1939-12-11)
orchestra:
Victor Young and His Orchestra (on 1939-12-11)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1939-12-11)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1939-12-19)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
Marlene Dietrich3:00
10Looking at You
recording of:
Looking at You (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
Lee Wiley3:24
11Love for Sale
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Libby Holman3:19
12What Is This Thing Called Love
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Anita O’Day2:41
13They All Fall in Love
recording of:
They All Fall in Love (The Battle of Paris pre-Code musical aka The Gay Lady)
lyricist and composer:
Cole Porter (composer) (in 1929)
Jack Hylton3:09
14Singin’ the Jinx Away
recording of:
Swingin’ the Jinx Away (Born to Dance, 1936 film)
lyricist and composer:
Cole Porter (composer) (in 1936)
Frances Langford2:40
15Rosalie
recording of:
Rosalie (from “Rosalie”)
lyricist and composer:
Cole Porter (composer) (in 1937)
Nelson Eddy1:43
16Who Knows
Nelson Eddy2:49
17In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Billy Eckstine2:54
18At Long Last Love
cover recording of:
At Long Last Love (in 1946)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
Lena Horne2:42
19Find Me a Primitive Man
recording of:
Find Me a Primitive Man
writer:
Cole Porter (composer)
Lee Wiley3:14
20Don’t Fence Me In
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-07-25) and Los Angeles, California, United States (on 1944-07-25)
lead vocals:
The Andrews Sisters (on 1944-07-25) and Bing Crosby (on 1944-07-25)
orchestra:
Vic Schoen and His Orchestra (on 1944-07-25)
conductor:
Vic Schoen (on 1944-07-25)
recording of:
Don’t Fence Me In (on 1944-07-25)
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Bing Crosby & The Andrews Sisters3.53:05
2▼CD
#TitleArtistRatingLength
1Night and Day
reeds:
Jess Smith (reeds in Leo Reisman & His Orchestra) (on 1932-11-22) and Burt Williams (on 1932-11-22)
trombone:
Ernie Gibbs (on 1932-11-22)
trumpet:
Lew Sherwood (on 1932-11-22)
violin:
Lew Conrad (on 1932-11-22) and Sammy Schklar (on 1932-11-22)
vocals:
Fred Astaire (on 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (on 1932-11-22)
conductor:
Leo Reisman (violinist, bandleader, arranger) (on 1932-11-22)
recorded at:
Victor Studio #1 (Cherokee A) in New York, New York, United States (on 1932-11-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1932-11-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Fred Astaire53:29
2Miss Otis Regrets
recording of:
Miss Otis Regrets
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
Ethel Waters3:00
3Begin the Beguine
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Artie Shaw3:00
4Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Peggy Lee2:17
5Easy to Love
recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Billie Holiday3:13
6When Love Comes Your Way
Cole Porter1:42
7I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Dinah Washington & Clifford Brown5:29
8It’s De‐Lovely
recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Ethel Merman2:50
9Ridin’ High
recording of:
Ridin’ High
lyricist and composer:
Cole Porter (composer) (in 1936)
Benny Goodman2:40
10My Heart Belongs to Daddy
double bass:
Beverly Peer (on 1939-02-17)
drums (drum set):
Chick Webb (on 1939-02-17)
guitar:
Bobby Johnson (US guitarist) (on 1939-02-17)
piano:
Tommy Fulford (on 1939-02-17)
reeds:
Garvin Bushell (on 1939-02-17) and Hilton Jefferson (on 1939-02-17)
tenor saxophone:
Teddy McRae (on 1939-02-17)
trombone:
George Matthews (trombone) (on 1939-02-17), Nat Story (on 1939-02-17) and Sandy Williams (American jazz trombonist) (on 1939-02-17)
trumpet:
Taft Jordan (on 1939-02-17), Bobby Stark (on 1939-02-17) and Dick Vance (US jazz trumpeter and arranger) (on 1939-02-17)
woodwind:
Wayman Carver (on 1939-02-17)
vocals:
Ella Fitzgerald (American jazz singer) (on 1939-02-17)
recording of:
My Heart Belongs to Daddy (on 1939-02-17)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
cover recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Ella Fitzgerald43:10
11Let’s Fly Away
recording of:
Let’s Fly Away (The New Yorkers musical)
lyricist and composer:
Cole Porter (composer) (in 1930)
Lee Wiley3:03
12I’m a Gigolo
recording of:
I'm a Gigolo
lyricist and composer:
Cole Porter (composer)
Cole Porter2:27
13Two Little Babes in the Woods
Cole Porter3:17
14Down in the Depths
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
lyricist and composer:
Cole Porter (composer) (in 1936)
Ethel Merman3:12
15Red Hot and Blue
recording of:
Red, Hot and Blue (from the musical "Red, Hot and Blue")
lyricist and composer:
Cole Porter (composer)
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Ethel Merman3:14
16Friendship
recording of:
Friendship
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
Anything Goes
part of:
DuBarry Was a Lady (1939 stage musical)
Judy Garland & Johnny Mercer2:40
17Let’s Be Buddies
recording of:
Let’s Be Buddies (Panama Hattie musical) (in 1940)
lyricist and composer:
Cole Porter (composer) (in 1940)
part of:
Panama Hattie (1940 Cole Porter musical)
part of:
Panama Hattie (1942 film)
Doris Day3:06
18I Love You
vocals:
Billy Eckstine (on 1949-12-22) and Sarah Vaughan (on 1949-12-22)
orchestra:
Orchestra conducted by Joe Lipman (on 1949-12-22)
cover recording of:
I Love You (Mexican Hayride musical) (in 1957)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Billy Eckstine & Sarah Vaughan2:41
19You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California, United States (on 1942-07-30)
vocals:
Dinah Shore (on 1942-07-30)
orchestra:
Orchestra conducted by Paul Weston (on 1942-07-30)
conductor:
Paul Weston (on 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (on 1942-07-30)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Dinah Shore2:57
20Ev’ry Time We Say Goodbye
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jeri Southern3:30
3▼CD
#TitleArtistRatingLength
1Kiss Me Kate
recording of:
Kiss Me Kate (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer)
part of:
Kiss Me, Kate (musical)
Kathryn Grayson & Howard Keel1:33
2Too Darn Hot
recording of:
Too Darn Hot (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
Ann Miller3:29
3Why Can’t You Behave?
recording of:
Why Can’t You Behave? (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Ann Miller4:05
4Wunderbar
recording of:
Wunderbar (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Kiss Me, Kate (musical)
Kathryn Grayson & Howard Keel4:03
5So in Love
recording of:
So in Love (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Kathryn Grayson & Howard Keel2:23
6I Hate Men
recording of:
I Hate Men (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
Kathryn Grayson3:56
7Bianca
recording of:
Bianca (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer)
part of:
Kiss Me, Kate (musical)
MGM Studio Orchestra1:37
8Brush Up Your Shakespeare
recording of:
Brush Up Your Shakespeare (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
James Whitmore & Keenan Wynn3:34
9Always True to You in My Fashion
recording of:
Always True to You in My Fashion
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
Ann Miller2:47
10From This Moment On
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
Ann Miller3:51
11Thank You So Much, Mrs Lowsborough‐Goodby
Cole Porter2:30
12Be a Clown
recording of:
Be a Clown (The Pirate film)
lyricist and composer:
Cole Porter (composer) (in 1946)
part of:
The Pirate (1948 film)
Judy Garland2:54
13I’ve Got My Eyes on You
recording of:
I’ve Got My Eyes on You
lyricist and composer:
Cole Porter (composer) (in 1939)
Geraldo3:10
14How Could We Be Wrong?
recording of:
How Could We Be Wrong? (Nymph Errant)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Al Bowlly3:14
15It’s Bad for Me
recording of:
It’s Bad for Me (Nymph Errant)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Ray Noble3:18
16The Cocotte
Cole Porter2:47
17The Physician
recording of:
The Physician (from the musical “Nymph Errant”)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Cole Porter2:58
18Experiment
recording of:
Experiment (Nymph Errant)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Ray Noble with Gertrude Lawrence2:23
19Love of My Life
recording of:
Love of My Life (Cole Porter song)
lyricist and composer:
Cole Porter (composer)
Judy Garland3:12
20I Concentrate on You
recording of:
I Concentrate on You
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Frank Sinatra3:05

Credits

Release group

part of:The Soho Collection (order: 1)