Body Talk: Always and Forever

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Nothing's Gonna Stop Us Now
recording of:
Nothing’s Gonna Stop Us Now
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship4:35
2Holdin' on to Yesterday
Ambrosia3:26
3Waiting for a Star to Fall
drum machine programming:
George Merrill
producer:
Arif Mardin
assistant mixer:
Jim Dineen
mixer:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
bass guitar, piano and synthesizer:
George Merrill
drums (drum set):
Denny Fongheiser and Michael Jochum
guitar:
John Goux
synthesizer [Crowning touch]:
Joe Mardin
additional vocals:
Susan Boyd
vocals:
George Merrill and Shannon Rubicam
phonographic copyright (℗) by:
BMG Music (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Boy Meets Girl3.254:36
4Here I Am (Come and take Me)
engineer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
producer:
Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
baritone saxophone:
James Mitchell (US saxophonist/arranger)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
piano:
Archie Turner
tenor saxophone:
Ed Logan and Andrew Love
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
performer:
Al Green (US soul singer, songwriter, pastor and record producer)
strings arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) and James Mitchell (US saxophonist/arranger)
recorded at:
Royal Studios in Memphis, Tennessee, United States
recording of:
Here I Am (Come and Take Me)
writer:
Al Green (US soul singer, songwriter, pastor and record producer) and Mabon Hodges (“Teenie”, soul guitarist)
publisher:
Al Green Music Inc. (BMI-affiliated), Burlington Music Co., Ltd., Irving Music, Inc. and Warner Chappell
Al Green4.154:18
5It Don't Matter to Me
producer:
David Gates (singer/songwriter, lead singer of Bread), James Griffin (soft rock singer/songwriter/guitarist) and Robb Royer (American composer, songwriter, multi-instrumentalist, and producer)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1969) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1973)
recording of:
It Don’t Matter to Me
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread42:51
6Alfie
cover recording of:
Alfie
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
Dionne Warwick2:47
7Foolish Beat
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming:
Fred Zarr
assistant engineer:
Bill Esses
producer:
Debbie Gibson
assistant mixer:
Jim Goatley
mixer:
Phil Castellano (brother of John, uncle of Richie) and Debbie Gibson
acoustic guitar and electric guitar:
Ira Siegel
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
saxophone:
Jeff Smith (US saxophonist)
background vocals:
Carrie Johnson and Tim Lawless
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Sorceror Studios in New York, New York, United States
recording of:
Foolish Beat
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
Debbie Gibson4.54:25
8Everlasting Love
recording engineer and producer:
Ross Cullum, Chris Hughes (producer, aka “Merrick”) and Ian Stanley
mixer:
Mike Roarty
lead vocals:
Howard Jones (English singer, songwriter) (in 1988)
recording of:
Everlasting Love (in 1988)
lyricist and composer:
Howard Jones (English singer, songwriter)
Howard Jones4:22
9To Be With You
assistant engineer:
Chris Kupper, David Luke (engineer), Scott Ralston, Michael Semanick and Andy Udoff
engineer and mixer:
Kevin Elson and Tom Size (US audio engineer)
producer:
Kevin Elson
bass guitar [bass]:
Billy Sheehan
drums (drum set) [drums]:
Pat Torpey
guitar:
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
lead vocals [vocals]:
Eric Martin (vocalist for Mr. Big)
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991), Warner Music International (trademark of Warner Music International the company) (in 1991) and Warner Music H.K. Ltd. (in 1997)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
music videos:
To Be With You by Mr. Big (American hard rock band)
recording of:
To Be With You
writer:
David Grahame and Eric Martin (vocalist for Mr. Big)
publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Dog Turner Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Eric Martin Songs (from 1991 to present), Tasmanian Compositions (from 1991 to present), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Mr. Big4.43:29
10Shannon
recording of:
Shannon
lyricist and composer:
Henry Gross
Henry Gross3:52
11When You're in Love With a Beautiful Woman
recording of:
When You’re in Love With a Beautiful Woman
lyricist and composer:
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook3:00
12Angel
recording engineer:
Phil Schier (in 1972-04)
producer:
Aretha Franklin and Quincy Jones
mixer:
Phil Schier
tenor saxophone:
Joe Farrell (in 1972-04)
remixer:
Quincy Jones and Phil Schier
arranger:
Aretha Franklin and Quincy Jones
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Angel (in 1972-04)
writer:
Carolyn Franklin and Sonny Sanders
publisher:
Carlin Music Corporation and Springtime Music, Inc.
Aretha Franklin44:28
2▼CD
#TitleArtistRatingLength
1Forget Me Nots
performer:
Patrice Rushen
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 86)
recording of:
Forget Me Nots
writer:
Terri McFaddin, Patrice Rushen and Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) and Yamina Music
Patrice Rushen3.654:44
2I’ll Be There
The Escape Club5:50
3Daisy Jane
assistant engineer:
Tom Anderson (engineer)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar:
David Dickey (U.S. drummer and bassist)
drums (drum set) and percussion:
Willie Leacox
other instruments:
America (US folk/soft rock band)
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Daisy Jane
lyricist and composer:
Gerry Beckley
live recording of:
Daisy Jane
lyricist and composer:
Gerry Beckley
America3.253:10
4Tracks of My Tears
engineer:
Val Garay
producer:
Peter Asher
acoustic guitar, electric guitar and tambourine:
Andrew Gold
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
cabasa:
Peter Asher
drums (drum set):
David Kemper
electric guitar:
Danny Kortchmar (Danny Kootch)
steel guitar:
Dan Dugmore
background vocals:
Peter Asher, Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Don Francisco (contemporary Christian music), Andrew Gold and Herb Pedersen
lead vocals:
Linda Ronstadt
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
cover recording of:
The Tracks of My Tears
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Linda Ronstadt3:15
5Don’t Expect Me to Be Your Friend
recording of:
Don’t Expect Me to Be Your Friend
lyricist and composer:
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo3:35
6Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:48
7Say Your Will
additional recording engineer and assistant engineer:
Billy Miranda (engineer)
recording engineer, engineer and mixer:
Frank Filipetti
co-producer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
percussion:
Sammy Merendino
synclavier:
Kevin Jones (keyboard & synth)
background vocals:
Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories), Mark Rivera and Rick Wills
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recording of:
Say You Will
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Screen Gems–EMI Music Ltd. and Somerset Songs Publishing Inc.
Foreigner3.654:15
8Talking in Your Sleep
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1978)
recording of:
Talking in Your Sleep (in 1978)
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Bobby Wood (American pianist, keyboard player and songwriter)
publisher:
G.O.A.L. Music Ltd. (publisher), Roger Cook Music and The International Music Network
Crystal Gayle22:56
9Come Get to This
engineer:
Cal Harris and Steve Smith (US 70s/80s soul/funk engineer)
producer:
Marvin Gaye
mixer:
Cal Harris
guitar:
Eddie Willis (on 1973-07-09)
lead vocals:
Marvin Gaye (on 1973-07-10)
vocals:
Marvin Gaye (on 1973-07-10)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1970-11-03 until 1973-07-10)
recording of:
Come Get to This (from 1970-11-03 until 1973-07-10)
lyricist and composer:
Marvin Gaye
Marvin Gaye42:41
10Count on Me
phonographic copyright (℗) by:
BMG Entertainment (in 1977) and BMG Music (in 1978)
recording of:
Count on Me (Jefferson Starship song)
lyricist and composer:
Jesse Barish
publisher:
Bright Moments Music, Diamondback Music Co. and Painted Desert Music Corporation
Jefferson Starship23:17
11Haven’t Got Time for the Pain
Carly Simon3:39
12Love Don’t Love Nobody
recording of:
Love Don’t Love Nobody
writer:
Joseph Jefferson (70s soul/funk) and Charles Simmons (70s soul/funk)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1974)
The Spinners7:13

Credits

Release group

part of:Body Talk (Time-Life Music) (number: 19) (order: 17)