100 Hits Legends: Doris Day

~ Release by Doris Day (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Whatever Will Be, Will Be (Que sera, sera)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
2:07
2Secret Love
vocals:
Doris Day (in 1953)
orchestra:
Ray Heindorf and His Orchestra (in 1953)
recording of:
Secret Love (song from “Calamity Jane”)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America and Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1953 winner)
part of:
Calamity Jane (stage musical)
3:36
3A Guy Is a Guy
vocals:
Doris Day (on 1952-02-07)
orchestra:
Paul Weston Orchestra (on 1952-02-07)
conductor:
Paul Weston (on 1952-02-07)
recording of:
A Guy Is a Guy (on 1952-02-07)
lyricist and composer:
Oscar Brand
publisher:
Ludlow Music
2:39
4Again
background vocals:
The Mellomen (American singing quartet) (in 1949)
vocals:
Doris Day (in 1949)
orchestra:
John Rarig and His Orchestra (in 1949)
recording of:
Again
lyricist:
Dorcas Cochran
composer:
Lionel Newman
2:47
5Confess
vocals:
Buddy Clark (US 1930s~1940s singer) (in 1947) and Doris Day (in 1947)
orchestra:
George Siravo and His Orchestra (in 1947)
recording of:
Confess (1947 song)
writer:
Bennie Benjamin and George David Weiss
2:58
6With a Song in My Heart
vocals:
Doris Day (in 1950)
orchestra:
Harry James and His Orchestra (in 1950)
recording of:
With a Song in My Heart
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:08
7I’m Confessin’ (That I Love You)
vocals:
Doris Day (in 1949)
orchestra:
Paul Weston and His Orchestra (in 1949)
recording of:
I’m Confessin’ (That I Love You)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
2:44
8Everywhere You Go
background vocals:
The Mellomen (American singing quartet) (in 1949)
vocals:
Doris Day (in 1949)
orchestra:
John Rarig and His Orchestra (in 1949)
recording of:
Everywhere You Go
writer:
Mark Fisher (early 20th century songwriter), Joe Goodwin and Larry Shay
2:22
9Papa Won’t You Dance With Me?
vocals:
Doris Day (in 1947)
orchestra:
Lou Bring and His Orchestra (in 1947)
recording of:
Papa, Won't You Dance With Me?
lyricist:
Sammy Cahn
composer:
Jule Styne
part of:
High Button Shoes (1947 musical)
2:28
10When Tonight Is Just a Memory
vocals:
Doris Day (in 1947)
orchestra:
George Siravo and His Orchestra (in 1947)
recording of:
When Tonight Is Just a Memory
writer:
Bennie Benjamin and George David Weiss
2:55
11Enjoy Yourself (It’s Later Than You Think)
vocals:
Doris Day (in 1950)
orchestra:
George Wyle and His Orchestra (in 1950)
recording of:
Enjoy Yourself (It’s Later Than You Think)
lyricist:
Herb Magidson (in 1949)
composer:
Carl Sigman (in 1949)
2:29
12Thoughtless
background vocals:
The Modernaires (1940s vocal group) (in 1948)
vocals:
Doris Day (in 1948)
orchestra:
George Siravo and His Orchestra (in 1948)
recording of:
Thoughtless
writer:
Buddy Kaye and Carl Lampl
3:08
13Let’s Take an Old‐Fashioned Walk
vocals:
Doris Day (in 1949) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1949)
orchestra:
Axel Stordahl and His Orchestra (in 1949)
recording of:
Let’s Take an Old-Fashioned Walk
lyricist and composer:
Irving Berlin
2:59
14I Didn’t Know What Time It Was
vocals:
Doris Day (in 1949)
orchestra:
Paul Weston and His Orchestra (in 1949)
recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:04
15Too Marvellous for Words
instruments:
Harry James and His Quintet (in 1950)
vocals:
Doris Day (in 1950)
recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:15
16I Got the Sun in the Morning (and the Moon at Night)
vocals:
Doris Day (in 1946)
orchestra:
Les Brown and His Orchestra (in 1946)
recording of:
I Got the Sun in the Morning (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
part of:
Annie Get Your Gun
2:33
17It Could Happen to You
vocals:
Doris Day (in 1946)
orchestra:
Les Brown and His Orchestra (in 1946)
recording of:
It Could Happen to You
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:20
18Day by Day
vocals:
Doris Day (in 1946)
orchestra:
Les Brown and His Orchestra (in 1946)
recording of:
Day by Day
lyricist:
Sammy Cahn
composer:
Axel Stordahl and Paul Weston
publisher:
Barton Music Corp. and Hanover Music Corp.
3:07
19I Didn’t Slip, I Wasn’t Pushed, I Fell
vocals:
Doris Day (in 1950)
orchestra:
George Siravo and His Orchestra (in 1950)
recording of:
I Didn’t Slip, I Wasn’t Pushed, I Fell
lyricist:
Edward Pola (in 1950)
composer:
George Wyle (in 1950)
2:54
20I Said My Pajamas (and Put On My Prayers)
vocals:
Doris Day (in 1950)
orchestra:
George Siravo and His Orchestra (in 1950)
recording of:
I Said My Pajamas (and Put On My Pray'rs)
lyricist:
Edward Pola (in 1949)
composer:
George Wyle (in 1949)
3:00
2▼CD
#TitleRatingLength
1It’s Magic
vocals:
Doris Day (in 1947)
orchestra:
George Siravo and His Orchestra (in 1947)
conductor:
Percy Faith (on 1947-11-12)
recording of:
It’s Magic (on 1947-11-12)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
3:25
2The Deadwood Stage (Whip Crack‐Away)
vocals:
Doris Day (in 1953)
orchestra:
Nat Heindorf and His Orchestra (in 1953)
recording of:
The Deadwood Stage (Whip‐Crack – Away!) (“Calamity Jane”)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
part of:
Calamity Jane (stage musical)
3:15
3I Just Blew In From the Windy City
vocals:
Doris Day (in 1953)
orchestra:
Nat Heindorf and His Orchestra (in 1953)
recording of:
Just Blew in From the Windy City (from "Calamity Jane")
lyricist:
Paul Francis Webster
composer:
Sammy Fain
part of:
Calamity Jane (stage musical)
2:10
4Black Hills of Dakota
vocals:
Doris Day (on 1953-07-16)
conductor:
Ray Heindorf (on 1953-07-16)
recording of:
The Black Hills of Dakota (“Calamity Jane”) (on 1953-07-16)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Calamity Jane (stage musical)
33:00
5Quicksilver
vocals:
Doris Day (in 1950)
performer:
The Country Cousins (in 1950)
recording of:
Quicksilver
writer:
Edward Pola, Irving Taylor and George Wyle
2:12
6Hoop‐Dee‐Doo
background vocals:
The Mellomen (American singing quartet) (in 1950)
vocals:
Doris Day (in 1950)
orchestra:
George Wyle and His Orchestra (in 1950)
recording of:
Hoop Dee Doo
lyricist:
Milton DeLugg
composer:
Frank Loesser
2:09
7Pretty Baby
vocals:
Doris Day (in 1950)
orchestra:
Harry James and His Orchestra (in 1950)
recording of:
Pretty Baby
lyricist:
Gus Kahn (in 1916)
composer:
Egbert Van Alstyne (in 1916) and Tony Jackson (New Orleans ragtime pianist) (in 1916)
part of:
Broadway Rhythm (film)
3:00
8The Very Thought of You
vocals:
Doris Day (in 1950)
orchestra:
Harry James and His Orchestra (in 1950)
recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
3:00
9Put ’em in a Box, Tie ’em With a Ribbon
vocals:
Doris Day (in 1948)
orchestra:
George Siravo and His Orchestra (in 1948)
recording of:
Put ’em in a Box, Tie ’em With a Ribbon (and Throw ’em in the Deep Blue Sea)
lyricist:
Sammy Cahn
composer:
Jule Styne
part of:
Romance on the High Seas
3:05
10I’ll String Along With You
vocals:
Buddy Clark (US 1930s~1940s singer) (in 1949) and Doris Day (in 1949)
orchestra:
George Siravo and His Orchestra (in 1949)
recording of:
I’ll String Along With You
lyricist:
Al Dubin (in 1934)
composer:
Harry Warren (US composer and lyricist) (in 1934)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:10
11Sometimes I’m Happy
vocals:
Doris Day (in 1949)
orchestra:
George Siravo and His Orchestra (in 1949)
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
2:35
12You Won’t Be Satisfied (Until You Break My Heart)
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
You Won’t Be Satisfied (Until You Break My Heart)
writer:
Freddy James and Larry Stock
3:05
13Till the End of Time
vocals:
Doris Day (in 1946)
orchestra:
Les Brown and His Orchestra (in 1946)
recording of:
Till the End of Time
lyricist:
Buddy Kaye (in 1945)
composer:
Ted Mossman (in 1945)
is based on:
Polonaise in A‐flat major, op. 53 “Heroique”
2:57
14Aren’t You Glad You’re You?
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
Aren’t You Glad You’re You?
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1945)
composer:
Jimmy Van Heusen (in 1945)
part of:
The 18th Academy Award for Best Original Song (number: 2)
3:03
15I’d Rather Be With You
vocals:
Buddy Clark (US 1930s~1940s singer) (in 1949) and Doris Day (in 1949)
orchestra:
George Siravo and His Orchestra (in 1949)
recording of:
I’d Rather Be With You
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Frank Comstock
3:13
16All Through the Day
vocals:
Doris Day (in 1946)
orchestra:
Les Brown and His Orchestra (in 1946)
recording of:
All Through the Day
writer:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Jerome Kern
publisher:
Williamson Music, Inc.
part of:
The 19th Academy Award for Best Original Song (number: 2)
3:16
17I May Be Wrong (But I Think You’re Wonderful)
vocals:
Doris Day (in 1949)
orchestra:
John Rarig and His Orchestra (in 1949)
recording of:
I May Be Wrong (but I Think You’re Wonderful)
lyricist:
Harry Ruskin
composer:
Henry Sullivan
3:01
18Someone Like You
vocals:
Doris Day (in 1949)
orchestra:
George Siravo and His Orchestra (in 1949)
recording of:
Someone Like You
lyricist:
Ralph Blane
composer:
Harry Warren (US composer and lyricist)
2:47
19Made Up My Mind
vocals:
Doris Day (in 1949)
orchestra:
George Siravo and His Orchestra (in 1949)
recording of:
Made Up My Mind
writer:
Redd Evans and David Mann (American songwriter)
3:06
20Powder Your Face With Sunshine (Smile! Smile! Smile!)
vocals:
Buddy Clark (US 1930s~1940s singer) (in 1949) and Doris Day (in 1949)
orchestra:
George Siravo and His Orchestra (in 1949)
recording of:
Powder Your Face With Sunshine
writer:
Carmen Lombardo and Stanley Rochinski
2:34
3▼CD
#TitleRatingLength
1Everybody Loves a Lover
vocals:
Doris Day (on 1958-05-12)
orchestra:
Frank DeVol’s Orchestra (on 1958-05-12)
conductor:
Frank De Vol (on 1958-05-12)
recording of:
Everybody Loves a Lover (on 1958-05-12)
lyricist:
Richard Adler (musical composer/lyricist)
composer:
Robert Allen (US songwriter/arranger/pianist)
2:45
2If I Give My Heart to You
background vocals:
The Mellomen (American singing quartet) (in 1954)
vocals:
Doris Day (in 1954)
orchestra:
Percy Faith and His Orchestra (Faith’s orchestra before his death in 1976) (in 1954)
conductor:
Percy Faith (in 1954)
recording of:
If I Give My Heart to You
writer:
Jimmie Crane, Al Jacobs and Milton Gabler
2:51
3I’ll Never Stop Loving You
vocals:
Doris Day (in 1955)
orchestra:
Percy Faith and His Orchestra (Faith’s orchestra before his death in 1976) (in 1955)
conductor:
Percy Faith (in 1955)
recording of:
I’ll Never Stop Loving You
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
1:56
4Mister Tap Toe
vocals:
Doris Day (in 1952)
orchestra:
Paul Weston and His Orchestra (in 1952)
recording of:
Mr. Tap Toe
writer:
Richard Dehr, Terry Gilkyson and Frank Miller (American singer & songwriter)
2:15
5Domino
vocals:
Doris Day (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
recording of:
Domino (André Claveau song)
lyricist:
Jacques Plante
composer:
Louis Ferrari (musette accordionist and composer)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:09
6When I Fall in Love
choir vocals:
The Norman Luboff Choir (on 1952-06-05)
vocals:
Doris Day (on 1952-06-05)
orchestra:
Percy Faith and His Orchestra (Faith’s orchestra before his death in 1976) (on 1952-06-05)
conductor:
Percy Faith (on 1952-06-05)
cover recording of:
When I Fall in Love (on 1952-06-05)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:56
7It’s a Lovely Day
vocals:
Doris Day (in 1951)
orchestra:
George Siravo and His Orchestra (in 1951)
recording of:
It’s a Lovely Day Today
lyricist and composer:
Irving Berlin (in 1950)
2:58
8No Two People
vocals:
Doris Day (in 1952) and Donald O’Connor (in 1952)
orchestra:
Paul Weston and His Orchestra (in 1952)
recording of:
No Two People
lyricist and composer:
Frank Loesser
2:30
9Kiss Me Again Stranger
vocals:
Doris Day (in 1953)
orchestra:
Paul Weston and His Orchestra (in 1953)
recording of:
Kiss Me Again Stranger
lyricist and composer:
Chilton Price
2:52
10We Kiss in a Shadow
vocals:
Doris Day (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
recording of:
We Kiss in a Shadow (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
3:15
11Just One of Those Things
vocals:
Doris Day (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:20
12From This Moment on
vocals:
Doris Day (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
2:52
13I’ve Never Been in Love Before
recorded in:
Hollywood, Los Angeles, California, United States (on 1950-09-13)
vocals:
Doris Day (on 1950-09-13)
orchestra:
Paul Weston and His Orchestra (on 1950-09-13)
recording of:
I’ve Never Been in Love Before (on 1950-09-13)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
3:03
14You’re Getting to Be a Habit With Me
vocals:
Doris Day (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
recording of:
You’re Getting to Be a Habit With Me
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
2:53
15My Young and Foolish Heart
vocals:
Doris Day (in 1949)
orchestra:
George Siravo and His Orchestra (in 1951)
recording of:
My Foolish Heart
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
3:06
16Barbara Allen
vocals:
Doris Day (in 1946)
orchestra:
Les Brown and His Orchestra (in 1946)
arranger:
Ben Homer
recording of:
Barbara Allen
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 54) and Child Ballads (number: 84)
2:51
17The Last Mile Home
instruments:
Instrumental Accompaniment ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1949)
background vocals:
The Mellomen (American singing quartet) (in 1949)
vocals:
Doris Day (in 1949)
recording of:
The Last Mile Home
writer:
Walton T. Farrar and Walter Kent
3:17
18Broom Street
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
Broom Street
writer:
Josef Myrow, Buck Ram and Dick Vance (US jazz trumpeter and arranger)
3:07
19In the Moon Mist
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
In the Moon Mist
lyricist and composer:
Jack Lawrence (US songwriter)
additional composer:
Benjamin Godard (French violinist and composer, 1849-1895)
3:07
20He’ll Have to Cross the Atlantic (to Get to the Pacific)
vocals:
Doris Day (in 1946)
orchestra:
Les Brown and His Orchestra (in 1946)
recording of:
He’ll Have to Cross the Atlantic
lyricist:
Sammy Cahn
composer:
Jule Styne
3:03
4▼CD
#TitleRatingLength
1Sugarbush
vocals:
Doris Day (on 1952-02-07) and Frankie Laine (on 1952-02-07)
additional orchestra:
Carl Fischer and His Orchestra (on 1952-02-07)
recording of:
Sugarbush (Based on a the Afrikaans melody Suikerbossie) (on 1952-02-07)
arranger:
Josef Marais (South African singer, songwriter)
2:03
2(Why Did I Tell You I Was Going to) Shanghai
vocals:
Doris Day (on 1951-05-15)
orchestra:
Paul Weston and His Orchestra (on 1951-05-15)
recording of:
(Why Did I Tell You I Was Going to) Shanghai
writer:
Milton DeLugg and Bob Hilliard
2:22
3Anyone Can Fall in Love
vocals:
Doris Day (in 1954)
orchestra:
Frank DeVol and His Orchestra (in 1954)
recording of:
Anyone Can Fall in Love
lyricist:
Sammy Cahn
composer:
David Jack Holt
2:48
4Candy Lips
vocals:
Doris Day (in 1953) and Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (in 1953)
orchestra:
Paul Weston and His Orchestra (in 1953)
recording of:
Candy Lips
lyricist and composer:
Fred Rose (songwriter)
2:05
5A Purple Cow
vocals:
Doris Day (in 1953)
orchestra:
Paul Weston and His Orchestra (in 1953)
recording of:
A Purple Cow
lyricist:
Paul Francis Webster
composer:
Fred Spielman (songwriter)
2:15
6Choo Choo Train
vocals:
Doris Day (in 1953)
orchestra:
Paul Weston and His Orchestra (in 1953)
recording of:
Choo Choo Train
lyricist:
Alexandre Schwab (french composer & lyricist) and Jack Lawrence (US songwriter)
composer:
Alexandre Schwab (french composer & lyricist)
2:23
7A Full Time Job
vocals:
Doris Day (in 1952) and Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (in 1952)
orchestra:
Paul Weston and His Orchestra (in 1952)
recording of:
A Full Time Job
writer:
Gerry Teifer
2:12
8Ma Says, Pa Says
vocals:
Doris Day (in 1952) and Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (in 1952)
orchestra:
Paul Weston and His Orchestra (in 1952)
recording of:
Ma Says, Pa Says
lyricist and composer:
Josef Marais (South African singer, songwriter)
2:49
9When the Red, Red Robin Comes Bob, Bob, Bobbin’ Along
vocals:
Doris Day (in 1953)
orchestra:
Paul Weston and His Orchestra (in 1953)
recording of:
When the Red, Red Robin Comes Bob, Bob, Bobbin’ Along
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
1:57
10A Very Precious Love
vocals:
Doris Day (in 1958)
orchestra:
Frank DeVol and His Orchestra (in 1958)
recording of:
A Very Precious Love
lyricist:
Paul Francis Webster
composer:
Sammy Fain
part of:
The 31st Academy Award for Best Original Song (number: 2)
43:03
11Ready, Willing and Able
vocals:
Doris Day (in 1958)
orchestra:
Frank DeVol and His Orchestra (in 1958)
recording of:
Ready, Willing and Able
writer:
Dick Gleason, Floyd Huddleston and Al Rinker
2:27
12My Love and Devotion
vocals:
Doris Day (in 1952)
orchestra:
Paul Weston and His Orchestra (in 1952)
recording of:
My Love and Devotion (by “Milton Carson”)
writer:
Howard Barnes, Harold Fields and Joe Roncoroni (songwriter, aka Dominic John)
3:02
13A Woman’s Touch
vocals:
Doris Day (in 1953)
orchestra:
Ray Heindorf and His Orchestra (in 1953)
recording of:
A Woman’s Touch
lyricist:
Paul Francis Webster
composer:
Sammy Fain
part of:
Calamity Jane (stage musical)
2:31
14Dream a Little Dream of Me
vocals:
Doris Day (in 1956)
orchestra:
Paul Weston and His Orchestra (in 1956)
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:44
15Autumn Leaves
vocals:
Doris Day (in 1956)
orchestra:
Paul Weston and His Orchestra (in 1956)
recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
3:04
16Stars Fell on Alabama
vocals:
Doris Day (in 1956)
orchestra:
Paul Weston and His Orchestra (in 1956)
recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
3:31
17I Hadn’t Anyone Till You
vocals:
Doris Day (in 1956)
orchestra:
Paul Weston and His Orchestra (in 1956)
recording of:
I Hadn’t Anyone Till You
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:04
18The Song Is You
vocals:
Doris Day (in 1956)
orchestra:
Paul Weston and His Orchestra (in 1956)
recording of:
The Song Is You
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
3:18
19But Not for Me
vocals:
Doris Day (in 1956)
orchestra:
Paul Weston and His Orchestra (in 1956)
recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:38
20You Do Something to Me
vocals:
Doris Day (in 1956)
orchestra:
Paul Weston and His Orchestra (in 1956)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
2:46
5▼CD
#TitleRatingLength
1Sentimental Journey
recorded in:
New York, New York, United States (on 1944-11-20)
vocals:
Doris Day (on 1944-11-20)
orchestra:
Les Brown and His Orchestra (on 1944-11-20)
recording of:
Sentimental Journey (on 1944-11-20)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:12
2My Dreams Are Getting Better All the Time
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
My Dreams Are Getting Better All The Time
lyricist:
Mann Curtis
composer:
Vic Mizzy (US television & movie composer) (in 1945)
3:18
3Bewitched
background vocals:
The Mellomen (American singing quartet) (in 1950)
vocals:
Doris Day (in 1950)
orchestra:
John Rarig and His Orchestra (in 1950)
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
2:43
4Love Somebody
vocals:
Buddy Clark (US 1930s~1940s singer) (in 1948) and Doris Day (in 1948)
orchestra:
George Siravo and His Orchestra (in 1948)
recording of:
Love Somebody
writer:
Alex Kramer and Joan Whitney
3:02
5Canadian Capers (Cuttin’ Capers)
vocals:
Doris Day (in 1949)
orchestra:
John Rarig and His Orchestra (in 1949)
recording of:
Canadian Capers
writer:
Earl Burtnett, Gus Chandler, Henry Cohen and Bert White
2:39
6(There’s a) Bluebird on Your Windowsill
vocals:
Doris Day (in 1949)
orchestra:
George Siravo and His Orchestra (in 1949)
recording of:
There’s a Bluebird on Your Windowsill
lyricist and composer:
Elizabeth Clarke (Canadian songwriter)
2:04
7My Darling, My Darling
vocals:
Buddy Clark (US 1930s~1940s singer) (in 1948) and Doris Day (in 1948)
orchestra:
George Siravo and His Orchestra (in 1948)
recording of:
My Darling, My Darling
writer:
Frank Loesser
publisher:
Frank Music Corp.
2:32
8The Whole World Is Singing My Song
vocals:
Doris Day (in 1946)
orchestra:
Les Brown and His Orchestra (in 1946)
recording of:
The Whole World Is Singing My Song
writer:
Manny Kurtz and Vic Mizzy (US television & movie composer)
3:16
9We’ll Be Together Again
vocals:
Doris Day (in 1948)
orchestra:
Les Brown and His Orchestra (in 1948)
recording of:
We’ll Be Together Again
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:18
10Sooner or Later
vocals:
Doris Day (in 1947)
orchestra:
Les Brown and His Orchestra (in 1947)
recording of:
Sooner or Later (Song of the South)
writer:
Ray Gilbert and Charles Wolcott
3:12
11While the Music Plays On
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
While the Music Plays On
writer:
Emery Heim, Lupin Fien and Irving Mills
3:06
12The Last Time I Saw You
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
The Last Time I Saw You
writer:
Marjorie Goetschius and Edna Osser
3:26
13Keep Cool, Fool
vocals:
Doris Day (in 1946)
orchestra:
Les Brown and His Orchestra (in 1946)
recording of:
Keep Cool, Fool
lyricist and composer:
Josef Myrow
2:53
14He’s Home for a Little While
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
He’s Home for a Little While
writer:
Kermit Goell and Ted Shapiro
3:11
15Three at a Table for Two
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
Three at a Table for Two
writer:
Archie Gottler and Arthur Johnston (American composer and songwriter)
2:48
16I Ain’t Hip to That Step, But I’ll Dig It
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
(I Ain’t Hep to That Step but I’ll) Dig It
lyricist:
Johnny Mercer
composer:
Hal Borne
3:18
17I’m Still Sitting Under the Apple Tree
vocals:
Doris Day (in 1947)
orchestra:
John Rarig and His Orchestra (in 1947)
recording of:
I’m Still Sitting Under the Apple Tree
writer:
Sammy Cahn and Jule Styne
2:59
18That’s the Way He Does It
vocals:
Doris Day (in 1950)
orchestra:
Harry James and His Orchestra (in 1950)
recording of:
That’s the Way He Does It
writer:
Inez James and Buddy Pepper
2:58
19Come to Baby Do!
vocals:
Doris Day (in 1945)
orchestra:
Les Brown and His Orchestra (in 1945)
recording of:
Come to Baby, Do
writer:
Inez James and Sidney Miller (songwriter, director and actor)
3:03
20T’ain’t Me
vocals:
Doris Day (in 1946)
orchestra:
Les Brown and His Orchestra (in 1946)
recording of:
T’ain’t Me
writer:
Lemuel Davis (saxophonist) and Jack Palmer (Jazz pianist and composer)
3:14

Credits

Release

liner notes:Phil Graham (liner note writer)
copyrighted (©) by and phonographic copyright (℗) by:Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (from 2009 to present)
ASIN:UK: B002LZUNC2 [info]
discography entry:http://www.demonmusicgroup.co.uk/catalogue/releases/100-hits-legends-doris-day/ [info]

Release group

part of:100 Hits Legends (number: 7) (order: 6)