Cantatas Nos. 170, 82 & 159

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1Cantata No. 170 "Vergnügte Ruh, beliebte Seelenlust": I. Aria: Vergnügte Ruh', beliebte Seelenlust
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:57
2Cantata No. 170 "Vergnügte Ruh, beliebte Seelenlust": II. Recitative: Die Welt, das Sündenhaus
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
1:47
3Cantata No. 170 "Vergnügte Ruh, beliebte Seelenlust": III. Aria: Wie jammern mich doch die verkehrten Herzen
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
7:26
4Cantata No. 170 "Vergnügte Ruh, beliebte Seelenlust": IV. Recitative: Wer sollte sich demnach wohl hier
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
1:25
5Cantata No. 170 "Vergnügte Ruh, beliebte Seelenlust": V. Aria: Mir ekelt mehr zu leben
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:53
6Cantata No. 82 "Ich habe genug": I. Aria: Ich habe genug, ich habe den Heiland
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
9:42
7Cantata No. 82 "Ich habe genug": II. Recitative: Ich habe genug! Mein Trost ist nur allein
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
1:28
8Cantata No. 82 "Ich habe genug": III. Aria: Schlummert ein, ihr matten Augen
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
11:13
9Cantata No. 82 "Ich habe genug": IV. Recitative: Mein Gott! Wann kommt das schöne: Nun!
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
0:59
10Cantata No. 82 "Ich habe genug": V. Ich freue mich auf meinen Tod
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
4:16
11Cantata No. 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso & Recitative: Sehet, wir gehn hinauf gen Jerusalem!
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1966-01)
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso e recitativo (Alt, Bass) "Sehet, wir gehn hinauf gen Jerusalem" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
3:26
12Cantata No. 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria & Chorale: Ich folge dir nach
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
choir vocals:
St. Anthony Singers (in 1966-01)
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
4:58
13Cantata No. 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitative: Nun will ich mich
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
tenor vocals:
Robert Tear (tenor) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:28
14Cantata No. 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria: Es ist vollbracht
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
5:29
15Cantata No. 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral: Jesu, deine Passion
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
choir vocals:
St. Anthony Singers (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" (in 1966-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:53

Credits

Release

part of:Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 216)
ASIN:US: B0007MR248 [info]
stream for free:https://open.spotify.com/album/6vqVeIBaDKcmQkxwENzqvK [info]