The Ultimate Classical Music Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Orchester:
Academy of St Martin in the Fields (in 1970-10)
conductor:
Neville Marriner (conductor) (in 1970-10)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (in 1970-10)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:52
2Water Music Suite: Air
Sound-Engineering:
Stanley Goodall (engineer)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
Orchester:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
Tonmeister(in):
Stanley Goodall (engineer) (in 1971-05)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (in 1971-05)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:25
3Canon in D
recorded in:
Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
Techniker(in):
Stanley Goodall (engineer) (in 1982-02)
Produzent(in):
Michael Haas (classical music producer)
Orgel:
Martin Haselböck (organist, conductor and composer) (in 1982-02)
Orchester:
Stuttgarter Chamber Orchestra (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Karl Münchinger (German conductor)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1984-02)
Komponist(in):
Johann Pachelbel (composer)
Arrangement von:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Johann Pachelbel4:30
4Trumpet Voluntary
Produzent(in):
Chris Hazell (in 1990-11)
Blechblasinstrumente:
Michael Laird Brass Ensemble
Orgel:
Peter Hurford (organist) (in 1990-11)
Orchester:
Michael Laird Brass Ensemble (in 1990-11)
arranger:
Peter Hurford (organist)
Tonmeister(in):
Simon Eadon (classical music engineer) (in 1990-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1991)
aufgenommen bei:
Ratzeburger Dom in Ratzeburg, Schleswig-Holstein, Deutschland (in 1990-11)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (in 1990-11)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist)
Arrangement von:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:55
5Concerto for Violin and Strings in E, op. 8 no. 1, RV 269 "La Primavera": I. Allegro
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo und Orgel:
Simon Preston (organist, conductor, composer) (von 1969-09-08 bis 1969-09-10)
Geige / Violine:
Alan Loveday (violinist) (von 1969-09-08 bis 1969-09-10)
Orchester:
Academy of St Martin in the Fields (von 1969-09-08 bis 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (von 1969-09-08 bis 1969-09-10)
Tonmeister(in):
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) und Stanley Goodall (engineer) (von 1969-09-08 bis 1969-09-10)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (von 1969-09-08 bis 1969-09-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro) (von 1969-09-08 bis 1969-09-10)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi43:11
6Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso
Produzent(in):
Andrew Cornall (engineer / producer)
Klavier:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
Orchester:
The Cleveland Orchestra (in 1986-04)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
Tonmeister(in):
Simon Eadon (classical music engineer) (in 1986-04) und Colin Moorfoot (engineer) (in 1986-04)
aufgenommen bei:
TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten (in 1986-04)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1986-04)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1809)
Teil von:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:45
7Thaïs: Méditation Religieuse - Symphonie
Produzent(in):
James Mallinson (producer)
Geige / Violine:
Nigel Kennedy (violinist) (in 1983-12)
Orchester:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
Komponist(in):
Jules Massenet (French Romantic composer) (in 1894)
Teil von:
Classic 100: Music of France (2012) (Nummer: 14)
Teil von:
Thaïs: Acte II
Jules Massenet5:39
8Romeo and Juliet, Fantasy Overture: Love Theme
Produzent(in):
John Culshaw (in 1960-06) und Erik Smith (British producer, pianist and harpsichordist) (in 1960-06)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1960-06)
teilweise recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (Romeo und Julia, 1880 version, commonly performed) (in 1960-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1869)
überarbeitet von:
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1870, in 1880)
gewidmet:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 42) und Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 39)
Revision von:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky33:12
9Peer Gynt Suite no. 1, op. 46: I. Morning Mood
Produzent(in):
John Culshaw
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
Tonmeister(in):
James Brown (Decca engineer, 1960s)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (von 1961-09-05 bis 1961-09-22)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Komponist(in):
Edvard Grieg (composer) (in 1875)
Librettist:
Henrik Ibsen (in 1867)
Teil von:
Peer Gynt, op. 23
Edvard Grieg3:59
10Boléro
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
teilweise recording of:
Boléro
Komponist(in):
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) und Soc. Arima (rights society?)
Premiere bei:
Palais Garnier in Paris, Île-de-France, Frankreich (am 1928-11-22)
Teil von:
Classic 100: Music of France (2012) (Nummer: 9) und Catalogue Marcel Marnat des œuvres de Maurice Ravel (Nummer: M. 81)
Maurice Ravel5:23
11La gazza ladra: Overture
recording engineer:
Michael Mailes (engineer), Colin Moorfoot (engineer) und Jonathan Stokes (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Orchester:
Orchestra Filarmonica della Scala (La Scala Philharmonic Orchestra) (von 1995-02-23 bis 1995-02-27)
conductor:
Riccardo Chailly (conductor) (von 1995-02-23 bis 1995-02-27)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1996)
aufgenommen bei:
Chiesa della Pace in Milano (Milan), Milano, Lombardia, Italien (von 1995-02-23 bis 1995-02-27)
recording of:
La gazza ladra: Ouverture (Die diebische Elster: Ouvertüre) (von 1995-02-23 bis 1995-02-27)
Komponist(in):
Gioachino Rossini (composer) (in 1817)
Librettist:
Giovanni Gherardini
Teil von:
La gazza ladra
Teil von:
The Thieving Magpie (English version by Sams)
Gioachino Rossini9:07
12Die Walküre: The Ride of the Walkyres
Orchester:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings)
conductor:
Antal Doráti (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:05
13Radetzky-Marsch, op. 228
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker) (in 1962-11)
conductor:
Willi Boskovsky (violinist and conductor) (in 1962-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich
recording of:
Radetzky‐Marsch, op. 228 (Radetzky-Marsch, Op. 228) (in 1962-11)
Komponist(in):
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
gewidmet:
Joseph Radetzky von Radetz
Premiere bei:
Wasserglacis in Wien, Österreich (am 1848-08-31)
Teil von:
Works of Johann Strauss Sr. by opus number (Nummer: op. 228)
Johan Strauss I2:55
14Suite no. 3 in D, BWV 1068: II. Air
Orchester:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Lorin Maazel (conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:35