Memphis

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

| |
1▼Digital Media
#TitleRatingLength
1That’s All Right
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
recording of:
That’s All Right (on 1954-07-05)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
1:56
2Blue Moon of Kentucky
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer) and Elvis Presley (“The King of Rock and Roll”)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-07)
recording of:
Blue Moon of Kentucky (on 1954-07-07)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:07
3I Don’t Care If the Sun Don’t Shine
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-09-12 until 1954-09-16)
recording of:
I Don’t Care If the Sun Don’t Shine
lyricist and composer:
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:32
4Good Rockin’ Tonight
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-09-12 until 1954-09-16)
recording of:
Good Rockin’ Tonight
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
2:15
5Milkcow Blues Boogie
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-11 until 1954-12)
recording of:
Milk Cow Blues (Kokomo Arnold's version)
lyricist and arranger:
Kokomo Arnold
composer:
[traditional] (special purpose artist) and Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Corp. (USA, affiliated with ASCAP)
version of:
Milk Cow Blues
2:39
6You’re a Heartbreaker
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-11 until 1954-12)
recording of:
You’re a Heartbreaker
writer:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:13
7Baby, Let’s Play House
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1955-01-30 until 1955-02-04)
recording of:
Baby Let’s Play House
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music (BMI)
2:19
8I’m Left, You’re Right, She’s Gone
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
Jimmie Lott
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-04)
recording of:
I’m Left, You’re Right, She’s Gone
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:38
9I Forgot to Remember to Forget
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
Johnny Bernero
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07)
recording of:
I Forgot to Remember to Forget
writer:
Charlie Feathers and Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:31
10Mystery Train
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07)
recording of:
Mystery Train
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
2:24
11I Love You Because
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
recording of:
I Love You Because
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
2:45
12Just Because
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-09-12 until 1954-09-16)
recording of:
Just Because
lyricist:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) and Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
composer:
Leon Chappelear and Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) and State Street Music Publ. Co. Inc. (on 1936-03-19)
2:34
13Trying to Get to You
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
Johnny Bernero
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07)
recording of:
Trying to Get to You
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
2:36
14I’ll Never Let You Go (Little Darlin’)
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-09-12 until 1954-09-16)
recording of:
I’ll Never Let You Go
lyricist and composer:
Miljenko Matijevic (frontman of metal band Steelheart)
2:27
15Blue Moon (take 9/M)
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-08-15 until 1954-08-19)
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
2:40
16Harbor Lights
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
recording of:
Harbour Lights
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Peter Maurice Music Co. Ltd.
2:38
17I’m Left, You’re Right, She’s Gone (slow version)
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-11 until 1955-04)
recording of:
I’m Left, You’re Right, She’s Gone
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:43
18When It Rains, It Really Pours
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
Johnny Bernero
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1955-11-01 until 1955-11-04)
recording of:
When It Rains It Pours
lyricist and composer:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
publisher:
Hi Lo Music Inc. (BMI-affiliated) and Riverline Music
2:06
19Tomorrow Night
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
electric guitar:
Scotty Moore (American guitarist and recording engineer)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-09-12 until 1954-09-16)
recording of:
Tomorrow Night
writer:
Sam Coslow and Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Wilhelm Grosz Music Co
3:01
20My Happiness
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1953-07)
recording of:
My Happiness (in 1953-07)
lyricist:
Borney Bergantine (in 1933) and Betty Peterson (in 1948)
composer:
Borney Bergantine (in 1933)
publisher:
Chappell Music (UK) and Happiness Music Corp.
2:33
21That’s When Your Heartaches Begin
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1953-07)
recording of:
That’s When Your Heartaches Begin (in 1953-07)
writer:
Fred Fisher, Billy Hill (US songwriter) and William Raskin
publisher:
Fred Fisher Music Co., Inc. and Sony/ATV Tunes LLC (ASCAP)
2:52
22I’ll Never Stand in Your Way
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-01-04)
recording of:
I’ll Never Stand in Your Way (on 1954-01-04)
writer:
Hy Heath and Fred Rose (songwriter)
publisher:
Milene Music. Inc (ASCAP)
2:04
23It Wouldn’t Be the Same Without You
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-01-04)
recording of:
It Wouldn’t Be the Same Without You (on 1954-01-04)
writer:
Fred Rose (songwriter) and Jimmy Wakely (Country and western singer and songwriter)
publisher:
Milene Music. Inc (ASCAP)
2:03
2▼Digital Media
#TitleRatingLength
1In the Ghetto
engineer:
Chips Moman and Al Pachucki
producer:
Felton Jarvis and Chips Moman
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-20)
recording of:
In the Ghetto (on 1969-01-20)
lyricist and composer:
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
2:47
2Suspicious Minds
engineer:
Chips Moman and Al Pachucki
producer:
Felton Jarvis and Chips Moman
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-22)
recording of:
Suspicious Minds (on 1969-01-22)
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
3:26
3Don’t Cry Daddy
recording of:
Don’t Cry Daddy
lyricist and composer:
Mac Davis (US country singer, songwriter & actor)
publisher:
B-n-B Music Inc., Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Songs LLC and Unichappell Music
2:44
4Kentucky Rain
recording of:
Kentucky Rain
writer:
Richard Heard and Eddie Rabbitt (US country singer & songwriter)
publisher:
Careers‐BMG Music Publishing, Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Elvis Presley Music, R&H Music and S-P-R Music Corp.
3:21
5Mama Liked the Roses
recording of:
Mama Liked the Roses
lyricist and composer:
John Christopher (Guitarist, lyricist, composer, singer, session musician)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:44
6Do You Know Who I Am
recording of:
Do You Know Who I Am
lyricist and composer:
Bobby Russell
3:06
7You’ll Think of Me
recording of:
You’ll Think of Me
lyricist and composer:
Mort Shuman (US singer, pianist & songwriter)
publisher:
Big Top Records (US 1958-65), Cherry River Music, Chrysalis Songs and Elvis Presley Music
4:00
8True Love Travels on a Gravel Road
recording of:
True Love Travels on a Gravel Road
writer:
Dallas Frazier (American songwriter and musician) and Arthur Leo “Doodle” Owens (American country music singer-songwriter)
publisher:
Elvis Presley Music Inc., Unichappell Music, Inc., Blue Crest Music, Inc. (on 1968-08-22) and Hill and Range Songs, Inc. (publisher) (on 1968-08-22)
2:56
9Long Black Limousine
recording of:
Long Black Limousine
writer:
Bobby George and Vern Stovall
publisher:
American Music, Inc., Hill and Range Songs, Inc. (publisher) and Unichappell Music
3:57
10After Loving You
recording of:
After Loving You
writer:
Johnny Lantz and Eddie Miller (US country music songwriter)
publisher:
Elvis Presley Music Inc., Red River Songs, Inc. and Roschelle Publishing
3:12
11I’ll Hold You in My Heart (Till I Can Hold You in My Arms)
4:32
12From a Jack to a King
2:26
13Without Love (There Is Nothing)
recording of:
Without Love
lyricist and composer:
Danny Small
2:56
14Medley: It’s My Way / This Time / I Can’t Stop Loving You
3:59
15It Keeps Right On A‐Hurtin’
recording of:
It Keeps Right On a‐Hurtin’
lyricist and composer:
Johnny Tillotson (pop and country singer)
publisher:
Ridge Music Corp.
2:39
16I’m Movin’ On
recording of:
I’m Moving On
lyricist and composer:
Hank Snow
publisher:
Hill and Range Songs, Inc. (publisher) and Unichappell Music, Inc.
2:50
17Power of My Love
recording of:
Power of My Love
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Elvis Presley Music Inc. and R&H Music
2:42
18Stranger in My Own Home Town
4:55
19Wearin’ That Loved on Look
recording of:
Wearin’ That Loved‐On Look
writer:
Dallas Frazier (American songwriter and musician) and Arthur Leo “Doodle” Owens (American country music singer-songwriter)
publisher:
Acuff Rose Music, Inc. (not for publishing), Blue Crest Music, Inc. and R&H Music
2:55
20Any Day Now
recording of:
Any Day Now
lyricist:
Bob Hilliard
composer:
Burt Bacharach
publisher:
Anne-Rachel Music Corp., Bourne Music Co., Hee Bee Dooinit Music, Plan Two Music Inc. and WB Music Corp. (1929–2019)
2:59
21Only the Strong Survive
recording of:
Only the Strong Survive
writer:
Jerry Butler (soul singer), Leon Huff (Philly soul producer, of Gamble & Huff) and Kenny Gamble (songwriter for Philadelphia International)
publisher:
Blue Crest Music, Double Diamond Music, Downstairs Music, Ensign Music Corp., Parabut, Sony/ATV Melody and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2:22
22Gentle on My Mind
recording of:
Gentle on My Mind
lyricist and composer:
John Hartford
publisher:
Acuff Rose Publications Ltd. and Ensign Music Corp.
3:37
23The Fair’s Moving On
recording of:
The Fair Is Moving On
writer:
Guy Fletcher (songwriter) and Doug Flett (songwriter)
publisher:
Elvis Presley Music
3:09
24Hey Jude
recording of:
Hey Jude
written in:
England, United Kingdom (in 1968-06)
writer:
John Lennon (The Beatles) (in 1968-06) and Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-06 until 1968-07-26)
4:14
3▼Digital Media
#TitleRatingLength
1Promised Land
recording of:
Promised Land
lyricist:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
is based on:
Wabash Cannonball
2:59
2Raised on Rock
recording of:
Raised on Rock
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:58
3I’ve Got a Thing About You Baby
recording of:
I’ve Got a Thing About You Baby
lyricist and composer:
Tony Joe White
publisher:
Carlin Music Corporation, Hilary Music Ltd. and Tennessee Swamp Fox Music Co.
2:22
4If You Talk in Your Sleep
recording of:
If You Talk in Your Sleep
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) and Red West
publisher:
Easy Nine Music, Elvis Music, Inc., Elvis Presley Music Inc. and Unichappell Music, Inc.
2:22
5My Boy
recording of:
My Boy
lyricist:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
composer:
Jean-Pierre Bourtayre and Claude François
publisher:
Art Music France, Colgems Music Corp., Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and Mews Music Ltd.
3:01
6Spanish Eyes
recording of:
Spanish Eyes (Moon Over Naples)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Moon Over Naples
2:22
7Help Me
recording of:
Help Me
lyricist and composer:
Larry Gatlin
publisher:
First Generation Music
2:42
8I Got a Feelin’ in My Body
recording of:
I Got a Feelin’ in My Body
lyricist and composer:
Dennis Linde
publisher:
Combine Music Corp. and EMI Blackwood Music Inc.
3:35
9It’s Midnight
recording of:
It’s Midnight
writer:
Jerry Chesnut and Billy Edd Wheeler
3:22
10Find Out What’s Happening
recording of:
Find Out What’s Happening
lyricist and composer:
Jerry Crutchfield (Country & Pop record producer, songwriter, musician)
publisher:
Champion Music Corp., Glitterfish Music, Inc. and Songs of Universal (SOCAN)
2:40
11If You Don’t Come Back
recording of:
If You Don’t Come Back
writer:
Jerry Leiber and Mike Stoller
publisher:
Jerry Leiber Music and Mike Stoller Music (ASCAP)
2:52
12For Ol’ Times Sake
recording of:
For Ol' Times Sake
lyricist and composer:
Tony Joe White
publisher:
Tennessee Swamp Fox Music Co.
3:38
13Just a Little Bit
recording of:
Just a Little Bit
writer:
Ralph Bass, Sonny Thompson (US R&B bandleader and pianist), John Thornton (songwriter) and Earl Washington
publisher:
Trio Music Co., Inc.
2:46
14Talk About the Good Times
recording of:
Talk About the Good Times
lyricist and composer:
Jerry Reed
publisher:
Sixteen Stars Music (BMI-affiliated), Valley Music Ltd (publisher) and Vector Music
2:54
15Loving Arms
recording of:
Loving Arms
lyricist and composer:
Tom Jans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music (London) Ltd.
2:52
16You Asked Me To
recording of:
You Asked Me To
writer:
Waylon Jennings (US country musician) and Billy Joe Shaver
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong (publisher) and Universal–Songs of PolyGram International, Inc. (in 1973)
3:05
17Good Time Charlie’s Got the Blues
recording of:
Good Time Charlie’s Got the Blues
lyricist and composer:
Danny O’Keefe
publisher:
Burlington Music Co., Ltd., Road Canon Music, Inc., Sixteen Stars Music (BMI-affiliated) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
4:29
18Your Love’s Been a Long Time Coming
recording of:
Your Love’s Been a Long Time Coming
writer:
Rory Bourke
publisher:
Chappell & Co.
3:50
19There’s a Honky Tonk Angel (Who Will Take Me Back In)
3:10
20Take Good Care of Her
recording of:
Take Good Care of Her
lyricist:
Ed Warren (US songwriter Edward C. Warren)
writer:
Arthur Kent
publisher:
Chappell & Co Ltd., Music Sales Corp Publishers and Music Sales Corporation (American copyright holder in both popular and classical music)
2:52
21She Wears My Ring
recording of:
She Wears My Ring
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff-Rose Music Limited (UK), House of Bryant Publications (publisher; do NOT use as release label) and Sony/ATV Music Publishing
version of:
La golondrina
3:25
22If That Isn’t Love
recording of:
If That Isn’t Love
lyricist and composer:
Dottie Rambo
publisher:
Heart Warming Music Co., Heartwarming Music and John T. Benson Pub. Co.
3:41
23Three Corn Patches
recording of:
Three Corn Patches
writer:
Jerry Leiber and Mike Stoller
publisher:
White Haven Music Inc.
3:37
4▼Digital Media
#TitleRatingLength
1Also Sprach Zarathustra (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Also sprach Zarathustra, op. 30 (TrV 176)
premiered in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 1896-11-27)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Works of Richard Strauss by opus number (number: op. 30) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 176)
1:15
2See See Rider (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
4:12
3I Got a Woman / Amen (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
I Got a Woman / Amen
composer:
Ray Charles (soul musician, singer and songwriter) and Jester Hairston
medley of:
I Got a Woman
medley of:
Amen (gospel song popularized by The Impressions)
4:52
4Love Me (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Love Me
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
1:50
5Trying to Get to You (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Trying to Get to You
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
2:08
6All Shook Up (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
All Shook Up
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
1:01
7Steamroller Blues (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Steamroller Blues
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) and EMI Blackwood Music Inc.
2:52
8(Let Me Be Your) Teddy Bear / Don’t Be Cruel (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Medley (Let Me Be Your) Teddy Bear / Don't Be Cruel
medley of:
(Let Me Be Your) Teddy Bear
medley of:
Don’t Be Cruel
2:03
9Love Me Tender (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Love Me Tender
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
1:42
10Long Tall Sally/Whole Lotta Shakin’ Goin’ On/Your Mama Don’t Dance/Flip Flop and Fly/Jailhouse Rock/Hound Dog (live Memphis, TN – March 20 1974)
3:33
11Fever (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Fever
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
3:07
12Polk Salad Annie (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Polk Salad Annie
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Blackwood Music Inc.
3:32
13Why Me Lord (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
3:00
14How Great Thou Art (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
How Great Thou Art (Hine’s version)
additional lyricist:
Stuart K. Hine (from 1931 until 1949)
lyricist:
Carl Gustav Boberg
composer:
Stuart K. Hine (from 1931 until 1949)
translator:
Stuart K. Hine (from 1931 until 1949, in 1949)
publisher:
Thankyou Music Ltd.
translated version of:
O store Gud
3:41
15Suspicious Minds (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Suspicious Minds
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
3:41
16Introductions (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
3:08
17Blueberry Hill / I Can’t Stop Loving You (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
3:05
18Help Me (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Help Me
lyricist and composer:
Larry Gatlin
publisher:
First Generation Music
2:50
19An American Trilogy (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
An American Trilogy
lyricist and arranger:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
medley of:
Dixie
medley of:
All My Trials
medley of:
Battle Hymn of the Republic (Glory, Glory, Hallelujah)
3:58
20Let Me Be There (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Let Me Be There
lyricist and composer:
John Rostill
publisher:
EMI Al Gallico Music Corp., EMI Music (do not use as release label! this is a music publisher) and Petal Music Ltd.
3:35
21My Baby Left Me (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
My Baby Left Me
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
2:23
22Lawdy, Miss Clawdy (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Lawdy Miss Clawdy
lyricist and composer:
Lloyd Price (US R&B/soul singer) (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
2:12
23Funny How Times Slips Away (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
2:45
24Can’t Help Falling in Love (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
live recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
1:38
25Closing Vamp (live at Mid‐South Coliseum, Memphis, TN – March 20, 1974)
recorded at:
Mid‐South Coliseum in Memphis, Tennessee, United States (on 1974-03-20)
1:17
5▶Digital Media