Centenary Collection 1958-1967

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Mozart: Arias
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1Die Entführung aus dem Serail, K. 384, Act II: No. 8, Aria. Durch Zärtlichkeit und Schmeicheln
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:08
2Die Entführung aus dem Serail, K. 384, Act II: No. 12, Aria. Welche Wonne, welche Lust
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:29
3Die Zauberflöte, K.620 / Act 1: "O zittre nicht, mein lieber Sohn!" - "Zum Leiden bin ich auserkoren" (Königin der Nacht)
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:52
4Die Zauberflöte, K. 620, Act II: Der Hölle Rache kocht in meinem Herzen
soprano vocals and soprano vocals [Königin der Nacht]:
Rita Streich (soprano)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Ferenc Fricsay (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:01
5Il re pastore, K. 208 / Act 1: "Aer tranquillo"
producer:
Wolfgang Lohse
soprano vocals [Aminta]:
Rita Streich (soprano) (from 1961-02-03 until 1961-02-06)
orchestra:
Camerata Academica des Mozarteums (Austrian chamber orchestra) (from 1961-02-03 until 1961-02-06)
conductor:
Bernhard Paumgartner (from 1961-02-03 until 1961-02-06)
balance engineer:
Heinrich Keilholz (in 1961-02)
recorded at:
Salzburg Festival 1961 (1961-07-26 – 1961-08-31)
recorded at:
Neues Festspielhaus in Salzburg, Salzburg, Austria (from 1961-02-03 until 1961-02-06)
recording of:
Il rè pastore, K. 208: Act I, Scene II. No. 3 Aria "Aer tranquillo e dì sereni" (Aminta) (from 1961-02-03 until 1961-02-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
part of:
Il rè pastore, K. 208: Act I
Wolfgang Amadeus Mozart7:12
6Alcandro, lo confesso... Non sò d'onde viene, K. 294
producer:
Wolfgang Lohse
soprano vocals:
Rita Streich (soprano) (from 1961-02-03 until 1961-02-06)
orchestra:
Camerata Academica des Mozarteums (Austrian chamber orchestra) (from 1961-02-03 until 1961-02-06)
conductor:
Bernhard Paumgartner (from 1961-02-03 until 1961-02-06)
balance engineer:
Heinrich Keilholz (in 1961-02)
recorded at:
Salzburg Festival 1961 (1961-07-26 – 1961-08-31)
recorded at:
Neues Festspielhaus in Salzburg, Salzburg, Austria (from 1961-02-03 until 1961-02-06)
recording of:
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 294: "Alcandro, Io confesso… Non só d'onde viene" (from 1961-02-03 until 1961-02-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 294) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 294)
Wolfgang Amadeus Mozart8:39
7Ah Se In Ciel, Benigne Stelle K538
producer:
Klaus Fischer-Dieskau
soprano vocals:
Rita Streich (soprano) (from 1958-09-22 until 1958-09-29)
orchestra:
Bavarian Radio Symphony (Bavarian Radio Symphony Orchestra) (from 1958-09-22 until 1958-09-29)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1958-09-22 until 1958-09-29)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1958-09-22 until 1958-09-29)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-09-22 until 1958-09-29)
recording of:
Aria for Soprano and Orchestra in F major, K. 538: Allegro “Ah se in ciel, benigne stelle” (from 1958-09-22 until 1958-09-29)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 53) and Köchelverzeichnis (Köchel catalogue, original numbering) (number: 538)
Wolfgang Amadeus Mozart7:47
8Vado, Ma Dove? Oh Dei! K583
producer:
Klaus Fischer-Dieskau
soprano vocals:
Rita Streich (soprano) (from 1958-09-22 until 1958-09-29)
orchestra:
Bavarian Radio Symphony (Bavarian Radio Symphony Orchestra) (from 1958-09-22 until 1958-09-29)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1958-09-22 until 1958-09-29)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1958-09-22 until 1958-09-29)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-09-22 until 1958-09-29)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” (from 1958-09-22 until 1958-09-29)
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 583) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 583)
Wolfgang Amadeus Mozart4:06
9Popoli Di Tessaglia ... Io Non Chiedo Eterni Dei K316
producer:
Klaus Fischer-Dieskau
soprano vocals:
Rita Streich (soprano) (from 1958-09-22 until 1958-09-29)
orchestra:
Bavarian Radio Symphony (Bavarian Radio Symphony Orchestra) (from 1958-09-22 until 1958-09-29)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1958-09-22 until 1958-09-29)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1958-09-22 until 1958-09-29)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-09-22 until 1958-09-29)
recording of:
Recitative and Aria for Soprano & Orchestra in C major, K. 300b/316 (from 1958-09-22 until 1958-09-29)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 316) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 300b)
Wolfgang Amadeus Mozart11:12
10Vorrei spiegarvi, oh Dio ... Ah conte, partite, K.418
producer:
Klaus Fischer-Dieskau
soprano vocals:
Rita Streich (soprano) (from 1958-09-22 until 1958-09-29)
orchestra:
Bavarian Radio Symphony (Bavarian Radio Symphony Orchestra) (from 1958-09-22 until 1958-09-29)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1958-09-22 until 1958-09-29)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1958-09-22 until 1958-09-29)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-09-22 until 1958-09-29)
recording of:
Aria for Soprano and Orchestra in A major, K. 418: “Vorrei spiegarvi, oh Dio” (from 1958-09-22 until 1958-09-29)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 418), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 418) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 418)
Wolfgang Amadeus Mozart6:33
11No, che non sei capace, K.419
producer:
Klaus Fischer-Dieskau
soprano vocals:
Rita Streich (soprano) (from 1958-09-22 until 1958-09-29)
orchestra:
Bavarian Radio Symphony (Bavarian Radio Symphony Orchestra) (from 1958-09-22 until 1958-09-29)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1958-09-22 until 1958-09-29)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1958-09-22 until 1958-09-29)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-09-22 until 1958-09-29)
recording of:
Aria for Soprano & Orchestra in C major, K. 419: "No no, che non sei capace" (from 1958-09-22 until 1958-09-29)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 419) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 419)
Wolfgang Amadeus Mozart4:37
12Mia Speranza Adorata ... Ah Non Sai Qual Pena K416
producer:
Klaus Fischer-Dieskau
soprano vocals:
Rita Streich (soprano) (from 1958-09-22 until 1958-09-29)
orchestra:
Bavarian Radio Symphony (Bavarian Radio Symphony Orchestra) (from 1958-09-22 until 1958-09-29)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1958-09-22 until 1958-09-29)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1958-09-22 until 1958-09-29)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-09-22 until 1958-09-29)
recording of:
Recitative and Aria for Soprano & Orchestra in B-flat major, K. 416 (from 1958-09-22 until 1958-09-29)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 416) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 416)
Wolfgang Amadeus Mozart8:45
13Nehmt meinen Dank, ihr holden Gönner, K.383
producer:
Klaus Fischer-Dieskau
soprano vocals:
Rita Streich (soprano) (from 1958-09-22 until 1958-09-29)
orchestra:
Bavarian Radio Symphony (Bavarian Radio Symphony Orchestra) (from 1958-09-22 until 1958-09-29)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1958-09-22 until 1958-09-29)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1958-09-22 until 1958-09-29)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1958-09-22 until 1958-09-29)
recording of:
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" (from 1958-09-22 until 1958-09-29)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 383) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 383)
Wolfgang Amadeus Mozart3:44
2▼CD: Beethoven: Cello Sonatas nos. 3 & 5 / Chopin: Cello Sonata
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1Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto
cello:
Pierre Fournier (cellist) (in 1959-06)
piano:
Friedrich Gulda (pianist) (in 1959-06)
recording of:
Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto (in 1959-06)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Sonata for Cello and Piano no. 3 in A major, op. 69
Ludwig van Beethoven12:54
2Cello Sonata no. 3 in A major, op. 69: II. Scherzo (Allegro molto)
cello:
Pierre Fournier (cellist) (in 1959-06)
piano:
Friedrich Gulda (pianist) (in 1959-06)
recording of:
Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto (in 1959-06)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Sonata for Cello and Piano no. 3 in A major, op. 69
Ludwig van Beethoven5:20
3Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace
cello:
Pierre Fournier (cellist) (in 1959-06)
piano:
Friedrich Gulda (pianist) (in 1959-06)
recording of:
Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile – Allegro vivace (in 1959-06)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Sonata for Cello and Piano no. 3 in A major, op. 69
Ludwig van Beethoven8:42
4Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio
cello:
Pierre Fournier (cellist) (in 1959-06)
piano:
Friedrich Gulda (pianist) (in 1959-06)
recording of:
Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio (in 1959-06)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2
Ludwig van Beethoven6:26
5Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto
cello:
Pierre Fournier (cellist) (in 1959-06)
piano:
Friedrich Gulda (pianist) (in 1959-06)
recording of:
Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto (in 1959-06)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2
Ludwig van Beethoven9:14
6Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato
cello:
Pierre Fournier (cellist) (in 1959-06)
piano:
Friedrich Gulda (pianist) (in 1959-06)
recording of:
Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro – Allegro fugato (in 1959-06)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2
Ludwig van Beethoven4:30
7Cello Sonata In G minor, op. 65: I. Allegro moderato
producer:
Werner Mayer (classical producer)
cello:
Pierre Fournier (cellist) (in 1971-01, from 1971-01-12 until 1971-01-15)
piano:
Jean Fonda (pianist) (in 1971-01, from 1971-01-12 until 1971-01-15)
balance engineer:
Klaus Scheibe (editor/engineer) (from 1971-01-12 until 1971-01-15)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-01, from 1971-01-12 until 1971-01-15)
recording of:
Sonata for Cello and Piano in G minor, op. 65: I. Allegro moderato (from 1971-01-12 until 1971-01-15)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
recording of:
Sonata for Cello and Piano in G minor, op. 65: I. Allegro moderato (in 1971-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Fryderyk Chopin9:46
8Cello Sonata In G minor, op. 65: II. Scherzo (Allegro con brio)
producer:
Werner Mayer (classical producer)
cello:
Pierre Fournier (cellist) (in 1971-01, from 1971-01-12 until 1971-01-15)
piano:
Jean Fonda (pianist) (in 1971-01, from 1971-01-12 until 1971-01-15)
balance engineer:
Klaus Scheibe (editor/engineer) (from 1971-01-12 until 1971-01-15)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-01, from 1971-01-12 until 1971-01-15)
recording of:
Sonata for Cello and Piano in G minor, op. 65: II. Scherzo. Allegro con brio (from 1971-01-12 until 1971-01-15)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
recording of:
Sonata for Cello and Piano in G minor, op. 65: II. Scherzo. Allegro con brio (in 1971-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Fryderyk Chopin4:38
9Cello Sonata In G minor, op. 65: III. Largo
producer:
Werner Mayer (classical producer)
cello:
Pierre Fournier (cellist) (in 1971-01, from 1971-01-12 until 1971-01-15)
piano:
Jean Fonda (pianist) (in 1971-01, from 1971-01-12 until 1971-01-15)
balance engineer:
Klaus Scheibe (editor/engineer) (from 1971-01-12 until 1971-01-15)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-01, from 1971-01-12 until 1971-01-15)
recording of:
Sonata for Cello and Piano in G minor, op. 65: III. Largo (from 1971-01-12 until 1971-01-15)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
recording of:
Sonata for Cello and Piano in G minor, op. 65: III. Largo (in 1971-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Fryderyk Chopin3:52
10Cello Sonata In G minor, op. 65: IV. Finale (Allegro)
producer:
Werner Mayer (classical producer)
cello:
Pierre Fournier (cellist) (in 1971-01, from 1971-01-12 until 1971-01-15)
piano:
Jean Fonda (pianist) (in 1971-01, from 1971-01-12 until 1971-01-15)
balance engineer:
Klaus Scheibe (editor/engineer) (from 1971-01-12 until 1971-01-15)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-01, from 1971-01-12 until 1971-01-15)
recording of:
Sonata for Cello and Piano in G minor, op. 65: IV. Finale. Allegro (from 1971-01-12 until 1971-01-15)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
recording of:
Sonata for Cello and Piano in G minor, op. 65: IV. Finale. Allegro (in 1971-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Fryderyk Chopin6:11
3▼CD: Schumann: Cello Concerto / Tchaikovsky: Rococo Variations / Rachmaninov: Cello Sonata
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1Cello Concerto in A minor, op. 129: I. Nicht zu schnell
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer) (task: recording producer)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Cello Concerto in A minor, op. 129: I. Nicht zu schnell (Concerto for Cello and Orchestra in A minor, Op. 129: I. Nicht zu schnell) (in 1960-09)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann12:17
2Cello Concerto in A minor, op. 129: II. Langsam
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer) (task: recording producer)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Cello Concerto in A minor, op. 129: II. Langsam (Concerto for Cello and Orchestra in A minor, Op. 129: II. Langsam) (in 1960-09)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann5:03
3Cello Concerto in A minor, op. 129: III. Sehr lebhaft
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer) (task: recording producer)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Cello Concerto in A minor, op. 129: III. Sehr lebhaft (Concerto for Cello and Orchestra in A minor, Op. 129: III. Sehr lebhaft) (in 1960-09)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann8:24
4Variations on a Rococo Theme in A major, op. 33: I. Moderato quasi andante
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Moderato quasi andante (standard Fitzenhagen version) (in 1960-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Peter Ilyich Tchaikovsky0:54
5Variations on a Rococo Theme in A major, op. 33: Theme: Moderato semplice
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Tema. Moderato semplice (standard Fitzenhagen version) (in 1960-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Peter Ilyich Tchaikovsky1:42
6Variations on a Rococo Theme in A major, op. 33: Variation I: Tempo del tema
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione I. Tempo del Tema (standard Fitzenhagen version) (in 1960-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Peter Ilyich Tchaikovsky0:53
7Variations on a Rococo Theme in A major, op. 33: Variation II: Tempo del tema
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione II. Tempo del Tema (standard Fitzenhagen version) (in 1960-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Peter Ilyich Tchaikovsky1:18
8Variations on a Rococo Theme in A major, op. 33: Variation III: Andante sostenuto
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione III. Andante sostenuto (standard Fitzenhagen version) (in 1960-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Peter Ilyich Tchaikovsky3:54
9Variations on a Rococo Theme in A major, op. 33: Variation IV: Andante grazioso
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione IV. Andante grazioso (standard Fitzenhagen version) (in 1960-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Peter Ilyich Tchaikovsky1:52
10Variations on a Rococo Theme in A major, op. 33: Variation V: Allegro moderato
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione V. Allegro moderato (standard Fitzenhagen version) (in 1960-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Peter Ilyich Tchaikovsky1:52
11Variations on a Rococo Theme in A major, op. 33: Cadenza
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
Peter Ilyich Tchaikovsky1:32
12Variations on a Rococo Theme in A major, op. 33: Variation VI: Andante
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VI. Andante (standard Fitzenhagen version) (in 1960-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Peter Ilyich Tchaikovsky2:47
13Variations on a Rococo Theme in A major, op. 33: Variation VII e Coda: Allegro vivo
cello:
Mstislav Rostropovich (cellist/conductor) (in 1960-09)
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennady Rozhdestvensky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1960-09)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VII. e Coda. Allegro vivo (standard Fitzenhagen version) (in 1960-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Peter Ilyich Tchaikovsky2:13
14Cello Sonata in G minor, op. 19: I. Lento - Allegro moderato
cello:
Mstislav Rostropovich (cellist/conductor)
piano:
Александр Александрович Дедюхин (pianist)
recording of:
Sonata for Cello and Piano in G minor, op. 19: I. Lento - Allegro moderato
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1901 until 1901-12-12)
part of:
Sonata for Cello and Piano in G minor, op. 19
Sergei Rachmaninov10:03
15Cello Sonata in G minor, op. 19: II. Allegro scherzando
cello:
Mstislav Rostropovich (cellist/conductor)
piano:
Александр Александрович Дедюхин (pianist)
recording of:
Sonata for Cello and Piano in G minor, op. 19: II. Allegro scherzando
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1901 until 1901-12-12)
part of:
Sonata for Cello and Piano in G minor, op. 19
Sergei Rachmaninov5:57
16Cello Sonata in G minor, op. 19: III. Andante
cello:
Mstislav Rostropovich (cellist/conductor)
piano:
Александр Александрович Дедюхин (pianist)
recording of:
Sonata for Cello and Piano in G minor, op. 19: III. Andante
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1901 until 1901-12-12)
part of:
Sonata for Cello and Piano in G minor, op. 19
Sergei Rachmaninov6:05
17Cello Sonata in G minor, op. 19: IV. Allegro mosso
cello:
Mstislav Rostropovich (cellist/conductor)
piano:
Александр Александрович Дедюхин (pianist)
recording of:
Sonata for Cello and Piano in G minor, op. 19: IV. Allegro mosso
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1901 until 1901-12-12)
part of:
Sonata for Cello and Piano in G minor, op. 19
Sergei Rachmaninov9:45
4▼CD: Beethoven: Piano Concerto no. 5 "Emperor" / Piano Sonata no. 29 "Hammerklavier"
#TitleArtistRatingLength
1Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
recording engineer:
Volker Martin (engineer) and Werner Wolf (engineer/producer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
piano:
Wilhelm Kempff (pianist) (in 1961-07)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-07)
conductor:
Ferdinand Leitner (conductor) (in 1961-07)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1961-07)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (in 1961-07)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven20:15
2Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto
recording engineer:
Volker Martin (engineer) and Werner Wolf (engineer/producer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
piano:
Wilhelm Kempff (pianist) (in 1961-07)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-07)
conductor:
Ferdinand Leitner (conductor) (in 1961-07)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1961-07)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1961-07)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:35
3Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro ma non troppo
recording engineer:
Volker Martin (engineer) and Werner Wolf (engineer/producer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
piano:
Wilhelm Kempff (pianist) (in 1961-07)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-07)
conductor:
Ferdinand Leitner (conductor) (in 1961-07)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1961-07)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (in 1961-07)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:36
4Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": I. Allegro
Ludwig van Beethoven8:51
5Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": II. Scherzo. Assai vivace – Presto
audio engineer and producer:
Mark Obert-Thorn (sound engineer)
executive producer:
Michael Spring (producer)
piano:
Wilhelm Kempff (pianist) (in 1936-01)
balance engineer:
Carl Friedrich Ehrich
recording of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace (in 1936-01)
composer:
Ludwig van Beethoven (German composer) (from 1817 until 1818)
part of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier" (Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier")
Ludwig van Beethoven2:44
6Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto, appassionato e con molto sentimento
producer:
Hans Weber (producer/engineer) (in 1964-01)
piano:
Wilhelm Kempff (pianist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1964-01)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1964-01)
recording of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento (in 1964-01)
composer:
Ludwig van Beethoven (German composer) (from 1817 until 1818)
part of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier" (Sonata for Piano no. 29 in B-flat major, op. 106 "Hammerklavier")
Ludwig van Beethoven16:31
7Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": IV. Largo – Allegro – Allegro risoluto
Ludwig van Beethoven12:05
5▼CD: Beethoven: Symphonies nos. 3 "Eroica" & 8
#TitleArtistRatingLength
1Symphony no. 3 in E flat major, op. 55 "Eroica": I. Allegro con brio
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-11-11 until 1962-11-15)
conductor:
Herbert von Karajan (conductor) (from 1962-11-11 until 1962-11-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-11-11 until 1962-11-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-11-11 until 1962-11-15)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (from 1962-11-11 until 1962-11-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven14:43
2Symphony no. 3 in E flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-11-11 until 1962-11-15)
conductor:
Herbert von Karajan (conductor) (from 1962-11-11 until 1962-11-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-11-11 until 1962-11-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-11-11 until 1962-11-15)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (from 1962-11-11 until 1962-11-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven17:05
3Symphony no. 3 in E flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-11-11 until 1962-11-15)
conductor:
Herbert von Karajan (conductor) (from 1962-11-11 until 1962-11-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-11-11 until 1962-11-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-11-11 until 1962-11-15)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (from 1962-11-11 until 1962-11-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven5:44
4Symphony no. 3 in E flat major, op. 55 "Eroica": IV. Finale. Allegro molto
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-11-11 until 1962-11-15)
conductor:
Herbert von Karajan (conductor) (from 1962-11-11 until 1962-11-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-11-11 until 1962-11-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-11-11 until 1962-11-15)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (from 1962-11-11 until 1962-11-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven12:20
5Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
producer:
Otto Gerdes (conductor and producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1962-01-23)
conductor:
Herbert von Karajan (conductor) (on 1962-01-23)
balance engineer:
Günter Hermanns (producer/engineer) (on 1962-01-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1962-01-23)
recording of:
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio (on 1962-01-23)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven9:16
6Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
producer:
Otto Gerdes (conductor and producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1962-01-23)
conductor:
Herbert von Karajan (conductor) (on 1962-01-23)
balance engineer:
Günter Hermanns (producer/engineer) (on 1962-01-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1962-01-23)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (on 1962-01-23)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:54
7Symphony no. 8 in F major, op. 93: III. Tempo di menuetto
producer:
Otto Gerdes (conductor and producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1962-01-23)
conductor:
Herbert von Karajan (conductor) (on 1962-01-23)
balance engineer:
Günter Hermanns (producer/engineer) (on 1962-01-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1962-01-23)
recording of:
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto (on 1962-01-23)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven5:54
8Symphony no. 8 in F major, op. 93: IV. Allegro vivace
producer:
Otto Gerdes (conductor and producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1962-01-23)
conductor:
Herbert von Karajan (conductor) (on 1962-01-23)
balance engineer:
Günter Hermanns (producer/engineer) (on 1962-01-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1962-01-23)
recording of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace (on 1962-01-23)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven7:07
6▼CD: Strauss: Till Eulenspiegels lustige Streiche / Don Juan / Salome's Dance of the Seven Veils / Mozart: Sinfonia concertante
#TitleArtistRatingLength
1Till Eulenspiegels lustige Streiche, op. 28, TrV 171
executive producer:
Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963-04)
conductor:
Karl Böhm (Austrian conductor) (in 1963-04)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1963-04)
recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (in 1963-04)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss15:12
2Don Juan, op. 20, TrV 156
producer:
Wolfgang Lohse
solo violin:
Thomas Brandis (violinist) (in 1963-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963-04)
conductor:
Karl Böhm (Austrian conductor) (in 1963-04)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1963-04)
recording of:
Don Juan (op. 20; TrV 156) (in 1963-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1889-11-11)
composer:
Richard Strauss (German composer) (in 1888)
part of:
Works of Richard Strauss by opus number (number: op. 20) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 156)
Richard Strauss17:30
3Salome, op. 54, TrV 215 / Scene IV - Salome's Dance of the Seven Veils
executive producer:
Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963-04)
conductor:
Karl Böhm (Austrian conductor) (in 1963-04)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1963-04)
recording of:
Salomes Tanz, TrV 215a (concert version) (in 1963-04)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Werkverzeichnis (Richard Strauss TrV) (number: TrV 215a)
arrangement of:
Salome: Vierte Szene. Tanz der sieben Schleier
Richard Strauss9:49
4Sinfonia concertante for Violin and Viola in E-flat major, K. 364: I. Allegro maestoso
executive producer:
Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
viola:
Giusto Cappone (violist) (in 1964-12)
violin:
Thomas Brandis (violinist) (in 1964-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-12)
conductor:
Karl Böhm (Austrian conductor) (in 1964-12)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1964-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-12)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: I. Allegro maestoso (in 1964-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart14:02
5Sinfonia concertante for Violin and Viola in E-flat major, K. 364: II. Andante
executive producer:
Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
viola:
Giusto Cappone (violist) (in 1964-12)
violin:
Thomas Brandis (violinist) (in 1964-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-12)
conductor:
Karl Böhm (Austrian conductor) (in 1964-12)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1964-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-12)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: II. Andante (in 1964-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart10:41
6Sinfonia concertante for Violin and Viola in E-flat major, K. 364: III. Presto
executive producer:
Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
viola:
Giusto Cappone (violist) (in 1964-12)
violin:
Thomas Brandis (violinist) (in 1964-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-12)
conductor:
Karl Böhm (Austrian conductor) (in 1964-12)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1964-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-12)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto (in 1964-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart6:50
7▼CD: Bruckner: Symphony no. 7 / Motets, Os justi meditabitur sapientiam, Christus Factus Est
#TitleArtistRatingLength
1Symphony no. 7 in E major, WAB 107 - Ed. Nowak: I. Allegro moderato
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-10-10)
conductor:
Eugen Jochum (conductor) (on 1964-10-10)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1964-10-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-10-10)
recording of:
Symphony no. 7 in E-major, WAB 107: I. Allegro moderato (1885 version; ed. Albert Gutmann) (on 1964-10-10)
composer:
Anton Bruckner (Austrian composer) (from 1881 until 1883)
revised by:
Anton Bruckner (Austrian composer) (in 1885)
part of:
Symphony no. 7 in E-major, WAB 107 (1885 ed. A. Gutmann)
Anton Bruckner20:37
2Symphony no. 7 in E major, WAB 107 - Ed. Nowak: II. Adagio. Sehr feierlich und sehr langsam
producer:
Erna Elchlepp
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1952-03-28 until 1952-04-02)
conductor:
Eugen Jochum (conductor) (from 1952-03-28 until 1952-04-02)
balance engineer:
Heinrich Keilholz (from 1952-03-28 until 1952-04-02) and Karl-Heinz Westphal (from 1952-03-28 until 1952-04-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-03-28 until 1952-04-02)
recording of:
Symphony no. 7 in E-major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam (1885 version; ed. Albert Gutmann) (from 1952-03-28 until 1952-04-02)
composer:
Anton Bruckner (Austrian composer) (from 1881 until 1883)
revised by:
Anton Bruckner (Austrian composer) (in 1885)
part of:
Symphony no. 7 in E-major, WAB 107 (1885 ed. A. Gutmann)
Anton Bruckner24:31
3Symphony no. 7 in E major, WAB 107 - Ed. Nowak: III. Scherzo: Sehr schnell
producer:
Erna Elchlepp
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1952-03-28 until 1952-04-02)
conductor:
Eugen Jochum (conductor) (from 1952-03-28 until 1952-04-02)
balance engineer:
Heinrich Keilholz (from 1952-03-28 until 1952-04-02) and Karl-Heinz Westphal (from 1952-03-28 until 1952-04-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-03-28 until 1952-04-02)
recording of:
Symphony no. 7 in E-major, WAB 107: III. Scherzo. Sehr schnell (1885 version; ed. Albert Gutmann) (from 1952-03-28 until 1952-04-02)
composer:
Anton Bruckner (Austrian composer) (from 1881 until 1883)
revised by:
Anton Bruckner (Austrian composer) (in 1885)
part of:
Symphony no. 7 in E-major, WAB 107 (1885 ed. A. Gutmann)
Anton Bruckner9:48
4Symphony no. 7 in E major, WAB 107 - Ed. Nowak: IV. Finale: Bewegt doch nicht schnell
producer:
Erna Elchlepp
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1952-03-28 until 1952-04-02)
conductor:
Eugen Jochum (conductor) (from 1952-03-28 until 1952-04-02)
balance engineer:
Heinrich Keilholz (from 1952-03-28 until 1952-04-02) and Karl-Heinz Westphal (from 1952-03-28 until 1952-04-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-03-28 until 1952-04-02)
recording of:
Symphony no. 7 in E-major, WAB 107: IV. Finale. Bewegt, doch nicht schnell (1885 version; ed. Albert Gutmann) (from 1952-03-28 until 1952-04-02)
composer:
Anton Bruckner (Austrian composer) (from 1881 until 1883)
revised by:
Anton Bruckner (Austrian composer) (in 1885)
part of:
Symphony no. 7 in E-major, WAB 107 (1885 ed. A. Gutmann)
Anton Bruckner12:23
5Os justi meditabitur sapientiam (Motet), WAB. 30
producer:
Wolfgang Lohse
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-06)
conductor:
Eugen Jochum (conductor) (in 1966-06)
chorus master:
Wolfgang Schubert (conductor) (in 1966-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1966-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-06)
recording of:
Os justi, WAB 30 (in 1966-06)
composer:
Anton Bruckner (Austrian composer) (on 1879-07-18)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 30)
Anton Bruckner5:06
6Christus Factus Est (Motet), WAB. 11
producer:
Wolfgang Lohse
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-06)
conductor:
Eugen Jochum (conductor) (in 1966-06)
chorus master:
Wolfgang Schubert (conductor) (in 1966-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1966-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-06)
recording of:
Christus factus est, WAB 10 (for choir, trombones and optional string quintet) (in 1966-06)
composer:
Anton Bruckner (Austrian composer) (in 1873)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 10)
Anton Bruckner6:04
8▼CD: Areas and Lieder
#TitleArtistRatingLength
1Die Zauberflöte, K. 620, Act I: no. 3, Dies Bildnis ist bezaubernd schön
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:39
2Die Entführung aus dem Serail, K. 384 / Act I: "Hier soll ich dich denn sehen"
tenor vocals [Belmonte]:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:43
3Die Entführung aus dem Serail, K. 384 / Act II: "Wenn der Freude Tränen fließen"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:15
4Die Schöpfung, Hob. XXI:2 / Erster Teil: 2. Arie mit Chor : "Nun schwanden vor dem heiligen Strahle" (Uriel)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:01
5Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ : "Im vollen Glanze steiget jetzt" (Uriel)
producer:
Hans Weber (producer/engineer)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:55
6Die Schöpfung, Hob. XXI:2 / Erster Teil: 13. Chor mit Soli : "Die Himmel erzählen die Ehre Gottes" (Gabriel, Uriel, Raphael)
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone) (from 1966-02-22 until 1969-04-29)
choir vocals:
Wiener Singverein and Singverein der Gesellschaft der Musikfreunde in Wien (from 1966-02-22 until 1969-04-29)
soprano vocals [Gabriel]:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (, from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:02
7Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 24. Arie : "Mit Würd' und Hoheit angetan" (Uriel)
producer:
Hans Weber (producer/engineer)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:59
8La traviata / Act 1: "O Freunde, so leeret in vollen Zügen"
baritone vocals [Baron]:
Günter Missenhardt (operatic bass-baritone) (in 1966-09)
bass vocals [Doktor]:
Karl Christian Kohn (operatic bass) (in 1966-09)
bass vocals [Marquis]:
Hans Bruno Ernst (operatic bass) (in 1966-09)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-09)
contralto vocals [Flora]:
Claudia Hellmann (contralto) (in 1966-09)
soprano vocals [Violetta]:
Hilde Güden (soprano) (in 1966-09)
tenor vocals [Alfredo]:
Fritz Wunderlich (operatic tenor) (in 1966-09)
tenor vocals [Gaston]:
Friedrich Lenz (tenor) (in 1966-09)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1966-09)
conductor:
Bruno Bartoletti (conductor) (in 1966-09)
recording of:
La Traviata: Akt I. „O Freunde, so leeret in vollen Zügen“ (Alfredo, Chor, Violetta) (in 1966-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
part of:
La Traviata: Akt I.
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi2:20
9La traviata / Act 3: "O, laß uns fliehen aus diesen Mauern"
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Violetta]:
Hilde Güden (soprano)
tenor vocals [Alfredo]:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bruno Bartoletti (conductor)
recording of:
La Traviata: Akt III. „O, laß uns fliehen aus diesen Mauern“ (Alfred, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)
part of:
La Traviata: Akt III.
Giuseppe Verdi3:47
10Eugene Onegin, op. 24, Act II: Wohin seid ihr entschwunden
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
orchestra:
Orchester Der Staatsoper Munchen (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1966-07)
conductor:
Otto Gerdes (conductor and producer) (in 1966-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-07)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Eugen Onegin: Aufzug II. "Wohin seid ihr entschwunden" (Lensky) (in 1966-07)
composer:
Tschaikowsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin, op. 24 (German translation)
Pyotr Ilyich Tchaikovsky6:54
11Zar und Zimmermann, LoWV 38 / Act 2: "Lebe wohl, mein flandrisch Mädchen"
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing5:02
12Im Abendrot, D. 799
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1965-11)
recording of:
Im Abendrot, D. 799 (in 1965-11)
lyricist:
Karl Lappe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 799)
Franz Schubert3:27
13An die Laute, op. 81, no. 2, D. 905
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1965-11)
recording of:
An die Laute, D. 905 (in 1965-11)
lyricist:
Johann Friedrich Rochlitz (German dramatist)
composer:
Franz Schubert (composer) (in 1827-01)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 905)
Franz Schubert1:56
14Die Forelle, op. 32, D. 550
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
vocals:
Fritz Wunderlich (operatic tenor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
Die Forelle, D. 550 (The Trout, D. 550) (in 1965-11)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert2:25
15Lied eines Schiffers an die Dioskuren, op. 65, D. 360
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1965-11)
recording of:
Lied eines Schiffers an die Dioskuren, D. 360 (in 1965-11)
lyricist:
Johann Mayrhofer
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 360)
Franz Schubert2:46
16Der Musensohn, op. 92, no. 1, D. 764
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1965-11)
recording of:
Der Musensohn, D. 764 (in 1965-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 764)
Franz Schubert2:16
17Der Einsame, op. 14, D.800
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Der Einsame, D. 800 (in 1966-07)
lyricist:
Karl Lappe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 800)
Franz Schubert4:23
18Frühlingsglaube, D. 686
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
Frühlingsglaube, D. 686 (in 1966-07)
lyricist:
Ludwig Uhland (German poet)
composer:
Franz Schubert (composer) (in 1820-09)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 686)
is based on:
Frühlingsglaube
Franz Schubert3:17
19An Sylvia, op. 106 no. 4, D. 891
piano:
Hubert Giesen (pianist) (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
An Sylvia, D. 891 (for voice and piano) (from 1966-07-02 until 1966-07-05)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert3:05
20Heidenröslein, op. 3/3, D.257
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
vocals:
Fritz Wunderlich (operatic tenor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1966) and Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Heidenröslein, D. 257 ("Sah ein Knab’ ein Röslein stehn”) (in 1966-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-08-19)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257)
Franz Schubert1:46
21Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder"
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
vocals:
Fritz Wunderlich (operatic tenor)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano) (in 1966-07)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert3:47
22Liebhaber in allen Gestalten, D. 558
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Liebhaber in allen Gestalten, D. 558 (in 1966-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1817)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 558)
Franz Schubert1:17
23An die Musik, op. 88, no. 4, D. 547
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-07-02 until 1966-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1966-07-02 until 1966-07-05)
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (in 1966-07)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:24
9▶CD: Mozart: Piano Concerto no. 14 / Schumann: Davidsbündlertänze / Liszt: Waldesrauschen
10▶CD: Spanish Guitar