The Ultimate Rock Ballads Collection: Love Hurts

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Fly Like an Eagle
engineer:
Mike Fusaro
producer:
Steve Miller (leader of Steve Miller Band)
mixer:
Jim Gaines
recording of:
Fly Like an Eagle
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited and Sailor Music
Steve Miller Band4.53:04
2Love Hurts
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.53:03
3All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:31
4Over My Head
engineer:
David DeVore and Keith Olsen (US producer and engineer)
producer:
Fleetwood Mac and Keith Olsen (US producer and engineer)
acoustic guitar, banjo, electric guitar and resonator guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02)
bass guitar:
John McVie (in 1975-02)
drums (drum set) [drums] and percussion:
Mick Fleetwood (in 1975-02)
keyboard [keyboards] and synthesizer:
Christine McVie (in 1975-02)
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02), Christine McVie (in 1975-02) and Stevie Nicks (in 1975-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1975)
recording of:
Over My Head (in 1975-02)
lyricist and composer:
Christine McVie
Fleetwood Mac4.153:36
5Dream Weaver
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 25)
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and WB Music Corp.
Gary Wright44:18
6Rocky Mountain Way
producer:
Bill Szymczyk and Joe Walsh (Eagles/James Gang)
bass guitar and guitar:
Kenny Passarelli (Bass, piano) (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
drums (drum set), electric piano, percussion and piano:
Joe Vitale (from 1972 until 1973)
keyboard:
Rocke Grace (from 1972 until 1973), Joe Vitale (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
synthesizer and lead vocals:
Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
background vocals:
Rocke Grace (from 1972 until 1973) and Kenny Passarelli (Bass, piano) (from 1972 until 1973)
phonographic copyright (℗) by:
Geffen Records (in 1973)
recording of:
Rocky Mountain Way (from 1972 until 1973)
writer:
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale and Joe Walsh (Eagles/James Gang)
Joe Walsh45:15
7Baby Hold On
recording engineer:
Andy Johns (in 1977-06)
producer:
Bruce Botnick
mixer:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
bass guitar:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
harmonica, saxophone and lead vocals:
Eddie Money
keyboard:
Eddie Money, Alan Pasqua and Freddie Webb (keyboardist)
percussion:
Kevin Calhoun (percussionist)
background vocals:
Randy Nichols
guest vocals:
Jo Baker (US singer, involved with Elvin Bishop)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States (in 1977-06) and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1977-06)
recording of:
Baby Hold On (in 1977-06)
writer:
Jimmy Lyon (rock guitarist, worked with Eddie Money) and Eddie Money
publisher:
Cashola Music and Three Wise Boys Music LLC
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.53:32
8I’m Not in Love
bass and guitar:
Graham Gouldman (in 1975)
effects [musical effects]:
Eric (in 1975)
electric piano and lead vocals:
Eric Stewart (in 1975)
Moog:
Kevin Godley (in 1975)
piano:
Lol Creme (in 1975)
synclavier [control desk]:
Eric (in 1975), Graham (in 1975), Kevin (in 1975) and Lol (in 1975)
background vocals:
Lol Creme (in 1975), Kevin Godley (in 1975) and Graham Gouldman (in 1975)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!)
edit of:
I’m Not in Love (album version) by 10cc
recording of:
I’m Not in Love (in 1975)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc4.23:47
9Midnight Blue
recording of:
Midnight Blue
composer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Bruce Turgon
publisher:
Colgems-EMI Music Inc. and Stray Notes Music
Lou Gramm53:52
10Oh Sherrie
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Oh Sherrie
writer:
Bill Cuomo, Randy Goodrum, Craig Krampf and Steve Perry (former lead singer of Journey)
publisher:
Pants Down Music, Phosphene Music, Randy Goodrum Inc., Round Hill Songs / Randy Goodrum Music and Street Talk Tunes
sub-publisher:
Origin Network Pty Ltd, フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Steve Perry4.353:49
11You and Me
producer:
Bob Ezrin
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Music International (trademark of Warner Music International the company) (in 1977)
remix of:
You and Me by Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
edit of:
You and Me by Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
recording of:
You and Me
writer:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and Dick Wagner
publisher:
Early Frost Music Corp., Ezra Music, Ezra Music Corp., Spirit One Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper53:28
12Everytime I Think of You
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1978)
recording of:
Every Time I Think of You
writer:
Jack Conrad (in 1978) and Ray Kennedy (singer, songwriter, and record producer based in L.A.) (in 1978)
publisher:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music and X‐Ray Music
The Babys53:50
13Lonesome Loser
recorded in:
Melbourne, Victoria, Australia (in 1979-06)
producer:
John Boylan and Little River Band
bass:
Clive Harrison (in 1979-06)
drums (drum set):
Derek Pellicci (in 1979-06)
guitar:
David Briggs (producer, guitarist of Little River Band) (in 1979-06)
piano:
Peter Sullivan (UK producer) (in 1979-06)
vocals:
Beeb Birtles (in 1979-06), Graham Goble (in 1979-06) and Glenn Shorrock (in 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 1979), Capitol Records (imprint of Capitol Records, Inc.) (in 1979, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
produced for:
Tumbleweed Productions
recording of:
Lonesome Loser (in 1979-06)
lyricist and composer:
David Briggs (producer, guitarist of Little River Band)
publisher:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band43:54
14Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross4.14:30
15The One That You Love
assistant engineer:
Neil Rawle
engineer and producer:
Harry Maslin
assistant mixer:
Ed Sanders (producer/engineer) and John Van Nest
mixer:
Harry Maslin and John Van Nest
acoustic guitar:
Graham Russell (Air Supply)
bass guitar [bass]:
David Green (Australian bassist, formerly of Air Supply)
drums (drum set):
Ralph Cooper (drummer)
electric guitar [lead and rhythm guitar]:
Rex Goh and David Moyse
keyboard:
Frank Esler‐Smith
vocals:
Russell Hitchcock and Graham Russell (Air Supply)
conductor:
Frank Esler‐Smith
arranger:
Air Supply
orchestrator:
Frank Esler‐Smith
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981), Arista Records, LLC (holding company - file NO releases here!) (in 1981) and Big Time Phonograph Recording Co. (in 1981)
produced for:
HRM Productions Inc. (Harry Maslin production company)
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia
mixed at:
Allen Zentz Recording in Encino, California, United States
part of:
The Downloader’s Music Source Book (number: 297)
recording of:
The One That You Love
lyricist and composer:
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers, Warner/Chappell Music Ltd. (1996–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Careers Music, Inc. (from 1981 to ????) and Bestall Reynolds Music (from 1981 to present)
Air Supply4.754:15
2CD
#TitleArtistRatingLength
1How Much I Feel
producer:
Freddie Piro
bass:
Joe Puerta
drums (drum set), percussion and background vocals:
Burleigh Drummond
guitar, keyboard and lead vocals:
David Pack
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and Warner Music H.K. Ltd. (in 1997)
recording of:
How Much I Feel
lyricist and composer:
David Pack
publisher:
EMI Longitude Music and Longitude Music Co.
Ambrosia54:45
2Feels Like the First Time
associate engineer:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron and Randy Mason
engineer:
Gary Lyons (UK engineer & producer)
co-producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
producer:
Gary Lyons (UK engineer & producer) and John Sinclair (engineer)
mixer:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
bass guitar:
Ed Gagliardi (bass player (Foreigner))
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
keyboard:
Al Greenwood and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
synthesizer:
Al Greenwood
background vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Feels Like the First Time
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4.23:51
3Reason to Believe
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971)
cover recording of:
Reason to Believe (in 1971-01)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. and Trio Music Co., Inc.
Rod Stewart3.154:07
4Every Rose Has Its Thorn
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 34)
recording of:
Every Rose Has Its Thorn
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Songs Inc.
Poison44:20
5(Don’t Fear) The Reaper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 397) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 449)
recording of:
(Don’t Fear) The Reaper
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:51
6Lady
engineer:
Gary Loizzo
producer:
Dennis DeYoung
publisher:
Wooden Nickel
recording of:
Lady (Styx song) (in 1995)
lyricist and composer:
Dennis DeYoung
publisher:
Wooden Nickel Music, Inc. (work publisher) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Styx43:06
7Almost Paradise
producer:
Keith Olsen (US producer and engineer)
mixer:
Brian Foraker, Keith Olsen (US producer and engineer) and Dennis Sager (engineer)
acoustic guitar and bass guitar:
Keith Olsen (US producer and engineer)
drums (drum set):
Jim Keltner
electric guitar:
Chas Sandford
keyboard and synthesizer:
Bill Cuomo
saxophone:
Jerry Peterson
lead vocals:
Mike Reno and Ann Wilson (lead singer of Heart)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Almost Paradise
lyricist:
Dean Pitchford
composer:
Eric Carmen
publisher:
Ensign Music Corporation
Mike Reno & Ann Wilson53:50
8Do You Feel Like We Do
recording of:
Do You Feel Like We Do
writer:
Peter Frampton, Mick Gallagher (UK hammond organ player), John Siomos and Rick Wills
publisher:
Nuages Artists Music Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Peter Frampton57:21
9Look Away
assistant engineer:
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe and Bob Vogt
engineer:
Daren Chadwick, Ron Nevison and Chas Sandford
producer:
Ron Nevison
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
Look Away (in 1988)
lyricist and composer:
Diane Warren (US songwriter) (in 1988)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago54:03
10When I’m With You
recording of:
When I’m with You
lyricist and composer:
Arnold Lanni
publisher:
Bananaree Publishing Limited
Sheriff53:55
11Mary’s Prayer
producer:
Dave Bascombe
performer:
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom and Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:50
12The Search Is Over
engineer and producer:
Ron Nevison
bass:
Stephan Ellis (bass player with Survivor)
drums (drum set):
Marc Droubay (drummer for Survivor)
guitar:
Frankie Sullivan (US guitarist and songwriter, member of Survivor)
keyboard:
Jim Peterik
background vocals:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
lead vocals:
Jimi Jamison
phonographic copyright (℗) by:
Scotti Brothers Records (in 1984)
recorded at:
The Plant Studios (1981–2008) in Sausalito, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
The Search Is Over
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Rude Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Survivor44:13
13Sister ChristianNight Ranger54:18
14High Enough
assistant engineer:
John Aguto, Ed Goodreau and Bill Kennedy (recording engineer)
engineer and producer:
Ron Nevison
conductor:
Jimmie Haskell
strings arranger:
Jimmie Haskell
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
High Enough
writer:
Jack Blades (of Night Ranger), Ted Nugent and Tommy Shaw (of Styx)
Damn Yankees3.64:46
15Big Log
producer:
Benji Lefevre, Pat Moran (UK male singer, keyboardist sound engineer and producer) and Robert Plant (of Led Zeppelin)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recording of:
Big Log
composer:
Robbie Blunt, Robert Plant (of Led Zeppelin) and Gerald Woodruffe
publisher:
Bay Music Co., Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) and Talk Time Music, Inc.
Robert Plant4.25:05

Credits

Release

manufactured in:Europe
photography:Pictorial Press (photo library)
Michael Putland
copyrighted (©) by and phonographic copyright (℗) by:Direct Holdings Holland B.V. (in 2007)
Discogs:https://www.discogs.com/release/14266060 [info]