101 Voices

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1You’re the Voice
recording engineer and mixer:
Doug Brady (engineer)
drum machine programming and synthesizer [Fairlight] programming:
Dave (Australian score composer), Jack and Ross
assistant engineer:
Michael Wickow (engineer)
producer:
Ross Fraser
fretless bass:
Roger McLachlan
guitar:
Brett Garsed
keyboard and synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
background vocals:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton and Sandy Weekes
lead vocals:
Whispering Jack
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
BMG Arista / Ariola Limited (not for release label use! manufacters and distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 15)
recording of:
You’re the Voice
writer:
Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing AB (Sweden)
John Farnham4.15:03
2It Must Have Been Love
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990) and Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:18
3I’d Do Anything for Love (But I Won’t Do That)
recording of:
I’d Do Anything for Love (but I Won’t Do That)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf5:42
4Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
a cappella versions:
Time After Time by Forte A Cappella (Centerville High School)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.253:59
5Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) and Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
music videos:
Nothing Compares 2 U (music video) by Sinéad O’Connor (Irish singer‐songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.255:10
6Why
programming:
Marius de Vries, Stephen Lipson and Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
engineer:
Heff Moraes
producer:
Stephen Lipson
assistant mixer:
Will O'Donovan
guitar:
Stephen Lipson
keyboard:
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson and Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
recorder:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographic copyright (℗) by:
BMG Ariola Muenchen GmbH (in 1992) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom and The Church Studios in London (Greater London), England, United Kingdom
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
recording of:
Why
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. and Universal Music Publishing MGB Ltd.
Annie Lennox3.54:52
7What’s Love Got to Do with It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
What’s Love Got to Do With It (Kygo version)
writer:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) and Graham Lyle
publisher:
Kobalt Music (publisher) (from 2020 to present) and WC Music Corp. (from 2020 to present)
is based on:
What’s Love Got to Do With It
Tina Turner4.053:47
8The Power of Love
producer:
Wolfgang Detmann (aka Candy de Rouge) and Gunther Mende
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984) and Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Jennifer Rush2.54:26
9Alone
assistant engineer:
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) and Toby Wright (producer & engineer)
engineer and producer:
Ron Nevison
bass guitar:
Mark Andes
drums (drum set):
Denny Carmassi
guitar:
Howard Leese
background vocals:
Howard Leese and Nancy Wilson (guitarist/singer of “Heart”)
lead vocals:
Ann Wilson (lead singer of Heart)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
music videos:
Alone by Heart (rock band, Ann and Nancy Wilson)
cover recording of:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (from 1983 to present) and Denise Barry Music (from 1983 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.553:40
10Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
performer:
Rory Dodd (in 1983)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:28
11We Belong
assistant engineer:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
producer:
Pete Coleman and Neil Giraldo
assistant mixer:
Murray Dvorkin and Bino Espinoza
additional guest bass guitar:
Roger Capps
bass guitar:
Donnie Nossov
drums (drum set):
Myron Grombacher
guitar and harmonica:
Neil Giraldo
keyboard:
Charles Giordano (American keyboardist and accordionist)
percussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo and Myron Grombacher
lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
recording of:
We Belong
writer:
Eric Lowen and Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.453:41
12Heart of Glass
producer:
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1981, in 2002) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
remix of:
Heart of Glass by Blondie (US rock band)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie44:31
13Amazing
producer:
George Michael
recording of:
Amazing
writer:
Jon Douglas and George Michael
George Michael54:25
14Freeway of Love
assistant engineer:
Dana Jon Chappelle, Maureen Droney and Ray Pyle
engineer:
Dr. Dave Frazer
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Narada Michael Walden
mixer:
Michael Brauer (engineer)
solo saxophone:
Clarence Clemons
arranger:
Narada Michael Walden
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985)
recording of:
Freeway of Love
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
Carlin Music Corporation, Gratitude Sky Music, Inc., Polo Grounds Music and When Words Collide Music
Aretha Franklin4:07
15Sexual Healing
assistant engineer:
Henri Van Durme and Didier Leonard
engineer:
Dan Bates (wind instruments [horns]), Mike Butcher (recording engineer and guitarist) and John Kovorak
executive producer:
Larkin Arnold
producer:
Marvin Gaye
mixer and editor:
Harvey Fuqua
bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
Marvin Gaye
guitar:
Gordon Banks
wind instruments [horns]:
The L.A. Horn Section and David Stout (American trombonist)
background vocals:
Gordon Banks, Harvey Fuqua and Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (wind instruments [horns])
wind instruments [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium and Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium (lead vocals, background vocals)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium
edited at and remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.653:59
16Ub-Break my Heart
assistant recording engineer:
Brandon Harris (US engineer) (in 1995)
recording engineer:
Felipe Elgueta (in 1995)
keyboard programming:
David Foster (Canadian music producer, arranger and composer) (in 1995)
synclavier programming:
Simon Franglen (English score composer) (in 1995)
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Marnie Riley
mixer:
Mick Guzauski
acoustic guitar:
Dean Parks (American session guitarist) (in 1995)
electric guitar:
Michael Thompson (session guitarist) (in 1995)
background vocals:
Toni Braxton (in 1995) and Shanice (in 1995)
lead vocals:
Toni Braxton (in 1995) and Shanice Wilson (in 1995)
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid and Tim Thomas (from Tim & Ted)
phonographic copyright (℗) by:
LaFace Records, Inc. (in 1996)
arranged for and produced for:
Chartmaker, Inc.
recorded at:
Chartmaker Studios in Malibu, California, United States (in 1995) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1995)
mixed at:
Barking Doctor in Mount Kisco, New York, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 16)
recording of:
Un-Break My Heart (in 1995)
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Toni Braxton3.954:29
17Art of Love
recording of:
Art of Love (in 2009)
writer:
Adam Reily and Guy Sebastian
Guy Sebastian4:00
18Bleeding Love
programming, engineer and producer:
Ryan ‘Alias’ Tedder (American singer, songwriter, and producer)
assistant engineer:
Craig Durrance and Nate Hertweck
mixer:
Phil Tan (Malaysian-American audio engineer)
instruments:
Ryan ‘Alias’ Tedder (American singer, songwriter, and producer)
strings [string] arranger:
Ryan ‘Alias’ Tedder (American singer, songwriter, and producer)
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2007)
recorded at:
Encore in Burbank, California, United States, Mansfield Studios in Los Angeles, California, United States and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
music videos:
Bleeding Love (music video, UK Edition) by Leona Lewis
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 2)
recording of:
Bleeding Love
writer:
Jesse McCartney and Ryan Tedder (American singer, songwriter, and producer)
publisher:
Jambition Music (ASCAP) and Write 2 Live
Leona Lewis4.154:23
2▼CD
#TitleArtistRatingLength
1The Scientist
additional recording engineer and additional producer:
Mark Phythian
recording engineer and engineer:
Ken Nelson (UK record producer)
additional engineer:
Rik Simpson
producer:
Coldplay and Ken Nelson (UK record producer)
mixer:
Coldplay, Ken Nelson (UK record producer) and Mark Phythian
acoustic guitar:
Jonny Buckland and Chris Martin (lead singer of Coldplay)
drums (drum set), percussion and background vocals:
Will Champion
electric bass guitar:
Guy Berryman
electric guitar:
Jonny Buckland
piano and lead vocals:
Chris Martin (lead singer of Coldplay)
phonographic copyright (℗) by:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2002)
music videos:
The Scientist by Coldplay
part of:
Indie 88: Top 500 Indie Rock Songs (number: 172)
recording of:
The Scientist
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay4.15:09
2No One
drums (drum set) programming:
Kerry Brothers
additional engineer:
Brendan Dekora, Zach Hancock and Stuart White
engineer:
Ann Mincieli
mixer:
Manny Marroquin
bass:
Steve Mostyn
piano:
Alicia Keys
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 3) and BILLIONS CLUB
recording of:
No One
writer:
Kerry Brothers, George M. Harry and Alicia Keys
Alicia Keys3.54:14
3Thinking of You
recording engineer:
Paul Hager
programming:
Dan Chase (engineer)
producer:
Butch Walker
mixer:
Joe Zook (engineer)
drums (drum set) [drums]:
Darren Dodd (Darren K Dodd)
instruments:
Butch Walker
keyboard [keyboards]:
Dan Chase (engineer)
lead vocals:
Katy Perry
phonographic copyright (℗) by:
Capitol Music Group (label group, not normally a release label) (in 2008)
recorded at:
Butch's old house in Los Feliz, Los Angeles, California, United States and Deathstar Studios in Los Angeles, California, United States
mixed at:
Aus Studios in Studio City, Los Angeles, California, United States
recording of:
Thinking of You
lyricist and composer:
Katy Perry
publisher:
When I’m Rich You’ll Be My Bitch
Katy Perry3.54:08
4Not Over You
part of:
Billboard Year-End Hot 100 singles of 2012 (number: 60)
recording of:
Not Over You
lyricist:
Gavin DeGraw
composer:
Gavin DeGraw and Ryan Tedder (American singer, songwriter, and producer)
Gavin DeGraw3.753:38
5Who Knew
recording engineer:
Lasse Mårtén (producer, mixer and engineer) (in 2006), Francesco Perlangeli (in 2006) and Josh Wilbur (musician, writer, engineer, mixer & producer) (in 2006)
drums (drum set) programming:
Łukasz Gottwald (in 2006) and Max Martin (Swedish record producer) (in 2006)
assistant engineer:
Tim Roberts (engineer) (task: engineered for mix)
engineer:
John Hanes (audio engineer, mixer) (task: engineered for mix)
producer:
Dr. Luke and Max Martin (Swedish record producer)
mixer:
Serban Ghenea
drums (drum set):
Lasse Mårtén (producer, mixer and engineer) (in 2006)
guitar:
Łukasz Gottwald (in 2006) and Max Martin (Swedish record producer) (in 2006)
orchestra:
Leon Pendarvis (in 2006)
orchestrator:
Leon Pendarvis
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2006)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 2006) and Decibel Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 2006)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
Who Knew (music video) by P!nk (American singer/songwriter)
recording of:
Who Knew (in 2006)
lyricist and composer:
Alecia Moore (American singer/songwriter), Łukasz Gottwald and Martin Sandberg (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kasz Money Publishing (ASCAP affiliated), Kobalt Songs Music Publishing (USA, ASCAP affiliated) and P!nk Inside Publishing
P!nk3.53:28
6Beautiful
additional assistant engineer:
Andrew Chavez (engineer)
additional engineer:
David Guerrero
assistant engineer:
Rafael Serrano and Davy Vain
engineer:
Linda Perry (rock singer‐songwriter & producer) and Davy Vain (task: Pro Tools)
producer:
Linda Perry (rock singer‐songwriter & producer)
assistant mixer:
Ethan Willoughby
mixer:
Dave "Hard Drive" Pensado (mixer)
additional strings, bass guitar [bass], guitar [guitars] and piano:
Linda Perry (rock singer‐songwriter & producer)
cello:
Richard Dodd (cellist)
drums (drum set) [drums]:
Brian MacLeod (American drummer)
keyboard [keyboards]:
Damon Fox
strings:
The Section
viola:
Shanti Randall
violin:
Eric Gorfain
additional arranger:
Linda Perry (rock singer‐songwriter & producer)
mixed for:
Essential Arts Management, LTD
additionally recorded at:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
mixed at:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
engineered at:
Mad Dog Studios (Burbank, 1996–unknown) in Burbank, California, United States
music videos:
Beautiful by Christina Aguilera
part of:
CBC Music: 12 Songs About Bullying, VH1’s Big Song of 2003 (number: 17) and The Downloader’s Music Source Book (number: 260)
recording of:
Beautiful
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Stuck in the Throat
Christina Aguilera4.24:00
7Cry Me a River
recording engineer:
Senator Jimmy D (engineer)
assistant engineer:
"Steamy" and Carlos "Storm" Martinez (Sound engineer)
producer:
Timbaland
mixer:
Jimmy Douglass (engineer) and Timbaland
clavinet:
Scott Storch (producer)
guitar:
Bill Pettaway (R&B songwriter, musician, producer)
background vocals:
Greater Anointing, Marsha Ambroise, Timbaland, Justin Timberlake and Tyrone Tribbett
conductor:
Larry Gold (strings)
strings arranger:
Larry Gold
vocals arranger:
Justin Timberlake
produced for:
Timbaland Productions, Inc.
recorded at:
The Studio in Philadelphia, Pennsylvania, United States (strings) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
mixed at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States
music videos:
Cry Me a River by Justin Timberlake
part of:
VH1’s Big Song of 2003 (number: 27)
recording of:
Cry Me a River
lyricist and composer:
Scott Storch (producer), Justin Timberlake and Timothy Mosley
publisher:
Scott Storch Music, Tennman Tunes, TVT Music, Inc., Virginia Beach Music, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Justin Timberlake3.954:49
8I Remember Me
recording of:
I Remember Me
writer:
Jennifer Hudson and Ryan Tedder (American singer, songwriter, and producer)
Jennifer Hudson3:34
9The Last Day on Earth
recording of:
The Last Day on Earth
writer:
Kate Miller‐Heidke (Australian singer/songwriter and actress) and Keir Nuttall
Kate Miller‐Heidke34:47
10Amazing
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001) and EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2001)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2001)
recording of:
Amazing
lyricist and composer:
Alex Lloyd (Australian singer‐songwriter)
publisher:
Rondor Music (Australia) Pty Ltd
Alex Lloyd3.653:22
11Other Side of the World
recording engineer:
Baeho “Bobby” Shin (strings)
drum machine programming:
Andreas Olsson
assistant engineer:
Graham Deas
engineer:
Bruno Ellingham
additional producer:
Andy Green (producer, engineer)
producer:
Steve Osborne (producer) and Martin Terefe
mixer:
Ren Swan
bass:
Arnulf Lindner
cello:
John Catchings
drums (drum set):
Luke Bullen
guitar:
KT Tunstall
keyboard:
Martin Terefe
strings:
The Love Sponge Strings
viola:
Kristin Wilkinson (Nashville songwriter and viola player)
violin:
David Angell (American violinist) and David Davidson (violinist)
vocals:
KT Tunstall
strings arranger:
David Davidson (violinist)
phonographic copyright (℗) by:
Jaydone Ltd. ("record company trading as Relentless Records") (in 2004)
recorded at:
Little Big Sound in Nashville, Tennessee, United States
mixed at:
Metrophonic in London (Greater London), England, United Kingdom
produced at:
Nam Studios in Bradford on Avon, Wiltshire, England, United Kingdom
music videos:
Other Side of the World by KT Tunstall
recording of:
Other Side of the World
writer:
Martin Terefe and KT Tunstall
publisher:
Sony/ATV Music Publishing (UK) Ltd.
KT Tunstall3.653:33
12Something in the Water
producer:
Brooke Fraser
mixer:
Joe Zook (engineer)
phonographic copyright (℗) by:
Brooke Fraser Limited (in 2011)
recording of:
Something in the Water
lyricist and composer:
Brooke Fraser
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Publishing
Brooke Fraser43:01
13How to Save a Life
assistant recording engineer:
Kevin Loyal and James Masterson
recording engineer and editor:
Paul Mahern
additional engineer:
Tim Hoagland and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
assistant engineer:
Alex Uychocde
producer:
Mike Flynn (A&R executive) and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
mixer:
Mark Endert
additional editor:
Warren Huart
music video for:
How to Save a Life (first variant) by The Fray (US alternative rock band)
music videos:
How to Save a Life (third variant) by The Fray (US alternative rock band)
recording of:
How to Save a Life
writer:
Joe King (guitarist and vocalist in The Fray) and Isaac Slade
publisher:
Aaron Edwards Publishing, EMI April Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
The Fray4.24:22
14Left Outside Alone
producer:
Dallas Austin and Glen Ballard
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2004)
music videos:
Left Outside Alone by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Left Outside Alone (in 2004)
writer:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Dallas Austin and Glen Ballard
publisher:
Aerostation Corporation, Arlovol Music, Cyptron Music, EMI Blackwood Music Inc., Po Ho Productions, Universal Music Corp. (USA, affiliated with ASCAP), Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
Anastacia33:54
15Stronger (What Doesn’t Kill You)
part of:
Billboard Year-End Hot 100 singles of 2012 (number: 7), RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 11) and Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 19)
recording of:
Stronger (What Doesn't Kill You)
writer:
Jörgen Elofsson (Swedish songwriter and producer), David Gamson, Greg Kurstin and Ali Tamposi (American songwriter and backing vocalist)
Kelly Clarkson3.853:42
16Undo It
producer:
Mark Bright
acoustic guitar:
Ilya Toshinsky (Russian guitar and banjo player)
bass:
Jimmie Lee Sloas
drums (drum set):
Chris McHugh
electric guitar:
Tom Bukovac and Kenny Greenberg
fiddle:
Aubrey Haynie
keyboard:
Charles Judge (American guitarist, pianist, arranger and songwriter)
percussion:
Eric Darken
piano:
Jimmy Nichols
background vocals:
Lisa Cochran and Perry Coleman
commentary:
Undo It (commentary) by Carrie Underwood
part of:
Billboard Year-End Hot 100 singles of 2010 (number: 88)
recording of:
Undo It
writer:
Kara DioGuardi, Marti Frederiksen (American songwriter, record producer, and musician), Luke Laird (country music songwriter) and Carrie Underwood
Carrie Underwood32:58
17It Ain’t Over ’Till It’s Over
engineer:
David Domanich and Henry Hirsch
producer:
Lenny Kravitz
mixer:
Henry Hirsch
guest horn:
The Phenix Horns
Rhodes piano, bass guitar, drums (drum set), guitar and sitar and lead vocals:
Lenny Kravitz
horn and strings arranger:
Lenny Kravitz
recording of:
It Ain’t Over ’til It’s Over
lyricist and composer:
Lenny Kravitz
Lenny Kravitz4.154:02
18Don’t Dream It’s Over
recording engineer:
Tchad Blake and Dennis Kirk
assistant engineer:
Glen Holguin (engineer)
producer:
Mitchell Froom
mixer:
Michael Frondelli
bass:
Nick Seymour (Nicholas More Seymour)
congas, mbira [kalimba] and shakers:
Jorge Bermudez
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric guitar [Gibson Les Paul Goldtop] and lead vocals:
Neil Finn
electric guitar [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
keyboard and organ:
Mitchell Froom
background vocals:
Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 5)
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Crowded House3.93:54
19No Ordinary Love
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1992)
recording of:
No Ordinary Love
lyricist:
Sade Adu
composer:
Sade Adu and Stuart Matthewman
publisher:
Angel Music Ltd., Sony ATV Songs LLC and Sony/ATV Music Publishing UK Ltd.
Sade24:00
20Hallelujah
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994, in 2008) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley54:15
3▼CD
#TitleArtistRatingLength
1Lost Without You
music videos:
Lost Without You (ten year anniversary acoustic version) by Delta Goodrem
recording of:
Lost Without You
lyricist:
Bridget Benenate
composer:
Matthew Gerrard
Delta Goodrem34:09
2Angel
recording engineer, producer and mixer:
Pierre Marchand
double bass:
Jim Creeggan
drum machine:
Pierre Marchand
piano:
Sarah McLachlan
vocals:
Sarah McLachlan
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1997) and Nettwerk Productions Ltd. (in 1997)
recording of:
Angel
lyricist and composer:
Sarah McLachlan
publisher:
Sony/ATV Songs LLC and Tyde Music
Sarah McLachlan4.54:31
3The Horses
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1990), Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1990) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1991)
part of:
triple j’s Hottest 100 of Australian Songs (number: 30)
cover recording of:
The Horses
writer:
Walter Becker and Rickie Lee Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd and Universal/MCA Music Publishing Pty Ltd
Daryl Braithwaite4:14
4The Day You Went Away
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1992) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1992)
cover recording of:
The Day You Went Away
writer:
Guy Batson and Johnny Male
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Wendy Matthews4:41
5I Want to Know What Love Is
cover recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Tina Arena4:54
6Heaven Knows
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1992)
recording of:
Heaven Knows
writer:
Heather Field (Australian songwriter) and Rick Price (Australian singer and songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) and Kobalt Music Publishing Australia Pty Ltd
Rick Price4:27
7Angel Eyes
producer:
Audius Mtawarira (in 2004)
vocals:
Paulini (Fijian‐born Australian singer, songwriter and actress) (in 2004)
cover recording of:
Angel Eyes (in 2004)
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter) and Fred Koller
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Lucrative Music (BMI) and Universal Music Careers
Paulini4:00
8You Raise Me Up
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1984)
cover recording of:
You Raise Me Up
lyricist:
Brendan Graham (Irish songwriter)
composer:
Rolf Løvland
publisher:
ALFRED PUBLISHING CO INC 301, Peer Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Peermusic (UK) Limited (from 2002 to present) and Universal Music Publishing AB (Sweden) (from 2002 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
You Raise Me Up
lyricist:
Brendan Graham (Irish songwriter)
composer:
Rolf Løvland
publisher:
ALFRED PUBLISHING CO INC 301, Peer Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Peermusic (UK) Limited (from 2002 to present) and Universal Music Publishing AB (Sweden) (from 2002 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Westlife2.254:02
9I Dreamed a Dream
engineer:
Dan Pursey (UK engineer) and Chris Laws (engineer, keyboardist & songwriter)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
mixer:
Ren Swan
strings arranger:
Dave Arch (pianist, conductor, arranger and composer)
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2009) and Simco Limited (not for release label use, for copyright/licensor use only) (in 2019)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
cover recording of:
I Dreamed a Dream (Fantine)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd., Alain Boublil Overseas Ltd. and Faber Music
translated version of:
J’avais rêvé d’une autre vie (Fantine)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
recording of:
I Dreamed a Dream (Fantine)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd., Alain Boublil Overseas Ltd. and Faber Music
translated version of:
J’avais rêvé d’une autre vie (Fantine)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Susan Boyle43:10
10The Prayer
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2004)
cover recording of:
The Prayer (English/Italian version)
lyricist:
Carole Bayer Sager
composer:
Carole Bayer Sager and David Foster (Canadian music producer, arranger and composer)
translator:
Tony Renis and Alberto Testa
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music), Warner-Barham Music LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 71st Academy Award for Best Original Song (number: 2)
translated version of:
Prayer
Anthony Callea4:14
11A Whiter Shade of Pale
assistant engineer:
Anna Strasse (German singer, songwriter and engineer) and David Walter (assistant engineer in Sarah Brightman's La Luna album)
engineer:
Colin Boland, John Timperly, Frank Peterson and Michael Soltau
producer:
Frank Peterson
mixer:
John Timperly, Frank Peterson and Michael Soltau
vocals:
Sarah Brightman
conductor:
Paul Bateman (conductor)
orchestrator:
Paul Bateman (conductor)
phonographic copyright (℗) by:
Nemo Studios (production company and studio used by German music producer Frank Peterson) (in 2000)
cover recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Sarah Brightman33:38
12Amazing Grace
recording engineer:
Niall Acott, Haydn Bendall (producer and engineer) and Geoff Foster (sound engineer)
assistant engineer:
Standa Baroch (sound engineer), Phil Delire (Belgian producer & engineer), Michel Dierickx (Belgian producer & engineer, aka ‘Shelle’) and Christian "Djoum" Ramon (Belgian recording engineer)
engineer:
Fredrik Andresson (sound engineer), Marcus Bergqvist, Chris Laws (engineer, keyboardist & songwriter) and Daniel Pursey (UK engineer)
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
mixer:
Mick Guzauski and Ren Swan
bagpipe:
Robert White (reed/bagpipe player)
drums (drum set):
Chris Laws (engineer, keyboardist & songwriter)
keyboard and organ:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
piano:
Dave Arch (pianist, conductor, arranger and composer) and Steve Mac (British pop producer/songwriter Steve McCutcheon)
orchestra:
Český národní symfonický orchestr (Czech National Symphony Orchestra)
conductor:
Tomáš Brauner (conductor)
arranger:
Jeremy Lubbock, Steve Mac (British pop producer/songwriter Steve McCutcheon) and Per Magnusson (Swedish music producer and songwriter)
orchestrator:
Dave Arch (pianist, conductor, arranger and composer)
recording of:
Amazing Grace (popular hymn first published 1779, catch‐all)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
John Newton (English poet) (in 1779)
additional composer:
Edwin Othello Excell
composer:
[traditional] (special purpose artist)
publisher:
Carlin Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Patterdale Music Ltd., Rokstone Music Ltd., Universal Classics & Jazz (Japanese label division - read the annotation before using!), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Viisikielinen (Song book of "Viides herätysliike") (number: 94)
Il Divo4:31
13To Believe
co-producer:
Jochem van der Saag
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Jochem van der Saag
vocals:
Jackie Evancho (soprano)
arranger:
David Foster (Canadian music producer, arranger and composer)
recording of:
To Believe
composer:
Matthew Evancho
Jackie Evancho34:30
14How Am I Supposed to Live Without You
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
writer:
Michael Bolton and Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. and Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Michael Bolton44:15
15Right Here Waiting
engineer and mixer:
David Cole (American recording engineer and producer)
producer:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) and Richard Marx
guitar:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
keyboard:
Jeffery (C. J.) Vanston
lead vocals:
Richard Marx
arranger:
Jeffery CJ Vanston and Richard Marx
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
music videos:
Right Here Waiting by Richard Marx
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.754:24
16Put Your Records On
recording engineer, programming and producer:
Steve Chrisanthou
additional producer:
Jimmy Hogarth (producer and songwriter)
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
acoustic guitar and percussion and background vocals and lead vocals:
Corinne Bailey Rae
alto saxophone:
Jason Rae
bass guitar [bass]:
Samuel Dixon
classical guitar [spanish guitar], electric guitar and percussion:
Steve Chrisanthou
Hammond organ:
Joe Tatton
keyboard:
John Beck (Writer, producer & musician)
tenor saxophone:
Jim Corry
trumpet:
Malcolm Strachan
additional background vocals:
Cara Robinson
contains samples by:
Steve Chrisanthou (horn)
mixed at:
TwentyOne Studios in London (Greater London), England, United Kingdom
music videos:
Put Your Records On by Corinne Bailey Rae
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 236)
recording of:
Put Your Records On
writer:
Corinne Bailey Rae, John Beck (Writer, producer & musician) and Steve Chrisanthou
Corinne Bailey Rae3.653:35
17Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland (producer, engineer and mixer)
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland (producer, engineer and mixer)
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar and electric guitar:
Jesse Harris (in 2000-10)
bass guitar:
Lee Alexander (US bassist, songwriter & producer) (in 2000-10)
drums (drum set):
Dan Rieser (in 2000-10)
piano and lead vocals:
Norah Jones (in 2000-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States (in 2000-10) and Sorcerer Sound in New York, New York, United States (in 2000-10)
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why (in 2000-10)
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.453:05
18I Am Blessed
recording of:
I Am Blessed
writer:
Marsha Malamet and Mark Mueller (US songwriter)
Eternal54:21
19Proud
edit of:
Proud (album version) by Heather Small
recording of:
Proud
lyricist and composer:
Heather Small (in 2000) and Peter-John Vettese (British keyboardist, songwriter, arranger and record producer) (in 2000)
publisher:
EMI April Music Inc. (in 2000)
Heather Small3:55
4▼CD
#TitleArtistRatingLength
1Wuthering Heights
engineer:
Jon Kelly (engineer at Air London Studios)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) (from 1977-07 until 1977-08)
piano, background vocals and lead vocals:
Kate Bush (from 1977-07 until 1977-08)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978), EMI America Records, Inc. (holding – file NO releases here!) (in 1982) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 18)
recording of:
Wuthering Heights (from 1977-07 until 1977-08)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush44:28
2Jealous Guy
producer:
Rhett Davies, Bryan Ferry and Roxy Music
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981), Virgin EG Records Ltd. (in 1981) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981, in 2000)
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
revision of:
Child of Nature
Roxy Music4.54:56
3Honesty
assistant engineer:
Dave Martone (US engineer)
engineer:
Jim Boyer (producer/engineer)
producer:
Phil Ramone
mixer:
Jim Boyer (producer/engineer) and Phil Ramone
acoustic guitar:
David Spinozza (in 1978)
brass [horns] and strings arranger:
Robert Freedman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1978)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
music videos:
Honesty by Billy Joel (American singer-songwriter and pianist)
recording of:
Honesty (in 1978)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Inc., EMI Songs Australia Pty. Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1978), EMI April Music Inc. (in 1978) and Impulsive Music (in 1978)
Billy Joel3.653:49
4Total Control
recording of:
Total Control
writer:
Martha Davis (of The Motels) and Jeff Jourard
publisher:
Bug Music (music publishing) and Clean Sheets Music
The Motels3:51
5Tonight I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
engineer:
Howard Wolin and Jeremy Smith (producer/engineer)
producer:
Michael Masser
mixer:
Dick Bogart (Recording and mixing engineer) and Russ Terrano
bass guitar [bass]:
Nathan East (in 1983)
drums (drum set):
Carlos Vega (in 1983)
guitar:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
piano:
Randy Kerber (in 1983)
vocals:
Peabo Bryson (in 1983) and Roberta Flack (in 1983)
arranger:
Michael Masser and Gene Page
orchestrator:
Gene Page
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
Tonight, I Celebrate My Love (in 1983)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson3.753:31
6Mandy
co-producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Ron Dante and Barry Manilow
lead vocals:
Barry Manilow (in 1978)
strings arranger:
Joe Renzetti (US film composer, session musician)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974) and Bell Records (50s-70s US/UK pop, later became Arista) (in 1974)
cover recording of:
Brandy (more popularly known as Mandy) (in 1978)
lyricist:
Scott English
composer:
Richard Kerr
publisher:
Chappell Morris (publisher), Chappell/Morris Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Barry Manilow43:20
7Have You Never Been Mellow
co-engineer:
Alan Rouse
engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Have You Never Been Mellow
lyricist and composer:
John Farrar
publisher:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Publishing Pty Ltd
Olivia Newton‐John3.53:31
8Lovin’ You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:24
9Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Harry Nilsson4.33:20
10Could I Have This Dance
recording engineer:
Ken Friesen (engineer with Eastern Sound, active 1960s–1990s)
producer:
Jim Ed Norman
mixer:
Eric Prestidge
acoustic guitar:
Aidan Mason
bass:
Mike Bowden
electric guitar:
George Hebert
electric piano:
Brian Gatto
percussion:
John Anderson (percussionist)
piano [acoustic piano]:
Pat Riccio, Jr.
steel guitar:
Jay Dee Maness (American pedal steel guitarist)
strings:
Alan Broadbent
lead vocals:
Anne Murray (Canadian pop/country singer)
conductor:
Alan Broadbent
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Could I Have This Dance
writer:
Wayland Holyfield and Bob House (songwriter)
publisher:
Sony/ATV Tree Publishing and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Anne Murray4.53:15
11You’re No Good
recording engineer:
Val Garay (from 1974-06 until 1974-09) and David Hassinger (from 1974-06 until 1974-09)
engineer:
Val Garay
producer:
Peter Asher, Jay Faires and Tricia Holloway
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1974-06 until 1974-09)
drums (drum set), electric piano and percussion:
Andrew Gold (from 1974-06 until 1974-09)
electric guitar:
Ed Black (from 1974-06 until 1974-09)
solo electric guitar:
Andrew Gold (from 1974-04 until 1974-09)
background vocals:
Clydie King (from 1974-06 until 1974-09) and Shirley Matthews (Canadian pop singer) (from 1974-06 until 1974-09)
strings arranger:
Gregory Rose
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 2006) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1974-06 until 1974-09)
part of:
New York Post: 100 Greatest Covers (2007) (number: 38)
cover recording of:
You’re No Good (from 1974-06 until 1974-09)
lyricist and composer:
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:40
12Hold On
executive producer:
Charles Koppelman (American businessman and musician)
producer:
Glen Ballard
vocals:
Chynna Phillips, Carnie Wilson and Wendy Wilson
phonographic copyright (℗) by:
SBK Records (in 1990)
recording of:
Hold On
writer:
Glen Ballard, Chynna Phillips and Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips33:38
13Come to Me
producer:
Terry Manning (US recording engineer)
bass:
David Cochran (bass player) and Alan Gorrie
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1991)
recording of:
Come to Me
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs Australia Pty. Ltd.
Diesel4:21
14Anything for You
recording of:
Anything for You
lyricist and composer:
Gloria M. Estefan
Gloria Estefan3:36
15Motor’s Too Fast
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987, in 2002)
recording of:
Motor’s Too Fast
writer:
Simon Hussey (Australian multi-instrumentalist, songwriter-arranger, record producer and audio engineer) and James Reyne
publisher:
EMI Music Publishing (do not use as a release label!), Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
James Reyne34:13
16Still Got the Blues
assistant engineer and assistant mixer:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris and Greg Muden
engineer and mixer:
Ian Taylor (rock producer/engineer)
producer:
Gary Moore (Thin Lizzy, blues guitar) and Ian Taylor (rock producer/engineer)
bass guitar:
Andy Pyle
drums (drum set):
Graham Walker (UK drummer)
guest strings:
Gavyn Wright (UK violinist, conductor)
guitar and lead vocals:
Gary Moore (Thin Lizzy, blues guitar)
keyboard:
Don Airey
piano:
Nicky Hopkins (pianist and organist)
conductor:
Don Airey
strings arranger:
Don Airey and Gary Moore (Thin Lizzy, blues guitar)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
recording of:
Still Got the Blues (for You)
lyricist and composer:
Gary Moore (Thin Lizzy, blues guitar)
publisher:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs and Mushroom Music Pty. Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore44:10
17Never Tear Us Apart
cover recording of:
Never Tear Us Apart
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey and Warner/Chappell (Warner/Chappell Music, Inc.)
Joe Cocker14:03
18Summer Rain
producer:
Rick Nowels
phonographic copyright (℗) by:
Artist Management Services Ltd. (in 1989) and Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Summer Rain
writer:
Robbie Seidman and Maria Vidal (American singer-songwriter)
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music), Kinaalda Music Inc. (publisher) (in 1989) and Valley of Vidal Music (in 1989)
Belinda Carlisle4:11
19Can You Feel It
producer:
The Jacksons (formerly “The Jackson 5”)
bass:
Nathan Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Tito Jackson and David Williams (session guitarist and songwriter)
keyboard:
Ronnie Foster, Greg Phillinganes and Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraphone [vibes]:
Gary L. Coleman (US percussionist)
choir vocals:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade and Gregory Wright
lead vocals:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
strings arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Can You Feel It
writer:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
MJ: The Musical
The Jackson 54.353:57
20You
recording of:
You
writer:
Tim Snow
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty. Limited (not for release label use!)
Marcia Hines3:13

Credits

Release group

part of:101 Hits (Australian compilation series) (number: Voices) (order: 31)