Giving You the Best That I Got

~ Veröffentlichung von Anita Baker (alle Versionen dieser Veröffentlichung ansehen, 56 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Priceless (Sin Precio)
Synthesizer-Programmierung:
Rev. Dave Boruff und Robbie Buchanan (Canadian producer)
assistierende(r) Techniker(in):
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) und Tim Purvis
Techniker(in):
Barney Perkins
zusätzliche(r) Techniker(in):
Milton Chan (Recording Engineer)
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bass:
Nathan East (in 1988)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) (in 1988) und Michael J. Powell (in 1988)
Keyboard:
Robbie Buchanan (Canadian producer) (in 1988) und Vernon Fails (in 1988)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1988)
Schlagzeug:
Omar Hakim (in 1988)
Hintergrundgesang:
Alex Brown (US soul vocalist, member of Raelets) (in 1988), Carl Carwell (in 1988), Angel Edwards (in 1988) und Valerie Pinkston (in 1988)
Sologesang:
Anita Baker (in 1988)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Priceless (in 1988)
Texter und Komponist(in):
Garry Glenn
publisher:
Silver Sun Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und WB Music Corp. (1929–2019)
4:47
A2Lead Me Into Love (Guíame a El Amor)
Synthesizer-Programmierung:
Robbie Buchanan (Canadian producer)
assistierende(r) Techniker(in):
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) und Tim Purvis
Techniker(in):
Barney Perkins
zusätzliche(r) Techniker(in):
Milton Chan (Recording Engineer)
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bass:
Nathan East (in 1988)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) (in 1988) und Michael J. Powell (in 1988)
Keyboard:
Robbie Buchanan (Canadian producer) (in 1988) und Vernon Fails (in 1988)
Klavier:
George Duke (in 1988) und Bobby Lane (in 1988)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1988)
Schlagzeug:
Omar Hakim (in 1988)
Hintergrundgesang:
Perri (in 1988)
Sologesang:
Anita Baker (in 1988)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Lead Me Into Love (in 1988)
Texter und Komponist(in):
Steve Lane (US songwriter) und Larry Prentiss
publisher:
Bullsongs, Creative Entertainment Music und Melaimee Music
4:44
A3Giving You the Best That I Got (Dándote Lo Mejor Que Tengo)
assistierende(r) Techniker(in):
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) und Tim Purvis
Techniker(in):
Barney Perkins
zusätzliche(r) Techniker(in):
Milton Chan (Recording Engineer)
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bass:
Nathan East (in 1988)
Keyboard:
Vernon Fails (in 1988)
Klavier:
Dean Gant (in 1988)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1988)
Schlagzeug:
Omar Hakim (in 1988)
Hintergrundgesang:
Alex Brown (US soul vocalist, member of Raelets) (in 1988), Carl Carwell (in 1988), Angel Edwards (in 1988) und Valerie Pinkston (in 1988)
Sologesang:
Anita Baker (in 1988)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Giving You the Best That I Got (in 1988)
Texter und Komponist(in):
Anita Baker, Randy Holland (songwriter/engineer) und Skip Scarborough
publisher:
Alexscar Music, All Baker's Music, BMG Music Publishing Ltd., Eyedot Music und Fresh Air Music Ltd.
34:18
A4Good Love (Buen Amor)
assistierende(r) Techniker(in):
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) und Tim Purvis
Techniker(in):
Barney Perkins
zusätzliche(r) Techniker(in):
Milton Chan (Recording Engineer)
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Gitarre:
Michael J. Powell (in 1988)
Synclavier:
Joseph Vitarelli (in 1988)
Hintergrundgesang und Sologesang:
Anita Baker (in 1988)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Good Love (in 1988)
Texter und Komponist(in):
Gary Taylor (r&b vocalist)
publisher:
Morning Crew Music, Inc. (BMI-affiliated), Virgin Music (Publishers) Ltd. und Virgin Songs, Inc.
35:38
B1Rules (Reglas)
assistierende(r) Techniker(in):
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) und Tim Purvis
Techniker(in):
Barney Perkins
zusätzliche(r) Techniker(in):
Milton Chan (Recording Engineer)
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bass:
Nathan East (in 1988)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) (in 1988) und Michael J. Powell (in 1988)
Keyboard:
Robbie Buchanan (Canadian producer) (in 1988) und Peter Schwartz (Producer and keyboardist) (in 1988)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1988)
Hintergrundgesang und Sologesang:
Anita Baker (in 1988)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Rules (in 1988)
Texter und Komponist(in):
Graham Lamb, Phil Nicholl und Maggie Ryder
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hobo Railways Music Publishing, Ltd. und Maggie Ryder Music (PRS-affiliated)
3:50
B2Good Enough (Bastante Bueno)
assistierende(r) Techniker(in):
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) und Tim Purvis
Techniker(in):
Barney Perkins
zusätzliche(r) Techniker(in):
Milton Chan (Recording Engineer)
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bass:
Nathan East (in 1988)
Keyboard:
Vernon Fails (in 1988)
Klavier:
Dean Gant (in 1988)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1988)
Saxophon:
Gerald Albright (in 1988)
Schlagzeug:
Omar Hakim (in 1988)
Sologesang:
Anita Baker (in 1988)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Good Enough (in 1988)
Texter und Komponist(in):
Anita Baker und James McBride
publisher:
All Baker's Music, Fresh Air Music Ltd. und Jadel Publishing Inc.
sub-publisher:
Cuddy Sounds
4:47
B3Just Because (Solo Porque)
Synthesizer-Programmierung:
Robbie Buchanan (Canadian producer)
assistierende(r) Techniker(in):
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) und Tim Purvis
Techniker(in):
Barney Perkins
zusätzliche(r) Techniker(in):
Milton Chan (Recording Engineer)
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bass:
Nathan East (in 1988)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) (in 1988)
Keyboard:
Robbie Buchanan (Canadian producer) (in 1988)
Hintergrundgesang:
Alex Brown (US soul vocalist, member of Raelets) (in 1988), Carl Carwell (in 1988), Marva King (in 1988) und Lori Perry (in 1988)
Sologesang:
Anita Baker (in 1988)
Saiteninstrumente arranger:
Robbie Buchanan (Canadian producer) und Michael J. Powell
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Just Because (in 1988)
Texter und Komponist(in):
Alex Brown (US soul vocalist, member of Raelets), Sami McKinney und Michael O’Hara
publisher:
Avid One Music, Lil Mama Music, MCA Music Ltd., Music Corporation of America (BMI‐affiliated music publisher of MCA Records, Inc.?), O'Hara Music und Texascity Music, Inc. (BMI-affiliated)
5:09
B4You Belong to Me (Me Perteneces)
Synthesizer-Programmierung:
Rev. Dave Boruff und Robbie Buchanan (Canadian producer)
assistierende(r) Techniker(in):
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) und Tim Purvis
Techniker(in):
Barney Perkins
zusätzliche(r) Techniker(in):
Milton Chan (Recording Engineer)
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Gitarre:
Michael J. Powell (in 1988)
Keyboard:
Reginald “Sonny” Burke (soul/jazz/funk keyboardist) (in 1988), Patrick Moten (in 1988) und Nell Walker (in 1988)
Saxophon:
Rev. Dave Boruff (in 1988)
Trompete:
Chuck Findley (trumpet, trombone, horn player) (in 1988)
Hintergrundgesang:
Lynne Fiddmont (in 1988), Roy Galloway (soul singer) (in 1988) und Fred White (soul singer, songwriter, arranger and producer) (in 1988)
Sologesang:
Anita Baker (in 1988)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
You Belong to Me (in 1988)
Texter und Komponist(in):
Terry Britten, Billy Livsey und Graham Lyle
publisher:
Chappell Music Ltd., Good Single, Good Single Music Ltd., Myake, Quince (BMI-affiliated), Rondor Music, Rondor Music (London) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (publisher as Warner/Chappell Music)
33:50