Alleluía: Remember My Soul: Sacred Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Copyright: © 1994 Analekta

Annotation last modified on 2025-02-14 21:22 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Ninivitae
vocals:
Studio de musique ancienne de Montréal
conductor:
Christopher Jackson (conductor, organist and harpsichordist)
partial recording of:
Jonas
composer:
Giacomo Carissimi
Giacomo Carissimi2:08
2Alleluia
soprano vocals:
Lyne Fortin (soprano)
orchestra:
Orchestre symphonique de Québec (Quebec Symphony Orchestra)
conductor:
Pascal Verrot (conductor)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:34
3Trumpet Volontary
instruments:
The Niagara Brass Ensemble
conductor:
James Tinsley (US trumpeter)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:29
4Jesus Bleibet Meine Freude
organ:
Rachel Laurin (Canadian organist and composer)
violin:
Angèle Dubeau (violinist, conductor & arranger)
choir vocals:
Les Petits Chanteurs du Mont‐Royal
conductor:
Gilbert Patenaude
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:06
5Bist Du Bei Mir
harpsichord:
Luc Beauséjour (harpsichordist and organist)
soprano vocals:
Karina Gauvin (soprano)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Gottfried Heinrich Stölzel2:33
6Nun Freut Euch
organ:
Bernard Lagacé
recording of:
Nun freut euch, lieben Christen g’mein, BWV 734
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 734), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 734) and Bach Compendium (number: BC K 125)
Johann Sebastian Bach2:24
7Ave Maria
soprano vocals:
Lyne Fortin (soprano)
orchestra:
Orchestre symphonique de Québec (Quebec Symphony Orchestra)
conductor:
Pascal Verrot (conductor)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles Gounod5:34
8Gloria De La Messe: Ut, Re, Mi, Fa, Sol, La
vocals:
Studio de musique ancienne de Montréal
conductor:
Christopher Jackson (conductor, organist and harpsichordist)
recording of:
Missa “Ut Re Mi Fa Sol La”: II. Gloria
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa “Ut Re Mi Fa Sol La”
Giovanni Pierluigi da Palestrina3:52
9Sanctus
organ:
Rachel Laurin (Canadian organist and composer)
violin:
Angèle Dubeau (violinist, conductor & arranger)
choir vocals:
Les Petits Chanteurs du Mont‐Royal
conductor:
Gilbert Patenaude
recording of:
Requiem, op. 48: III. Sanctus (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré2:43
10Panis Angelicus
soprano vocals:
Lyne Fortin (soprano)
orchestra:
Orchestre symphonique de Québec (Quebec Symphony Orchestra)
conductor:
Pascal Verrot (conductor)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck3:47
11Chrisantemi
instruments:
Ensemble Amati
conductor:
Raymond Dessaints (violinist)
recording of:
I Crisantemi, SC 65 (for string orchestra)
composer:
Giacomo Puccini (Italian composer) (in 1890)
orchestration of:
Crisantemi (for string quartet)
Giacomo Puccini6:06
12Agnus II De La Messe: Ut, Re, Mi, Fa, Sol, La
vocals:
Studio de musique ancienne de Montréal
conductor:
Christopher Jackson (conductor, organist and harpsichordist)
recording of:
Missa “Ut Re Mi Fa Sol La”: VII. Agnus Dei II
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa “Ut Re Mi Fa Sol La”
Giovanni Pierluigi da Palestrina3:10
13Cantemus Omnes Domino
vocals:
Studio de musique ancienne de Montréal
conductor:
Christopher Jackson (conductor, organist and harpsichordist)
partial recording of:
Jephte
composer:
Giacomo Carissimi (until 1650, from 1648 until 1650)
Giacomo Carissimi1:19
14Aria Gedenke Doch, Mein Geist, Zurucke
harpsichord:
Luc Beauséjour (harpsichordist and organist)
soprano vocals:
Karina Gauvin (soprano)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VI , Gedenke doch mein Geist, BWV 509 (attribution doubtful)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 41) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 509)
Johann Sebastian Bach1:00
15Ein Feste Burg In Unser Gott
instruments:
The Niagara Brass Ensemble
conductor:
James Tinsley (US trumpeter)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott"
Johann Sebastian Bach2:51
16Rosa Quae Moritur
sound engineer:
Johanne Goyette
producer:
François‐Mario Labbé (executive producer for classical releases) and Brad Michel (engineer)
instruments:
Les Chambristes de Ville-Marie (in 1997-05)
soprano vocals:
Karina Gauvin (soprano) (in 1997-05)
recorded at:
Église Saint-Augustin (Mirabel) in Saint-Augustin, Mirabel, Québec (Quebec), Canada (in 1997-05)
recording of:
O qui coeli terraeque serenitas, RV 631: III. Aria "Rosa quae moritur" (Largo) (in 1997-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
O qui coeli terraeque serenitas, RV 631
Antonio Vivaldi7:05
17Alleluia
sound engineer:
Johanne Goyette
producer:
François‐Mario Labbé (executive producer for classical releases) and Brad Michel (engineer)
instruments:
Les Chambristes de Ville-Marie (in 1997-05)
soprano vocals:
Karina Gauvin (soprano) (in 1997-05)
recorded at:
Église Saint-Augustin (Mirabel) in Saint-Augustin, Mirabel, Québec (Quebec), Canada (in 1997-05)
recording of:
O qui coeli terraeque serenitas, RV 631: IV. Alleluia (Allegro) (in 1997-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
O qui coeli terraeque serenitas, RV 631
Antonio Vivaldi1:36
18Fugue En Do
organ:
Luc Beauséjour (harpsichordist and organist)
recording of:
Fuga in C major, BuxWV 174
composer:
Dieterich Buxtehude (composer)
part of:
Buxtehude-Werke-Verzeichnis (number: BuxWV 174)
Dietrich Buxtehude2:53