Great Ladies of Song: Spotlight On

~ Release by June Christy (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1How High the Moon
recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:35
2I Remember You
recording of:
I Remember You (in 1958)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
2:57
3Give Me the Simple Life
recording of:
Give Me the Simple Life
lyricist:
Harry Ruby
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Harry Ruby
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
2:16
4Midnight Sun
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-12-27)
baritone saxophone:
Chuck Gentry (on 1953-12-27)
bass:
Joe Mondragon (on 1953-12-27)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-12-27)
trombone:
Tommy Pederson (on 1953-12-27)
trumpet:
Frank Beach (trombone, trumpet) (on 1953-12-27) and Conrad Gozzo (on 1953-12-27)
vocals:
June Christy (on 1953-12-27)
conductor:
Pete Rugolo (on 1953-12-27)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-12-27)
recording of:
Midnight Sun (on 1953-12-27)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
33:16
5They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:41
6Bewitched
recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (in 1959)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:56
7(It Will Have to Do) Until the Real Thing Comes Along
3:42
8Imagination
recording of:
Imagination
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:15
9He's Funny That Way
3:46
10The Song Is You
recording of:
The Song Is You
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
4:21
11I'll Take Romance
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1954-01-19)
baritone saxophone:
Chuck Gentry (on 1954-01-19)
bass:
Joe Mondragon (on 1954-01-19)
bass trombone:
George Roberts (american bass trombone) (on 1954-01-19)
drums (drum set):
Larry Bunker (on 1954-01-19) and Shelly Manne (US jazz drummer) (on 1954-01-19)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-01-19)
French horn:
Vincent DeRosa (on 1954-01-19) and John Graas (on 1954-01-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1954-01-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1954-01-19)
piano:
Joe Castro (on 1954-01-19) and Russ Freeman (pianist) (on 1954-01-19)
reeds:
Buddy Collette (on 1954-01-19) and Chuck Gentry (on 1954-01-19)
trombone:
Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19), Frank Rosolino (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
trumpet:
Frank Beach (trombone, trumpet) (on 1954-01-19), Conte Candoli (on 1954-01-19), Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (trumpet) (on 1954-01-19)
tuba:
Paul Sarmento (jazz tubist) (on 1954-01-19) and Phil Stephens (bass and tuba player) (on 1954-01-19)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1954-01-19), Paul Horn (on 1954-01-19) and Harry Klee (on 1954-01-19)
vocals:
June Christy (on 1954-01-19)
conductor:
Pete Rugolo (on 1954-01-19)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-01-19)
recording of:
I’ll Take Romance (on 1954-01-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
22:20
12When the Sun Comes Out
recording of:
When the Sun Comes Out
lyricist:
Ted Koehler (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
S.A. Music Co. and Ted Koehler Music Co.
3:09
13Don't Get Around Much Anymore
cover recording of:
Don’t Get Around Much Anymore (in 1959)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
2:59
14How Long Has This Been Going On?
piano:
Stan Kenton
vocals:
June Christy
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
4:57
15As Long as I Live
recording of:
As Long as I Live
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
2:03
16When You Wish Upon a Star
2:34
17For All We Know
recording of:
For All We Know (1934 song)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
2:48
18Good-Bye
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank (on 1962-11-05)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-11-05)
bass:
Joe Mondragon (on 1962-11-05)
bass trombone:
Ken Shroyer (trombonist) (on 1962-11-05)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-11-05)
piano:
Jimmy Rowles (on 1962-11-05)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-11-05) and Bill Perkins (jazz saxophonist) (on 1962-11-05)
trombone:
Vern Friley (“Derf”) (on 1962-11-05), Lew McCreary (on 1962-11-05) and Frank Rosolino (on 1962-11-05)
trumpet:
Conte Candoli (on 1962-11-05), Lee Katzman (on 1962-11-05), Al Porcino (on 1962-11-05) and Ray Triscari (on 1962-11-05)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-11-05)
3:05

Credits

Release

ASIN:US: B00000DQOR [info]