De pré historie: De jaren ’80, vol. 2: De ultieme 10 CD collectie (misprint)

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Made in EU.

Subtitle on the cd box and on the front of the booklet is wrongly printed as 'De Ultieme 5 LP Vinyl Collection' instead of 'De Ultieme 10 CD Collectie'

Each cd is housed in a card sleeve which are on their turn packed into a carton box set.

Includes 40 pages booklet: front page / page 2: graphics / page 3-12: track listing / page 13-39: liner notes (about events which happened in 1980-1989) / back page: record company credits.

Rights Society: SDRM
Matrix / Runout: Universal 00600753943847 A103332124-0101 15 A00
Matrix / Runout: Universal 00600753943854 A103332126-0101 22 A00
Matrix / Runout: Universal 00600753943861 A103332132-0101 22 A00
Matrix / Runout: Universal 00600753943878 A103332137-0101 21 A00
Matrix / Runout: Universal 00600753943885 A103332139-0101 14 A00
Matrix / Runout: Universal 00600753943892 A103332141-0101 16 A00
Matrix / Runout: Universal 00600753943908 A103332143-0101 15 A00
Matrix / Runout: Universal 00600753943915 A103332147-0101 11 A00
Matrix / Runout: Universal 00600753943922 A103332149-0101 16 A00
Matrix / Runout: Universal 00600753943939 A103332151-0101 15 A00
Mastering SID Code: IFPI L557
Mastering SID Code: IFPI L556
Mastering SID Code: IFPI L558
Mastering SID Code: IFPI L551
Mastering SID Code: IFPI L552
Mould SID Code: IFPI 94V6
Mould SID Code: IFPI 94Y4
Mould SID Code: IFPI 944P
Mould SID Code: IFPI 943P
Mould SID Code: IFPI 94V5
Mould SID Code: IFPI 94Y6
Mould SID Code: IFPI 94W7
Mould SID Code: IFPI 94V6
Other: 539.438-4
Other: 539.438-5
Other: 539.438-6
Other: 539.438-7
Other: 539.438-8
Other: 539.438-9
Other: 539.439-0
Other: 539.439-1
Other: 539.439-2
Other: 539.439-3

Annotation last modified on 2023-06-12 18:00 UTC.

Tracklist

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1▼CD: 1980
#TitleArtistRatingLength
1I Have a Dream
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass guitar:
Rutger Gunnarsson (on 1979-03-15)
cello:
Hans‐Göran Eketorp (Swedish cellist) (on 1979-03-27) and Olle Gustafsson (cellist) (on 1979-03-27)
double bass:
Bertil Andersson (Swedish double bassist) (on 1979-03-27) and Bo Hellman (Swedish double bassist) (on 1979-03-27)
drums (drum set):
Ola Brunkert (on 1979-03-15)
guitar:
Janne Schaffer (on 1979-03-15) and Björn Ulvaeus (on 1979-03-15)
synthesizer:
Benny Andersson (ABBA) (on 1979-03-15)
viola:
Lars Arvinder (on 1979-03-27), Nils Heie (on 1979-03-27) and Håkan Roos (Swedish violist) (on 1979-03-27)
violin:
Anders Dahl (Swedish violinist) (on 1979-03-27), Lennart Fredriksson (Swedish violinist) (on 1979-03-27), Lars Stegenberg (Swedish violinist) (on 1979-03-27), Inge Lindstedt (on 1979-03-27), Gunnar Michols (Swedish violinist) (on 1979-03-27), Claes Nilsson (Swedish violinist) (on 1979-03-27), Bo Söderström (Swedish violinist) (on 1979-03-27), Sixten Strömvall (Swedish violinist) (on 1979-03-27), Harry Teike (on 1979-03-27) and Krzysztof Zdrzalka (Swedish violinist) (on 1979-03-27)
choir vocals:
International School of Stockholm Choir (in 1979)
lead vocals:
Frida (Swedish singer and member of ABBA) (in 1979)
chorus master:
Kernstin Feist (in 1979)
cello arranger, double bass arranger, viola arranger and violin arranger:
Rutger Gunnarsson
phonographic copyright (℗) by:
Polar Music International AB (in 1979)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1979-03-15)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
I Have a Dream (in 1979)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (from 1979 to ????), EMI Waterford Music (from 1979 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1979 to present) and Universal/Union Songs Musikförlag AB (from 1979 to present)
part of:
Mamma Mia! (1999 musical)
ABBA3.64:42
2Upside Down
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1980)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 89)
recording of:
Upside Down
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:04
3Que sera mi vida (If You Should Go)
producer:
Daniel Vangarde
recording of:
Que será mi vida
lyricist:
Nelly Byl (Belgian lyricist) and Daniel Vangarde
composer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
publisher:
Bleu Blanc Rouge and Zagora (French label and publisher)
Gibson Brothers3:50
4Driver’s Seat
acoustic guitar:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
bass guitar:
Chris Birkin
drums (drum set):
Luigi Salvoni
guitar:
Mick Dyche and Loz Netto
vocals:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1978)
recording of:
Driver’s Seat (Sniff ’n’ the Tears song)
composer:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears43:58
5Coming Up
recording of:
Coming Up
lyricist and composer:
Paul McCartney (The Beatles)
Paul McCartney3:51
6Late in the Evening
recording of:
Late in the Evening
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Paul Simon Music (in 1980)
part of:
One‐Trick Pony (1980 film soundtrack)
Paul Simon3:59
7The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:38
8Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:29
9A Forest
producer:
Mike Hedges (UK producer/recording engineer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
bass:
Simon Gallup
drums (drum set):
Lol Tolhurst
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
keyboard:
Matthieu Hartley
vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
recording of:
A Forest
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Matthieu Hartley, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Lol Tolhurst
publisher:
APB Music Co.
The Cure3.654:53
10Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:36
11The Ballad of Lucy Jordan
Marianne Faithfull4:06
12Feels Like I’m in Love
recording of:
Feels Like I’m in Love
lyricist and composer:
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) and Satellite Music Ltd.
Kelly Marie3:19
13Oops Up Side Your Head
producer:
Lonnie Simmons (producer, songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
produced for:
Total Experience Productions
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
cover recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
The Gap Band3:24
14On the Radio
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
On the Radio (Foxes)
writer:
Giorgio Moroder and Donna Summer (soul/disco diva)
publisher:
Budde Music Inc. (US publisher), Edition Intro Meisel GmbH, Neue Welt Musikverlag GmbH (2017 – present), Rick S. Music (publishing company associated with Casablanca), Sweet Summer Night Music, Warner/Chappell Music GmbH & Co. KG Germany, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
part of:
Foxes (1980 film soundtrack)
Donna Summer4.654:03
15And the Beat Goes On
recording of:
And the Beat Goes On
writer:
William Shelby, Stephen Shockley and Leon Sylvers
publisher:
Notting Hill Music (UK) Ltd. and Sony/ATV Music Publishing (UK) Ltd.
The Whispers4:53
16Zondag
recording of:
Zondag
writer:
Tineke Beishuizen, Bill van Dijk (singer, musical performer) and Gerard Stellaard
Rob de Nijs3:01
17Coward of the County
engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Larry Butler (US country music producer, songwriter & pianist)
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1979) and United Artists (in 1980)
recording of:
Coward of the County (1979 song)
writer:
Roger Bowling and Billy Edd Wheeler
publisher:
Roger Bowling Music and Sleepy Hollow Music Corp.
Kenny Rogers4:19
18Special Lady
recording of:
Special Lady
composer:
Al Goodman (US 70s R&B singer/producer), Harry Ray and Lee Walter
publisher:
Dark Cloud Music Inc., H.A.B. Publ. Inc. and Just Us Four Music Company
Ray, Goodman & Brown4:05
19Santa Maria
producer:
Thomas Meisel and Heino Petrik
conductor:
Jürgen Ehlers (German bassist and songwriter)
arranger:
Jürgen Ehlers (German bassist and songwriter)
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1980)
recording of:
Santa Maria (German version)
lyricist:
Cesare De Natale, Susan Duncan‐Smith and Leonie Gane
composer:
Guido De Angelis (singer, composer, arranger and musician) and Maurizio De Angelis
arranger:
Rolf Knöfel
translator:
Norbert Hammerschmidt and Roland Kaiser
publisher:
Edition Roma and Cyclus (in 1980)
translated version of:
Santa Maria
Roland Kaiser4:01
20Crying
cover recording of:
Crying
lyricist:
Joe Melson (in 1961) and Roy Orbison (in 1961)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-16)
part of:
50/50
recording of:
Crying
lyricist:
Joe Melson (in 1961) and Roy Orbison (in 1961)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-16)
part of:
50/50
Don McLean3:42
2▼CD: 1981
#TitleArtistRatingLength
1Under Pressure
recording of:
Under Pressure
writer:
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), John Deacon, Freddie Mercury and Roger Taylor (Queen drummer)
publisher:
Beechwood Music Corp., Bewlay Bros. Music, Jones Music (publishers associated with David Bowie), Mainman S.A. (not for release label use! © & ℗ rights use only), Mainman Saag (New York), Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1981), Tintoretto Music (in 1981) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen & David Bowie3:55
2(Just Like) Starting Over
engineer:
Lee DeCarlo
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
bass guitar:
Tony Levin (US rock bassist/Chapman Stick)
drums (drum set):
Andy Newmark
electric guitar:
John Lennon (The Beatles), Hugh McCracken and Earl Slick
keyboard:
George Small
percussion:
Arthur Jenkins
background vocals:
Cheryl Mason Jacks, Michelle Simpson, Eric Troyer and Cassandra Wooten
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) and Calderstone Productions Limited (in 2016)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1980-08-09)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1980-09-25 until 1980-09-26)
music videos:
(Just Like) Starting Over by John Lennon (The Beatles)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 76)
recording of:
(Just Like) Starting Over
lyricist and composer:
John Lennon (The Beatles)
publisher:
Lenono Music and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
John Lennon3.753:56
3Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.353:27
4Runaway Boys
producer:
Dave Edmunds
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) and EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recording of:
Runaway Boys
writer:
Slim Jim Phantom and Brian Setzer
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Stray Cats3.653:00
5Let’s Groove
recording of:
Let’s Groove
writer:
Wayne Vaughn and Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Earth, Wind & Fire54:01
6Lay All Your Love on Me
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass guitar:
Rutger Gunnarsson (on 1980-09-09)
drums (drum set):
Ola Brunkert (on 1980-09-09)
guitar:
Lasse Wellander (on 1980-09-09)
keyboard and synthesizer:
Benny Andersson (ABBA) (on 1980-09-09)
background vocals:
Frida (Swedish singer and member of ABBA) (on 1980-09-09)
lead vocals:
Agnetha Fältskog (on 1980-09-09)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1980)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1980-09-09)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1980-10-10)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 49)
recording of:
Lay All Your Love on Me (on 1980-09-09)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group, Universal/Union Songs Musikförlag AB, Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
part of:
Mamma Mia! (1999 musical)
ABBA3.94:33
7Pull Up to the Bumper
recording engineer:
Alex Sadkin
assistant engineer:
Benji Armbrister
producer and mixer:
Chris Blackwell (Island Records) and Alex Sadkin
lead vocals:
Grace Jones
recorded at and mixed at:
Compass Point Studios in Nassau, Bahamas
music videos:
Pull Up to the Bumper (music video) by Grace Jones
recording of:
Pull Up to the Bumper
writer:
Lowell “Sly” Dunbar, Grace Jones, Dana Manno and Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) and Ixat Music
Grace Jones3.654:41
8Shaddap You Face
recording of:
Shaddap You Face
lyricist and composer:
Joe Dolce
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Joe Dolce53:12
9Fade to Grey
engineer:
John Hudson (producer, recording and mixing engineer)
producer:
Midge Ure and Visage (new romantic band from London)
performer:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) and Midge Ure
arranger:
Visage (new romantic band from London)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom
mixed at:
Mayfair Sound (England) in London (Greater London), England, United Kingdom
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) and Performance Music Ltd
Visage4.14:00
10Hands Up (Give Me Your Heart)
producer:
Daniel Vangarde
phonographic copyright (℗) by:
Carrere International (Copyrights holder for Carrere) (in 1981)
produced for:
Zagora (French label and publisher)
recording of:
Hands Up (Give Me Your Heart)
lyricist:
Nelly Byl (Belgian lyricist)
writer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
publisher:
Gazell Music AB, Bleu Blanc Rouge (in 1981) and Zagora (French label and publisher) (in 1981)
version of:
Haut les mains (Donne moi ton coeur)
Ottawan3:13
11Jealous Guy
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
revision of:
Child of Nature
Roxy Music4:55
12Funkin’ for Jamaica (N.Y.)
recording of:
Funkin’ for Jamaica (N.Y.)
lyricist:
Toni Smith
composer:
Tom Browne (US jazz trumpeter)
publisher:
Roaring Fork Music, Sony/ATV Melody, Thomas Browne Publishing, Inc. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tom Browne4:39
13On the Beat
recording of:
On the Beat
writer:
Mauro Malavasi and Paul Slade
B.B. & Q. Band3:47
14Love Games
recording of:
Love Games
writer:
Phil Gould and Mark King (bass guitarist and vocalist)
publisher:
ATV Music, Chappell Music Ltd. and Level 42 Music Ltd.
Level 425:13
15(Feels Like) Heaven
producer:
Peter Wilson (UK Producer)
arranger:
Chic Medley and Kevin Patterson (songwriter)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
lyricist and composer:
Eddie Jordan (songwriter) and Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:31
16I’m So Glad That I’m a Woman
Love Unlimited3:51
17If You Could Read My Mind
cover recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Viola Wills4:20
18You Drive Me Crazy
recording of:
You Drive Me Crazy
lyricist and composer:
Ronnie Harwood (Songwriter, singer and guitarist)
publisher:
Campbell Connelly (Australia) P/L
translated version of:
Krejčí (You Drive Me Crazy)
Shakin’ Stevens2:51
19Looking for Clues
recording of:
Looking for Clues
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music
Robert Palmer4:08
20How ’Bout Us
producer:
Leo Graham (producer / composer / lyricist)
solo alto saxophone:
Ken Soderbloom
arranger:
James Mack (Composer, arranger, conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
edit of:
How ’Bout Us by Champaign
cover recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign43:21
3▼CD: 1982
#TitleArtistRatingLength
1Blue Eyes
recording engineer:
Bill Price (UK producer/engineer) (in 1982-02)
producer:
Chris Thomas (UK record producer / remixer)
drums (drum set):
Jeffrey Porcaro (in 1982-02)
electric bass guitar:
Dee Murray (in 1982-02)
electric piano and synthesizer:
James Newton Howard (American score composer) (in 1982-02)
guitar:
Richie Zito (in 1982-02)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1982-02)
brass arranger and strings arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Happenstance Ltd. (record and publishing company) (in 1982)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (in 1982-02)
music videos:
Blue Eyes by Elton John (English singer, songwriter, pianist, and composer)
recording of:
Blue Eyes (in 1982-02)
lyricist:
Gary Osborne
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) and Universal–Songs of PolyGram International, Inc.
Elton John2.753:25
2Words
producer:
Jean-Michel Gallois-Montbrun (Rolando Tambin) and Frédéric Leibovitz
arranger:
Daniel Darras, F.R. David and Frédéric Leibovitz
phonographic copyright (℗) by:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1982)
recording of:
Words
lyricist:
Martin Kupersmith and Louis Sandy Yagura
writer:
Martin Kupersmith, Louis Sandy Yagura and Robert Fitoussi (French artist)
composer:
Robert Fitoussi (French artist)
publisher:
Fable Music and Warner Chappell
translated version of:
Sen můj a Lízin
F.R. David4.43:26
3Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 63)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Survivor4.454:04
4Freeze‐Frame
engineer:
Dave Thoener
producer:
Seth Justman
brass [horns]:
Alan Rubin, Randy Brecker, Ronnie Cuber, Lou Marini, Tom Melone (US trombonist) and George Young (saxophonist)
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
recording of:
Freeze-Frame
writer:
Seth Justman and Peter Wolf (US rock vocalist, member of J. Geils Band)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Kobalt Songs Music Publishing (USA, ASCAP affiliated)
The J. Geils Band4.23:56
5Baby Makes Her Blue Jeans Talk
recording of:
Baby Makes Her Blue Jeans Talk
writer:
Ron Haffkine, Dennis Locorriere and Sam Weedman (singer/songwriter, bassist, guitarist, mandolin, engineer)
cover recording of:
Baby Makes Her Blue Jeans Talk
writer:
Ron Haffkine, Dennis Locorriere and Sam Weedman (singer/songwriter, bassist, guitarist, mandolin, engineer)
Dr. Hook3:44
6Ein bisschen frieden
producer:
Robert Jung (producer, lyricist, composer and singer)
part of:
Germany in the Eurovision Song Contest (number: 1982) and Winners of the Eurovision Song Contest (number: 1982)
recording of:
Ein bißchen Frieden
lyricist:
Bernd Meinunger
composer:
Ralph Siegel
Nicole3:03
7Je suis venue te dire que je m’en vais
recording of:
Je suis venu te dire que je m’en vais
lyricist and composer:
Serge Gainsbourg
publisher:
Melody Nelson Publishing
Jo Lemaire & Flouze3:37
8Just an Illusion
recording of:
Just an Illusion
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
publisher:
Broadley Music (International) Ltd. (PRS)
Imagination3:48
9I Can’t Go for That (No Can Do)
phonographic copyright (℗) by:
BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981)
recording of:
I Can’t Go for That (No Can Do)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates4.53:43
10Dreiklangs‐Dimensionen
Rheingold3:39
11Hold On
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
cover recording of:
Hold On
lyricist and composer:
Ian Thomas (Canadian singer/songwriter)
publisher:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. and フジパシフィックミュージック (Fujipacific Music, Inc.)
Santana3:52
12Stool Pigeon
Kid Creole & the Coconuts3:57
13Eye in the Sky
additional recording engineer and additional producer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar and electric guitar:
Ian Bairnson
bass guitar:
David Paton (of Pilot)
drums (drum set) and percussion:
Stuart Elliott (session drummer, member of Cockney Rebel)
electric piano and lead vocals:
Eric Woolfson
keyboard:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
saxophone:
Mel Collins
synthesizer:
Alan Parsons (of The Alan Parsons Project)
background vocals:
Chris Rainbow
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Arista Records, LLC (holding company - file NO releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 21)
recording of:
Eye in the Sky
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. and Woolfsongs Ltd.
The Alan Parsons Project4.34:31
14The Look of Love
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3:28
15Let It Whip
Dazz Band4:04
16It’s Raining Men
recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3:31
17Promised You a Miracle
bass guitar:
Derek Forbes
drums (drum set):
Kenny Hyslop (drummer)
effects:
Charlie Burchill and Michael MacNeil
guitar:
Charlie Burchill
keyboard:
Michael MacNeil
lead vocals:
Jim Kerr (of Simple Minds)
recording of:
Promised You a Miracle
writer:
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) and Michael MacNeil
Simple Minds44:26
18Wishing (If I Had a Photograph of You)
engineer:
Dave Hutchins (UK engineer)
producer:
Mike Howlett
bass guitar:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Zomba Productions Limited (in 1983) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München (Munich), Bayern (Bavaria), Germany
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc. and Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.255:30
19Biscaya
recording of:
Biscaya
composer:
William Bookwood and Howard O’Melley
publisher:
MVV Musikverlags- und -VertriebsgesmbH and Sound Around Productions Verlag
James Last4:02
20Les lacs du connemara
recording of:
Les Lacs du Connemara
lyricist:
Pierre Delanoë and Michel Sardou
composer:
Jacques Revaux
Michel Sardou6:01
4▼CD: 1983
#TitleArtistRatingLength
1Say Say Say
performer:
Michael Jackson (“King of Pop”)
recording of:
Say Say Say
written in:
England, United Kingdom
writer:
Michael Jackson (“King of Pop”) and Paul McCartney (The Beatles)
publisher:
Mijac Music and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Paul McCartney & Michael Jackson3:53
2Undercover of the Night
recording of:
Undercover of the Night
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
The Rolling Stones4:32
3Love Is a Stranger
engineer:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) and R. Crash
producer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Adam Williams
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1982) and BMG Records (UK) Limited (1987–1996) (in 1991)
recording of:
Love Is a Stranger
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Arnakata Music Ltd, Logo Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Eurythmics33:44
4Uptown Girl
assistant engineer:
Scott James (US recording engineer) and Mike Mairé
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Phil Ramone
drums (drum set):
Liberty DeVitto (US drummer) (in 1983)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1983)
electric guitar:
David Brown (guitarist for Billy Joel) (in 1983)
piano and lead vocals:
Billy Joel (American singer-songwriter and pianist) (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1987)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
music videos:
Uptown Girl by Billy Joel (American singer-songwriter and pianist)
part of:
BILLIONS CLUB and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 443)
recording of:
Uptown Girl (in 1983)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
EMI Songs Ltd., CBS Songs Ltd. (in 1983) and Joelsongs (in 1983)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel4.13:13
5Islands in the Stream
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
vocals:
Dolly Parton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Rogers & Dolly Parton44:08
6Vamos a la playa
phonographic copyright (℗) by:
Creamus S.R.L. (in 1983)
recording of:
Vamos a la playa
lyricist:
Johnson Righeira (Italian artist Stefano Righi)
composer:
Carmelo La Bionda and Johnson Righeira (Italian artist Stefano Righi)
publisher:
Creamus S.R.L.
Righeira4.653:38
7The Heat Is On
cover recording of:
The Heat Is On
writer:
Tony Ashton (British pianist, singer, composer and producer) and Florrie Palmer
Agnetha Fältskog2.53:48
8Long Hot Summer
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1983)
recording of:
Long Hot Summer
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Stylist Music Ltd.
The Style Council53:48
9Heartache Avenue
The Maisonettes2:55
10Time (Clock of the Heart)
assistant engineer:
Gordon Milne (engineer)
engineer:
Steve Levine (producer) and Mike Ross (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
additional keyboard:
Phil Pickett (songwriter, producer, keyboard player)
bass and Moog [Moog bass]:
Michael Craig (Culture Club bassist)
drums (drum set) and tambourine:
Jon Moss
guitar and tubular bells:
Roy Hay (Member of Culture Club and composer for film and television)
saxophone:
Steve Grainger (saxophonist)
background vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
strings arranger:
Trevor Bastow
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983)
produced for:
Do Not Erase Productions Ltd.
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
engineered at:
Red Bus Studios in London (Greater London), England, United Kingdom
music videos:
Time (Clock of the Heart) by Culture Club (English pop group)
recording of:
Time (Clock of the Heart)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd. (in 1982)
Culture Club3.83:41
11Mirror Man
producer:
The Human League and Martin Rushent
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
music videos:
Mirror Man by The Human League
recording of:
Mirror Man
writer:
Ian Burden, Jo Callis and Philip Oakey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Publishing Australia P/L and PolyGram Music Publishing
The Human League23:49
12Tonight, I Celebrate My Love
recording of:
Tonight, I Celebrate My Love
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3:30
13L’Italiano
recording of:
L’italiano
lyricist:
Cristiano Minellono
composer:
Toto Cutugno
Toto Cutugno3.353:56
14Just Be Good to Me
recording of:
Just Be Good to Me
composer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band3:34
15Paris Latino
recording of:
Paris Latino
lyricist:
José Perez (The Perez Brothers)
composer:
Carlos Pérez (member of Bandolero)
Bandolero34:02
16White Lines (Don’t Do It)
recording of:
White Lines (Don’t Don’t Do It)
writer:
Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
Four Hills Music Ltd and IQ Music Ltd.
is based on:
Cavern
Grandmaster Melle Mel4:27
17Comment ça va
recording of:
Comment ça va ? (english-french version)
lyricist and composer:
Eddy de Heer
The Shorts3:27
18Madame
vocals:
Claude Barzotti (Italo‐Belgian 1970s‐2010s singer)
recording of:
Madame
lyricist and composer:
Claude Barzotti (Italo‐Belgian 1970s‐2010s singer)
Claude Barzotti3:46
19Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1982) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:52
20Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
performer:
Rory Dodd (in 1983)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:28
5▼CD: 1984
#TitleArtistRatingLength
1I Want to Break Free
additional recording engineer:
Mike Beiriger (from 1983-08 until 1984-01)
assistant recording engineer:
Eddie DeLena (engineer) (from 1983-08 until 1984-01) and Stephan Wissnet (from 1983-08 until 1984-01)
recording engineer and programming:
Reinhold Mack (German rock producer/engineer Reinhold Mack) (from 1983-08 until 1984-01)
additional engineer:
Mike Beiriger
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Queen (UK rock group)
acoustic guitar, bass guitar and synthesizer:
John Deacon (from 1983-08 until 1984-01)
electric guitar:
John Deacon (from 1983-08 until 1984-01) and Brian May (Queen guitarist) (from 1983-08 until 1984-01)
electronic drum set:
Roger Taylor (Queen drummer) (from 1983-08 until 1984-01)
guest solo synthesizer:
Fred Mandel (from 1983-08 until 1984-01)
lead vocals:
Freddie Mercury (from 1983-08 until 1984-01)
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) and Raincloud Productions Ltd. (in 1984, in 2011)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
music videos:
I Want to Break Free (music video) by Queen (UK rock group)
recording of:
I Want to Break Free (from 1983-08 until 1984-01)
lyricist and composer:
John Deacon
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen4.254:18
2Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
3Dance Hall Days
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Geffen Records
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:58
4Locomotion
engineer:
Steve Jackson (recording engineer), Ronald Prent (Dutch Sound engineer and producer) and Brian Tench
producer:
Orchestral Manoeuvres in the Dark and Brian Tench
piano:
Gordian Troeller (band manager)
performer:
Orchestral Manoeuvres in the Dark
brass arranger:
Tony Visconti
recording of:
Locomotion (OMD)
writer:
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey and Gordian Troeller (band manager)
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark33:54
5To France
engineer and producer:
Mike Oldfield and Simon Phillips (rock drummer)
drums (drum set) and percussion:
Simon Phillips (rock drummer)
guest vocals:
Maggie Reilly
performer:
Mike Oldfield
recording of:
To France
lyricist and composer:
Mike Oldfield
publisher:
Virgin Music Ltd., Oldfield Music Overseas Ltd. (in 1984) and Virgin Music (Publishers) Ltd. (in 1984)
Mike Oldfield & Maggie Reilly44:40
6I’m So Excited
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters3:50
7Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:41
8Wishful Thinking
producer:
Mike Howlett
vocals:
Eddie Lundon (China Crisis)
recording of:
Wishful Thinking
lyricist:
Eddie Lundon (China Crisis)
composer:
Gary Daly and Eddie Lundon (China Crisis)
publisher:
EMI/Virgin Music Publishing Ltd.
China Crisis4:41
9A Rockin’ Good Way
engineer:
Simon Hurrell and Neil King (sound engineer)
producer:
Christopher Neil
bass guitar:
Dick Bland (bass player from Cornwall, UK; member of The Onyx, Vineyard, Salamander)
drums (drum set):
Chris Wyles
guitar [lead guitar]:
Les Davidson and Roger McKew (member of The World, Judd, The Quiet Five, Brown's Home Brew)
guitar [rhythm guitar]:
Roger McKew (member of The World, Judd, The Quiet Five, Brown's Home Brew)
piano and synthesizer:
Gavin Povey
guest performer:
Shakin’ Stevens
performer:
Bonnie Tyler
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recorded at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
mixed at:
Audio International Studios in London (Greater London), England, United Kingdom and Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
cover recording of:
A Rockin’ Good Way
writer:
Brook Benton, Luchi de Jesus (American composer and producer) and Clyde Otis (American songwriter and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Shakin’ Stevens & Bonnie Tyler2.52:55
10Adult Education
recording of:
Adult Education
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
Daryl Hall & John Oates3.355:21
11Jenseits von Eden
phonographic copyright (℗) by:
Polydor GmbH (do not use as a release label, for company-type relationships only) (in 1983)
recording of:
Jenseits von Eden (in 1983)
lyricist:
Drafi Deutscher, Chris Evans‐Ironside and Hans-Joachim Horn-Bernges
composer:
Drafi Deutscher and Chris Evans‐Ironside
publisher:
Hanseatic Musikverlag GmbH (1964–2001)
translated version of:
Guardian Angel
Nino de Angelo4:18
12Hilversum III
recording of:
Hilversum III
lyricist:
Willem Wilmink
translated version of:
Lang scho nimmer g’sehn
Herman van Veen3:53
13Shout to the Top!
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4:14
14Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:30
15Geh’ nicht in die Stadt
Juliane Werding3:11
16Slippery People
The Staple Singers3:57
17Vergeet Barbara
recording of:
Vergeet Barbara
lyricist:
Nelly Byl (Belgian lyricist)
composer:
Will Tura (Belgian singer)
Will Tura3:22
18I treni di Tozeur
vocals:
Alice (Italian singer Carla Bissi) and Franco Battiato (Italian singer-songwriter and composer)
part of:
Italy in the Eurovision Song Contest (number: 1984)
recording of:
I treni di Tozeur
lyricist:
Franco Battiato (Italian singer-songwriter and composer) (in 1984) and Rosario “Saro” Cosentino (in 1984)
composer:
Franco Battiato (Italian singer-songwriter and composer) (in 1984) and Giusto Pio (in 1984)
Alice & Battiato3:08
19Do They Know It’s Christmas?
Band Aid3:41
20Hello
producer:
James Anthony Carmichael and Lionel Richie
performer:
Ocobamba
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
lyricist and composer:
Lionel Richie
writer:
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:10
6▶CD: 1985
7▶CD: 1986
8▶CD: 1987
9▶CD: 1988
10▶CD: 1989