The Very Best of Johnny Mathis

~ Pubblicazione di Johnny Mathis (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloValutazioneDurata
1A Certain Smile
produttore:
Al Ham e Mitch Miller
orchestra:
Ray Ellis and His Orchestra (il 1958-05-12)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1958)
registrazione cover di:
A Certain Smile (il 1958-05-12)
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI United Partnership Ltd.
parte di:
The 31st Academy Award for Best Original Song (numero: 2)
registrazione di:
A Certain Smile
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI United Partnership Ltd.
parte di:
The 31st Academy Award for Best Original Song (numero: 2)
32:48
2Teacher, Teacher
2:40
3Someone
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1959)
registrazione di:
Someone (1959 song)
autore:
William J. Tennyson, Jr.
2:58
4Misty
produttore:
Al Ham e Mitch Miller
voce:
Johnny Mathis (US pop/soul singer) (nel 1959)
direttore d'orchestra:
Glenn Osser (nel 1959)
arrangiatore:
Glenn Osser
registrazione di:
Misty
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
3:35
5Wild Is the Wind
produttore:
Al Ham e Mitch Miller
produttore esecutivo:
Michael Berniker e Jerry Shulman
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1957)
registrazione di:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”)
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
editore:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (nel 1957, nel 1985), Catharine Hinen Music (nel 1957, nel 1985), Chappell & Co., Inc. (USA) (nel 1957), Largo Music Inc. (nel 1957, nel 1985) e Patti Washington Music (nel 1957, nel 1985)
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
2:25
6No Love (But Your Love)
2:19
7Come to Me
3:03
8All the Time
2:45
9Wonderful! Wonderful!
2:48
10It’s Not for Me to Say
produttore:
Al Ham e Mitch Miller
produttore esecutivo:
Michael Berniker e Jerry Shulman
orchestra:
Ray Conniff and His Orchestra
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1957)
registrazione di:
It’s Not for Me to Say
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Campbell Connelly & Co. Ltd., Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., Kitty Anne Music Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:06
11Call Me
registrazione cover di:
Call Me
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., Duchess Music Corporation (BMI-affiliated) e Songs of Universal, Inc. (SOCAN)
2:47
12You Are Beautiful
registrazione di:
You Are Beautiful (Flower Drum Song)
orchestratore:
Don Sebesky
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
parte di:
Flower Drum Song (Rodgers & Hammerstein musical)
3:08
13Let’s Love
2:45
14Chances Are
registrazione di:
Chances Are
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:04
15Small World
registrazione di:
Small World (from “Gypsy”)
paroliere:
Stephen Sondheim
compositore:
Jule Styne
editore:
Stratford Music Corporation e Williamson Music Company
parte di:
Gypsy
3:19
16The Twelfth of Never
produttore:
Al Ham e Mitch Miller
produttore esecutivo:
Michael Berniker e Jerry Shulman
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1957)
registrazione di:
The Twelfth of Never
paroliere:
Paul Francis Webster
compositore:
Jerry Livingston (songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Webster Music Co.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
si basa su:
The Riddle Song (aka “I Gave My Love a Cherry”)
2:27
17The Story of Our Love
2:24
18The Best of Everything
2:45
19Wasn’t the Summer Short?2:54
20My Love for You
produttore:
Didier C. Deutsch e Jerry Shulman
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
registrazione di:
My Love for You
paroliere:
Sid Wayne
compositore:
Abner Silver
editore:
Carlin Music Corp e Chappell & Co., Inc. (USA)
3:07
21Starbright
2:48
2CD
#TitoloArtistaValutazioneDurata
1When a Child Is Born
produttore:
Jack Gold
produttore esecutivo:
Michael Berniker e Jerry Shulman
voce:
Johnny Mathis (US pop/soul singer)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1976), Sony BMG Music Entertainment Inc. (nel 1976) e Jon Mat Records Ltd. (nel 1984)
registrazione di:
When a Child Is Born
paroliere:
Fred Jay
compositore:
Zacar
arrangiatore:
Dave Arch (pianist, conductor, arranger and composer)
editore:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., Beechwood Music Corp., EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Mathis43:43
2Too Much, Too Little, Too Late
produttore:
Jack Gold
esecutore:
Johnny Mathis (US pop/soul singer) e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1978)
registrazione di:
Too Much, Too Little, Too Late
autore:
Nat Kipner (Australian producer, songwriter, label owner & publisher) e John McIntyre Vallins
editore:
Homewood House Music e MCA Music Ltd.
Johnny Mathis duet with Deniece Williams43:01
3Gone, Gone, Gone
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrazione di:
Gone, Gone, Gone
autore:
Lawrence Russell Brown (lyricist) e Lisa Hayward
editore:
PEERMUSIC (UK) LTD (A) 301
Johnny Mathis3:36
4I’m Stone in Love With You
produttore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1974)
registrazione cover di:
I’m Stone in Love With You
compositore:
Thom Bell (keyboards, songwriter, producer), Tony Bell (American 1970s musician, songwriter & engineer) e Linda Creed
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell North America
Johnny Mathis3:31
5What Will My Mary Say
registrazione cover di:
What Will My Mary Say
autore:
Eddie Snyder e Paul Vance (US songwriter and producer)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Sis ’n Bro Too LLC
Johnny Mathis3:11
6Maria
produttore:
Mitch Miller
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1959)
registrazione cover di:
West Side Story: Maria (Tony)
paroliere:
Stephen Sondheim (nel 1956)
compositore:
Leonard Bernstein (American conductor, composer, pianist) (nel 1956)
editore:
Campbell Connelly & Co. Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
parte di:
West Side Story
Johnny Mathis3:48
7How to Handle a Woman
registrazione di:
How to Handle a Woman (from “Camelot”)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
parte di:
Camelot (full musical)
Johnny Mathis3:02
8Sooner or Later
Johnny Mathis3:17
9I’ll Search My Heart
Johnny Mathis3:02
10Bye Bye Barbara
Johnny Mathis2:33
11On a Clear Day (You Can See Forever)
produttore:
Johnny Mathis (US pop/soul singer)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1965)
registrazione cover di:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
paroliere:
Alan Jay Lerner (nel 1965)
compositore:
Burton Lane (nel 1965)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
eseguita per la prima volta presso:
Mark Hellinger Theatre in Manhattan, New York, New York, Stati Uniti (il 1965-10-17)
parte di:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
parte di:
On a Clear Day You Can See Forever (1970 film soundtrack)
parte di:
On a Clear Day You Can See Forever (1970 film soundtrack)
parte di:
On a Clear Day You Can See Forever (1970 film soundtrack)
Johnny Mathis2:46
12A Time for Us
registrazione cover di:
A Time for Us
paroliere:
Larry Kusik (Lyricist) e Eddie Snyder
compositore:
Nino Rota (Italian composer)
versione di:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film)
Johnny Mathis2:55
13I’m Coming Home
registrazione di:
I’m Coming Home
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Johnny Mathis3:24
14Life Is a Song Worth Singing
registrazione di:
Life Is a Song Worth Singing
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Johnny Mathis5:46
15Sweet Thursday
registrazione di:
Sweet Thursday
autore:
Jerry Livingston (songwriter) e Paul Francis Webster
editore:
Hallmark Music Co. Inc. (ASCAP affiliated) e Webster Music Co.
Johnny Mathis2:30
16Every Step of the Way
Johnny Mathis3:22
17Friends in Love
esecutore:
Dionne Warwick
registrazione di:
Friends in Love
autore:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) e Jay Graydon
editore:
Bluewater Music UK, Campbell Connelly & Co. Ltd., Chappell Music Ltd., Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic III, Ltd. (BMI), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e 大洋音楽 (Taiyō Music)
Johnny Mathis4:03
18Marianna
registrazione di:
Marianna (from the Counterfeit Traitor)
autore:
Alfred Newman e Paul Francis Webster
editore:
Sis ’n Bro Too LLC e Sony/ATV Harmony
Johnny Mathis2:51
19Gina
registrazione di:
Gina
autore:
Leon Carr e Paul Vance (US songwriter and producer)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
Johnny Mathis2:46
20You’re All I Need to Get By
produttore:
Jack Gold
esecutore:
Johnny Mathis (US pop/soul singer) e Deniece Williams (US soul/funk vocalist/songwriter)
arrangiatore:
Gene Page
diritti fonografici (℗) detenuti da:
Jon Mat Records (nel 1978)
registrazione cover di:
You’re All I Need to Get By
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Johnny Mathis duet with Deniece Williams2:40
21Winter Wonderland
Johnny Mathis3:18