Rock Classics: The Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries excluded (Spotify)

(As of 2025-11-08).

  • Northern America: 🇨🇦 Canada (ca) 🇺🇸 United States (us)
  • Eastern Asia: 🇯🇵 Japan (jp)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2025-11-08 19:18 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1La Grange
engineer:
Robin Gibb, Terry Manning (US recording engineer) and Robin Brian
producer:
Bill Ham (manager of ZZ Top)
mixer and editor:
Terry Manning (US recording engineer)
bass guitar:
Dusty Hill
drums (drum set):
Rube Beard (ZZ Top drummer)
electric guitar, guitar and lead vocals:
Billy Gibbons
recorded at:
Ardent Studios in Memphis, Tennessee, United States, Brian studios in Memphis, Tennessee, United States and Robin Hood Studios in Tyler, Texas, United States
recording of:
La Grange
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic and Stage Three Songs
is based on:
Boogie Chillen’
ZZ Top4.653:51
2I Believe in a Thing Called Love (single version)
The Darkness3:39
3School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:29
4I Wanna Rock
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer) and Greg Laney
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist) (from 1984-02 until 1984-03)
drums (drum set):
A.J. Pero (from 1984-02 until 1984-03)
electric guitar:
Jay Jay French (from 1984-02 until 1984-03) and Eddie Ojeda (from 1984-02 until 1984-03)
background vocals:
Jay Jay French (from 1984-02 until 1984-03), Mark Mendoza (Twisted Sister bassist) (from 1984-02 until 1984-03), Eddie Ojeda (from 1984-02 until 1984-03), A.J. Pero (from 1984-02 until 1984-03) and Dee Snider (from 1984-02 until 1984-03)
lead vocals:
Dee Snider (from 1984-02 until 1984-03)
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 17)
recording of:
I Wanna Rock (from 1984-02 until 1984-03)
lyricist and composer:
Dee Snider
publisher:
Universal Tunes
Twisted Sister4.23:00
5Epic
engineer:
Jim “Watts” Vereecke and Matt Wallace (US producer & engineer)
producer:
Faith No More and Matt Wallace (US producer & engineer)
mixer:
Matt Wallace (US producer & engineer)
bass guitar:
Billy Gould
drums (drum set):
Mike Bordin (American drummer)
guitar:
Jim Martin (ex-Faith No More guitarist)
keyboard:
Roddy Bottum
lead vocals:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
phonographic copyright (℗) by:
Slash Records (company, do not use as release label!) (in 1986)
music videos:
Epic by Faith No More
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 54) and Indie 88: Top 500 Indie Rock Songs (number: 483)
recording of:
Epic
lyricist:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
composer:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould and Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.254:53
6Hot Blooded
edit of:
Hot Blooded by Foreigner (British/American rock band)
recording of:
Hot Blooded
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Foreigner3.653:06
7Slow Ride
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1975) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
edit of:
Slow Ride (long version) by Foghat
recording of:
Slow Ride
lyricist and composer:
Dave Peverett
publisher:
Kohaw Music Inc. and WC Music Corp.
Foghat4.53:58
8Stay With Me
producer:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) and Glyn Johns
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Wurlitzer electric piano:
Ian McLagan
lead vocals:
Rod Stewart
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
writer:
Rod Stewart and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Faces4.54:39
9Long Cool Woman (in a Black Dress)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (from 1971-07-16 until 1971-07-30)
writer:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
The Hollies4.23:17
10Guitar Man
engineer:
Armin Steiner
associate producer:
James Griffin (soft rock singer/songwriter/guitarist)
producer:
David Gates (singer/songwriter, lead singer of Bread)
bass guitar:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set) and percussion:
Michael Botts
guitar:
David Gates (singer/songwriter, lead singer of Bread) and James Griffin (soft rock singer/songwriter/guitarist)
piano:
James Griffin (soft rock singer/songwriter/guitarist)
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) and Warner Music International (trademark of Warner Music International the company) (in 1973)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States
recording of:
The Guitar Man
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–Columbia Music, Inc.
Bread43:46
11California Girls
engineer:
Jeff Hendrickson (sound engineer)
producer:
Ted Templeman
bass guitar:
Willie Weeks (US bass player)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Eddie Martinez (guitar) and Sid McGinnis (American musician and guitarist)
keyboard and saxophone:
Edgar Winter
percussion:
Sammy Figueroa
synthesizer:
Brian Mann (keyboardist, accordionist, composer)
background vocals:
Christopher Cross (US singer‐songwriter), Carl Wilson (Beach Boys) and Edgar Winter
lead vocals:
David Lee Roth
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1985)
cover recording of:
California Girls
lyricist and composer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
David Lee Roth4.652:48
12Monkey Business (2012 remaster)
assistant engineer:
Riley J. Connell (Engineer), Craig Doubet (recording engineer) and Jim Thomas (technical, musician)
producer and mixer:
Michael Wagener
bass guitar:
Rachel Bolan
drums (drum set):
Rob Affuso
guitar:
Scotti Hill and Dave “The Snake” Sabo
background vocals:
Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
lead vocals:
Sebastian Bach (Canadian metal singer)
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recorded at:
New River Studios in Fort Lauderdale, Florida, United States and Scream Studios in Studio City, Los Angeles, California, United States
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States
recording of:
Monkey Business
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row3.44:21
13Smooth Up in Ya
additional engineer:
Toby Wright (producer & engineer)
engineer:
Jeff Hendrickson (sound engineer)
producer:
Jeff Hendrickson (sound engineer) and Ted Templeman
bass guitar:
Lonnie Vencent
drums (drum set):
Jimmy D’Anda
guitar:
Mick Sweda
background vocals:
Mick Sweda and Lonnie Vencent
lead vocals:
Marq Torien
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recorded at and mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States
music videos:
Smooth Up in Ya by BulletBoys
recording of:
Smooth Up in Ya
writer:
Jimmy D’Anda, Mick Sweda, Marq Torien and Lonnie Vencent
publisher:
Buffoonery Grooves, From My Head to Your Ears Music, Fussy Pants Music, My Two Angels Publishing and Shifty Harris
Bulletboys4:23
14Keep Your Hand to Yourself
engineer and producer:
Jeff Glixman
bass guitar:
Rick Price (Georgia Satellites)
drums (drum set):
Mauro Magellan
guitar:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder) and Rick Richards (US rock/metal guitarist)
lead vocals:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1986)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 46)
recording of:
Keep Your Hands to Yourself
lyricist and composer:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
publisher:
Eleksylum Music Inc., No Surrender Music and Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label)
The Georgia Satellites53:31
15Love Walked In (2009 remaster)
recording engineer and mixer:
Mike Fraser (Canadian record producer, engineer and mixer)
producer:
Andy Taylor (of Duran Duran)
bass guitar:
Mark "Snake" Luckhurst
drums (drum set):
Gary 'Harry' James (drummer)
guitar:
Ben Matthews (UK guitarist/keyboards for Thunder) and Luke Morley
lead vocals:
Danny Bowes
recording of:
Love Walked In
lyricist and composer:
Luke Morley
publisher:
Rondor Music (London) Ltd.
Thunder3.56:23
16Highway Song
recording of:
Highway Song
writer:
Rickey Medlocke and Jakson Spires
publisher:
BobNal Music
Blackfoot4:28
17Aqualung
engineer:
John Burns (engineer/producer for Genesis)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute:
Ian Anderson (of Jethro Tull) (from 1970-12 until 1971-02)
bass guitar and treble recorder / alto recorder:
Jeffrey Hammond Hammond (from 1970-12 until 1971-02)
drums (drum set) and percussion:
Clive Bunker (from 1970-12 until 1971-02)
electric guitar and soprano recorder:
Martin Barre (from 1970-12 until 1971-02)
mellotron, organ and piano:
John Evan (from 1970-12 until 1971-02)
vocals:
Ian Anderson (of Jethro Tull) (from 1970-12 until 1971-02)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (from 1970-12 until 1971-02)
orchestrator:
Dee Palmer (aka David Palmer, of Jethro Tull)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 90)
recording of:
Aqualung (Jethro Tull) (on 1971-02-12)
lyricist:
Ian Anderson (of Jethro Tull) and Jennie Franks
composer:
Ian Anderson (of Jethro Tull)
Jethro Tull4.46:36
18Black Night
drums (drum set):
Ian Paice (in 1970-05)
electric bass guitar:
Roger Glover (in 1970-05)
electric guitar:
Ritchie Blackmore (in 1970-05)
Hammond organ:
Jon Lord (in 1970-05)
lead vocals:
Ian Gillan (in 1970-05)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970-05)
recording of:
Black Night (in 1970-05)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple4.453:27
19In‐A‐Gadda‐Da‐Vida
phonographic copyright (℗) by:
ATCO Records (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
lyricist and composer:
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:53
20Here I Go Again
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake3:53
21Bad Company
recording engineer and mixer:
Ron Nevison
engineer:
Ron Fawcus (task: tape operator)
producer:
Bad Company (British blues-rock supergroup)
bass:
Boz Burrell (English musician) (in 1973-11)
drums (drum set):
Simon Kirke (in 1973-11)
guitar:
Mick Ralphs (in 1973-11)
piano:
Paul Rodgers (in 1973-11)
vocals:
Paul Rodgers (in 1973-11)
phonographic copyright (℗) by:
Swan Song Inc. (in 1974)
recorded at:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, United Kingdom (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Bad Company (in 1973-11)
writer:
Simon Kirke and Paul Rodgers
publisher:
Badco Music, Inc.
Bad Company3.44:47
22Cold as Ice
recording of:
Cold as Ice
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
Foreigner3:23
23Don’t Stop
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:11
24For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:37
25Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4.54:47
26Ooh La La
assistant engineer:
Phil Chapman (engineer)
engineer and producer:
Glyn Johns
acoustic guitar:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
drums (drum set) and percussion:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
harmonium and piano:
Ian McLagan
lead vocals:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 246)
recording of:
Ooh La La
lyricist:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
composer:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:33
27Jane Says
bass guitar:
Eric Avery
drums (drum set):
Stephen Perkins (American drummer)
guitar:
Dave Navarro (American guitarist)
vocals:
Perry Farrell
part of:
Indie 88: Top 500 Indie Rock Songs (number: 129)
recording of:
Jane Says
lyricist:
Perry Farrell
composer:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) and Stephen Perkins (American drummer)
Jane’s Addiction4.14:50
28When the Children Cry
assistant engineer:
Garth Richardson (Canadian music producer and engineer)
engineer, producer and mixer:
Michael Wagener
guitar:
Vito Bratta
lead vocals:
Mike Tramp
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recording of:
When the Children Cry
lyricist and composer:
Vito Bratta
writer:
Mike Tramp
White Lion3.54:18
29Touch of Grey
programming:
Bob Bralove
additional engineer:
Joe Gastwirt, Dan Healy, Justin Kreutzmann, Jeffrey Norman, David Roberts (engineer) and Jeff Sterling (recording engineer)
engineer:
Guy Charbonneau and John Cutler (California producer/engineer)
producer:
John Cutler (California producer/engineer) and Jerry Garcia (guitarist / vocalist in Grateful Dead)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) and Grateful Dead Productions (in 1987)
additionally recorded at:
Club Front in San Rafael, California, United States
recorded at:
Club Front in San Rafael, California, United States (from 1987-01-06 until 1987-01-13) and Marin County Civic Center: Veterans Memorial Auditorium in San Rafael, California, United States (from 1987-01-06 until 1987-01-13)
mixed at:
Club Front in San Rafael, California, United States
recording of:
Touch of Grey (from 1987-01-06 until 1987-01-13)
lyrics written in:
England, United Kingdom
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ice Nine Publishing Company, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Grateful Dead45:48
30Alone Again Or
engineer:
Bruce Botnick
producer:
Bruce Botnick and Arthur Lee
acoustic guitar and lead vocals:
Bryan MacLean (on 1967-09-10)
drums (drum set):
Michael Stuart-Ware (US drummer for Love) (on 1967-09-10)
electric bass guitar:
Ken Forssi (on 1967-09-10)
additional lead vocals:
Arthur Lee (in 1967-09)
horn arranger and strings arranger:
David Angel (composer and arranger) (on 1967-09-10)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1967-09-10)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 436)
recording of:
Alone Again Or (on 1967-09-10)
lyricist and composer:
Bryan MacLean
Love4.23:14
31Willin’
recording engineer and mixer:
Donn Landee
producer:
Ted Templeman
bass guitar:
Roy Estrada
drums (drum set) and percussion:
Richie Hayward
guest steel guitar:
Sneaky Pete Kleinow
guitar and lead vocals:
Lowell George
keyboard:
Bill Payne
background vocals:
Roy Estrada and Richie Hayward
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
Willin’
lyricist and composer:
Lowell George
publisher:
Abraham Music and Naked Snake Music
Little Feat2:57
32Cat’s in the Cradle
recording of:
Cat’s in the Cradle
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:32
33To Be With You (2021 remastered)
assistant engineer:
Chris Kupper, David Luke (engineer), Scott Ralston, Michael Semanick and Andy Udoff
engineer and mixer:
Kevin Elson and Tom Size (US audio engineer)
producer:
Kevin Elson
bass guitar [bass]:
Billy Sheehan
drums (drum set) [drums]:
Pat Torpey
guitar:
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
lead vocals [vocals]:
Eric Martin (vocalist for Mr. Big)
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991), Warner Music International (trademark of Warner Music International the company) (in 1991) and Warner Music H.K. Ltd. (in 1997)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
music videos:
To Be With You by Mr. Big (American hard rock band)
recording of:
To Be With You
writer:
David Grahame and Eric Martin (vocalist for Mr. Big)
publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Dog Turner Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Eric Martin Songs (from 1991 to present), Tasmanian Compositions (from 1991 to present), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Mr. Big4.43:28
34You’re the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago53:50
35Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) and Warner Music H.K. Ltd. (in 1997)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 415)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn44:14
36Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar [guitars]:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (from 2007 to present)
recorded at:
The Sound Factory in Tucson, Arizona, United States (in 2007)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music Inc. (BMI)
Warren Zevon4.93:29
37All Right
recording engineer and mixer:
Chet Himes
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
assistant producer:
Rob Meurer and Michael Ostin
producer:
Michael Omartian
solo guitar:
Steve Lukather
additional vocals:
Michael McDonald (R&B & soul singer)
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
produced for:
Free Flow Productions
recorded at:
Pop ’n’ Roll Studios in Santa Monica, California, United States, Studio South in Austin, Texas, United States, The Aspen Studios in Aspen, Colorado, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
All Right
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross54:16
38Polk Salad Annie
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1969)
recording of:
Polk Salad Annie
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Blackwood Music Inc.
Tony Joe White3:44
39Ride Captain Ride
producer:
Richard Podolor
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 32)
recording of:
Ride Captain Ride
lyricist:
Frank “Skip” Konte (US keyboardist)
composer:
Mike Pinera
publisher:
Atlantic (Warner Music imprint) and ATM Music
Blues Image4.53:42
40Listen to the Music
recording of:
Listen to the Music
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.44:43
41New Dawn Fades
engineer:
Chris Nagle
producer:
Martin Hannett
bass guitar and background vocals:
Peter Hook (from 1979-04-01 until 1979-04-17)
drums (drum set) and percussion:
Stephen Morris (New Order) (from 1979-04-01 until 1979-04-17)
guitar and keyboard:
Bernard Sumner (from 1979-04-01 until 1979-04-17)
lead vocals:
Ian Curtis (from 1979-04-01 until 1979-04-17)
phonographic copyright (℗) by:
Fractured Music (publisher) and Warner Music UK (formerly Warner Records Ltd., a branch of WEA International) (in 2019)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (from 1979-04-01 until 1979-04-17)
recording of:
New Dawn Fades (from 1979-04-01 until 1979-04-17)
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) (ended), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Zomba Music
Joy Division4.54:47
42I Wanna Be Your Dog
producer:
John Cale (The Velvet Underground founder)
bass guitar:
Dave Alexander (bassist for The Stooges)
drums (drum set):
Scott Asheton
electric guitar:
Ron Asheton
lead vocals:
Iggy Stooge
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 314) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 438)
recording of:
I Wanna Be Your Dog
writer:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton and Iggy Pop
publisher:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
The Stooges3.63:09
43How Soon Is Now? (edit)
music videos:
How Soon Is Now? (Shorter Version) by The Smiths (1980s English rock band)
recording of:
How Soon Is Now? (in 1985)
lyricist:
Morrissey (English singer‐songwriter)
writer:
Johnny Marr and Morrissey (English singer‐songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths4.53:39
44No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:28
45What Do I Get? (2001 remastered version)
engineer:
Doug Bennett (producer, engineer)
producer:
Martin Rushent
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
What Do I Get by Buzzcocks (English punk band)
recording of:
What Do I Get?
lyricist and composer:
Pete Shelley (Buzzcocks lead singer)
Buzzcocks3.852:56
46I Wanna Be Your BoyfriendRamones2:26
47The Cutter
engineer:
David Bascombe, Dave Woolley, Colin Fairley, Paul Cobald, Steve Prestige and Steve Short (sound engineer & producer)
producer:
Kingbird
bass:
Les Pattinson
drums (drum set):
Pete de Freitas
guest strings:
Shankar (L. Shankar)
guitar:
Ian McCulloch (Echo & the Bunnymen) and Will Sergeant
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen43:53
48Rock & Roll
engineer:
Adrian Barber (producer/engineer) and Geoffrey Haslam
producer:
Geoffrey Haslam and Shel Kagan
bass guitar and drums (drum set):
Doug Yule
electric guitar:
Sterling Morrison
electric guitar [rhythm guitar] and lead vocals:
Lou Reed
phonographic copyright (℗) by:
Warner Special Products
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1970-04 until 1970-08)
recording of:
Rock ’n’ Roll
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground4.14:44
49The Other Side of Summer
recording of:
The Other Side of Summer
lyricist and composer:
Elvis Costello
Elvis Costello4.53:54
50April Skies
producer:
Bill Price (UK producer/engineer)
vocals:
Jim Reid (Jesus and Mary Chain)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1987)
recording of:
April Skies
writer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1987)
The Jesus and Mary Chain4.354:00
51Walk Out to Winter
engineer:
John Brand (engineer)
producer:
John Brand (engineer) and Bernie Clarke (keyboard / producer)
bass guitar:
Campbell Owens
drums (drum set) and percussion:
Dave Ruffy
guitar:
Roddy Frame
vocals:
Roddy Frame
arranger:
Roddy Frame
recording of:
Walk Out to Winter
lyricist and composer:
Roddy Frame
Aztec Camera33:25
52Prove It
assistant engineer:
Jim Boyer (producer/engineer)
engineer and mixer:
Andy Johns
producer:
Andy Johns and Tom Verlaine
assistant mixer:
Jimmy Douglass (engineer) and Randy Mason
bass guitar:
Fred Smith (bassist)
drums (drum set):
Billy Ficca
electric guitar:
Richard Lloyd (American guitarist and singer, Television)
solo electric guitar and lead vocals:
Tom Verlaine
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Prove It
lyricist and composer:
Tom Verlaine
Television3.55:01
53Milk and Alcohol
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
publisher:
Plangent Visions Music Ltd. and Rock Music Co., Ltd.
Dr. Feelgood4.22:49
54Lexicon Devil
producer:
Geza X
guest membranophone:
Nickey “Beat” Alexander
recording of:
Lexicon Devil
lyricist and composer:
Darby Crash
Germs2:07
55Kick Out the Jams
MC52:41
56Mrs. Robinson (2012 remaster)
producer and mixer:
Julian Standen
bass guitar:
Nic Dalton
drums (drum set):
David Ryan (US drummer, in Fuzzy, The Lemonheads)
guitar and lead vocals:
Evan Dando
part of:
Flak: Best Cover Songs of the 90's and Indie 88: Top 500 Indie Rock Songs (number: 383)
cover recording of:
Mrs. Robinson
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
The Lemonheads43:38
57Back on the Chain Gang
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2000)
Pretenders3:51
58I Don’t Want to Talk About It
miscellaneous support:
Elliot Roberts and Roland Stone
engineer:
Bruce Botnick
co-producer:
Bruce Botnick and Jack Nitzsche (American musician and score composer)
mixer:
Henry Lewy
bass:
Billy Talbot
drums (drum set) [drums]:
Ralph Molina
guitar:
Nils Lofgren and Danny Whitten
keyboard and piano:
Jack Nitzsche (American musician and score composer)
slide guitar:
Ry Cooder
background vocals:
Nils Lofgren, Ralph Molina, Jack Nitzsche (American musician and score composer), Billy Talbot and Danny Whitten
lead vocals:
Whitten
arranger:
Crazy Horse (American rock band often working with Neil Young)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
mixed at:
A&M Studio “E” in Los Angeles, California, United States
engineered at:
Sunset Sound, Studio 1 in Hollywood, Los Angeles, California, United States and Wally Heider Studio "D" in San Francisco, California, United States
recording of:
I Don’t Want to Talk About It
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music and Rondor Music
Crazy Horse5:19
59Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
engineer and mixer:
John Tanner
producer:
Mark Van Hecke
bass:
Brian Ritchie (in 1982-07)
drums (drum set) and percussion:
Victor DeLorenzo (in 1982-07)
guitar and lead vocals:
Gordon Gano (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) and Brian Ritchie (in 1982-07)
recorded at:
Castle Productions in Lake Geneva, Wisconsin, United States (in 1982-07)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 17)
recording of:
Blister in the Sun (in 1982-07)
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.452:24
60Roundabout (single edit)
producer:
Eddy Offord and Yes (British progressive rock band)
phonographic copyright (℗) by:
Atlantic (Warner Music imprint) (in 1972) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (in 1971-09)
edit of:
Roundabout by Yes (British progressive rock band)
recording of:
Roundabout (in 1971-09)
writer:
Jon Anderson (Yes/Jon & Vangelis) and Steve Howe
publisher:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. (holding: file NO releases), Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Yes53:29
61How You Remind MeNickelback3.653:45
62Pumping on Your StereoSupergrass3.73:20
63Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:37
64Rock & Roll Queen
recording engineer and mixer:
Ian Broudie and Jon Gray (UK producer & engineer)
engineer:
Jon Gray (UK producer & engineer)
producer:
Ian Broudie
phonographic copyright (℗) by:
Infectious Records Ltd. (in 2005)
recorded at and mixed at:
Elevator Studios in Liverpool, Merseyside, England, United Kingdom
recording of:
Rock & Roll Queen
lyricist:
Billy Lunn
composer:
Charlotte Cooper, Billy Lunn and Josh Morgan
publisher:
Stage Three Music (Catalogues) Ltd.
The Subways3.82:53
65Remember When (Side B)
The Black Keys32:11
66Out of the Black
recording engineer and mixer:
Tom Dalgety
producer:
Tom Dalgety and Royal Blood (Brighton UK two piece rock band)
phonographic copyright (℗) by:
Imperial Galactic Limited (in 2014)
recording of:
Out of the Black
writer:
Mike Kerr and Ben Thatcher
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Royal Blood4.24:01
67Down With the Sickness
assistant engineer:
Tadpole (producer, engineer, mixer)
engineer:
Johnny K (producer, engineer and mixer)
producer:
Disturbed (USA metal band) and Johnny K (producer, engineer and mixer)
mixer:
Steve Sisco and Andy Wallace (engineer)
bass guitar:
Fuzz (Disturbed bassist Steve Kmak)
electronic instruments [electronics] and guitar:
Dan Donegan
membranophone:
Mike Wengren
vocals:
David Draiman
mixed at:
Soundtrack Studios in New York, New York, United States
engineered at:
Groovemaster Studios in Chicago, Illinois, United States
edit of:
Down With the Sickness (explicit) by Disturbed (USA metal band)
recording of:
Down With the Sickness
writer:
Dan Donegan, David Draiman, Fuzz (Disturbed bassist Steve Kmak) and Mike Wengren
publisher:
Mother Culture Publishing and WB Music Corp. (1929–2019)
Disturbed54:38
68Holy Diver
producer and mixer:
Adam Dutkiewicz
bass guitar [bass]:
Mike D’Antonio
drums (drum set) [drums]:
Justin Foley
guitar:
Adam Dutkiewicz and Joel Stroetzel
lead vocals:
Howard Jones (American metalcore vocalist)
vocals:
Adam Dutkiewicz
recorded at:
Zing Studios (Studio, Westfield, MA) in Westfield, Massachusetts, United States
cover recording of:
Holy Diver
lyricist and composer:
Ronnie James Dio
publisher:
Niji Music
Killswitch Engage34:10
69I’m Broken
recorded in:
Nashville, Tennessee, United States (in 1993)
mixed in:
Dallas, Texas, United States
engineer, producer and mixer:
Terry Date (American record producer and engineer) and Vinnie Paul
co-producer:
Pantera (metal band)
assistant mixer:
Tim Kimsey (engineer and producer based in Weatherford, TX) and Sterling Winfield
drums (drum set) [drums]:
Vinnie Paul (in 1993)
electric bass guitar [bass]:
Rex Brown (in 1993)
electric guitar [guitars]:
Dimebag Darrell (in 1993)
lead vocals [vocals]:
Phil Anselmo (in 1993)
arranger:
Pantera (metal band)
mixed at:
Dallas Sound Lab in Irving, Texas, United States
music videos:
I’m Broken (music video) by Pantera (metal band)
recording of:
I’m Broken (in 1993)
lyricist and composer:
Pantera (metal band)
Pantera44:27
70Falling to Pieces
engineer:
Jim “Watts” Vereecke and Matt Wallace (US producer & engineer)
producer:
Faith No More and Matt Wallace (US producer & engineer)
mixer:
Matt Wallace (US producer & engineer)
bass guitar:
Billy Gould
drums (drum set):
Mike Bordin (American drummer)
guitar:
Jim Martin (ex-Faith No More guitarist)
keyboard:
Roddy Bottum
lead vocals:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
music videos:
Falling to Pieces by Faith No More
recording of:
Falling to Pieces
lyricist:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
composer:
Roddy Bottum, Billy Gould and Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company) and Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.15:14
71Red Flag
engineer:
Eric Ratz
producer:
Gavin Brown (Canadian producer, songwriter & musician) and Ian D’Sa
mixer:
Chris Lord‐Alge
phonographic copyright (℗) by:
Dudebox Records Inc. (in 2014)
music videos:
Red Flag (Music video) by Billy Talent (Canadian punk rock band)
recording of:
Red Flag
lyricist and composer:
Billy Talent (Canadian punk rock band)
Billy Talent4.153:18
72I Write Sins Not Tragedies (edit)
Panic! At The Disco3:07
73I Don’t Think So (2012 remaster)
engineer and mixer:
John Agnello (engineer & producer)
producer:
J Mascis (US musician, member of Dinosaur Jr.)
bass:
Mike Johnson (bassist)
drums (drum set), guitar and keyboard:
J Mascis (US musician, member of Dinosaur Jr.)
pedal steel guitar:
Greg Dwinell
vocals:
Mike Johnson (bassist) and J Mascis (US musician, member of Dinosaur Jr.)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1994)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
I Don’t Think So
lyricist and composer:
J Mascis (US musician, member of Dinosaur Jr.)
publisher:
Spam as the Bread Music
Dinosaur Jr.4.653:35
74Fall From Grace
engineer:
Frédéric Vectol
producer:
Stephen Street (famous producer, songwriter)
assistant mixer:
Jonathan Gilmore
mixer:
Mike Crossey
percussion:
Stephen Street (famous producer, songwriter)
recorded at:
Studio Question de Son in Paris, Île-de-France, France (in 2013)
mixed at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom
produced at:
The Bunker (London, Stephen Street’s studio) in London (Greater London), England, United Kingdom
recording of:
Fall From Grace
lyricist and composer:
Peter Doherty (Libertines), John Robinson (session drummer) and Drew McConnell
Babyshambles4:23
75Wide Open Space
recording engineer:
Ian Caple and Mike Hunter (UK producer & engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
music videos:
Wide Open Space by Mansun
recording of:
Wide Open Space
lyricist and composer:
Paul Draper (singer‐songwriter)
publisher:
PolyGram Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mansun44:31
76Calendar Girl
The Noise Next Door3:48
77Dancing With Myself
cover recording of:
Dancing With Myself
writer:
Billy Idol (English rock singer‐songwriter) and Tony James (UK bassist/guitarist)
publisher:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Donnas43:26
78Fit 4 UYoung Knives3:16
79Hard to Beat
producer and mixer:
Richard Archer and Wolsey White
phonographic copyright (℗) by:
Necessary Records Limited (in 2005)
recorded at:
The Cherry Lips Hits Facility in Staines-upon-Thames, Surrey, England, United Kingdom
recording of:
Hard to Beat
writer:
Richard Archer
Hard‐Fi3.454:13
80Mountains
recording of:
Mountains
lyricist and composer:
Simon Neil
publisher:
Good Soldier Songs Ltd.
Biffy Clyro3:20

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Rhino UK (company credits only; do NOT use as release label) (in 2017)
stream for free:https://open.spotify.com/album/2rCOHp3M5acILf4aMq7yjM [info]
https://www.deezer.com/album/40483241 [info]
streaming page:https://music.apple.com/be/album/1225275168 [info]