Highlights from the Julian Bream Edition

~ Release by Julian Bream (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Suite española, op. 47: Leyenda (Asturias)
guitar:
Julian Bream
guitar arranger:
Julian Bream
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz6:00
2PassacailleSylvius Leopold Weiss4:24
3Song Without Words, op. 19 no. 6 "Venetian Boat Song"
recording engineer:
John W. Bower (recording engineer) (in 1970-05)
producer:
James Burnett (producer) (in 1970-05)
classical guitar:
Julian Bream
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1970-05-15 until 1970-05-30)
recording of:
Lied ohne Worte g-Moll, op. 19b Nr. 6 (Song Without Words in G minor, Op. 19b No. 6)
composer:
Felix Mendelssohn (composer) (from 1829 until 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 78)
part of:
Lieder ohne Worte, op. 19b (Songs Without Words, op. 19b)
Felix Mendelssohn2:44
4Polonaise, op. 2 no. 2
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
guitar:
Julian Bream
solo guitar:
Julian Bream (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
recording of:
Introduction and Rondo, op. 2 no. 2
composer:
Dionisio Aguado
part of:
3 Rondos brillants, op. 2
Dionisio Aguado5:09
5La canción del Emperador
guitar:
Julian Bream
recording of:
Los seys libros del Delphín de música, Libro tercero: Mille regres. La canción del Emperador del quarto tono de Jusquin
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
arranger:
Luis de Narváez (16th century composer) (in 1538)
arrangement of:
Mille regretz (à 4)
Luis de Narváez3:29
6Segovia, op. 29
recording engineer:
Lewis Layton (engineer) (from 1959-10 until 1959-11)
producer:
Peter Dellheim (producer for RCA) (from 1959-10 until 1959-11)
classical guitar:
Julian Bream (from 1959-10 until 1959-11)
recorded at:
RCA Studio B (New York) in New York, New York, United States (from 1959-10 until 1959-11)
recording of:
Ségovia, op. 29 (for guitar) (from 1959-10 until 1959-11)
composer:
Albert Roussel (French composer) (in 1925)
dedicated to:
Andrés Segovia (guitarist)
part of:
Works of Albert Roussel by opus number (number: op. 29)
Albert Roussel2:24
7Guitar Quintet, G 448: Introduction & Fandango
recording engineer:
John W. Bower (recording engineer) (from 1967-11 until 1967-12)
producer:
James Burnett (producer) (from 1967-11 until 1967-12)
classical guitar:
Julian Bream (from 1967-11 until 1967-12)
harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1967-11 until 1967-12)
guitar and harpsichord arranger:
Julian Bream
recorded at:
Bishopsgate Institute in London (Greater London), England, United Kingdom (from 1967-11 until 1967-12)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448: Introduction and Fandango (from 1967-11 until 1967-12)
additional composer:
Julian Bream
composer:
Luigi Boccherini (Italian composer) (from 1798 until 1799)
Luigi Boccherini6:04
8Recuerdos de la Alhambra
classical guitar and guitar:
Julian Bream
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega3:55
9Greensleeves[anonymous]3:01
10Joyne Hands
engineer:
John W. Bower (recording engineer) (from 1987-09-02 until 1987-09-04)
lute:
Julian Bream
orchestra:
Julian Bream Consort (The second consort, 1980s onward) (from 1987-09-02 until 1987-09-04)
recorded at:
Wigmore Hall in London (Greater London), England, United Kingdom (from 1987-09-02 until 1987-09-04)
recording of:
Consort Lessons, Book 1: Joyne Hands (from 1987-09-02 until 1987-09-04)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley / Sydney Beck2:16
11Concerto in D, RV 93: Largo
recording engineer:
Bob Auger (Robert Auger, engineer)
producer:
James Burnett (producer)
editor:
Julian Bream
cello:
Marilyn Sansom (cellist) (on 1975-06-03)
guitar:
Julian Bream
lute:
Julian Bream (on 1975-06-03)
theorbo [chittarone]:
Robert Spencer (English lutenist, guitarist & musicologist) (on 1975-06-03)
orchestra:
Monteverdi Orchestra (on 1975-06-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 1975-06-03)
arranger:
Julian Bream
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1975-06-03)
recording of:
Concerto for Lute and Strings in D major, RV 93: II. Largo (orch. Bream)
orchestrator:
Julian Bream
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
orchestration of:
Concerto for Lute in D major, RV 93: II. Largo
part of:
Concerto for Lute and Strings in D major, RV 93 (orch. Bream)
Antonio Vivaldi / Julian Bream3:55
12Semper Dowland, semper dolens
lute:
Julian Bream
recording of:
Semper Dowland Semper dolens, P. 9 (for lute solo)
composer:
John Dowland (composer and lutenist)
arranger:
Paul Leenhouts
part of:
John Dowland's lute works (number: P. 9)
part of:
Lachrimæ or Seaven Teares, with divers other pavans (The collection of seven teares and 14 other works)
John Dowland4:22
13Suite popolar brasileira: II. Schottische-Chôro
classical guitar:
Julian Bream
recording of:
Suite populaire brésilienne, W020: II. Schottish‐Choro
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Suite populaire brésilienne, W020
Heitor Villa‐Lobos3:31
14Fantasia
instruments:
Julian Bream
lute:
Julian Bream
recording of:
Fantasía
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra2:06
15Danza española no. 5
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (from 1982-06 until 1982-07)
guitar:
Julian Bream
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
part of:
12 danzas españolas, op. 37 (catch-all for arrangements)
Enrique Granados4:16
16Lute Suite no. 1 in E minor, BWV 996: VI. Gigue
recording engineer:
James Burnett (producer) (from 1965-09 until 1965-10)
producer:
Peter Dellheim (producer for RCA) (from 1965-09 until 1965-10)
guitar:
Julian Bream (from 1965-09 until 1965-10)
arranger:
Julian Bream
recorded at:
Kenwood House: Library in London (Greater London), England, United Kingdom (from 1965-09 until 1965-10)
recording of:
Suite in E minor, BWV 996: VI. Gigue (catch-all for arrangements) (from 1965-09 until 1965-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: VI. Gigue
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
Johann Sebastian Bach3:31
17Tiento
classical guitar:
Julian Bream
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1983-02-19 until 1983-05-06)
recording of:
Tiento
composer:
Maurice Ohana (French composer) (in 1957)
Maurice Ohana5:00
18Fantasía para un gentilhombre: IV. Canario
classical guitar and guitar:
Julian Bream
orchestra:
RCA Victor Chamber Orchestra
conductor:
Leo Brouwer
recording of:
Fantasía para un gentilhombre: IV. Canario
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo5:34