Testament van de Sixties

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: ’60–’63
#TitoloArtistaValutazioneDurata
1Living Doll
produttore:
Norrie Paramor
voce:
Cliff Richard
esecutore:
The Drifters (London group, pre-Shadows)
registrazione di:
Living Doll
paroliere e compositore:
Lionel Bart
editore:
J. Albert & Son Pty. Ltd.
Cliff Richard2:38
2Lonely Boy
registrazione di:
Lonely Boy
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Spanka Music (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Epa Publishing
Paul Anka2:34
3Marina
registrazione di:
Marina (original italian lyrics) (nel 1959)
paroliere e compositore:
Rocco Granata (Italian-born singer, songwriter, accordionist) (nel 1959)
Rocco Granata2:44
4Till I Kissed You
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 28)
registrazione di:
(’Til) I Kissed You (il 1959-07-07)
paroliere e compositore:
Don Everly
The Everly Brothers2:22
5Oh! Carol
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Oh! Carol (nel 1959)
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
versione tradotta di:
Karel (Oh Carol)
Neil Sedaka32:18
6Red River Rock
registrazione cover di:
Red River Rock
compositore:
Tom King (50s & 60s songwriter), Ira Mack e Fred Mendelsohn
editore:
Burlington Music Co., Ltd. e Mole Hole Music
si basa su:
Red River Valley
Johnny and the Hurricanes32:12
7Kom van dat dak af
registrazione di:
Kom van dat dak af
paroliere e compositore:
Peter Koelewijn
Peter Koelewijn & Zijn Rockets2:37
8Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
voce:
Brian Hyland
registrazione di:
Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
autore:
Lee Pockriss e Paul Vance (US songwriter and producer)
editore:
Campbell Connelly & Co. Ltd., Emily Music Corp. (publisher) e Music Sales Corporation (American copyright holder in both popular and classical music)
Brian Hyland42:22
9Ramona
registrazione cover di:
Ramona (English version)
paroliere:
L. Wolfe Gilbert
compositore:
Mabel Wayne (nel 1928)
The Blue Diamonds2:34
10It’s Now or Never
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1960), BMG Music (nel 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1960) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
registrazione cover di:
It’s Now or Never (il 1960-04-03)
paroliere:
Wally Gold e Aaron Schroeder (1950s~1960s US songwriter)
compositore:
Eduardo Di Capua
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music e Williamson Music Company
versione di:
’O sole mio
Elvis Presley3.73:16
11Apache
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1960)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Apache
compositore:
Jerry Lordan
editore:
Francis, Day & Hunter Ltd.
The Shadows4.652:53
12Wooden Heart
basso :
Ray Siegel (il 1960-04-28)
batteria :
D.J. Fontana (il 1960-04-28)
chitarra :
Neal Matthews (il 1960-04-28), Scotty Moore (American guitarist and recording engineer) (il 1960-04-28) e Tiny Timbrell (il 1960-04-28)
pianoforte :
Dudley Brooks (il 1960-04-28)
tamburello :
Jimmie Haskell (il 1960-04-28)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-04-28)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1960), BMG Music (nel 1961) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrazione cover di:
Wooden Heart (il 1960-04-28)
paroliere:
Ben Weisman e Fred Wise
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter) e Kay Twomey
editore:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music e Spirit Two Music Inc.
versione tradotta di:
Muß i denn zum Städtele hinaus
Elvis Presley22:03
13Non, je ne regrette rien
voce:
Édith Piaf (il 1960-11-10)
direttore d'orchestra:
Robert Chauvigny (French composer, orchestra leader and conductor) (il 1960-11-10)
registrazione di:
Non, je ne regrette rien (il 1960-11-10)
paroliere:
Michel Vaucaire
compositore:
Charles Dumont (French singer and composer)
editore:
Éditions Semi (SEMI Société)
Édith Piaf52:22
14Blue Moon
produttore:
Danny e Stu (US TV/film composer, conductor & producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961, nel 2004)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Marcels32:19
15Runaway
claviolino [musitron] solista :
Max Crook
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 100) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 466)
registrazione di:
Runaway (il 1961-01-24)
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon4.42:19
16Hello Mary Lou (Goodbye Heart)
registrazione di:
Hello Mary Lou
autore:
Cayet Mangiaracina e Gene Pitney
editore:
Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ricky Nelson2:18
17Mexico
registrazione di:
Mexico
compositore:
Boudleaux Bryant
Bob Moore2:38
18Walkin’ Back to Happiness
registrazione di:
Walking Back to Happiness
autore:
Mike Hawker e John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro22:29
19Take Good Care of My Baby
voce:
Bobby Vee
diritti fonografici (℗) detenuti da:
Liberty (a division of UMG Recordings, Inc.) (nel 1961)
registrazione di:
Take Good Care of My Baby
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee2:29
20Tanze mit mir in den Morgen
cori:
Chor Heinz Alisch (sings with Willy Schneider (cologne - rhine river))
orchestra:
Orchester Heinz Alisch
registrazione di:
Tanze mit mir in den Morgen (nel 1961)
paroliere:
Kurt Hertha
compositore:
Karl Götz
Gerhard Wendland2:54
21The Young Ones
produttore:
Norrie Paramor
voce:
Cliff Richard (dal 1989-06-16 al 1989-06-17)
esecutore:
The Shadows (British pop/rock band that once backed Cliff Richard) (dal 1989-06-16 al 1989-06-17)
registrazione dal vivo di:
The Young Ones (dal 1989-06-16 al 1989-06-17)
compositore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
EMI Film & Theatre Music Ltd. e Warner Bros., Inc. (Warner Bros. Music Division)
Cliff Richard2.653:11
22The Wanderer
registrazione cover di:
The Wanderer
paroliere e compositore:
Ernie Maresca
editore:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. e Warner/Chappell North America
Dion4.52:47
23Zwei kleine Italiener
arrangiatore:
Christian Bruhn (German composer)
registrata presso:
Electrola‐Studio Köln in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germania (il 1961-11-28)
parte di:
Germany in the Eurovision Song Contest (Germania all'Eurovision Song Contest) (numero: 1962)
registrazione di:
Zwei kleine Italiener (nel 1962)
paroliere:
Georg Buschor
compositore:
Christian Bruhn (German composer)
Conny Froboess32:44
24Norman
registrazione di:
Norman
compositore:
John D. Loudermilk
Sue Thompson2:19
25Brandend zand
registrazione di:
Brandend zand
paroliere:
Kurt Feltz
autore:
Werner Scharfenberger
traduttore:
Johnny Hoes
versione tradotta di:
Heißer Sand
Anneke Grönloh2:54
26Roses Are Red
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
voce:
Bobby Vinton
direttore d'orchestra:
Robert Mersey
arrangiatore:
Robert Mersey
registrazione di:
Roses Are Red (nel 1962)
autore:
Al Byron e Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:39
27Speedy Gonzales
registrazione di:
Speedy Gonzales
autore:
David Hess (actor/songwriter), David Hill (US songwriter), Buddy Kaye e Ethel Lee (songwriter)
editore:
Budd Music Ltd. (publisher) (dal 1977 a oggi)
Pat Boone52:33
28Telstar
produttore:
Joe Meek
registrazione di:
Telstar (nel 1962)
compositore:
Joe Meek
editore:
Ivy Music Ltd.
The Tornados3.353:16
29The Loco‐Motion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:27
30Africa
Jumping Jewels2:16
2▼CD: ’63–’65
#TitoloArtistaValutazioneDurata
1Ritme van de regen
registrazione di:
Ritme van de regen
paroliere e compositore:
John Gummoe
traduttore:
Lodewijk Post
versione tradotta di:
Rhythm of the Rain
Rob de Nijs2:30
2Ik heb eerbied voor jouw grijze haren
registrazione cover di:
Ik heb eerbied voor jouw grijze haren
paroliere e compositore:
Bobbejaan Schoepen (Bobby John, Belgian singing cowboy)
Gert Timmerman2:52
3Sukiyaki
voce principale:
坂本九 (Kyu Sakamoto) (nel 1961)
diritti fonografici (℗) detenuti da:
EMI Music Japan (bootlegs of EMI Music Japan releases.) (nel 1963)
registrazione di:
上を向いて歩こう (nel 1961)
paroliere:
James “Buzz” Cason, 永六輔 (Rokusuke Ei) e Tom Lesslie (Thomas Lesslie Garrett; US songwriter/producer; aka. Snuff Garrett)
compositore:
中村八大 (Hachidai Nakamura)
editore:
EMI Music Publishing (do not use as a release label!), イーエムアイ音楽出版 (EMI Music Publishing Japan) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI内国事業部 (publisher for domestic Japanese works) (dal 2021-07-01 a oggi)
parte di:
日本の歌百選 (numero: 12)
Kyu Sakamoto3.43:03
4Spiegelbeeld
registrazione cover di:
Spiegelbeeld
autore:
Darrell Edwards
traduttore:
Lodewijk Post
versione tradotta di:
Tender Years
Willeke Alberti2:29
5Pour moi la vie va commencer
voce:
Johnny Hallyday
registrazione di:
Pour moi la vie va commencer (nel 1963)
paroliere e compositore:
Jean‐Jacques Debout
Johnny Hallyday2:13
6Vous permettez monsieur
voce:
Adamo (Salvatore Adamo, Belgian singer Salvatore Adamo)
registrazione di:
Vous permettez, monsieur ? (nel 1964)
paroliere e compositore:
Adamo (Salvatore Adamo, Belgian singer Salvatore Adamo)
registrazione di:
Vous permettez Monsieur (italian lyrics)
paroliere e compositore:
Adamo (Salvatore Adamo, Belgian singer Salvatore Adamo)
traduttore:
Nisa (Italian lyricist Nicola Salerno)
versione tradotta di:
Vous permettez, monsieur ?
Adamo3:01
7Twenty Four Hours From Tulsa
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 36)
registrazione di:
Twenty Four Hours From Tulsa
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney2.52:59
8My Boy Lollipop
produttore:
Chris Blackwell (Island Records)
registrazione cover di:
My Boy Lollipop
autore:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") e Robert Spencer (English lutenist, guitarist & musicologist)
registrazione di:
My Boy Lollipop
autore:
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") e Robert Spencer (English lutenist, guitarist & musicologist)
Millie Small4.652:02
9House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.254:30
10A World Without Love
registrazione di:
A World Without Love
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing (do not use as a release label!) e Northern Songs Ltd.
Peter & Gordon32:41
11Do Wah Diddy Diddy
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 35)
registrazione cover di:
Do Wah Diddy Diddy
autore:
Jeff Barry e Ellie Greenwich
editore:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:24
12My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:51
13Oh Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.23:00
14Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.452:37
15I’m Gonna Be Strong
registrazione di:
I’m Gonna Be Strong
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Gene Pitney2:14
16You’ve Lost That Lovin’ Feelin’
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1965)
registrazione di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers43:40
17Hello Josephine
registrazione cover di:
My Girl Josephine
paroliere e compositore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
autore:
Dave Bartholomew e Fats Domino
editore:
EMI United Partnership Ltd. e J. Albert & Son Pty. Ltd.
The Scorpions2:23
18The Birds and the Bees
diritti fonografici (℗) detenuti da:
Era (55-90 US indie) (nel 1965)
registrazione di:
The Birds and the Bees
paroliere e compositore:
Barry Stuart
editore:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) e Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens42:06
19Poupée de cire, poupée de son
voce:
France Gall (nel 1965)
orchestra:
Alain Goraguer et son orchestre (nel 1965)
parte di:
Luxembourg in the Eurovision Song Contest (Lussemburgo all'Eurovision Song Contest) (numero: 1965) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1965)
registrazione di:
Poupée de cire, poupée de son (nel 1965)
paroliere e compositore:
Serge Gainsbourg
editore:
Bagatelle SA, Sidonie, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
France Gall2:32
20Goodbye My Love
registrazione di:
Goodbye My Love (Simington/Swearingen/Mosley; The Searchers)
compositore:
Robert Mosely (US rhythm & blues singer/songwriter), Lamar Simington e Leroy Swearingen
The Searchers3:00
21Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:51
22Concrete and Clay
tecnico:
Victor Smith
produttore:
John Barker (producer)
esecutore:
Unit 4+2
registrazione di:
Concrete and Clay
autore:
Tommy Moeller e Brian Parker
editore:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, Universal/MCA Music Publishing Pty Ltd, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Unit 4+23.52:12
23For Your Love
produttore:
Giorgio Gomelsky
basso :
Paul Samwell-Smith (il 1965-02-01)
basso [bowed bass] :
Ron Prentice (il 1965-02-01)
batteria :
Jim McCarty (UK drummer, Yardbirds member) (il 1965-02-01)
bonghi :
Denny Piercey (il 1965-02-01)
chitarra :
Eric Clapton (il 1965-02-01) e Chris Dreja (il 1965-02-01)
clavicembalo :
Brian Auger (il 1965-02-01)
voce:
Keith Relf (il 1965-02-01)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1965)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (il 1965-02-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 22)
registrazione di:
For Your Love (il 1965-02-01)
paroliere e compositore:
Graham Gouldman
editore:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Screen Gems–EMI Music Ltd.
The Yardbirds4.552:31
24Wooly Bully
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 24)
registrazione di:
Wooly Bully (nel 1965)
paroliere e compositore:
Domingo Samudio
editore:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) e Melodie der Welt (publisher)
Sam the Sham & the Pharaohs3.752:23
25La Danse de Zorba
Trio Hellenique4:05
26Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
The Byrds4.152:17
27Cara Mia
registrazione di:
Cara mia (nel 1965)
autore:
Lee Lange e Tulio Trapani
Jay & the Americans2:34
28Sophietje
registrazione cover di:
Sophietje
autore:
Thore Skogman (composer, lyricist, singer, musician)
traduttore:
Gerrit den Braber (radio DJ, songwriter and producer)
versione tradotta di:
Fröken Fräken
Johnny Lion2:31
29This Strange Effect
registrazione di:
This Strange Effect
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Edward Kassner Music Co. Ltd.
Dave Berry32:27
3▼CD: ’65–’66
#TitoloArtistaValutazioneDurata
1Tossing and Turning
registrazione di:
Tossing and Turning
compositore:
John Carter (songwriter & producer, b. 1942), Perry Ford (English pop singer) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
EMI Virgin Music Publishing Australia P/L
The Ivy League2:27
2You’ve Got Your Troubles
registrazione di:
You’ve Got Your Troubles
autore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Concord Sounds, Greenaway Operations and Activities Limited e Mills Music
The Fortunes3:23
3Universal Soldier
registrazione di:
The Universal Soldier
paroliere e compositore:
Buffy Sainte‐Marie
editore:
Peermusic (UK) Limited
registrazione cover di:
The Universal Soldier
paroliere e compositore:
Buffy Sainte‐Marie
editore:
Peermusic (UK) Limited
Donovan42:13
4Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:37
5Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:35
6Capri c’est fini
registrazione di:
Capri c’est fini
paroliere e compositore:
Hervé Vilard
Hervé Vilard3:21
7Hang On Sloopy
registrazione di:
Hang On Sloopy
autore:
Bert Russell Berns e Wes Farrell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc e Robert Mellin Music, Inc.
The McCoys33:54
8A Well Respected Man
tecnico:
Bob Auger (Robert Auger, engineer) e Alan McKenzie (engineer)
produttore:
Shel Talmy
batteria :
Mick Avory (nel 1965-08)
chitarra :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1965-08) e Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1965-08)
chitarra basso e voce di accompagnamento:
Pete Quaife (Kinks' bass guitarist) (nel 1965-08)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1965)
registrata presso:
Pye Studios, Studio 2 in London (Greater London), England, Regno Unito (nel 1965-08)
registrazione di:
A Well Respected Man (nel 1965-08)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Edward Kassner Music Co. Ltd.
The Kinks4.652:42
9Wasted Words
registrazione di:
Wasted Words
paroliere e compositore:
Robbie van Leeuwen
The Motions2:10
10Yesterday Man
produttore:
Peter Columbus
registrazione di:
Yesterday Man
paroliere e compositore:
Chris Andrews (UK singer-songwriter)
Chris Andrews2:34
11My Generation
produttore:
Shel Talmy
basso :
John Entwistle (il 1965-10-13)
batteria e percussione :
Keith Moon (drummer) (il 1965-10-13)
chitarra :
Pete Townshend (of The Who) (il 1965-10-13)
pianoforte :
Nicky Hopkins (pianist and organist) (il 1965-10-13)
voce:
John Entwistle (il 1965-10-13) e Pete Townshend (of The Who) (il 1965-10-13)
voce principale:
Roger Daltrey (il 1965-10-13)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1965, nel 1970) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (il 1965-10-13)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 37) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 232)
registrazione di:
My Generation (il 1965-10-13)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH e Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.53:18
12The Carnival Is Over
registrazione di:
The Carnival Is Over
autore:
[traditional] (special purpose artist), Catherine Courage, Frank Farian e Tom Springfield
editore:
Warner/Chappell Music Australia Pty. Ltd.
si basa su:
Из-за острова на стрежень (Stenka Razin)
The Seekers3:09
131‐2‐3
registrazione di:
1‐2‐3 (nel 1965)
autore:
Leonard Borisoff, John Madara e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
autore aggiunto:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Welbeck Music Ltd.
Len Barry2:24
14Ik heb geen zin om op te staan
registrazione di:
Ik heb geen zin om op te staan
paroliere e compositore:
Tineke Tinka Bouber
Het3:03
15Michelle
diritti fonografici (℗) detenuti da:
Northern Songs Ltd. (nel 1965)
registrazione cover di:
Michelle (nel 1965-12)
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Northern Songs Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
adattamenti:
Michelle
The Overlanders2:23
16That Day
diritti fonografici (℗) detenuti da:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1966)
registrazione di:
That Day
autore:
Rinus Gerritsen (bass player) e George Kooymans
Golden Earring32:28
17Such a Cad
registrazione di:
Such a Cad
autore:
Gary O'Shannon e Peter Shott (Arranger, composer and songwriter)
Les Baroques2:31
18Keep On Running
produttore:
Chris Blackwell (Island Records)
voce e esecutore:
Steve Winwood
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1965)
registrazione cover di:
Keep On Running
paroliere e compositore:
Jackie Edwards
editore:
Island Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group42:41
19A Groovy Kind of Love
registrazione cover di:
A Groovy Kind of Love (nel 1965-12)
autore:
Carole Bayer Sager e Toni Wine
editore:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. e Screen Gems-EMI Music (nel 1966)
si basa su:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
The Mindbenders32:00
20Spanish Eyes
produttore:
Tom Morgan (producer)
direttore d'orchestra:
Peter de Angelis (nel 1965)
arrangiatore:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1965)
registrazione cover di:
Spanish Eyes (Moon Over Naples) (nel 1965)
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
versione di:
Moon Over Naples
Al Martino2.52:47
21Welterusten, mijnheer de president
voce:
Boudewijn de Groot
registrazione di:
Welterusten, mijnheer de president
paroliere:
Lennaert Nijgh
autore:
Boudewijn de Groot
Boudewijn de Groot42:33
22Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:37
23The Sun Ain’t Gonna Shine Anymore
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1966) e PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1966)
registrazione cover di:
The Sun Ain’t Gonna Shine (Anymore) (nel 1966)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music e Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:01
24The Pied Piper
registrazione cover di:
The Pied Piper
autore:
Steve Duboff e Artie Kornfeld
Crispian St. Peters2:34
25Monday, Monday
tecnico:
Bones Howe
produttore:
Lou Adler
esecutore:
The Mamas & the Papas (American folk rock vocal group) (il 1965-12-16)
diritti fonografici (℗) detenuti da:
Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-12-16)
registrazione di:
Monday, Monday (il 1965-12-16)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:22
26Russian Spy and I
registrazione di:
Russian Spy and I
paroliere e compositore:
Jackie Javellin
The Hunters2:39
4▶CD: ’66–’67
5▶CD: ’67
6▶CD: ’67–’68
7▶CD: ’68
8▶CD: ’68–’69
9▶CD: ’69
10▶CD: ’69

Accreditamenti

Gruppo di pubblicazioni

parte di:Testament van de (CD+DVD series by Universal) (ordine: 1)