The Rock Collection: Raised on Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I Should Have Known Better
acoustic guitar:
Graham Lyle
electric bass guitar:
John McKenzie (English blues bassist)
membranophone:
Simon Kirk
percussion:
Martin Ditcham
recorded at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom
recording of:
I Should Have Known Better (1984 song)
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Graham Lyle
publisher:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) and Rondor Music (London) Ltd.
Jim Diamond54:11
2Something 'bout You Baby I Like
cover recording of:
Something ’bout You Baby I Like
lyricist and composer:
Richard Supa (American guitarist, singer & songwriter)
publisher:
Colgems Music Corp., EMI Music (do not use as release label! this is a music publisher), Screen Gems and Screen Gems–EMI Music Ltd.
Status Quo2:49
3Going Up the Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1968-08-06 until 1968-08-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
Canned Heat2.52:54
4Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 97)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Edgar Winter Group44:47
5Proud Mary
cover recording of:
Proud Mary
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner53:19
6Some Guys Have All the Luck
engineer and mixer:
Jack Nuber
producer:
Robert Palmer (English singer‐songwriter)
guitar:
Ken Mazur
recorded at:
The Dominion Theatre in London (Greater London), England, United Kingdom (on 1980-11-10)
live cover recording of:
Some Guys Have All the Luck (on 1980-11-10)
lyricist and composer:
Jeff Fortgang
Robert Palmer4.353:10
7Living Next Door to Alice
associate producer:
Nicky Chinn
producer:
Mike Chapman (Australian producer and songwriter) and G. Kasper (German sound engineer & producer, "Mr. Cool")
phonographic copyright (℗) by:
Chinnichap Records Ltd. (in 1976) and RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice (Original by New World)
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton and Universal Music Publishers MGB Australia Pty Ltd
recording of:
Living Next Door to Alice (Original by New World)
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton and Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:30
8Reason to Believe
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971)
cover recording of:
Reason to Believe (in 1971-01)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. and Trio Music Co., Inc.
Rod Stewart3.154:05
9White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cream4.555:00
10All the Way From Memphis
recording of:
All the Way From Memphis
lyricist and composer:
Ian Hunter (Mott the Hoople)
publisher:
Island Music Limited (Island Music Ltd.)
Mott the Hoople3:14
11Malt and Barley Blues
miscellaneous support:
Chris Kimsey
engineer and producer:
Glyn Johns
bass and guitar:
Benny Gallagher, Graham Lyle and Tom McGuinness
keyboard [keyboards]:
Dennis Coulson and Benny Gallagher
mandolin:
Graham Lyle
percussion:
Hughie Flint
lead vocals [vocals]:
Dennis Coulson, Benny Gallagher and Graham Lyle
phonographic copyright (℗) by:
Capitol Recording (imprint of Capitol Records, Inc.) (in 1971)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Malt and Barley Blues
writer:
Benny Gallagher and Graham Lyle
publisher:
Gallagher & Lyle Music (publisher; do NOT use as release label)
McGuinness Flint2:16
12Judy Teen
recording of:
Judy Teen
lyricist and composer:
Steve Harley
Cockney Rebel53:40
2▼CD
#TitleArtistRatingLength
1Devil Gate Drive
recording of:
Devil Gate Drive
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Suzi Quatro4.753:50
2The Witch Queen of New Orleans
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
The Witch Queen of New Orleans (1971 song)
writer:
Lolly Vegas and Pat Vegas
publisher:
EMI Songs Ltd.
Redbone4.252:46
3Half Breed
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
recording of:
Half-Breed
writer:
Al Capps (American record producer, arranger, songwriter, multi-instrumentalist, and vocalist; Born: Allan Alfonzo Capps) and Mary Dean
Cher2:44
4You've Made Me So Very Happy
engineer:
Fred Catero and Roy Halee
producer:
James William Guercio
alto saxophone and piano:
Fred Lipsius (from 1968-10-07 until 1968-10-22)
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
drums (drum set) and percussion:
Bobby Colomby (from 1968-10-07 until 1968-10-22)
flugelhorn and trumpet:
Lew Soloff (from 1968-10-07 until 1968-10-22) and Chuck Winfield (from 1968-10-07 until 1968-10-22)
flute, organ, piano and trombone:
Dick Halligan (from 1968-10-07 until 1968-10-22)
guitar and harmonica:
Steve Katz (guitarist for Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
recorder and trombone:
Jerry Hyman (trombone player) (from 1968-10-07 until 1968-10-22)
lead vocals:
David Clayton‐Thomas (from 1968-10-07 until 1968-10-22)
vocals:
Bobby Colomby (from 1968-10-07 until 1968-10-22), Dick Halligan (from 1968-10-07 until 1968-10-22) and Steve Katz (guitarist for Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
arranger:
Blood, Sweat & Tears, Al Kooper and Fred Lipsius
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1968-10-07 until 1968-10-22)
cover recording of:
You’ve Made Me So Very Happy
writer:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
recording of:
You’ve Made Me So Very Happy
writer:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
Blood, Sweat & Tears54:12
5White Rabbit
recorded in:
San Francisco, California, United States (from 1969-05-07 to present)
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 455) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 478)
recording of:
White Rabbit (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.352:35
6Fanfare for the Common Man
producer:
Greg Lake
bass guitar:
Greg Lake
drums (drum set) and timpani:
Carl Palmer
synthesizer:
Keith Emerson
edit of:
Fanfare for the Common Man by Emerson, Lake & Palmer
recording of:
Fanfare for the Common Man (ELP arrangement)
composer:
Aaron Copland (composer)
arranger:
Keith Emerson, Greg Lake and Carl Palmer
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
Fanfare for the Common Man (for brass and percussion orchestra)
Emerson, Lake & Palmer42:58
7Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.752:57
810538 Overture
engineer:
Peter Olliff and Roger Wake (engineer)
producer:
Jeff Lynne and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
bass:
Jeff Lynne (from 1970-07-12 until 1971-06) and Rick Price (the Move and Electric Light Orchestra bassist) (from 1970-07-12 until 1971-06)
cello:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
drums (drum set):
Bev Bevan (English rock drummer) (from 1970-07-12 until 1971-06)
French horn:
Bill Hunt (UK keyboards, horn player) (from 1970-07-12 until 1971-06)
guitar:
Jeff Lynne (from 1970-07-12 until 1971-06) and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
violin:
Steve Woolam (from 1970-07-12 until 1971-06)
vocals:
Jeff Lynne (from 1970-07-12 until 1971-06) and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2011) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recorded at:
Philips Studios in London (Greater London), England, United Kingdom (from 1970-07-12 until 1971-06)
recording of:
10538 Overture (from 1970-07-12 until 1971-06)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4:04
9Family Man
cover recording of:
Family Man
lyricist and composer:
Mike Oldfield
writer:
Tim Cross (UK keyboardist and producer), Rick Fenn, Mike Frye, Morris Pert and Maggie Reilly
publisher:
BMG Gold Songs, BMG VM Music Ltd., Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), EMI April Music Inc., EMI Virgin Music, Inc., Josef Weinberger Ltd. (33 Crawford Street, London W.1., UK), Musik-Edition Discoton, Oldfield Music Ltd., TBP Music Ltd. and Virgin Music Publishing Limited
Hall & Oates3:20
10Ramblin' Man
engineer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks and Buddy Thornton
producer:
The Allman Brothers Band and Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1972-10)
congas:
Jai Johanny Johanson (in 1972-10)
drums (drum set):
Jai Johanny Johanson (in 1972-10) and Butch Trucks (in 1972-10)
guitar:
Les Dudek (in 1972-10)
guitar [lead guitar] and lead vocals:
Dickey Betts (in 1972-10)
organ:
Gregg Allman (in 1972-10)
piano and background vocals:
Gregg Allman (in 1972-10) and Chuck Leavell (in 1972-10)
vocals:
Gregg Allman (in 1972-10)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
recorded at:
Capricorn Sound Studio in Macon, Georgia, United States (in 1972-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Ramblin’ Man (in 1972-10)
lyricist and composer:
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Australia Pty. Ltd.
The Allman Brothers Band4.54:48
11Heart on My Sleeve
recording of:
Heart on My Sleeve
writer:
Benny Gallagher and Graham Lyle
publisher:
Concord Songs Ltd., Goodsingle Ltd. (publisher), Rondor Music (London) Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gallagher & Lyle3:23
12You Keep Me Hangin' On
recorded in:
England, United Kingdom
engineer:
Peter Wade Schwier (producer, mixing and recording engineer)
producer:
Ricky Wilde
guitar:
Steve Byrd
keyboard:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M (Bigbeat, House label) and Big M Productions Ltd. (British record and publishing company)
recorded at and mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States, Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
part of:
Cachitos Nochevieja 2022 (number: 108)
cover recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kim Wilde3.454:12

Credits

Release group

part of:The Rock Collection (Time-Life Music) (number: 15) (order: 15)