Jesu, Joy of Man’s Desiring & The Immortal Music of J.S. Bach

~ Parution par Johann Sebastian Bach (afficher toutes les versions de cette parution, 3 proposées)

Liste de pistes

1▼CD
noTitreÉvaluationDurée
1Brandenburg Concerto no. 3, BWV 1048: Allegro
violon :
J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Chamber Orchestra, Oregon Bach Festival Orchestra, Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) et Helmuth Rilling (conductor)
recording of :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
3:23
2Air on a 'G' String, BWV 1068
orchestre :
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) et Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym)
recording of :
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician) (le 1730)
partie de :
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
3:19
3Concerto in D minor for 2 Violins, BWV 1043: Allegro
violon :
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi et Tomasco Vecchi
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym) et Musici di San Marco (an Alfred Scholz pseudonym)
conductor :
Eugen Duvier (conductor, an Alfred Scholz pseudonym) et Francesco Macci (an Alfred Scholz pseudonym)
recording of :
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician) (du 1730 au 1731)
partie de :
Concerto for 2 Violins in D minor, BWV 1043
5:14
4Prelude in C, BWV 846
orgue :
Philip Brunelle (organist and conductor)
recording of :
Prelude in C minor, BWV 999 (catch-all for arrangements)
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Prelude in C minor, BWV 999 (original for lute)
recording of :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician) (le 1722)
partie de :
Notebook for Anna Magdalena Bach (Petits livres de notes d'Anna Magdalena Bach, 1725) (numéro : 29)
partie de :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
révision de :
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
2:59
5Brandenburg Concerto no. 2, BWV 1047: Allegro assai
trompette :
Rolf Quinque (trumpet player)
violon :
J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) et Gabor Ötvös
recording of :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:25
6Arioso in F
cuivres :
St. Louis Brass Quintet
orchestre :
Royal Philharmonic Orchestra
conductor :
Alberto Delande (conductor, possibly Alfred Scholz pseudonym)
recording of :
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements)
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician) (le 1729)
arrangement de :
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
3:42
7Sinfonia in G, The Christmas Oratorio, BWV 248
orchestre :
Stuttgart Radio Symphony (Stuttgart Radio Symphony Orchestra)
conductor :
Garcia Navarro (conductor)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (du 1986 à ce jour)
recording of :
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
première en :
Leipzig, Sachsen (Saxony), Allemagne (le 1734-12-26)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1734 au 1735)
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
partie de :
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
6:08
8In Dulci Jubilo, BWV 729
orgue :
Philip Brunelle (organist and conductor)
recording of :
In dulci jubilo, BWV 729
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
partie de :
Bach-Werke-Verzeichnis (numéro : BWV 729)
version de :
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
2:20
9Jesu, Joy of Man’s Desiring, BWV 147
cuivres :
St. Louis Brass Quintet
orchestre :
St. Louis Brass Quintet
recording of :
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:55
10Toccata and Fugue in D minor, BWV 565
orgue :
Hans-Christoph Becker-Foss (organist and choir leader)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (du 1982 à ce jour)
enregistré à :
Marktkirche St. Nicolai (Beckerath-Organ, Hameln) dans Hamelin, Niedersachsen (Lower Saxony), Allemagne
recording of :
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
partie de :
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (numéro : BWV 565) et Bach Compendium (numéro : BC J 37)
48:07