Greatest Hits of the 60’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

8-CD set. CDs 2, 6 & 8 are missing.

This is the 2003 version; it differs from the 2000 version having a couple of different tracks:

CD 1: Tracks 8 & 12
CD 2: ???
CD 3: Tracks 10 & 16
CD 4: Track 11
CD 5: Tracks 6, 9 & 10
CD 6: ???
CD 7: Track 15
CD 8: ???

Anmerkung zuletzt geändert am 2011-07-07 15:24 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1How Do You Do It?
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
How Do You Do It (in 1963-03)
Texter und Komponist(in):
Mitch Murray
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:56
2I’m Telling You Now
recording of:
I'm Telling You Now
Verfasser(in):
Freddie Garrity und Mitch Murray
Freddie & the Dreamers2:10
3Baby I Need Your Lovin’
cover recording of:
Baby I Need Your Loving
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia, Jobete Music Co., Inc., Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Fourmost2:28
4Stay
Produzent(in):
Ron Richards
recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
cover recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
The Hollies2:14
5Hanky Panky
recording of:
Hanky Panky
Verfasser(in):
Jeff Barry und Ellie Greenwich
publisher:
Alley Music Corp., T. M. Music (publisher) und Trio Music Co., Inc.
Tommy James & the Shondells2:54
6I’m Into Something Good
Techniker(in):
Val Valentin
Produzent(in):
Mickie Most (English record producer)
E-Bass:
Karl Green
Gitarre:
Keith Hopwood und Derek Leckenby
Schlagzeug:
Barry Whitwam
Sologesang:
Peter Noone (UK singer/songwriter member of Herman's Hermits)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
cover recording of:
I’m Into Something Good
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Herman’s Hermits4.352:33
7High Time
recording of:
High Time
Verfasser(in):
Charles Mills (songwriter/lyricist, co-composed with Mike Leander) und Mike Leander
publisher:
Dean Street Music Co.
Paul Jones2:13
8A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
9Confessin’ (That I Love You)
cover recording of:
I’m Confessin’ (That I Love You)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
Frank Ifield2:06
10Sloop John B.
Techniker(in):
Chuck Britz (am 1965-07-12)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (am 1965-07-12)
E-Bass:
Carol Kaye (am 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (am 1965-07-12) und Jay Migliori (am 1965-07-12)
Gitarre:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (am 1965-07-12), Jerry Cole (am 1965-07-12) und Billy Strange (am 1965-07-12)
Glockenspiel:
Frank Capp (am 1965-07-12)
Kontrabass:
Lyle Ritz (am 1965-07-12)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1965-07-12)
tack piano:
Al De Lory (am 1965-07-12)
Templeblocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1965-07-12)
zwölfsaitige Gitarre [12-string electric guitar]:
Billy Strange (am 1965-12-29)
Sologesang:
Mike Love (Beach Boys) (von 1965-12-22 bis 1965-12-29) und Brian Wilson (Beach Boys co‐founder) (von 1965-12-22 bis 1965-12-29)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12, am 1965-12-22, am 1965-12-29)
recording of:
Sloop John B (von 1965-07-12 bis 1965-12-29)
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. und New Executive Music
Version von:
The John B. Sails
The Beach Boys42:56
11Have I the Right
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Have I the Right (in 1964)
Verfasser(in):
Alan Blaikley und Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Ivy Music Ltd.
The Honeycombs32:57
12Blackberry Way
recording of:
Blackberry Way
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd. und Essex Music International, Inc. (in 1968)
The Move53:32
13Out of Time
Produzent(in):
Mick Jagger
vocals:
Chris Farlowe
conductor:
Art Greenslade
arranger:
Art Greenslade
cover recording of:
Out of Time (in 1966-04)
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia und EMI Music Publishing (do not use as a release label!)
recording of:
Out of Time
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia und EMI Music Publishing (do not use as a release label!)
Chris Farlowe3:15
14Bang Bang (My Baby Shot Me Down)
recording of:
Bang Bang (My Baby Shot Me Down) (original version, first recorded by Cher)
Texter und Komponist(in):
Sonny Bono
publisher:
April Music (private press label?), Chris Marc Music, Cotillion Music Inc. (BMI), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cher32:45
15It Might as Well Rain Until September
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962) und Screen Gems (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 28)
recording of:
It Might as Well Rain Until September
Texter:
Gerry Goffin
Komponist(in):
Carole King
Carole King2:27
16The First Cut Is the Deepest
Produzent(in):
Mike Hurst (musician and record producer from London, England)
vocals:
P.P. Arnold
arranger:
Art Greenslade
recording of:
The First Cut Is the Deepest
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. und Salafa Ltd.
P.P. Arnold43:15
17The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.254:30
18On the Road Again
Techniker(in):
Dino (US Music engineer) und Lanky (US recording engineer)
Produzent(in):
Calvin Carter und Dallas Smith (producer)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968), Liberty (a division of UMG Recordings, Inc.) (in 1968) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
Liberty Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-09-06)
recording of:
On the Road Again (am 1967-09-06)
Texter und Komponist(in):
Floyd Jones (blues performer and songwriter) und Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) und United Partnership Ltd.
Canned Heat45:01
2▼CD
Nr.TitelKünstlerBewertungLänge
1Itchycoo Park
Techniker(in):
Glyn Johns
Produzent(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1967)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Itchycoo Park
Verfasser(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (beendet) und EMI Catalogue Partnership
Small Faces3.652:49
2Tobacco Road
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 40)
cover recording of:
Tobacco Road
Texter und Komponist(in):
John D. Loudermilk
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Nashville Teens2:27
3Don’t Let Me Be Misunderstood
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 315)
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
The Animals4.32:28
4I Put a Spell on You
Alan Price3:20
5She’s Not There
Produzent(in):
Ken Jones (British conductor & composer Kenneth Evan Jones)
aufgenommen bei:
Decca Studios: Studio 2 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1964-06-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 37), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 213) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 291)
recording of:
She’s Not There (am 1964-06-12)
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
The Zombies4.152:25
6Goin’ Up the Country
Produzent(in):
Canned Heat und Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (von 1968-08-06 bis 1968-08-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
I.D. Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-08-06 bis 1968-08-07)
recording of:
Going Up the Country (von 1968-08-06 bis 1968-08-07)
Texter, Verfasser(in) und Komponist(in):
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. und United Artists Music Ltd.
Version von:
Bull Doze Blues
Canned Heat2.52:52
7It’s Good News Week
Hedgehoppers Anonymous2:06
8Happy Together
phonographisches Urheberrecht (℗) von:
White Whale (late 60s/early 70s California) (in 1967)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 257)
recording of:
Happy Together (in 1967)
Verfasser(in):
Garry Bonner und Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) und Trio Music Co., Inc.
Teil von:
Freaky Friday (2003)
The Turtles4.352:56
9Do You Want to Know a Secret
cover recording of:
Do You Want to Know a Secret
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Unart Catalog Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Metric Music Co (publisher), Northern Songs Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
Billy J. Kramer & The Dakotas32:02
10A World Without Love
recording of:
A World Without Love
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!) und Northern Songs Ltd.
Peter & Gordon32:42
11Where Do You Go to My Lovely
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
Texter und Komponist(in):
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:42
12God Only Knows
Techniker(in):
Chuck Britz (am 1966-03-10) und Ralph Valentin (von 1966-03 bis 1966-04)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (am 1966-03-10) und Frank Marocco (am 1966-03-10)
Bassklarinette:
Leonard Hartman (am 1966-03-10)
Bratsche / Viola:
Darrel Terwilliger (am 1966-03-10)
Cello:
Jesse Erlich (am 1966-03-10)
Cembalo:
Larry Knechtel (am 1966-03-10)
E-Bass:
Ray Pohlman (am 1966-03-10)
flute:
Bill Green (woodwind) (am 1966-03-10) und Jim Horn (saxophonist, hornist, flutist and oboist) (am 1966-03-10)
Geige / Violine:
Leonard Malarsky (am 1966-03-10) und Sid Sharp (am 1966-03-10)
Gitarre:
Carol Kaye (am 1966-03-10)
Glocken und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1966-03-10)
Klarinette:
Leonard Hartman (am 1966-03-10) und Jay Migliori (am 1966-03-10)
Kontrabass:
Lyle Ritz (am 1966-03-10)
Perkussion:
Jim Gordon (US drummer with Derek and the Dominos) (am 1966-03-10)
tack piano:
Don Randi (am 1966-03-10)
Tamburin:
Terry Melcher (am 1966-03-10)
Waldhorn:
Alan Robinson (am 1966-03-10)
Sologesang:
Carl Wilson (Beach Boys) (von 1966-03 bis 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1966-03 bis 1966-04) und Brian Wilson (Beach Boys co‐founder) (von 1966-03 bis 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-03-10) und Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-03 bis 1966-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 130)
recording of:
God Only Knows (von 1966-03 bis 1966-04)
Texter:
Tony Asher (US lyricist, worked on Pet Sounds)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
The Beach Boys4.152:48
13I’m a Tiger
recording of:
I’m a Tiger
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Marty Wilde
Lulu42:45
145‐4‐3‐2‐1
Produzent(in):
John Burgess (British record producer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1963-12-17)
recording of:
5-4-3-2-1
Komponist(in):
Mike Hugg (drummer & founding member of Manfred Mann), Paul Jones (singer, formerly of Manfred Mann, The Blues Band, was also in musical theatre) und Manfred Mann (the person)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Keith Prowse Music Publishing Ltd.
Manfred Mann4.52:00
15Dance On
The Shadows2:24
16Shakin’ All Over
recording of:
Shakin’ All Over
Texter und Komponist(in):
Frederick Heath und Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd & the Pirates3.52:22
17Hippy Hippy Shake
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
Hippy Hippy Shake
Texter und Komponist(in):
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) und Universal Music Careers
The Swinging Blue Jeans3.751:47
18Telstar
Produzent(in):
Joe Meek
recording of:
Telstar (in 1962)
Komponist(in):
Joe Meek
publisher:
Ivy Music Ltd.
The Tornados3.353:18
3▼CD
Nr.TitelKünstlerBewertungLänge
1Shout Shout (Knock Yourself Out)
Ernie Maresca2:15
2I Like It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
I Like It (in 1963)
Texter und Komponist(in):
Mitch Murray
Gerry & the Pacemakers22:15
3Do Wah Diddy Diddy
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 35)
cover recording of:
Do Wah Diddy Diddy
Verfasser(in):
Jeff Barry und Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:24
4A Little Loving
recording of:
A Little Loving
Texter und Komponist(in):
Russ Alquist
Fourmost2:07
5Bad to Me
recording of:
Bad to Me
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
Billy J. Kramer & The Dakotas32:21
6You Were Made for Me
recording of:
You Were Made for Me
Texter und Komponist(in):
Mitch Murray
Freddie & the Dreamers2:20
7Venus
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Shocking Blue4.153:02
8I Can’t Let Maggie Go
Produzent(in):
P. Blumsom
Bassgitarre:
Ray Cane
Gitarre:
Colin Hare
Schlagzeug:
Peter Kircher (English rock/pop drummer)
Sologesang:
Pete Dello
recording of:
I Can’t Let Maggie Go
Texter und Komponist(in):
Pete Dello
publisher:
Ambassador Music Ltd.
Honeybus2:58
9Lovesick Blues
cover recording of:
Lovesick Blues
Texter:
Irving Mills und Hank Williams (country music legend) (am 1949-11-01)
Komponist(in):
Cliff Friend (US composer, lyricist & pianist)
arranger:
Hank Williams (country music legend) (am 1949-11-01)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Jack Mills, Inc. (am 1922-04-03) und Mills Music, Inc. (vom 1930 bis heute)
Frank Ifield2:18
10Let It Be Me
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
cover recording of:
Let It Be Me (am 1959-12-15)
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
The Everly Brothers2:37
11Silhouettes
cover recording of:
Silhouettes (in 1965)
Verfasser(in):
Bob Crewe und Frank Slay
publisher:
Regent Music Corp. (BMI)
Herman’s Hermits2.51:59
12I’ll Never Get Over You
cover recording of:
I’ll Never Get Over You
Texter und Komponist(in):
Gordon Mills (60s/70s UK producer and songwriter)
publisher:
Valley Music Ltd (publisher)
Johnny Kidd & the Pirates2:07
13Google Eye
recording of:
Google Eye
Texter und Komponist(in):
John D. Loudermilk
Nashville Teens2:21
14Boom Bang‐A‐Bang
Produzent(in):
Mickie Most (English record producer)
arranger:
Johnny Harris (Scottish composer, conductor)
Teil von:
United Kingdom in the Eurovision Song Contest (Vereinigtes Königreich beim Eurovision Song Contest) (Nummer: 1969) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1969)
recording of:
Boom Bang-A-Bang (original English version)
Komponist(in):
Alan Moorhouse und Peter Warne
Lulu2:23
15I’m Alive
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
cover recording of:
I’m Alive
Texter und Komponist(in):
Clint Ballard, Jr.
The Hollies2:26
16A Salty Dog
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Denny Cordell und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
Sologesang:
Gary Brooker
recording of:
A Salty Dog
Texter:
Keith Reid
Komponist(in):
Gary Brooker
Procol Harum3.54:40
17Angel of the Morning
phonographisches Urheberrecht (℗) von:
Castle Communications PLC (not for label use, copyright holder) (in 1968)
cover recording of:
Angel of the Morning
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. und Unichappell Music
P.P. Arnold23:16
18Handbags and Gladrags
phonographisches Urheberrecht (℗) von:
Immediate (in 1967)
recording of:
Handbags and Gladrags
Texter und Komponist(in):
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann)
publisher:
D'Abo Songs Ltd und Immediate Music Ltd.
Chris Farlowe43:24
4▼CD
Nr.TitelKünstlerBewertungLänge
1Good Golly Miss Molly
cover recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
The Swinging Blue Jeans32:06
2F.B.I.
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
F.B.I.
Komponist(in):
Peter Gormley, Hank Marvin (lead guitarist of The Shadows, songwriter) und Bruce Welch (English guitarist, singer, songwriter and producer)
publisher:
Carlin Music Corporation und Shadows Music Ltd.
The Shadows42:20
3Got to Get You Into My Life
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1966)
cover recording of:
Got to Get You Into My Life
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Cliff Bennett & the Rebel Rousers2:33
4Super Girl
recording of:
Super Girl
Texter:
Barry Mason (English songwriter)
Komponist(in):
Graham Bonney
publisher:
Patricia Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Graham Bonney2:30
5The House That Jack Built
Alan Price13:11
6True Love Ways
cover recording of:
True Love Ways
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Peter & Gordon52:39
7Put a Little Love in Your Heart
recording of:
Put a Little Love in Your Heart
Verfasser(in):
Jackie DeShannon, Jimmy Holiday (American singer, songwriter, producer) und Randy James Myers
publisher:
EMI Catalogue Partnership und EMI Unart Catalog Inc.
Jackie DeShannon2:33
8Ain’t Misbehavin’
cover recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Tommy Bruce & The Bruisers2:08
9Somewhere
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
Texter:
Stephen Sondheim
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story: Ballet Sequence
P.J. Proby3:17
10Tin Soldier
Small Faces3:21
11Fire Brigade
Techniker(in):
Dave Hadfield (engineer)
Produzent(in):
Denny Cordell
produced at:
Maximum Sound Studio in London (Greater London), England, Vereinigtes Königreich (am 1968-02-20)
recording of:
Fire Brigade (von 1966-01 bis 1968-02)
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Essex Music International, Inc., Onward Music Ltd. und Westminster Music Ltd.
The Move42:24
12Hi Ho Silver Lining
Produzent(in):
Mickie Most (English record producer) (am 1967-01-19)
Bassgitarre:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-01-19)
E-Gitarre und Sologesang:
Jeff Beck (English rock guitarist) (am 1967-01-19)
Schlagzeug:
Clem Cattini (am 1967-01-19)
Hintergrundgesang:
Rod Stewart (am 1967-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-19)
recording of:
Hi Ho Silver Lining (am 1967-01-19)
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:52
13Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flowerpot Men3:39
14Spooky
Produzent(in):
Buddy Buie
recording of:
Spooky (in 1975)
Texter:
Buddy Buie und J. R. Cobb
Komponist(in):
Harry Middlebrooks und Mike Shapiro (saxophonist, composer of Spooky)
publisher:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
basiert auf:
Spooky (instrumental)
Classics IV52:50
15Time of the Season
Techniker(in):
Geoff Emerick (British recording engineer) und Peter Vince (engineer, producer)
Produzent(in):
Rod Argent und Chris White (UK bassist for The Zombies)
Bassgitarre:
Chris White (UK bassist for The Zombies) (in 1967-08)
Gitarre:
Paul Atkinson (in 1967-08)
mellotron, Orgel und Klavier:
Rod Argent (in 1967-08)
Schlagzeug:
Hugh Grundy (in 1967-08)
Hintergrundgesang:
Rod Argent (in 1967-08) und Chris White (UK bassist for The Zombies) (in 1967-08)
vocals:
Colin Blunstone (in 1967-08)
phonographisches Urheberrecht (℗) von:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1968)
aufgenommen bei:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1967-08)
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 349)
recording of:
Time of the Season (in 1967-08)
Texter und Komponist(in):
Rod Argent
publisher:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. und Mainstay Music, Inc. (in 1968)
The Zombies4.53:29
16The Weight
Techniker(in):
Don Hahn (engineer) und Tony May (engineer)
Produzent(in):
The Band (Canadian-American rock band) und John Simon (US producer, arranger, composer, songwriter and musician)
Akustikgitarre:
Robbie Robertson (am 1968-01-12)
Bassgitarre:
Rick Danko (am 1968-01-12)
Klavier:
Garth Hudson (am 1968-01-12)
Schlagzeug:
Levon Helm (am 1968-01-12)
Hintergrundgesang:
Rick Danko (am 1968-01-12), Levon Helm (am 1968-01-12) und Richard Manuel (am 1968-01-12)
Sologesang:
Rick Danko (am 1968-01-12) und Levon Helm (am 1968-01-12)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1968-01-12)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 80) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (am 1968-01-12)
Texter und Komponist(in):
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:35
17I’m the Urban Spaceman
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
I’m the Urban Spaceman
Texter und Komponist(in):
Neil Innes
publisher:
J. Albert & Son Pty. Ltd.
Bonzo Dog Doo-Dah Band4.52:24
18Paradise Lost
The Herd3:32
5▼CD
Nr.TitelKünstlerBewertungLänge
1Working in the Coalmine
recording of:
Working in the Coal Mine
Texter und Komponist(in):
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lee Dorsey52:51
2The Israelites
Produzent(in):
Leslie Kong
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Israelites
Verfasser(in):
Desmond Dacres und Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) und Sparta Music (publisher) (in 1978)
Desmond Dekker42:29
3Wonderful World, Beautiful People
recording of:
Wonderful World, Beautiful People
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Jimmy Cliff53:12
4The Birds and the Bees
phonographisches Urheberrecht (℗) von:
Era (55-90 US indie) (in 1965)
recording of:
The Birds and the Bees
Texter und Komponist(in):
Barry Stuart
publisher:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) und Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens42:09
5Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:38
6I’m Gonna Knock on Your Door
cover recording of:
I’m Gonna Knock on Your Door
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Sid Wayne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Holly-Hill Music Publishing Co., Rachel’s Own Music und Warner/Chappell Music Ltd. (1996–2019)
Eddie Hodges2:05
7Melting Pot
recording of:
Melting Pot (Blue Mink Song)
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Polygram Island Music Publishing
Blue Mink3:49
8Peppermint Twist, Part 1
recording of:
Peppermint Twist
Verfasser(in):
Joey Dee und Henry Glover
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und FROST Music Corp
Joey Dee and the Starliters2:00
9Flowers in the Rain
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
recording of:
Flowers in the Rain
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd.
The Move2:26
10It Keeps Right on A‐Hurtin’
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1962)
recording of:
It Keeps Right On a‐Hurtin’ (in 1962)
Texter und Komponist(in):
Johnny Tillotson (pop and country singer)
publisher:
Ridge Music Corp.
Johnny Tillotson2:49
11A Must to Avoid
recording of:
A Must to Avoid
Verfasser(in):
Steve Barri und P.F. Sloan
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Herman’s Hermits1:57
12Carrie Anne
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) und The Hollies Ltd. (in 1967)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-05-01)
recording of:
Carrie Anne (am 1967-05-01)
Texter und Komponist(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
publisher:
PolyGram Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies4.52:55
13Anyone Who Had a Heart
cover recording of:
Anyone Who Had a Heart
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) und U.S. Songs, Inc. (in 1963)
Cilla Black2:51
14Goodmorning Starshine
recording of:
Good Morning Starshine (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Catalogue Partnership
Teil von:
Hair (1967 musical)
Oliver53:39
15Don’t Let the Sun Catch You Crying
cover recording of:
Don’t Let the Sun Catch You Cryin’
Texter und Komponist(in):
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
publisher:
Northern Music (song publisher) und Universal Music Corp. (USA, affiliated with ASCAP)
Gerry & the Pacemakers2:37
16I’ve Been Drinking
Gast-Interpret(in):
Rod Stewart
recording of:
I’ve Been Drinking
Verfasser(in):
Johnny Mercer und Doris Tauber
arranger:
Jeff Beck (English rock guitarist) und Rod Stewart
Arrangement von:
Drinking Again
Jeff Beck feat. Rod Stewart3:18
17We’ve Gotta Get Out of This Place
Produzent(in):
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 233)
recording of:
We Gotta Get Out of This Place
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Animals3.83:14
18Little Green Bag
recording of:
Little Green Bag
Verfasser(in):
Hans Bouwens und Jan Visser (Dutch Gospel singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection53:23
6▶CD
7▶CD
8▶CD

Nennungen

Veröffentlichung

ASIN:DE: B00009MDFZ [Info]

Veröffentlichungsgruppe

Teil von:Greatest Hits of the (Label: Disky) (Nummer: 60) (Reihenfolge: 2)
Discogs:https://www.discogs.com/master/360597 [Info]