A Chip off the Old Block (RVG edition)

~ Release by Stanley Turrentine (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleRatingLength
1One O’Clock Jump
bass:
Earl May (on 1963-10-21)
drums (drum set):
Al Harewood (on 1963-10-21)
organ:
Shirley Scott (jazz artist) (on 1963-10-21)
tenor saxophone:
Stanley Turrentine (on 1963-10-21)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-10-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-10-21)
recording of:
One O’Clock Jump (on 1963-10-21)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
7:51
2Midnight Blue
bass:
Earl May (on 1963-10-21)
drums (drum set):
Al Harewood (on 1963-10-21)
organ:
Shirley Scott (jazz artist) (on 1963-10-21)
tenor saxophone:
Stanley Turrentine (on 1963-10-21)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-10-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-10-21)
instrumental recording of:
Midnight Blue (on 1963-10-21)
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
9:54
3Blues in Hoss’ Flat
bass:
Earl May (on 1963-10-21)
drums (drum set):
Al Harewood (on 1963-10-21)
organ:
Shirley Scott (jazz artist) (on 1963-10-21)
tenor saxophone:
Stanley Turrentine (on 1963-10-21)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-10-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-10-21)
recording of:
Blues in Hoss’ Flat (on 1963-10-21)
composer:
Count Basie (pianist) and Frank Foster (saxophonist)
6:43
4Spring Can Really Hang You Up the Most
recording engineer:
Rudy van Gelder (on 1963-10-21)
producer:
Alfred Lion (on 1963-10-21)
bass and double bass [bass]:
Earl May (on 1963-10-21)
drums (drum set):
Al Harewood (on 1963-10-21)
organ:
Shirley Scott (jazz artist) (on 1963-10-21)
tenor saxophone:
Stanley Turrentine (on 1963-10-21)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-10-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-10-21)
instrumental recording of:
Spring Can Really Hang You Up the Most (on 1963-10-21)
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
publisher:
Wolfland
6:17
5Cherry Point
bass:
Earl May (on 1963-10-21)
drums (drum set):
Al Harewood (on 1963-10-21)
organ:
Shirley Scott (jazz artist) (on 1963-10-21)
tenor saxophone:
Stanley Turrentine (on 1963-10-21)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-10-21)
recording of:
Cherry Point (on 1963-10-21)
composer and arranger:
Neal Hefti
6:02
6One O’Clock Jump (first version)
baritone saxophone:
Charles Davis (saxophone player)
bass:
Earl May
membranophone:
Al Harewood
organ:
Shirley Scott (jazz artist)
tenor saxophone:
Stanley Turrentine
trumpet:
Blue Mitchell (American trumpet player)
8:19
7Cherry Point (first version)
baritone saxophone:
Charles Davis (saxophone player) (on 1963-10-21)
bass:
Earl May (on 1963-10-21)
membranophone:
Al Harewood (on 1963-10-21)
organ:
Shirley Scott (jazz artist) (on 1963-10-21)
tenor saxophone:
Stanley Turrentine (on 1963-10-21)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-10-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-10-21)
7:09