The Best of Tchaikovsky: Swanlake, Ballet Suite / The Sleeping Beauty, Ballet Suite

~ Veröffentlichung von Tchaikovsky (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1"Swan Lake", Ballet Suite, op. 20: I. Scene (Moonlight)
Orchester:
Belgrader Philharmonie (Belgrade Philharmonic Orchestra)
conductor:
Igor Markévich (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:40
2"Swan Lake", Ballet Suite, op. 20: III. Dance of the Swans
Orchester:
Belgrader Philharmonie (Belgrade Philharmonic Orchestra)
conductor:
Igor Markévich (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
1:40
3"Swan Lake", Ballet Suite, op. 20: IV. Scene: Pas de deux
Orchester:
Belgrader Philharmonie (Belgrade Philharmonic Orchestra)
conductor:
Igor Markévich (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
6:17
4"Swan Lake", Ballet Suite, op. 20: VI. Hungarian Dance (Csárdas)
Orchester:
Belgrader Philharmonie (Belgrade Philharmonic Orchestra)
conductor:
Igor Markévich (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
3:13
5"The Nutcracker", Ballet Suite, op. 71a: I. Little Overture
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (bis 1892)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
3:03
6"The Nutcracker", Ballet Suite, op. 71a: II. March
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
2:29
7"The Nutcracker", Ballet Suite, op. 71a: III. Dance of the Sugar Plum Fairy
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
1:42
8"The Nutcracker", Ballet Suite, op. 71a: IV. Russian Dance (Trepak)
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) und South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Alfred Scholz und Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
1:02
9"The Nutcracker", Ballet Suite, op. 71a: V. Arabian Dance
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
2:49
10"The Nutcracker", Ballet Suite, op. 71a: VI. Chinese Dance
Orchester:
South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
1:10
11"The Nutcracker", Ballet Suite, op. 71a: VII. Dance of the Reed Flutes
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) und South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz und Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
1:59
12"The Nutcracker", Ballet Suite, op. 71a: VIII. Flower Waltz
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
7:08
13"The Sleeping Beauty", Ballet Suite, op. 66a: Introduction: The Lilac Fairy
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Спящая красавица, op. 66 (Dornröschen, op. 66)
3:30
14"The Sleeping Beauty", Ballet Suite, op. 66a: Panorama
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
teilweise recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
2:33
15"The Sleeping Beauty", Ballet Suite, op. 66a: Waltz
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
teilweise recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
4:22
16"The Sleeping Beauty", Ballet Suite, op. 66a: Finale: Apotheosis
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
teilweise recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66: Acte III
2:01
17Fantasia-Overture from "Romeo and Julia"
Orchester:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) und Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alfred Gehardt (fictitious conductor), Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym), Nodar Tsatishvili, George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (Romeo und Julia, 1880 version, commonly performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1869)
überarbeitet von:
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1870, in 1880)
gewidmet:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 42) und Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 39)
Revision von:
Romeo and Juliet (1870, rarely performed)
18:05
2▼CD
Nr.TitelBewertungLänge
1Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo (excerpt)
Klavier:
Peter Torperczer (Slavic pianist)
Orchester:
Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Bystrík Rezucha (conductor)
teilweise recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
3:21
2Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina
sonstige Unterstützung:
Conrad von der Goltz (violinist) (Aufgabe: director)
Orchester:
Conrad von der Goltz Chamber Orchestra (an Alfred Scholz pseudonym)
recording of:
Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1880)
Teil von:
Serenade for Strings in C major, op. 48
10:21
3Ouverture solennelle 1812, op. 49 (excerpt)
Orchester:
Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Bystrík Režucha (conductor)
teilweise recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
Premiere in:
Moscow (Moskau), Russland (am 1882-08-20)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-09 bis 1880-11)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 46) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 49)
basiert auf:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
6:22
4Souvenir de Florence, op. 70: II. Adagio cantabile
Orchester:
Conrad von der Goltz Chamber Orchestra (an Alfred Scholz pseudonym)
conductor:
Conrad von der Goltz (violinist)
recording of:
Souvenir de Florence in D minor, op. 70: II. Adagio cantabile e con moto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1890-06 bis 1890-07)
überarbeitet von:
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1891-11 bis 1892-01)
Teil von:
Souvenir de Florence in D minor, op. 70
10:42
5Capriccio Italien, op. 45
Orchester:
Slovak National Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice) und Slovakian Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Bystrík Režucha (conductor)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (von 1980 bis 1992)
recording of:
Capriccio italien, op. 45 (Italienisches Capriccio, Op. 45)
Premiere in:
Moscow (Moskau), Russland (am 1880-12-18)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-01 bis 1880-05)
gewidmet:
Карл Юльевич Давыдов (Karl Davydov)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 44) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 45)
16:02
6Violin Concerto in D major, op. 35: II. Canzonetta: Andante
Geige / Violine:
Günther Körner (classical violinist, likely fictitious)
Orchester:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Werner Radtke (conductor, likely fictitious)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (Konzert für Violine und Orchester D-Dur, Op. 35: II. Canzonetta. Andante)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1878)
Teil von:
Concerto for Violin and Orchestra in D major, op. 35
6:54
7Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale - Adagio lamentoso
Orchester:
Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Bystrík Rezucha (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso (Sinfonie Nr. 6 h-Moll, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso)
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1893-02 bis 1893-08)
Teil von:
Symphony no. 6 in B minor, op. 74 “Pathétique” (Symphonie Nr. 6 h-Moll, Op. 74 "Pathétique")
9:08

Nennungen

Veröffentlichung

Teil von:Golden Classics (Madacy) (Reihenfolge: 6)
Discogs:https://www.discogs.com/release/28002138 [Info]
ASIN:US: B00012QMOU [Info]