125 Jahre Münchner Philharmoniker

~ Release by Münchner Philharmoniker (see all versions of this release, 1 available)

Tracklist

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1▼CD: Hans Knappertsbusch
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1Symphony no. 3 in E-flat major “Eroica”, op. 55: 1. Allegro con brio
recording engineer:
Werner Mälzig (engineer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1953-12-17)
conductor:
Hans Knappertsbusch (conductor) (on 1953-12-17)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1953-12-17)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (on 1953-12-17)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven16:11
2Symphony no. 3 in E-flat major “Eroica”, op. 55: 2. Marcia funebre. Adagio assai
recording engineer:
Werner Mälzig (engineer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1953-12-17)
conductor:
Hans Knappertsbusch (conductor) (on 1953-12-17)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1953-12-17)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (on 1953-12-17)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven15:44
3Symphony no. 3 in E-flat major “Eroica”, op. 55: 3. Scherzo. Allegro vivace – Trio
recording engineer:
Werner Mälzig (engineer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1953-12-17)
conductor:
Hans Knappertsbusch (conductor) (on 1953-12-17)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1953-12-17)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (on 1953-12-17)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven6:27
4Symphony no. 3 in E-flat major “Eroica”, op. 55: 4. Finale. Allegro molto – Poco andante – Presto
recording engineer:
Werner Mälzig (engineer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1953-12-17)
conductor:
Hans Knappertsbusch (conductor) (on 1953-12-17)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1953-12-17)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (on 1953-12-17)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven12:34
2▼CD: Hans Knappertsbusch
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1Symphony no. 2 in D major, op. 73: 1. Allegro non troppo
recording engineer:
Werner Mälzig (engineer)
producer:
Nikolaus Münchau (producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1956-10-13)
conductor:
Hans Knappertsbusch (conductor) (on 1956-10-13)
recorded at:
Kongresssaal, Deutsches Museum in München (Munich), Bayern (Bavaria), Germany (on 1956-10-13)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo (on 1956-10-13)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms14:32
2Symphony no. 2 in D major, op. 73: 2. Adagio non troppo – L´istesso tempo, ma grazioso
recording engineer:
Werner Mälzig (engineer)
producer:
Nikolaus Münchau (producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1956-10-13)
conductor:
Hans Knappertsbusch (conductor) (on 1956-10-13)
recorded at:
Kongresssaal, Deutsches Museum in München (Munich), Bayern (Bavaria), Germany (on 1956-10-13)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo (on 1956-10-13)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms8:47
3Symphony no. 2 in D major, op. 73: 3. Allegretto grazioso (quasi Andantino) – Presto ma non assai – Tempo I
recording engineer:
Werner Mälzig (engineer)
producer:
Nikolaus Münchau (producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1956-10-13)
conductor:
Hans Knappertsbusch (conductor) (on 1956-10-13)
recorded at:
Kongresssaal, Deutsches Museum in München (Munich), Bayern (Bavaria), Germany (on 1956-10-13)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino) (on 1956-10-13)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms5:22
4Symphony no. 2 in D major, op. 73: 4. Allegro con spirito
recording engineer:
Werner Mälzig (engineer)
producer:
Nikolaus Münchau (producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1956-10-13)
conductor:
Hans Knappertsbusch (conductor) (on 1956-10-13)
recorded at:
Kongresssaal, Deutsches Museum in München (Munich), Bayern (Bavaria), Germany (on 1956-10-13)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: IV. Allegro con spirito (on 1956-10-13)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms9:53
3▼CD: Fritz Rieger
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1Die Zauberflöte: Ouvertúre
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:27
2Die Zauberflöte: Erster Aufzug, Nr. 1. Introduktion: “Zu Hilfe! Zu Hilfe! Sonst bin ich verloren” (Tamino, Die drei Damen)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:19
3Die Zauberflöte: Erster Aufzug. “Wo bin ich?” (Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. Monolog „Wo bin ich?” (Tamino) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:16
4Die Zauberflöte: Erster Aufzug, Nr. 2. Arie: “Der Vogelfänger bin ich ja” (Papageno)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:18
5Die Zauberflöte: Erster Aufzug. “He da! - Was da?” (Tamino, Papageno)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. Dialog „He da!” … „Was da!” (Tamino, Papageno) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:33
6Die Zauberflöte: Erster Aufzug. “Papageno!” (Die drei Damen, Papageno, Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. Dialog „Papageno!” ... „Aha! Das geht mich an” (Drei Damen, Papageno, Tamino) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:50
7Die Zauberflöte: Erster Aufzug, Nr. 3. Arie: “Dies Bildnis ist bezaubernd schön” (Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:29
8Die Zauberflöte: Erster Aufzug “Rüste dich mit Mut und Standhaftigkeit” (Die drei Damen, Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. Dialog „Rüste dich mit Mut und Standhaftigkeit, schöner Jüngling” (Drei Damen, Tamino) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:52
9Die Zauberflöte: Erster Aufzug, Nr. 4. Rezitativ und Arie: “O zittre nicht mein lieber Sohn!” / “Zum Leiden bin ich auserkoren” (Königin der Nacht)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:00
10Die Zauberflöte: Erster Aufzug “Ist es denn Wirklichkeit, was ich sah?” (Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. Monolog „Ist’s denn auch Wirklichkeit, was ich sah?” (Tamino) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:11
11Die Zauberflöte: Erster Aufzug, Nr. 5. Quintett: “Hm, hm, hm, hm” (Papageno, Tamino, Die drei Damen)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:29
12Die Zauberflöte: Erster Aufzug, Nr. 6. Terzett: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:47
13Die Zauberflöte: Erster Aufzug. “Mutter, Mutter” (Pamina, Papageno)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. Monolog „Mutter! Mutter!” … „Wie? Noch schlägt dies Herz?” (Pamina) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:10
14Die Zauberflöte: Erster Aufzug, Nr. 7. Duett: “Bei Männern, welche Liebe fühlen” (Pamina, Papageno)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:19
15Die Zauberflöte: Erster Aufzug, Nr. 8. Finale: “Zum Ziele führt dich diese Bahn” (Die drei Knaben, Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:36
16Die Zauberflöte: Erster Aufzug. “Die Weisheitslehre dieser Knaben” (Tamino, Chor, Sprecher)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart9:39
17Die Zauberflöte: Erster Aufzug. “Wie stark ist nicht Dein Zauberton” (Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:29
18Die Zauberflöte: Erster Aufzug. “Schnelle Füße, rascher Mut” (Pamina, Papageno, Monostatos)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:06
19Die Zauberflöte: Erster Aufzug. “Ha! Hab ich euch noch erwischt” (Monostatos, Pamina, Papageno)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
partial recording of:
Die Zauberflöte, K. 620: Akt I (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart0:26
20Die Zauberflöte: Erster Aufzug. “Komm, Du schönes Glockenspiel” (Papageno, Monostatos, Chor, Pamina)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
partial recording of:
Die Zauberflöte, K. 620: Akt I (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart2:14
21Die Zauberflöte: Erster Aufzug. “Es lebe Sarastro! Sarastro lebe!” (Chor, Papageno, Pamina, Sarastro)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:46
22Die Zauberflöte: Erster Aufzug. “Du stolzer Jüngling, nur hierher” (Monostatos, Pamina, Tamino, Chor, Sarastro)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt I. „Nun, stolzer Jüngling; nur hierher!” (Monostatos, Pamina, Tamino, Gefolge, Sarastro) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:38
23Die Zauberflöte: Zweiter Aufzug, Nr. 9. Marsch der Priester
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:44
24Die Zauberflöte: Zweiter Aufzug. “Ihr eingeweihten Diener der Götter Osiris und Isis!” (Sarastro, Erster Priester, Zweiter Priester, Dritter Priester)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:40
25Die Zauberflöte: Zweiter Aufzug, Nr. 10. Arie mit Chor: “O Isis und Osiris” (Sarastro, Chor)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:18
4▼CD: Fritz Rieger
#TitleArtistRatingLength
1Die Zauberflöte: Zweiter Aufzug. “Eine schreckliche Nacht!” (Tamino, Papageno, Erster Priester, Zweiter Priester)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:47
2Die Zauberflöte: Zweiter Aufzug, Nr. 11. Duett: “Bewahret euch vor Weibertücken” (Zweiter Priester, Dritter Priester)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:57
3Die Zauberflöte: Zweiter Aufzug. “Das ist aber alles sehr seltsam” (Pagageno, Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
partial recording of:
Die Zauberflöte, K. 620: Akt II (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart0:12
4Die Zauberflöte: Zweiter Aufzug, Nr. 12. Quintett: “Wie? Ihr an diesem Schreckensort?” (Die drei Damen, Papageno, Tamino, Chor)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:58
5Die Zauberflöte: Zweiter Aufzug. “Tamino! Dein standhaft männliches Betragen” (Erster Priester, Zweiter Priester, Papageno)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:53
6Die Zauberflöte: Zweiter Aufzug. “Ha, da find' ich ja die spröde Schöne!” (Monostatos)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Monolog „Ha, da find’ich ja die spröde Schöne!” (Monostatos) (on 1964-07-26)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:26
7Die Zauberflöte: Zweiter Aufzug. Nr. 13. Arie: “Alles fühlt der Liebe Freuden" (Monostatos)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:12
8Die Zauberflöte: Zweiter Aufzug. “Zurück!” (Königin der Nacht, Pamina, Monostatos)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:55
9Die Zauberflöte: Zweiter Aufzug, Nr. 14. Arie: “Der Hölle Rache kocht in meinem Herzen” (Königin der Nacht)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:56
10Die Zauberflöte: Zweiter Aufzug. “Morden soll ich?” (Pamina, Monostatos, Sarastro)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:24
11Die Zauberflöte: Zweiter Aufzug. “So fahr denn hin!” (Monostatos, Sarastro, Pamina)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
partial recording of:
Die Zauberflöte, K. 620: Akt II (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart0:31
12Die Zauberflöte: Zweiter Aufzug, Nr. 15. Arie: “In diesen heil'gen Hallen” (Sarastro)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:34
13Die Zauberflöte: Zweiter Aufzug. “Hier seid ihr euch beide allein überlassen” (Erster Priester, Papageno, Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:59
14Die Zauberflöte: Zweiter Aufzug. “Ist das für mich?” (Pagageno, Papagena)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
partial recording of:
Die Zauberflöte, K. 620: Akt II (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart1:23
15Die Zauberflöte: Zweiter Aufzug, Nr. 16. Terzett: “Seid uns zum zweiten Mal willkommen” (Die drei Knaben)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:33
16Die Zauberflöte: Zweiter Aufzug. “Tamino, wollen wir nicht speisen?” (Pageno, Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:45
17Die Zauberflöte: Zweiter Aufzug. “Du hier? Gütige Götter, dank euch!” (Pamina, Tamino, Pagageno)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
partial recording of:
Die Zauberflöte, K. 620: Akt II (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart1:00
18Die Zauberflöte: Zweiter Aufzug, Nr. 17 Arie: “Ach ich fühl's, es ist verschwunden!” (Pamina)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:37
19Die Zauberflöte: Zweiter Aufzug. “Nicht wahr, Tamino, ich kann auch schweigen” (Papageno, Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:59
20Die Zauberflöte: Zweiter Aufzug, Nr. 18. Chor der Priester: “O Isis, und Osiris” (Chor)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:43
21Die Zauberflöte: Zweiter Aufzug. “Tamino, dein Betragen war bisher männlich” (Sarastro, Pamina, Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:37
22Die Zauberflöte: Zweiter Aufzug, Nr. 19. Terzett: “Soll ich dich, Teuren, nicht mehr sehn?” (Pamina, Sarastro, Tamino)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:41
23Die Zauberflöte: Zweiter Aufzug. “Tamino! Tamino!” (Papageno, Stimmen, Erster Priester)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:31
24Die Zauberflöte: Zweiter Aufzug, Nr. 20. Arie: “Ein Mädchen oder Weibchen” (Papageno)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:51
25Die Zauberflöte: Zweiter Aufzug. “Da bin ich schon, mein Engel!” (Papagena, Papageno, Erster Priester)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:38
26Die Zauberflöte: Zweiter Aufzug, Nr. 21. Finale “Bald prangt, den Morgen zu verkünden” (Die drei Knaben Pamina)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:56
27Die Zauberflöte: Zweiter Aufzug. “Der, welcher wanderte diese Straße” (Die Geharnischten, Tamino, Pamina)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart9:17
28Die Zauberflöte: Zweiter Aufzug. Marsch
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:52
29Die Zauberflöte: Zweiter Aufzug. “Papagena, Papagena! Weibchen Täubchen” (Papageno, Die drei Knaben, Papagena)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:23
30Die Zauberflöte: Zweiter Aufzug. “Pa - Pa - Pa - Pa - Pa” (Papageno, Papagena)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:46
31Die Zauberflöte: Zweiter Aufzug. “Nur stille, stille, stille, stille!” (Monostatos, Königin der Nacht, Die drei Damen) / “Die Strahlen der Sonne vertreiben die Nacht (Sarastro, Chor)
recording engineer:
Werner Mälzig (engineer)
producer:
Theodor Holzinger (German producer)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1964-07-26)
conductor:
Fritz Rieger (conductor) (on 1964-07-26)
recorded at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1964-07-26)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (on 1964-07-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:41
5▼CD: Eugen Jochum
#TitleArtistRatingLength
1Alt-Rhapsodie op.53
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
alto vocals:
Christa Ludwig (mezzo-soprano) (on 1981-04-30)
choir vocals:
Philharmonischer Chor München (on 1981-04-30)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
chorus master:
Josef Schmidhuber (chorus master) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Alto Rhapsody, op. 53 (on 1981-04-30)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1869)
dedicated to:
Julie Schumann
premiered at:
[concert] (1870-03-03)
publisher:
N. Simrock (in 1870-01)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 53)
Johannes Brahms12:19
2An die Hoffnung op.124
recording engineer:
Martin Wöhr
producer:
Wilhelm Meister (Tonmeister / recording producer)
alto vocals:
Christa Ludwig (mezzo-soprano) (on 1979-11-08)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1979-11-08)
conductor:
Eugen Jochum (conductor) (on 1979-11-08)
recording of:
An die Hoffnung, op. 124 (on 1979-11-08)
lyricist:
Friedrich Hölderlin
composer:
Max Reger (German composer) (in 1912-03)
dedicated to:
Anna Erler-Schnaudt (contralto)
part of:
Works of Max Reger by opus number (number: op. 124)
Max Reger11:29
3Variations and Fugue on a Theme by Johann Adam Hiller op.100: Theme. Andante grazioso
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: Theme: Andante grazioso (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger0:31
4Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. I. Più Andante
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: I. Più andante (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger1:16
5Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. II. Allegretto con grazia
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: II. Allegretto con grazia (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger3:50
6Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. III. Vivace
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: III. Vivace (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger2:41
7Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. IV. Poco vivace
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: IV. Poco vivace (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger2:32
8Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. V. Andante sostenuto
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: V. Andante sostenuto (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger3:48
9Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. VI. Tempo di Minuetto
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: VI. Tempo di minuetto (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger3:15
10Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. VII. Presto
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: VII. Presto (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger3:22
11Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. VIII. Andante con motto
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: VIII. Andante con moto (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger2:59
12Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. IX. Allegro con spirito
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: IX. Allegro con spirito (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger2:06
13Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. X. Allegro appassionato
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: X. Allegro appassionato (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger2:25
14Variations and Fugue on a Theme by Johann Adam Hiller op.100: Var. XI. Andante con moto
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: XI. Andante con moto (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger5:23
15Variations and Fugue on a Theme by Johann Adam Hiller op.100: Fugue. Allegro moderato
recording engineer:
Martin Wöhr
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1981-04-30)
conductor:
Eugen Jochum (conductor) (on 1981-04-30)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1981-04-30)
recording of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: Fugue: Allegro moderato (on 1981-04-30)
composer:
Max Reger (German composer) (from 1907-04 until 1907-07)
part of:
Variations and Fugue on a Theme of Johann Adam Hiller, op. 100
Max Reger9:45
6▼CD: Sergiu Celibidache
#TitleArtistRatingLength
1Scythian Suite, op. 20: 1. The Adoration of Veless and Ala
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1980-01-17)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1980-01-17)
balance engineer:
Martin Wöhr
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1980-01-17)
recording of:
Скифская сюита, соч. 20: I. Поклонение Велесу и Але (Scythian Suite, op. 20: I. The Adoration of Veles and Ala) (on 1980-01-17)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev7:47
2Scythian Suite, op. 20: 2. The Enemy God and the Dance of the Spirits of Darkness
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1980-01-17)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1980-01-17)
balance engineer:
Martin Wöhr
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1980-01-17)
recording of:
Скифская сюита, соч. 20: II. Чужбог и пляска нечисти (Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness) (on 1980-01-17)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev3:33
3Scythian Suite, op. 20: 3. The Night
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1980-01-17)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1980-01-17)
balance engineer:
Martin Wöhr
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1980-01-17)
recording of:
Скифская сюита, соч. 20: III. Ночь (Scythian Suite, op. 20: III. Night) (on 1980-01-17)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev7:31
4Scythian Suite, op. 20: 4. The Glorious Departure of Lolly and the Sun's Procession
producer:
Wolfgang Schreiner
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1980-01-17)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1980-01-17)
balance engineer:
Martin Wöhr
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1980-01-17)
recording of:
Скифская сюита, соч. 20: IV. Поход Лоллия и шествие Солнца (Scythian Suite, op. 20: IV. The Glorious Departure of Lolly and Procession of the Sun) (on 1980-01-17)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev6:31
5Applause
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (on 1980-01-17)
[no artist]0:52
6Romeo and Juliet, Excerpts from Suites opp. 64a & 64b: Montagues and Capulets
producer:
Ulrich Kraus
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1988-06-22)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1988-06-22)
balance engineer:
Wolfgang Karreth (sound engineer)
recorded at:
Philharmonie im Gasteig in München (Munich), Bayern (Bavaria), Germany (on 1988-06-22)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets (on 1988-06-22)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev5:59
7Romeo and Juliet, Excerpts from Suites opp. 64a & 64b: Juliet the Young Girl
producer:
Ulrich Kraus
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1988-06-22)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1988-06-22)
balance engineer:
Wolfgang Karreth (sound engineer)
recorded at:
Philharmonie im Gasteig in München (Munich), Bayern (Bavaria), Germany (on 1988-06-22)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: II. The child Juliet (on 1988-06-22)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev5:04
8Romeo and Juliet, Excerpts from Suites opp. 64a & 64b: Masks
producer:
Ulrich Kraus
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1988-06-22)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1988-06-22)
balance engineer:
Wolfgang Karreth (sound engineer)
recorded at:
Philharmonie im Gasteig in München (Munich), Bayern (Bavaria), Germany (on 1988-06-22)
recording of:
Romeo and Juliet Suite no. 1, op. 64bis: V. Masks: Andante marciale (on 1988-06-22)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet Suite no. 1, op. 64bis
Sergei Prokofiev3:20
9Romeo and Juliet, Excerpts from Suites opp. 64a & 64b: Romeo and Juliet before Parting
producer:
Ulrich Kraus
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1988-06-22)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1988-06-22)
balance engineer:
Wolfgang Karreth (sound engineer)
recorded at:
Philharmonie im Gasteig in München (Munich), Bayern (Bavaria), Germany (on 1988-06-22)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: V. Romeo and Juliet Before Parting (on 1988-06-22)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev11:21
10Romeo and Juliet, Excerpts from Suites opp. 64a & 64b: Dance of the Maids from the Antilles
producer:
Ulrich Kraus
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1988-06-22)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1988-06-22)
balance engineer:
Wolfgang Karreth (sound engineer)
recorded at:
Philharmonie im Gasteig in München (Munich), Bayern (Bavaria), Germany (on 1988-06-22)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: VI. Dance of the Girls with Lilies (on 1988-06-22)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev2:56
11Romeo and Juliet, Excerpts from Suites opp. 64a & 64b: Romeo at Juliet's Tomb
producer:
Ulrich Kraus
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1988-06-22)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1988-06-22)
balance engineer:
Wolfgang Karreth (sound engineer)
recorded at:
Philharmonie im Gasteig in München (Munich), Bayern (Bavaria), Germany (on 1988-06-22)
recording of:
Romeo and Juliet Suite no. 1, op. 64bis: VI. Romeo and Juliet (on 1988-06-22)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet Suite no. 1, op. 64bis
Sergei Prokofiev8:52
12Romeo and Juliet, Excerpts from Suites opp. 64a & 64b: Death of Tybalt
producer:
Ulrich Kraus
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (on 1988-06-22)
conductor:
Sergiu Celibidache (Romanian conductor) (on 1988-06-22)
balance engineer:
Wolfgang Karreth (sound engineer)
recorded at:
Philharmonie im Gasteig in München (Munich), Bayern (Bavaria), Germany (on 1988-06-22)
recording of:
Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt (on 1988-06-22)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet Suite no. 1, op. 64bis
Sergei Prokofiev5:25
13Applause
producer:
Ulrich Kraus
balance engineer:
Wolfgang Karreth (sound engineer)
recorded at:
Philharmonie im Gasteig in München (Munich), Bayern (Bavaria), Germany (on 1988-06-22)
[no artist]1:12
7▶CD: Zubin Mehta
8▶CD: Lorin Maazel
9▶CD: Lorin Maazel
10▶CD: Günter Wand
11▶CD: Horst Stein
12▶CD: Horst Stein
13▶CD: James Levine
14▶CD: James Levine
15▶CD: Christian Thielemann
16▶CD: Valery Gergiev
17▶CD: Valery Gergiev

Credits

Release

ASIN:DE: B07F7TYLPT [info]

Release group

includes:Beethoven: Symphony no. 3, “Eroica” by Beethoven (Ludwig van Beethoven, German composer); Münchner Philharmoniker (Munich Philharmonic Orchestra), Hans Knappertsbusch (conductor)
Berlioz: La Damnation de Faust by Berlioz (Hector Berlioz, French composer); Katarina Dalayman (soprano), Marcello Giordani (Italian house/tech producer/DJ), José van Dam (Belgian operatic bass-baritone), Roderick Earle (operatic bass), Münchner Philharmoniker (Munich Philharmonic Orchestra), James Levine (US conductor and pianist)
Brahms: Alto Rhapsody / Reger: An die Hoffnung, Hiller Variations and Fugue by Brahms (Johannes Brahms, German composer), Reger (German composer); Christa Ludwig (mezzo-soprano), Münchner Philharmoniker (Munich Philharmonic Orchestra), Eugen Jochum (conductor)
Brahms: Symphony no. 2 by Brahms (Johannes Brahms, German composer); Münchner Philharmoniker (Munich Philharmonic Orchestra), Hans Knappertsbusch (conductor)
Mozart: Die Zauberflöte by Mozart (Wolfgang Amadeus Mozart, classical composer); Erika Köth (soprano), Anneliese Rothenberger (soprano), Fritz Wunderlich (operatic tenor), Hermann Prey (baritone), Münchner Philharmoniker (Munich Philharmonic Orchestra), Fritz Rieger (conductor)
Mozart: Sereande No. 10, “Gran partita”, Requiem (Fragment), Ave verum corpus by Mozart (Wolfgang Amadeus Mozart, classical composer); Mojca Erdmann (soprano), Okka von der Damerau, Michael Schade (tenor), Christof Fischesser (operatic bass), Münchner Philharmoniker (Munich Philharmonic Orchestra), Zubin Mehta (conductor)
Mozart: Symphony no. 40 / Schubert: Symphony no. 5 by Mozart (Wolfgang Amadeus Mozart, classical composer), Schubert (Franz Schubert, composer); Münchner Philharmoniker (Munich Philharmonic Orchestra), Günter Wand (conductor)
Pfitzner: Von deutscher Seele by Pfitzner (German composer), Luana DeVol (American soprano), Doris Soffel (mezzo soprano), Thomas Moser (tenor), Alfred Muff (bass-baritone), Münchner Philharmoniker (Munich Philharmonic Orchestra), Horst Stein (conductor)
Prokofiev: Scythian Suite, Romeo and Juliet by Prokofiev (Sergei Prokofiev, Russian composer); Münchner Philharmoniker (Munich Philharmonic Orchestra), Sergiu Celibidache (Romanian conductor)
Schubert: Symphony no. 9, “Great” by Schubert (Franz Schubert, composer); Münchner Philharmoniker (Munich Philharmonic Orchestra), Christian Thielemann (German conductor)
Stravinsky: Symphonies of Wind Instruments / Rimsky-Korsakov: Scheherazade by Stravinsky (Igor Stravinsky, Russian composer), Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer); Münchner Philharmoniker (Munich Philharmonic Orchestra), Valery Gergiev (conductor)
Symphony no. 4 by Shostakovich (Dmitri Shostakovich, composer); Münchner Philharmoniker (Munich Philharmonic Orchestra), Valery Gergiev (conductor)
Verdi: Messa da Requiem by Verdi (Giuseppe Verdi, Italian opera composer); Anja Harteros (soprano), Daniela Barcellona (mezzo soprano), Wookyung Kim (tenor), Georg Zeppenfeld (german operatic bass), Münchner Philharmoniker (Munich Philharmonic Orchestra), Lorin Maazel (conductor)