American Anthems: All Time Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Cold as Ice
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner43:17
2Don’t Stop
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Don’t Stop
paroliere e compositore:
Christine McVie
editore:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) e Gentoo Music, Inc. (nel 1977)
Fleetwood Mac4.23:09
3Bat Out of Hell
registrazione di:
Bat out of Hell
paroliere e compositore:
Jim Steinman
editore:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music e Peg Music Co.
Meat Loaf4:46
4Legs
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
voce principale:
Billy Gibbons
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Legs
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Music of Stage Three, Songs of Mosaic e Hamstein Music Co. (publisher) (nel 1983)
ZZ Top4.354:29
5Burning Heart
tecnico:
Phil Bonanno, Mike Clink e Larry Millas
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985), Scotti Bros. (nel 1985), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (nel 1985, nel 1986) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1985)
registrazione di:
Burning Heart
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
BMG VM Music Ltd., Concord Bicycle Assets, EMI Virgin Music Limited (do not use this as a release label!), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records), Sony/ATV Harmony UK e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Survivor4.253:49
6Drive By
produttore:
Espionage (NY-based Norwegian songwriting/production team) e Butch Walker
assistente tecnico di missaggio:
Doug Johnson (Label executive. Also engineer, songwriter, producer)
tecnico di missaggio:
Mark Endert
basso :
Hector Maldanado
batteria :
Scott Underwood (Drummer for Train)
chitarra :
Jimmy Stafford (member of Train)
tastiera :
Jerry Becker
voce:
Pat Monahan
mixata presso:
Indian River Studios in Florida, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 19) e Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 45)
registrazione di:
Drive By
autore:
Amund Bjørklund, Espen Lind e Pat Monahan
Train3.53:14
7Black Magic Woman
produttore:
Fred Catero e Carlos Santana
chitarra :
Carlos Santana (il 1970-07-04)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-04)
congas :
Michael Carabello (il 1970-07-04) e Jose Chepito Áreas (il 1970-07-04)
membranofono :
Michael Shrieve (il 1970-07-04)
tastiera :
Gregg Rolie (il 1970-07-04)
timbales :
Jose Chepito Áreas (il 1970-07-04)
voce:
Gregg Rolie (il 1970-07-04) e Carlos Santana (il 1970-07-04)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970, nel 1974)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-04)
registrazione cover di:
Black Magic Woman (il 1970-07-04)
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
registrazione di:
Black Magic Woman
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
Santana3.753:12
8Everything I Own
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
registrazione di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:04
9Hallelujah
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1994, nel 2008) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1994)
registrazione cover di:
Hallelujah
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-editore:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley54:14
10It’s Still Rock and Roll to Me
assistente tecnico:
Bradshaw Leigh
tecnico:
Jim Boyer (producer/engineer)
assistente produttore:
Michele Slagter
produttore:
Phil Ramone
basso elettrico :
Doug Stegmeyer (bass player, aka Slug Douglas) (nel 1980)
batteria :
Liberty DeVitto (US drummer) (nel 1980)
chitarra :
David Brown (guitarist for Billy Joel) (nel 1980) e Russell Javors (nel 1980)
flauto, organo e sassofono :
Richie Cannata (nel 1980)
voce principale:
Billy Joel (American singer-songwriter and pianist) (nel 1980)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
video musicali:
It’s Still Rock and Roll to Me di Billy Joel (American singer-songwriter and pianist)
registrazione di:
It’s Still Rock and Roll to Me (nel 1980)
paroliere e compositore:
Billy Joel (American singer-songwriter and pianist)
editore:
Joelsongs, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), April Music (nel 1980), CBS Songs Ltd. (nel 1980) e Impulsive Music (nel 1980)
Billy Joel4.252:53
11My Best Friend’s Girl
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer), Jay Faires e Tricia Holloway
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978, nel 1979)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
registrazione di:
My Best Friend’s Girl (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd e Lido Music (not for release label use!) (nel 1978)
The Cars4.353:41
12Take It on the Run
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer
produttore:
Kevin Beamish, Kevin Cronin e Gary Richrath
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer
chitarra :
Gary Richrath
chitarra acustica e voce principale:
Kevin Cronin
sintetizzatore :
Neal Doughty
arrangiatore:
Kevin Cronin
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrazione di:
Take It on the Run (il 1980-09-18)
paroliere e compositore:
Gary Richrath
editore:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) e 大洋音楽 (Taiyō Music)
REO Speedwagon3.753:59
13Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.853:56
14Mony Mony
tecnico:
Brian Reeves
produttore:
Keith Forsey (drummer, producer and songwriter)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1981-07)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981) e Chrysalis Records, Inc. (not for release label use!) (nel 1981)
video musicali:
Mony, Mony (live) di Billy Idol (English rock singer‐songwriter)
registrazione cover di:
Mony Mony (nel 1981-07)
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Billy Idol3.254:59
15I Was Made for Lovin’ You
tecnico di registrazione e tecnico di missaggio:
Jay Messina
assistente tecnico:
Jim Galante e Jon Mathias (engineer)
produttore:
Vini Poncia
batteria :
Anton Fig
tastiera e voce di accompagnamento:
Vini Poncia
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
è stato produttore per:
Mad Vincent Productions
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
I Was Made for Lovin’ You
autore:
Desmond Child, Vini Poncia e Paul Stanley (KISS frontman)
editore:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (nel 1979) e Mad Vincent Music (publisher) (nel 1979)
sub-editore:
Taiyō Music e Universal Music Publishing France (not for release label use!)
KISS4.54:27
16Poison
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989)
registrazione di:
Poison
autore:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4:01
17You Ain’t Seen Nothing Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:35
18Let Your Love Flow
produttore:
Phil Gernhard (songwriter and producer) (nel 1975-10) e Tony Scotti (nel 1975-10)
batteria :
Dennis St. John (nel 1975-10)
chitarra :
David Bellamy (Bellamy Brothers) (nel 1975-10), Howard Bellamy (Bellamy Brothers) (nel 1975-10), Richard Bennett (American guitarist) (nel 1975-10) e Doug Rhone (American guitarist, songwriter, touring and studio musician) (nel 1975-10)
chitarra basso :
Emory Gordy (nel 1975-10)
percussione :
King Errison (conguero) (nel 1975-10)
sintetizzatore :
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (nel 1975-10)
voce principale:
David Bellamy (Bellamy Brothers) (nel 1975-10) e Howard Bellamy (Bellamy Brothers) (nel 1975-10)
diritti fonografici (℗) detenuti da:
Curb Records (nel 1975) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1976)
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (nel 1975-10)
registrazione di:
Let Your Love Flow (nel 1975-10)
paroliere e compositore:
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (nel 1975)
The Bellamy Brothers3.653:13
19The Sound of Silence
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
batteria :
Bobby Gregg (dal 1964-03-10 al 1965-06-15)
chitarra :
Vinnie Bell (dal 1964-03-10 al 1965-06-15) e Al Gorgoni (dal 1964-03-10 al 1965-06-15)
chitarra basso :
Bob Bushnell (dal 1964-03-10 al 1965-06-15)
voce principale:
Art Garfunkel (il 1964-03-10) e Paul Simon (of Simon & Garfunkel) (il 1964-03-10)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 74) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 156)
registrazione di:
The Sound of Silence (dal 1964-03-10 al 1965-06-15)
paroliere:
Paul Simon (of Simon & Garfunkel) (dal 1963-11 al 1964-02-19)
compositore:
Paul Simon (of Simon & Garfunkel) (dal 1963-11 al 1964-02-09)
editore:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (nel 1964, nel 1992) e Magic Arts Publishing (nel 2000)
Simon & Garfunkel4.553:04
2▼CD
#TitoloArtistaValutazioneDurata
1Let’s Stay Together
tecnico:
Walter Samuel (engineer) e Greg Walsh (producer and engineer)
produttore:
Greg Walsh (producer and engineer) e Martyn Ware
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984)
registrazione cover di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Tina Turner33:35
2Jessica
registrazione di:
Jessica
compositore:
Dickey Betts
editore:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
The Allman Brothers Band4:07
3The Flame
tecnico:
Phil Kaffel
produttore:
Richie Zito
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1988), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
registrazione di:
The Flame (nel 1988)
autore:
Nick Graham (British singer, songwriter, bassist, keyboardist, Atomic Rooster member) e Bob Mitchell (UK production music composer & songwriter)
editore:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Hit & Run Music (Publishing) Ltd, Lorimar Music Corp., Sony Music Publishing (UK) Limited (2003–2008, 2021–present), Sony/ATV Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cheap Trick4.255:36
4Just Like Jesse James
tecnico di registrazione:
Sir Arthur Payson
assistente tecnico:
George Cowan (US engineer), Bridget Daly, Debbie Johnson (engineer), Jay Lean, Richard McKernan, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Bruce Robb
produttore:
Desmond Child
tecnico di missaggio:
Mick Guzauski
batteria :
Bobby Chouinard
chitarra :
John McCurry
chitarra acustica e chitarra elettrica :
John Putnam
chitarra basso :
Hugh McDonald (bassist)
tastiera :
Alan St. Jon
voce di accompagnamento:
Desmond Child, Brenda Russell (US singer-songwriter & keyboardist) e Diane Warren (US songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1989, nel 1990)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti, Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti e The Complex Studios in Los Angeles, California, Stati Uniti
mixata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Just Like Jesse James
autore:
Desmond Child e Diane Warren (US songwriter)
editore:
April Music Inc., Desmobile Music Co., Inc. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), SBK April Music Inc. (dal 1989 al ????), Desmobile Inc. (dal 1989 a oggi) e Realsongs (dal 1989 a oggi)
Cher44:04
5I Walk the Line
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-03-04)
produttore:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) e Don Law
basso :
Marshall Grant (il 1964-03-04)
batteria :
W.S. Holland (il 1964-03-04)
chitarra :
Norman Blake (bluegrass guitarist) (il 1964-03-04) e Bob Johnson (American banjo player from Chattanooga, Tennessee) (il 1964-03-04)
chitarra acustica e voce principale:
Johnny Cash (country music legend) (il 1964-03-04)
chitarra elettrica :
Luther Perkins (il 1964-03-04)
diritti fonografici (℗) detenuti da:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) (nel 1964) e Don Law (nel 1964)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1964-03-04)
registrazione di:
I Walk the Line (il 1964-03-04)
paroliere e compositore:
John R. Cash (country music legend) (nel 1956)
editore:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) e House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.352:32
6On the Road Again
registrazione di:
On the Road Again
paroliere e compositore:
Willie Nelson
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Full Nelson Music e EMI Music Publishing Australia Pty. Limited (not for release label use!)
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Willie Nelson2:26
7No Such Thing
tecnico:
John Alagia e Jeff Juliano
produttore:
John Alagia
tecnico di missaggio:
Jack Joseph‐Puig
basso e basso elettrico :
David LaBruyere
batteria :
Nir Zidkyahu (drummer)
chitarra , chitarra, omnichord e sintetizzatore [Korg Triton] e voce principale:
John Mayer (US singer‐songwriter)
organo Hammond e piano elettrico Wurlitzer :
Brandon Bush (US keyboardist & producer, formerly of Train)
percussione :
John Alagia
voce:
John Mayer (US singer‐songwriter)
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 42)
registrazione di:
No Such Thing
paroliere:
John Mayer (US singer‐songwriter)
compositore:
Clay Cook e John Mayer (US singer‐songwriter)
John Mayer3.453:50
8Chariot
registrazione di:
Chariot
autore:
Gavin DeGraw
editore:
G. Degraw Music Inc.
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Gavin DeGraw33:58
9While My Guitar Gently Weeps
diritti fonografici (℗) detenuti da:
Arista Records, LLC (holding company - file NO releases here!) (nel 1990)
registrazione cover di:
While My Guitar Gently Weeps
paroliere e compositore:
George Harrison (The Beatles)
editore:
Harrisongs Ltd. e Zero Productions, Inc.
The Jeff Healey Band54:11
10Hurricane
registrazione di:
Hurricane
paroliere:
Bob Dylan (nel 1975) e Jacques Levy (nel 1975)
compositore:
Bob Dylan (nel 1975)
editore:
Ram’s Horn Music (dal 1975 al 2003) e Special Rider Music (dal 2003 a oggi)
Bob Dylan8:31
11Piece of My Heart
produttore:
John Simon (US producer, arranger, composer, songwriter and musician)
batteria :
Dave Getz (il 1968-05-20)
chitarra :
Sam Andrew (il 1968-05-20) e James Gurley (il 1968-05-20)
chitarra basso e chitarra :
Peter Albin (il 1968-05-20)
voce principale:
Janis Joplin (il 1968-05-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1968) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1999)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Piece of My Heart (il 1968-05-20)
autore:
Bert Russell e Jerry Ragovoy
editore:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. e Wren Music Co.
Big Brother & the Holding Company4.54:12
12Mannish Boy
registrazione di:
Mannish Boy
autore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London e McKinley Morganfield (blues musician)
editore:
Bug Music Ltd. e Tristan Music Ltd.
parte di:
Risky Business (film soundtrack)
Muddy Waters5:23
13Somebody to Love
registrazione di:
Somebody to Love (Jefferson Airplane song)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane2:57
14The Joker (live)
registrazione dal vivo di:
The Joker
autore:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) e Steve Miller (leader of Steve Miller Band)
editore:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band2:59
15California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.42:37
16Everybody’s Talkin’
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967)
prima pubblicazione:
Everybody’s Talkin’ di Nilsson (US singer-songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 51)
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
registrazione di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Harry Nilsson3.92:41
17Spinning Wheel
registrazione di:
Spinning Wheel
paroliere e compositore:
David Clayton‐Thomas
editore:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Blood, Sweat & Tears4:05
18I Only Have Eyes for You
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
Art Garfunkel3:30
19Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1972), BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
campionamenti da:
Lexicon Valley #150, “Why Language Can’t Be Tamed” di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Six Continents Music Publishing Inc.
Lou Reed4.254:09
3▼CD
#TitoloArtistaValutazioneDurata
1What a Fool Believes
registrazione di:
What a Fool Believes
autore:
Ken Loggins e Mike McDonald (R&B & soul singer)
editore:
Milk Money Music (nel 1978) e Snug Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers3:38
2All I Wanna Do Is Make Love to You
tecnico di registrazione:
Phil Kaffel (nel 1989)
produttore:
Richie Zito
tecnico di missaggio:
Phil Kaffel
basso elettrico [bass] :
Mark Andes (nel 1989)
batteria :
Denny Carmassi (nel 1989)
chitarra :
Nancy Wilson (guitarist/singer of “Heart”) (nel 1989)
tastiera aggiunto:
Kim Bullard (nel 1989)
voce di accompagnamento e voce principale:
Ann Wilson (lead singer of Heart) (nel 1989)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
registrata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1989) e One on One Studios in North Hollywood, Los Angeles, California, Stati Uniti (nel 1989)
registrazione di:
All I Wanna Do Is Make Love to You (version first recorded by Heart) (nel 1989)
paroliere e compositore:
Robert John “Mutt” Lange (Robert John Lange)
editore:
Zomba Enterprises, Inc. (conclusa), Imagem London Ltd., Out-of-Pocket Productions Ltd. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (dal 1979 al ????)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
All I Want to Do Is Make Love to You (original version as recorded by Dobie Gray)
Heart3.755:04
3Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates4.44:30
4Walk This Way
tecnico:
Steve Ett
co-produttore:
Jason Mizell e Joseph Simmons (US rapper Rev. Run of Run-D.M.C)
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records) e Russell Simmons
chitarra ospite :
Joe Perry (guitarist for Aerosmith)
tastiera e percussione :
Jason Mizell
voce di accompagnamento ospite:
Steven Tyler
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1986, nel 1989) e Sony BMG Music Entertainment Inc. (nel 1986)
video musicali:
Walk This Way di Run‐D.M.C.
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 9), New York Post: 100 Greatest Covers (2007) (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 287)
registrazione di:
Walk This Way
autore:
Joe Perry (guitarist for Aerosmith) e Steven Tyler
editore:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited e Vindaloo Productions, Inc.
Run‐DMC feat. Aerosmith4.055:09
5What Can I Say
tecnico:
Tom Perry (engineer)
produttore:
Joe Wissert
batteria :
Jeff Porcaro (nel 1975-09)
chitarra :
Louie Shelton (nel 1975-09) e Fred Tackett (nel 1975-09)
chitarra basso :
David Hungate (nel 1975-09)
corno :
Vincent DeRosa (nel 1975-09)
ottoni :
Dick Hyde (nel 1975-09)
percussione :
Joe Porcaro (nel 1975-09)
sassofono tenore solista :
Plas Johnson (nel 1975-09)
strumenti a fiato :
Jim Horn (saxophonist, hornist, flutist and oboist) (nel 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (nel 1975-09) e Bud Shank (nel 1975-09)
tastiera :
David Paich (nel 1975-09)
tromba :
Chuck Findley (trumpet, trombone, horn player) (nel 1975-09) e Paul Hubinon (nel 1975-09)
voce di accompagnamento:
Jim Gilstrap (nel 1975-09), Augie Johnson (nel 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (nel 1975-09) e Carolyn Willis (nel 1975-09)
voce principale:
Boz Scaggs (nel 1975-09)
direttore d'orchestra:
Sid Sharp (nel 1975-09)
arrangiatore:
David Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1976) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976)
registrazione di:
What Can I Say (nel 1975-09)
autore:
David Paich e Boz Scaggs
editore:
BMG Songs, Inc., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Universal Music Publishers MGB Australia Pty Ltd e Boz Scaggs Music (publisher) (nel 1976)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs42:56
6Free Ride
The Edgar Winter Group3:06
7(I’ve Had) The Time of My Life
assistente tecnico:
Jeff DeMorris (incarico: 2nd assistant engineer) e Dan Nebenzal (incarico: 1st assistant engineer)
tecnico:
Carmine Rubino
produttore:
Michael Lloyd (US guitarist/singer producer)
voce:
Bill Medley e Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal e Carmine Rubino
arrangiatore:
Gene Page
arrangiatore aggiunto:
John D’Andrea e Michael Lloyd (US guitarist/singer producer)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (nel 1987) e Vestron Music Inc. (nel 1987)
è stato produttore per:
Mike Curb Productions
registrata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
(I’ve Had) The Time of My Life
paroliere:
Franke Previte
compositore:
John DeNicola e Donald Markowitz
editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (conclusa), Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), Donald Jay Music, Ltd. (publisher) (nel 1987), Jemava Music Corp. (nel 1987), Knockout Music Inc. (nel 1987) e R.U. Cyrius Publishing (nel 1987)
parte di:
The 60th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1987 winner)
Bill Medley & Jennifer Warnes3.754:48
8Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:45
9All Fired Up
registrazione cover di:
All Fired Up
paroliere e compositore:
Kerryn Tolhurst (Australian musician)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar4:08
10American Woman
assistente tecnico di registrazione:
Ed Schnabl e Russ Vestuto
tecnico di registrazione:
Brian Christian
produttore:
Jack Richardson
arrangiatore:
The Guess Who (Canadian rock band)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1969, nel 1970) e BMG Music (nel 1970)
registrata presso:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Stati Uniti
edit di:
American Woman (original stereo mix) di The Guess Who (Canadian rock band)
registrazione di:
American Woman
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.23:47
11Right Here Waiting
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1989)
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:02
12Round of Blues
tecnico:
Dan Marnien
produttore:
Larry Klein
tecnico di missaggio:
David Leonard (US producer and engineer)
basso , organo , percussione e tastiera :
Larry Klein
chitarra a 12 corde [12 string acoustic] e chitarra acustica :
Shawn Colvin
chitarra elettrica :
Shawn Colvin e Steuart Smith
chitarra pedal steel :
Greg Leisz
voce:
Shawn Colvin
mixata presso:
Scream Studios in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Round of Blues
autore:
Shawn Colvin e Larry Klein
Shawn Colvin4:39
13All by Myself
assistente tecnico:
Joey Barbaria
tecnico:
Jack Sherdel
produttore:
Jimmy Ienner (producer)
voce principale:
Eric Carmen (dal 1975-08 al 1975-09)
arrangiatore:
Eric Carmen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
è stato produttore per:
CAM Productions (US)
registrata presso:
O.D.O. Sound Studios in New York, New York, Stati Uniti (dal 1975-08 al 1975-09)
registrazione di:
All by Myself (dal 1975-08 al 1975-09)
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:48
14I Drove All Night
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrazione di:
I Drove All Night
autore:
Tom Kelly (songwriter) e Billy Steinberg
editore:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. e Warner Chappell Music Ltd.
Cyndi Lauper4.54:09
15Oh Sherrie
registrazione di:
Oh Sherrie
autore:
Bill Cuomo, Randy Goodrum, Craig Krampf e Steve Perry (former lead singer of Journey)
editore:
Pants Down Music, Phosphene Music, Randy Goodrum Inc., Round Hill Songs / Randy Goodrum Music e Street Talk Tunes
sub-editore:
Origin Network Pty Ltd, フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Steve Perry3:48
16At Seventeen
edit di:
At Seventeen di Janis Ian
registrazione di:
At Seventeen
paroliere e compositore:
Janis Ian (nel 1974)
editore:
EMI Blackwood Music Inc. e Mine Music Ltd.
Janis Ian4.53:55
17Right Beside You
Sophie B Hawkins4:44
18Home
Daughtry4:13
19Free Bird
registrazione di:
Free Bird
paroliere e compositore:
Allen Collins e Ronnie Van Zant
editore:
EMI Longitude Music, Songs of Universal, Inc. (BMI) e Universal Duchess Music Corp.
Lynyrd Skynyrd53:29

Accreditamenti

Pubblicazione

ASIN:UK: B009EIN5O2 [info]

Gruppo di pubblicazioni

Allmusic:https://www.allmusic.com/album/mw0002435671 [info]