Choral Adagios

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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Copyright: © 2004 Decca Music Group Limited
This Compilation ℗ 2004 Decca Music Group Limited

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1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Adagio for Strings, op. 11/2 (Arr. Runswick)
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
arranger:
Daryl Runswick
recording of:
Adagio for Strings (catch‐all for arrangements)
Komponist(in):
Samuel Barber (American composer) (in 1936)
Arrangement von:
Adagio for Strings
Samuel Barber5:34
2Ave verum corpus, K. 618
Produzent(in):
Christopher Hazell
Orgel:
James Vivian (organist) (von 1996-07-01 bis 1996-07-05)
Chorgesang:
Choir of King’s College, Cambridge (von 1996-07-01 bis 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (von 1996-07-01 bis 1996-07-05)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1996-07-01 bis 1996-07-05)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (von 1996-07-01 bis 1996-07-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (bis 1791-06-18)
Teil von:
Köchelverzeichnis (first edition, 1862, K¹) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. 618), Köchelverzeichnis (original numbering) (Nummer: 618) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 618)
Wolfgang Amadeus Mozart3:36
3Ave Maria, CG 89a (from Bach Prelude in C, BWV 846)
Harfe:
Helen Tunstall
Chorgesang:
Choir of New College Oxford
Tenor-Gesang:
Benjamin Hulett (tenor)
conductor:
Edward Higginbottom (keyboardist, organist)
arranger:
Edward Higginbottom (keyboardist, organist)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Arrangement von:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach / Charles Gounod2:50
4Pavane, op. 50
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
Tonmeister(in):
John Dunkerley (engineer) (in 1987-10)
aufgenommen bei:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Kanada (in 1987-10)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1987-10)
Texter:
Robert de Montesquiou
Komponist(in):
Gabriel Fauré (French composer) (in 1887)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:38
5Panis Angelicus, op.12, FWV 61
Produzent(in):
Christopher Hazell
Orgel:
James Vivian (organist) (von 1996-07-01 bis 1996-07-05)
Chorgesang:
The Choir of King’s College, Cambridge (von 1996-07-01 bis 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (von 1996-07-01 bis 1996-07-05)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1996-07-01 bis 1996-07-05)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (von 1996-07-01 bis 1996-07-05)
Texter:
St. Thomas Aquinas
Komponist(in):
César Franck (Belgian‐born French composer) (in 1860)
Teil von:
Messe solennelle en la majeur, op. 12
César Franck3:53
6Suite no. 3 in D, BWV 1068 - Arr. Runswick: 2. Air
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
arranger:
Daryl Runswick
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach3:19
7Eight Part-songs, op. 119: The Bluebird
Chorgesang:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
recording of:
Eight Partsongs, op. 119: No. 3. The blue bird
Texter:
Mary Elizabeth Coleridge
Komponist(in):
Sir Charles Villiers Stanford (Irish composer)
publisher:
Stainer & Bell Ltd.
Teil von:
Eight Partsongs, op. 119
Charles Villiers Stanford3:22
8Concierto de Aranjuez: 2. Adagio (Arr. Runswick)
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
arranger:
Daryl Runswick
recording of:
Concierto de Aranjuez: II. Adagio (catch-all for arrangements)
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
Arrangement von:
Concierto de Aranjuez: II. Adagio
Joaquín Rodrigo6:00
9Cavalleria rusticana: "Regina coeli laetare"
Chorgesang:
London Opera Chorus
Soprangesang:
Júlia Várady (soprano) (in 1976)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Gianandrea Gavazzeni (conductor)
chorus master:
Terry Edwards (British choir director)
recording of:
Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn, Easter Hymn) (in 1976)
Komponist(in):
Pietro Mascagni (composer & conductor)
Librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
Teil von:
Cavalleria rusticana
Pietro Mascagni5:26
10Pavane pour une infante défunte, M. 19 (Arr. Runswick)
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
arranger:
Daryl Runswick
recording of:
Pavane pour une infante défunte (catch-all for arrangements)
Komponist(in):
Maurice Ravel (French composer) (in 1899)
Arrangement von:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel5:19
11O Salutaris Hostia
Chorgesang:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Petite Messe solennelle: VI. O salutaris hostia (S - soprano solo)
Komponist(in):
Gioachino Rossini (composer) (in 1863)
Teil von:
Petite Messe solennelle
Gioachino Rossini3:54
12Simple Gifts
Orgel:
Robert M. Cundick (American organist and composer)
Chorgesang:
The Tabernacle Choir at Temple Square (fka Mormon Tabernacle Choir)
chorus master:
Jerold Ottley (conductor)
arranger:
Lawrence Lyon
recording of:
Simple Gifts
publisher:
Alfred Music (publisher of sheet music for music education)
Texter und Komponist(in):
Joseph Brackett (in 1848)
arranger:
Mark Hayes (American composer and arranger, predominantly of Christian choral music)
[traditional]3:09
13Song for Athene
Produzent(in):
Christopher Hazell
Chorgesang:
Choir of King’s College, Cambridge (am 1997-09-29)
conductor:
Stephen Cleobury (organist, conductor) (am 1997-09-29)
chorus master:
Stephen Cleobury (organist, conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1998)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (am 1997-09-29)
recording of:
Song for Athene (am 1997-09-29)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
John Tavener (20th century composer) (in 1993)
publisher:
Chester Music Ltd.
John Tavener5:56
14Madama Butterfly, Act II: Coro a bocca chiusa "Humming Chorus"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Chorgesang:
Chor der Wiener Staatsoper (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:58
15Miserere
Produzent(in):
Christopher Hazell
Chorgesang:
Choir of King’s College, Cambridge (von 1996-07-01 bis 1996-07-05)
Diskantstimme:
Alastair Hussain (Chorister) (von 1996-07-01 bis 1996-07-05)
Sprecher [cantor]:
Edward Gardner (conductor) (von 1996-07-01 bis 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (von 1996-07-01 bis 1996-07-05)
chorus master:
Edward Gardner (conductor) (von 1996-07-01 bis 1996-07-05)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1996-07-01 bis 1996-07-05)
recording of:
Miserere mei, Deus (von 1996-07-01 bis 1996-07-05)
Komponist(in):
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri13:03
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man's Desiring
Produzent(in):
Harley Usill
Orgel:
Peter White (English organist) (in 1958-10)
Chorgesang:
Choir of St John’s College, Cambridge (in 1958-10)
conductor:
George Guest (organist and conductor) (in 1958-10)
chorus master:
George Guest (organist and conductor)
aufgenommen bei:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1958-10)
recording of:
Jesu, Joy of Man’s Desiring (in 1958-10)
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach7:26
2Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)
Instrumente:
Capricorn (UK classical ensemble)
Chorgesang:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Crux fidelis
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Edward Higginbottom (keyboardist, organist)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel2:28
3What Sweeter Music
Chorgesang:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
What Sweeter Music
Texter:
Robert Herrick (English poet)
Komponist(in):
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1988)
publisher:
Oxford University Press
John Rutter4:05
4String Quintet in C major, D. 956: 2. Adagio (Arr. Runswick)
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
String Quintet in C major, D. 956: II. Adagio (catch-all for arrangements)
Komponist(in):
Franz Schubert (composer) (in 1828)
Arrangement von:
String Quintet in C major, D. 956: II. Adagio
Franz Schubert6:50
5Shenandoah
Chorgesang:
The Tabernacle Choir at Temple Square (fka Mormon Tabernacle Choir)
conductor:
Jerold Ottley (conductor)
recording of:
Shenandoah (arr. Erb)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
James Erb
Arrangement von:
Shenandoah
[traditional]3:47
6Requiem, op. 48: 7. In paradisum
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
Tonmeister(in):
John Dunkerley (engineer) (in 1987-10)
aufgenommen bei:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Kanada (in 1987-10)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1987-10)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
publisher:
Éditions Durand (1947–present)
enthalten in:
28 Days Later
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:17
7String Quartet no. 2 in D major: 3. Notturno (Arr. Runswick)
Cello:
Christopher van Kampen (British cellist)
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
Arrangement von:
String Quartet no. 2 in D major: III. Notturno. Andante
Alexander Borodin6:07
8Piano Concerto no. 1 in B-flat minor, op. 23, TH. 55: 2. Andantino semplice - Prestissimo - Tempo I (Arr. Runswick)
Klavier:
Peter Aronsky
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (catch-all for arrangements)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (catch-all for arrangements)
Pyotr Tchaikovsky5:18
9Vespers (All-Night Vigil), op. 37: 3. "Blazhen muzh"
Chorgesang:
The Choir of New College, Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Всенощное бдение, op. 37: 3. Блажен муж (All-Night Vigil, op. 37: III. Blessed is the Man)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1915)
Teil von:
Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)
Sergei Rachmaninov6:09
10Symphony no. 7 in A, op. 92: 2. Allegretto (Arr. Runswick)
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (catch‐all for arrangements)
Komponist(in):
Ludwig van Beethoven (German composer)
Arrangement von:
Symphony no. 7 in A major, op. 92: II. Allegretto
Teil von:
Symphony no. 7 in A major, op. 92 (catch‐all for arrangements)
Ludwig van Beethoven8:17
11Piano Concerto no. 21 in C major, K. 467: 2. Andante (Arr. Runswick)
Klavier:
Peter Aronsky
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (catch-all for arrangements)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Arrangement von:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Wolfgang Amadeus Mozart7:17
12Cantique de Jean Racine, op. 11
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
Stephen Cleobury (organist, conductor) (von 1975-07-28 bis 1975-07-29)
Chorgesang:
Choir of St John’s College, Cambridge (von 1975-07-28 bis 1975-07-29)
conductor:
George Guest (organist and conductor) (von 1975-07-28 bis 1975-07-29)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1975-07-28 bis 1975-07-29)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (von 1975-07-28 bis 1975-07-29)
Texter:
Jean Racine (French dramatist)
Komponist(in):
Gabriel Fauré (French composer) (in 1865)
gewidmet:
César Franck (Belgian‐born French composer)
Teil von:
Works of Gabriel Fauré by opus number (Nummer: op. 11)
Gabriel Fauré5:47
13Te Lucis ante Terminum (after "Song of the Birds")
Harfe:
Helen Tunstall
Chorgesang:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Te lucis ante terminum
basiert auf:
El cant dels ocells (The Song of the Birds, for cello and piano, Casals)
Pau Casals2:22
14Matthäus-Passion, BWV 244, Pt. 2: No. 68, Wir setzen uns mit Tränen nieder
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Stuttgarter Hymnus-Chorknaben
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1964-07)
conductor:
Karl Münchinger (German conductor) (in 1964-07)
chorus master:
Gerhard Wilhelm (choir master)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1964-07)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1964-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:31