50 Chefs d'œuvre de la musique classique (Logo Universal music France LC00173 près du CB)

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Vous avez au bout des doigts certains des chefs-d’œuvre essentiels de la musique. Voici un panorama exhaustif d’œuvres célèbres des plus grands compositeurs. Baroche - Classique - Romantique - Opéra, Nous avons rassemblé les oeuvres indispensables en une collection unique interprétée par les meilleurs musiciens, directeurs d'orchestres et voix.
Nb: J'ai essayé de retrouver les orchestres et directeurs associés à ces titres. Tout n'est peut être pas parfait.

Annotation last modified on 2020-05-01 17:13 UTC.

Tracklist

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1Ainsi parlait Zarathoustra : Introduction
editor:
Christopher Alder (editor/engineer/producer)
solo violin:
Rainer Küchl (Austrian violinist) (in 1983-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-02)
conductor:
Lorin Maazel (conductor) (in 1983, in 1983-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1983-02)
live recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1983-02)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss2:01
2Peer Gynt : “Au matin”
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra)
conductor:
Neeme Järvi (Estonian conductor)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:16
3Sérénade en sol majeur : “Une petite musique de nuit”, allegro
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 525), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 525) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 525)
Wolfgang Amadeus Mozart5:24
4Il trovatore (Le trouvère) : “Vedi ! Le fosche notturne spoglie” (Le Chœur des bohémiens)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1984)
orchestra:
L'académie Sainte‐Cécile and Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984)
conductor:
Carlo Maria Giulini (conductor) (in 1984, in 1985)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1984)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1985)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:57
5Orphée aux enfers : Cancan
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
partial recording of:
Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach2:09
6Suite pour orchestre n°3 : Air
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:24
7Scènes d'enfants : Rêverie
piano:
Daniel Barenboim (pianist and conductor)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:43
8Má vlast (Ma patrie) : La Moldau (Extrait)
orchestra:
Boston Symphony Orchestra
conductor:
Rafael Kubelík (conductor)
partial recording of:
Má vlast, JB 1:112 (My Country / My Fatherland)
premiered in:
Praha (Prague), Czechia (on 1882-11-05)
composer:
Bedřich Smetana (composer) (from 1874 until 1879)
part of:
Tematický katalog skladeb Bedřicha Smetany (number: JB 1:112)
Bedřich Smetana3:55
9Symphonie n°9 : "Du nouveau monde"
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
premiered at:
Second Concert in the Fifty Second Season (1893-12-16) (on 1893-12-16)
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1893-12-16)
part of:
Works of Antonín Dvořák by opus number (number: op. 95) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 178)
Antonín Dvořák2:07
10Danse hongroise n°5
orchestra:
NDR Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:35
11Quintette à cordes n°5 : "Menuet"
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1992-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1992-03)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (in 1992-03)
composer:
Luigi Boccherini (Italian composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements) (in 1992-03)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:25
12Les quatres saisons : Concerto pour violon en mi majeur : " Le Printemps"
violin:
Nemanja Radulović (violinist)
orchestra:
Double Sens
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:21
13Symphonie n°3 : "Poco allegretto"
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-09-28 until 1964-09-30)
conductor:
Herbert von Karajan (conductor) (from 1964-09-28 until 1964-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-09-28 until 1964-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-09-28 until 1964-09-30)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (from 1964-09-28 until 1964-09-30)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms5:56
14Sonate pour piano n°14 : "Clair de lune"
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:04
15La Légende du tsar Saltan : "Le Vol du bourdon"
piano:
Irina Saizewa (pianist)
orchestra:
Violin Ensemble of the Bolshoi Theatre, Moscow (Bolshoi Theatre Violin Ensemble)
conductor:
Julij Rejentowitsch (conductor)
arranger:
G. Feigin (Soviet classical violinist, active 1969-)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Rimsky-Korsakov1:14
16Concerto pour violon n°2 : "La campanella, rondo" (Extrait)
violin:
Salvatore Accardo (violinist and conductor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Dutoit (conductor)
partial recording of:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella”
composer:
Niccolò Paganini (Italian composer and violinist) (in 1826)
part of:
Violin Concerto no. 2 in B minor, op. 7, MS 48 (“La campanella”)
Niccolò Paganini1:37
17Sonate pour piano n°2 : "La Marche funèbre"
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Fryderyk Chopin8:39
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1Die Walküre (La Walkyrie) : "La Chevauchée des Walkyries"
orchestra:
Orchestre de Paris
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:54
2Le Carnaval des animaux : "Le Cygne"
cello:
Wolfgang Herzer
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:51
3Boléro (Extrait)
orchestra:
Orchestre philharmonique de Radio France
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
partial recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel5:04
4Adagio pour cordes et orgue
organ:
Eduard Kaufmann (classical organ and harpsichord player)
orchestra:
Festival Strings Lucerne
conductor:
Rudolf Baumgartner (conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni6:51
5Nocturne n°3 : "Rêve d'amour"
piano:
Анатолий Угорский (Anatol Ugorski, pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt5:04
6Symphonie n°5 : "Allegro con brio"
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Lorin Maazel (conductor)
partial recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven3:13
7Carmen : "L'amour est un oiseau rebelle"
recording engineer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo-soprano) (in 1977-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) and Teresa Berganza (mezzo-soprano)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1977-08)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:26
8Rigoletto : "La donna è mobile"
tenor vocals:
Roberto Alagna (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Richard Armstrong (conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:10
9Gaité parisienne : Barcarolle
engineer:
Helmut Burk
producer:
Cord Garben (pianist and conductor)
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
arranger:
Manuel Rosenthal (French conductor & composer)
recording of:
Gaîté parisienne
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
premiered at:
Opéra de Monte-Carlo in Monte-Carlo (Monte Carlo), Monaco (on 1938-04-05)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach3:50
10Guillaume Tell : Ouverture
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Tullio Serafin (conductor)
partial recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini3:26
11Thaïs : Meditation
solo violin:
Christer Thorvaldsson (Swedish violinist) (from 1989-06 until 1989-09)
violin:
Christer Thorvaldsson (Swedish violinist) (in 1990)
orchestra:
Gothenburg Symphony Orchestra (from 1989-06 until 1989-09)
conductor:
Neeme Järvi (Estonian conductor) (from 1989-06 until 1989-09, in 1990)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1990)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1989-06 until 1989-09)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet4:53
12Il barbiere di Siviglia (Le Barbier de Séville) : "Largo al factotum"
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:50
13La Damnation de Faust : "Marche hongroise"
baritone vocals:
Pierre Mollet (baritone) and Michel Roux (baritone, 1924-1998)
choir vocals:
Chœurs Élisabeth Brasseur and Chœur d'enfants de la RTF
soprano vocals:
Consuelo Rubio (soprano)
tenor vocals:
Richard Verreau (tenor)
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra)
conductor:
Igor Markevitch (conductor) (in 1960)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:28
14Marche de Radetzky
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Ferenc Fricsay (conductor)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss2:22
15Water music : Suite II : "Alla hornpipe"
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel4:28
16Suite de casse noisette : "Valse des fleurs"
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:06
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1Requiem : "Lacrimosa"
organ:
Friedemann Winklhofer (organist)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra)
conductor:
Christian Thielemann (German conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:29
2Messa da requiem : Dies irae
choir vocals:
Ernst‐Senff‐Chor
vocals:
Ernst‐Senff‐Chor (in 1989)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Carlo Maria Giulini (conductor) (in 1989)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra), Ernst‐Senff‐Chor, Carlo Maria Giulini (conductor) and Ernst Senff
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:44
3Pavane
vocals:
Tanglewood Festival Chorus
orchestra:
Boston Symphony Orchestra
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:50
4Prélude à l'après-midi d'un faune
recording engineer and editor:
Joachim Niss
engineer and balance engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
flute:
Doriot Anthony Dwyer (US flautist) (from 1971-02-01 until 1971-02-02)
orchestra:
Orchestre Symphonique de Boston (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:36
5Le Clavier bien tempéré : "Prélude n°1"
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1976-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1976-05)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1977)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:30
6Requiem : "Pie Jesu"
organ:
Timothy Farrell (organist)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:06
7Turandot : "Nessun dorma!"
choir vocals:
London Voices
tenor vocals:
Roberto Alagna (tenor)
vocals:
Roberto Alagna (tenor) and London Voices
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Mark Elder (conductor)
chorus master:
Terry Edwards (British choir director)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:29
8Toccata et fugue en ré mineur : "Toccata"
organ:
Helmut Walcha (German organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:41
9Cantate "Herz und Mund und Tat und Leben" : "Jésus que ma joie demeure"
vocals:
Mikaeli kammarkör (Swedish chamber choir) and Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:58
10Suite bergamasque : "Clair de lune"
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:18
11Concerto pour piano n°21 en ut majeur : "Andante"
piano:
Anda Géza (Geza Anda, pianist)
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:17
12Le Beau Danube bleu (Extrait)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
partial recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss3:38
13Bagatelle en la mineur : "Lettre à Élise"
piano:
Анатолий Угорский (Anatol Ugorski, pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven4:02
14Die Zauberflöte (La Flûte enchantée) : "Der Hölle Rache kocht in meinem Herzen" (Air de la reine de la nuit)
soprano vocals:
Patricia Petibon (soprano)
orchestra:
Concerto Köln
conductor:
Daniel Harding (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:11
15Le Messie : "Hallelujah"
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocals:
The John Alldis Choir
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:02
16Canon et gigue en ré majeur : "Canon"
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1980-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 1980-09)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1980-09)
partial recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:13
17Symphonie n°9 avec chœur : "Hymne à la joie, finale" (Extrait)
bass vocals:
Karl Ridderbusch (operatic bass) (in 1970)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1970)
mezzo-soprano vocals:
Tatiana Troyanos (mezzo-soprano) (in 1970)
soprano vocals:
Gwyneth Jones (soprano) (in 1970)
tenor vocals:
Jess Thomas (tenor) (in 1970)
vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor) (in 1970)
recording of:
Ode an die Freude (Ode to Joy)
anthem of:
Europe (from 1972-01-19 to present)
composer:
Ludwig van Beethoven (German composer) (in 1824)
is based on:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven2:59

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ASIN:FR: B00Q5MH9LU [info]