Best Bach 100

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Tracklist

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1▼CD: The Sacred Genius of Bach
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1Mass in B minor, BWV 232: Chorus "Gloria in excelsis Deo"
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
7:00
2Mass in B minor, BWV 232: Aria "Laudamus te"
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
soprano vocals:
Catherine Patriasz (mezzo-soprano) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:21
3Mass in B minor, BWV 232: Chorus "Et incarnatus est"
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:05
4Mass in B minor, BWV 232: Aria "Agnus Dei"
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
alto vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:26
5Mass in B minor, BWV 232: Chorus "Osanna in excelsis"
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:33
6Cantata, BWV 147 "Herz und Mund und Tat und Leben": Chorale "Jesu bleibet meine freude"
choir vocals:
Taverner Consort (in 1987)
orchestra:
Taverner Players (in 1987)
conductor:
Andrew Parrott (conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:13
7Cantata, BWV 51 "Jauchzet Gott in allen Landen": Aria "Jauchzet Gott in allen Landen"
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (from 1993-02-25 until 1993-02-28)
soprano vocals:
Nancy Argenta (soprano) (from 1993-02-25 until 1993-02-28)
orchestra:
Sonnerie (from 1993-02-25 until 1993-02-28)
conductor:
Monica Huggett (violinist) (from 1993-02-25 until 1993-02-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-02-25 until 1993-02-28)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1993-02-25 until 1993-02-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:16
8Cantata, BWV 82a "Ich habe genug": Aria "Ich habe genug"
tenor vocals:
Ian Bostridge (tenor) (from 2000-03-25 until 2000-03-30)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-03-25 until 2000-03-30)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-03-25 until 2000-03-30)
recorded at:
La Biblioteca Monumentale dell Abbazia di San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italy (from 2000-03-25 until 2000-03-30)
recording of:
Kantate, BWV 82a "Ich habe genug": I. Aria (Soprano) "Ich habe genug" (from 2000-03-25 until 2000-03-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
7:41
9Magnificat in D, BWV 243: Chorus "Magnificat anima mea"
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1988-12)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1988-12)
conductor:
Sigiswald Kuijken (in 1988-12)
recorded at:
Augustinuskerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-12)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1988-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:58
10Magnificat in D, BWV 243: Aria "Deposuit potentes"
tenor vocals:
Christoph Prégardien (tenor) (in 1988-12)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1988-12)
conductor:
Sigiswald Kuijken (in 1988-12)
recorded at:
Augustinuskerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-12)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1988-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:00
11Christmas Oratorio, BWV 248: Chorale "Wie soll ich dich empfangen"
choir vocals:
Collegium Vocale Gent (in 1989-01)
orchestra:
Collegium Vocale Gent (in 1989-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-01)
recorded at:
Mindersbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1989-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1989-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:16
12Christmas Oratorio, BWV 248: Aria "Erleucht auch meine finstre Sinnen"
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1989-01)
orchestra:
Collegium Vocale Gent (in 1989-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-01)
recorded at:
Mindersbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1989-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1989-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:18
13Passion according to St John, BWV 245: Chorale "Ach, großer König"
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
choir vocals:
Taverner Consort (in 1990-04)
orchestra:
Taverner Consort (in 1990-04) and Taverner Players (in 1990-04)
conductor:
Andrew Parrott (conductor) (in 1990-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" (in 1990-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 169)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
1:31
14Passion according to St John, BWV 245: Aria "Es is vollbracht"
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
alto vocals:
Caroline Trevor (contralto) (in 1990-04)
orchestra:
Taverner Consort (in 1990-04) and Taverner Players (in 1990-04)
conductor:
Andrew Parrott (conductor) (in 1990-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
5:07
15Passion according to St John, BWV 245: Chorus "Ruht wohl, ihr heiligen Gebeine"
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
choir vocals:
Taverner Choir (in 1990-04) and Taverner Consort (in 1990-04)
orchestra:
Taverner Players (in 1990-04)
conductor:
Andrew Parrott (conductor) (in 1990-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
8:02
16Cantata, BWV 78 "Jesu, der du meine Seele": Duetto "Wir eilen mit Schwachen"
alto vocals:
Sybil Michelow (from 1965-05-31 until 1965-06-03)
contralto vocals:
Sybil Michelow
soprano vocals:
Edith Mathis (soprano) (from 1965-05-31 until 1965-06-03)
orchestra:
Consortium Musicum (from 1965-05-31 until 1965-06-03)
conductor:
Wolfgang Gönnenwein (conductor) (from 1965-05-31 until 1965-06-03)
recorded at:
Strassenbahner Erholungsheim in Stuttgart, Baden-Württemberg, Germany (from 1965-05-31 until 1965-06-03)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (from 1965-05-31 until 1965-06-03)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
5:11
17Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit": Sonatina "Molto adagio"
orchestra:
Consortium Musicum (from 1965-05-31 until 1965-06-03)
conductor:
Wolfgang Gönnenwein (conductor)
performer:
Wolfgang Gönnenwein (conductor) (from 1965-05-31 until 1965-06-03)
recorded at:
Strassenbahner Erholungsheim in Stuttgart, Baden-Württemberg, Germany (from 1965-05-31 until 1965-06-03)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:14
18Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit": Chorus "Gottes Zeit ist die allerbeste Zeit"
bass vocals:
Franz Crass (operatic bass)
choir vocals:
Süddeutscher Madrigalchor (from 1965-05-31 until 1965-06-03)
soprano vocals:
Edith Mathis (soprano)
tenor vocals:
Theo Altmeyer (German tenor)
orchestra:
Consortium Musicum (from 1965-05-31 until 1965-06-03)
conductor:
Wolfgang Gönnenwein (conductor) (from 1965-05-31 until 1965-06-03)
recorded at:
Strassenbahner Erholungsheim in Stuttgart, Baden-Württemberg, Germany (from 1965-05-31 until 1965-06-03)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (from 1965-05-31 until 1965-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
8:58
2▼CD: Bach the Church Musician
#TitleRatingLength
1Passion according to St Matthew, BWV 244: Aria "Erbarme dich, mein Gott"
producer:
Étienne Collard
harpsichord:
Emmanuelle Haïm (conductor) (from 2000-12-01 until 2000-12-05)
solo mezzo-soprano vocals:
Stephanie Blythe (mezzo-soprano) (from 2000-12-01 until 2000-12-05)
orchestra:
Ensemble orchestral de Paris (from 2000-12-01 until 2000-12-05)
conductor:
John Nelson (American conductor) (from 2000-12-01 until 2000-12-05)
balance engineer:
Hugues Deschaux
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2000-12-01 until 2000-12-05)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 2000-12-01 until 2000-12-05)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:20
2Passion according to St Matthew, BWV 244: Chorale "O Haupt voll Blut und Wunden"
producer:
Gerd Berg (producer) (from 1968-05 until 1968-06)
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
mezzo-soprano vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
performer:
Consortium Musicum (from 1968-05-26 until 1968-06-18)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1968-05-25 until 1968-06-16)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1968-05-26 until 1968-06-18)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
2:28
3Passion according to St Matthew, BWV 244: Aria "Ich will bei meinem Jesu wachen"
producer:
Gerd Berg (producer) (from 1968-05 until 1968-06)
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
solo tenor vocals [Arien]:
Nicolai Gedda (tenor) (from 1968-05-25 until 1968-06-16)
tenor vocals:
Nicolai Gedda (tenor) (from 1968-05-26 until 1968-06-18)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
performer:
Consortium Musicum (from 1968-05-26 until 1968-06-18)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 1968-05-26 until 1968-06-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:03
4Passion according to St Matthew, BWV 244: Chorus "Wir setzen uns mit Tränen"
producer:
Gerd Berg (producer) (from 1968-05 until 1968-06)
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
additional conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-26 until 1968-06-18)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1968-05-26 until 1968-06-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:18
5Easter Oratorio, BWV 249: Chorus "Kommt, eilet und laufet"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
performer:
The Taverner Consort & Players (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 1993-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
5:10
6"Hunt" Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": Aria "Schafe können sicher weiden"
recorder:
Eckart Haupt (flutist) and Gudrun Jahn (flutist)
soprano vocals:
Barbara Hendricks (soprano) (in 1989-07)
orchestra:
Kammerorchester Carl Philipp Emanuel Bach (in 1989-07)
conductor:
Peter Schreier (German tenor and conductor) (in 1989-07)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1989-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1989-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
4:17
7Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": Chorus "Watchet auf"
choir vocals:
Süddeutscher Madrigalchor (in 1967-07)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
8:08
8Chorale, BWV 659: "Nun komm, der Heiden Heiland"
organ:
Lionel Rogg (organist)
recording of:
Nun komm, der Heiden Heiland, BWV 659.2 (Chorale Prelude for organ in G minor, BWV 659 “Nun komm’ der Heiden Heiland”, former BWV 659)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 9), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 659), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 659.2), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 659), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 659) and Bach Compendium (number: BC K 82)
revision of:
Nun komm der Heiden Heiland, BWV 659.1 (former BWV 659a)
4:21
9Toccata & Fugue in D minor, BWV 565 (attrib. Bach): Toccata
organ:
Lionel Rogg (organist) (from 1975-11-25 until 1975-12-04)
recorded at:
Cathédrale Saint-Pierre de Genève in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1975-11-25 until 1975-12-04)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (from 1975-11-25 until 1975-12-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
2:26
10Toccata & Fugue in D minor, BWV 565 (attrib. Bach): Fugue
organ:
Lionel Rogg (organist)
recorded at:
Cathédrale Saint-Pierre de Genève in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge (from 1975-11-25 until 1975-12-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
5:45
11Concerto in A minor after Vivaldi, BWV 593: I. Allegro
organ:
Lionel Rogg (organist) (from 1972-09-11 until 1972-09-16)
recorded at:
St. Nicolai in Aabenraa, Region of Southern Denmark, Denmark (from 1972-09-11 until 1972-09-16)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: I. (Allegro) (from 1972-09-11 until 1972-09-16)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593
4:06
12Concerto in A minor after Vivaldi, BWV 593: II. Adagio
organ:
Lionel Rogg (organist) (from 1972-09-11 until 1972-09-16)
recorded at:
St. Nicolai in Aabenraa, Region of Southern Denmark, Denmark (from 1972-09-11 until 1972-09-16)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: II. Adagio senza pedale à due Clav. (from 1972-09-11 until 1972-09-16)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Concerto Pour Orgue, BWV 593: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593
3:28
13Concerto in A minor after Vivaldi, BWV 593: III. Allegro
organ:
Lionel Rogg (organist) (from 1972-09-11 until 1972-09-16)
recorded at:
St. Nicolai in Aabenraa, Region of Southern Denmark, Denmark (from 1972-09-11 until 1972-09-16)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: III. Allegro (from 1972-09-11 until 1972-09-16)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593
3:53
14Passacaglia and Fugue in C minor, BWV 582
organ:
Lionel Rogg (organist) (from 1962-02 until 1962-08)
pipe organ:
Lionel Rogg (organist)
recorded at:
Domkirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland, Vor Frelsers Kirke in Copenhagen, Capital Region of Denmark, Denmark and Grossmünster in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 1962)
recording of:
Passacaglia and Fugue in C minor, BWV 582 (in 1962)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1712)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 582)
recording of:
Passacaglia and Fugue in C minor, BWV 582 (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1712)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 582)
recording of:
Passacaglia and Fugue in C minor, BWV 582: I. Passacaglia (from 1976-01-13 until 1976-02-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Passacaglia and Fugue in C minor, BWV 582
13:29
3▼CD: Bach the Impressario
#TitleRatingLength
1Orchestral Suite No. 3 in D, BWV 1068: Ouverture
orchestra:
English Chamber Orchestra
conductor:
Philip Ledger
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
7:30
2Orchestral Suite No. 3 in D, BWV 1068: Air
orchestra:
English Chamber Orchestra (in 1988-01)
conductor:
Philip Ledger (in 1988-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1991)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
4:48
3Orchestral Suite No. 3 in D, BWV 1068: Gavotte
orchestra:
English Chamber Orchestra
conductor:
Philip Ledger
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:06
4Concerto for two violins & strings in D minor, BWV 1043: I. Vivace
producer:
Michael Purton
harpsichord:
Sally Heath (British pianist)
violin:
Jane Murdoch (violinist) and Jonathan Rees
orchestra:
Scottish Ensemble
conductor:
Jonathan Rees
balance engineer:
Tony Faulkner (recording engineer) and Tony Kime
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
3:50
5Concerto for two violins & strings in D minor, BWV 1043: II. Largo ma non tanto
producer:
Michael Purton
harpsichord:
Sally Heath (British pianist)
violin:
Jane Murdoch (violinist) and Jonathan Rees
orchestra:
Scottish Ensemble
conductor:
Jonathan Rees
balance engineer:
Tony Faulkner (recording engineer) and Tony Kime
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
6:51
6Concerto for two violins & strings in D minor, BWV 1043: III. Allegro
producer:
Michael Purton
harpsichord:
Sally Heath (British pianist)
violin:
Jane Murdoch (violinist) and Jonathan Rees
orchestra:
Scottish Ensemble
conductor:
Jonathan Rees
balance engineer:
Tony Faulkner (recording engineer) and Tony Kime
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
4:42
7Orchestral Suite No. 2 in B minor, BWV 1067: I. Rondeau - II. Sarabande - III. Bourrées I & II
orchestra:
English Chamber Orchestra
conductor:
Philip Ledger
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
6:50
8Orchestral Suite No. 2 in B minor, BWV 1067: IV. Polonaise - V. Menuete - VI. Badinerie
orchestra:
English Chamber Orchestra
conductor:
Philip Ledger
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
6:00
9Brandenburg Concerto No. 4 in G, BWV 1049: I. Allegro
producer:
Michael Purton
recorder:
Giles Lewin and William Lyons (old music specialist)
violin:
Jonathan Rees
orchestra:
Scottish Ensemble
conductor:
Jonathan Rees
balance engineer:
Tony Faulkner (recording engineer) and Tony Kime
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
7:27
10Brandenburg Concerto No. 4 in G, BWV 1049: II. Andante
producer:
Michael Purton
recorder:
Giles Lewin and William Lyons (old music specialist)
violin:
Jonathan Rees
orchestra:
Scottish Ensemble
conductor:
Jonathan Rees
balance engineer:
Tony Faulkner (recording engineer) and Tony Kime
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
3:41
11Brandenburg Concerto No. 4 in G, BWV 1049: III. Presto
producer:
Michael Purton
recorder:
Giles Lewin and William Lyons (old music specialist)
violin:
Jonathan Rees
orchestra:
Scottish Ensemble
conductor:
Jonathan Rees
balance engineer:
Tony Faulkner (recording engineer) and Tony Kime
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
5:01
12Concerto for keyboard & strings in F minor, BWV 1056: I. Allegro
producer:
Simon Woods (producer)
editor:
Paul Baily (audio engineer) and Giles Holland (classical engineer, editor)
cello:
Wouter Möller (cellist) (in 1992-10)
harpsichord:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
viola:
Wim ten Have (Classical viola and viol player) (in 1992-10)
violin:
François Fernandez (violinist) (in 1992-10) and Sayuri Yamagata (violinist) (in 1992-10)
violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1992-10)
orchestra:
Melante Amsterdam
conductor:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1993 to present)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-10)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro (in 1992-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:22
13Concerto for keyboard & strings in F minor, BWV 1056: II. Largo
producer:
Simon Woods (producer)
editor:
Paul Baily (audio engineer) and Giles Holland (classical engineer, editor)
cello:
Wouter Möller (cellist) (in 1992-10)
harpsichord:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
viola:
Wim ten Have (Classical viola and viol player) (in 1992-10)
violin:
François Fernandez (violinist) (in 1992-10) and Sayuri Yamagata (violinist) (in 1992-10)
violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1992-10)
orchestra:
Melante Amsterdam (in 1992-10)
conductor:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
performer:
Melante Amsterdam
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1993 to present)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-10)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1992-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:31
14Concerto for keyboard & strings in F minor, BWV 1056: III. Presto
producer:
Simon Woods (producer)
editor:
Paul Baily (audio engineer) and Giles Holland (classical engineer, editor)
cello:
Wouter Möller (cellist) (in 1992-10)
harpsichord:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
viola:
Wim ten Have (Classical viola and viol player) (in 1992-10)
violin:
François Fernandez (violinist) (in 1992-10) and Sayuri Yamagata (violinist) (in 1992-10)
violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1992-10)
orchestra:
Melante Amsterdam
conductor:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1993 to present)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-10)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: III. Presto (in 1992-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:21
15The Musical Offering, BWV 1079: Ricercare a 6
engineer:
Tony Faulkner (recording engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Adrian Hunter (producer and engineer)
bassoon:
Frances Eustace (bassoonist) (from 1994-04-26 until 1994-05-01)
flute:
Wilbert Hazelzet (flautist) (from 1994-04-26 until 1994-05-01)
instruments:
Sonnerie (from 1994-04-26 until 1994-05-01)
oboe da caccia:
Paul Goodwin (conductor / oboist) (from 1994-04-26 until 1994-05-01)
viola [tenor viola]:
Pavlo Beznosiuk (violinist) (from 1994-04-26 until 1994-05-01)
viola da gamba:
Sarah Cunningham (classical string player) (from 1994-04-26 until 1994-05-01)
violin:
Monica Huggett (violinist) (from 1994-04-26 until 1994-05-01)
performer:
Sonnerie
recorded at:
St. Bartholomew's Church (Orford) in Suffolk, England, United Kingdom (from 1994-04-26 until 1994-05-01)
recording of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6 (from 1994-04-26 until 1994-05-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
recording of:
The Musical Offering, BWV 1079: V. Ricercar a 6 voci (orch. Webern)
orchestrator:
Anton Webern (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6
7:12
4▼CD: The Dazzling Concertos of Bach
#TitleRatingLength
1Brandenburg Concerto No. 2 in F, BWV 1047: I. Allegro
oboe:
Paul Goodwin (conductor / oboist) (from 1987-11-18 until 1987-11-20)
recorder:
Rachel Beckett (flute and recorder player) (from 1987-11-18 until 1987-11-20)
trumpet:
Mark Bennett (trumpeter) (from 1987-11-18 until 1987-11-20)
violin:
Monica Huggett (violinist) (from 1987-11-18 until 1987-11-20)
orchestra:
Orchestra of the Age of Enlightenment (from 1987-11-18 until 1987-11-20)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1987-11-18 until 1987-11-20)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1987-11-18 until 1987-11-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
5:02
2Brandenburg Concerto No. 2 in F, BWV 1047: II. Andante
orchestra:
Orchestra of the Age of Enlightenment (from 1987-11-18 until 1987-11-20)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1987-11-18 until 1987-11-20)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1987-11-18 until 1987-11-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:43
3Brandenburg Concerto No. 2 in F, BWV 1047: III. Allegro assai
flute and recorder:
Rachel Beckett (flute and recorder player) (from 1987-11-18 until 1987-11-20)
oboe:
Paul Goodwin (conductor / oboist) (from 1987-11-18 until 1987-11-20)
trumpet:
Mark Bennett (trumpeter) (from 1987-11-18 until 1987-11-20)
violin:
Monica Huggett (violinist) (from 1987-11-18 until 1987-11-20)
orchestra and performer:
Orchestra of the Age of Enlightenment (from 1987-11-18 until 1987-11-20)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1987-11-18 until 1987-11-20)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1987-11-18 until 1987-11-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
2:38
4Concerto for violin, oboe & strings in C minor, BWV 1060: I. Allegro
oboe:
Alfredo Bernardini (oboist)
violin:
Fabio Biondi (conductor/violinist)
orchestra:
Europa Galante (Italian Baroque orchestra)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
4:53
5Concerto for violin, oboe & strings in C minor, BWV 1060: II. Adagio
oboe:
Alfredo Bernardini (oboist)
violin:
Fabio Biondi (conductor/violinist)
orchestra:
Europa Galante (Italian Baroque orchestra)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
4:49
6Concerto for violin, oboe & strings in C minor, BWV 1060: III. Allegro
oboe:
Alfredo Bernardini (oboist)
violin:
Fabio Biondi (conductor/violinist)
orchestra:
Europa Galante (Italian Baroque orchestra)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: III. Allegro (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
3:27
7Concerto after Vivaldi for four keyboards & strings in A minor, BWV 1065: I. Allegro
harpsichord:
Bob van Asperen (harpsichordist and organist) (from 1994-12-19 until 1994-12-23), Marcelo Bussi (from 1994-12-19 until 1994-12-23), Bernhard Klapprott (from 1994-12-19 until 1994-12-23) and Carsten Lohff (from 1994-12-19 until 1994-12-23)
orchestra:
Melante Amsterdam (from 1994-12-19 until 1994-12-23)
conductor:
Bob van Asperen (harpsichordist and organist) (from 1994-12-19 until 1994-12-23)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-12-19 until 1994-12-23)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: I. [Allegro] (from 1994-12-19 until 1994-12-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
4:20
8Concerto after Vivaldi for four keyboards & strings in A minor, BWV 1065: II: Largo
harpsichord:
Bob van Asperen (harpsichordist and organist) (from 1994-12-19 until 1994-12-23), Marcelo Bussi (from 1994-12-19 until 1994-12-23), Bernhard Klapprott (from 1994-12-19 until 1994-12-23) and Carsten Lohff (from 1994-12-19 until 1994-12-23)
orchestra:
Melante Amsterdam (from 1994-12-19 until 1994-12-23)
conductor:
Bob van Asperen (harpsichordist and organist) (from 1994-12-19 until 1994-12-23)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-12-19 until 1994-12-23)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: II. Largo (from 1994-12-19 until 1994-12-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
2:19
9Concerto after Vivaldi for four keyboards & strings in A minor, BWV 1065: III. Allegro
harpsichord:
Bob van Asperen (harpsichordist and organist) (from 1994-12-19 until 1994-12-23), Marcelo Bussi (from 1994-12-19 until 1994-12-23), Bernhard Klapprott (from 1994-12-19 until 1994-12-23) and Carsten Lohff (from 1994-12-19 until 1994-12-23)
orchestra:
Melante Amsterdam (from 1994-12-19 until 1994-12-23)
conductor:
Bob van Asperen (harpsichordist and organist) (from 1994-12-19 until 1994-12-23)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-12-19 until 1994-12-23)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: III. Allegro (from 1994-12-19 until 1994-12-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
3:28
10Brandenburg Concerto No. 3 in G, BWV 1048: I. Allegro
violin:
Alison Bury (violinist)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:36
11Brandenburg Concerto No. 3 in G, BWV 1048: II. Adagio - Allegro
violin:
Alison Bury (violinist)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
4:50
12Concerto for violin & strings in A minor, BWV 1041: I. Allegro
producer:
Nicholas Parker (classical violinist, producer, engineer)
violin:
Elizabeth Wallfisch (violinist) (from 1990-08 until 1991-06)
orchestra:
Orchestra of the Age of Enlightenment (from 1990-08 until 1991-06)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-08 until 1991-06)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1990-08 until 1991-06)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (from 1990-08 until 1991-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
3:49
13Concerto for violin & strings in A minor, BWV 1041: II. Andante
producer:
Nicholas Parker (classical violinist, producer, engineer)
violin:
Elizabeth Wallfisch (violinist) (from 1990-08 until 1991-06)
orchestra:
Orchestra of the Age of Enlightenment (from 1990-08 until 1991-06)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-08 until 1991-06)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1990-08 until 1991-06)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (from 1990-08 until 1991-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
5:42
14Concerto for violin & strings in A minor, BWV 1041: III. Allegro assai
violin:
Elizabeth Wallfisch (violinist)
recording of:
Violin Concerto in A minor, BWV 1041: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
3:31
15Brandenburg Concerto No. 5 in D, BWV 1050: I. Allegro
flute:
Janet See (from 1988-07 until 1988-10)
harpsichord:
John Toll (organist, harpsichordist and conductor) (from 1988-07 until 1988-10)
violin:
John Holloway (violinist/conductor) (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
9:21
16Brandenburg Concerto No. 5 in D, BWV 1050: II. Affetuoso
flute:
Janet See (from 1988-07 until 1988-10)
harpsichord:
John Toll (organist, harpsichordist and conductor) (from 1988-07 until 1988-10)
violin:
John Holloway (violinist/conductor) (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:46
17Brandenburg Concerto No. 5 in D, BWV 1050: III. Allegro
flute:
Janet See (from 1988-07 until 1988-10)
harpsichord:
John Toll (organist, harpsichordist and conductor) (from 1988-07 until 1988-10)
violin:
John Holloway (violinist/conductor) (from 1988-07 until 1988-10)
orchestra:
Taverner Players (from 1988-07 until 1988-10)
conductor:
Andrew Parrott (conductor) (from 1988-07 until 1988-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Gateway Studio (Kingston, Surrey) in Kingston upon Hull, England, United Kingdom (from 1988-07 until 1988-10)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 1988-07 until 1988-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:13
5▼CD: Bach the Chamber Musician
#TitleRatingLength
1Partita for solo flute in A minor, BWV 1013: I. Allemande
flute:
Marc Hantaï (classical flute player)
recording of:
Partita für Flöte in a-Moll, BWV 1013: I. Allemande (Partita for Flute in A minor, BWV 1013: I. Allemande)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita für Flöte in a-Moll, BWV 1013 (Partita for Flute in A minor, BWV 1013)
4:58
2Sonate for viola da gamba & harpsichord, BWV 1029: I. Vivace
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
5:30
3Sonate for viola da gamba & harpsichord, BWV 1029: II. Adagio
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
5:59
4Sonate for viola da gamba & harpsichord, BWV 1029: III. Allegro
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
3:56
5Italian Concerto, BWV 971: I. Allegro
harpsichord:
Davitt Moroney (cembalist)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:11
6Italian Concerto, BWV 971: II. Andante
harpsichord:
Davitt Moroney (cembalist)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:49
7Italian Concerto, BWV 971: III. Presto
harpsichord:
Davitt Moroney (cembalist)
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:05
8Partita No. 2 for solo violin in D minor, BWV 1004: V. Ciaccona
producer:
Andrew Keener (engineer/editor/producer)
editor:
Andrew Keener (engineer/editor/producer) and John H. West (classical engineer/producer)
violin:
Christian Tetzlaff (violinist) (in 1993-11)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-03, in 1993-11)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (in 1993-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
12:50
9Suite No. 1 for solo cello in G, BWV 1007: I. Prélude
cello:
Ralph Kirshbaum (cellist) (in 1993-01)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-01)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1993-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:32
10Suite No. 3 for solo cello in C, BWV 1009: IV. Bourrées I & II
cello:
Ralph Kirshbaum (cellist)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II (Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
3:21
11Suite No. 3 for solo cello in C, BWV 1009: VI. Gigue
cello:
Ralph Kirshbaum (cellist)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: VI. Gigue (Cello Suite No. 3 in C major, BWV 1009: VI. Gigue)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
3:06
12Suite for "Lautenwerk" in E minor, BWV 996: IV. Sarabande
harpsichord:
Pierre Hantaï (Harpsichordist and organist) (in 1997-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1997-06)
recording of:
Suite in E minor, BWV 996: IV. Sarabande (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
3:56
13Suite for "Lautenwerk" in E minor, BWV 996: V. Bourrée
harpsichord:
Pierre Hantaï (Harpsichordist and organist) (in 1997-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1997-06)
recording of:
Suite in E minor, BWV 996: V. Bourrée (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
0:56
14Suite for "Lautenwerk" in E minor, BWV 996: VI. Gigue
harpsichord:
Pierre Hantaï (Harpsichordist and organist) (in 1997-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1997-06)
recording of:
Suite in E minor, BWV 996: VI. Gigue (in 1997-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
2:35
15Partita No. 1 for keyboard in B flat, BWV 825: I. Praeludium
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (on 1986-02-13)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1986-02-13)
recording of:
Partita no. 1 in B-flat major, BWV 825: I. Prelude (on 1986-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
2:01
16Partita No. 1 for keyboard in B flat, BWV 825: II. Allemande
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (on 1986-02-13)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1986-02-13)
recording of:
Partita no. 1 in B-flat major, BWV 825: II. Allemande (on 1986-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
2:24
17Partita No. 1 for keyboard in B flat, BWV 825: III. Courante
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (on 1986-02-13)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1986-02-13)
recording of:
Partita no. 1 in B-flat major, BWV 825: III. Courante (on 1986-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
1:30
18Partita No. 1 for keyboard in B flat, BWV 825: IV. Sarabande
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (on 1986-02-13)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1986-02-13)
recording of:
Partita no. 1 in B-flat major, BWV 825: IV. Sarabande (on 1986-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
2:37
19Partita No. 1 for keyboard in B flat, BWV 825: V. Menuets I et II
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (on 1986-02-13)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1986-02-13)
recording of:
Partita no. 1 in B-flat major, BWV 825: V. Menuet I (on 1986-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
recording of:
Partita no. 1 in B-flat major, BWV 825: VI. Menuet II (on 1986-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
2:21
20Partita No. 1 for keyboard in B flat, BWV 825: VI. Gigue
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (on 1986-02-13)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1986-02-13)
recording of:
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (on 1986-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
1:35
6▼CD: Bach the Virtuoso
#TitleRatingLength
1Partita No. 3 for solo violin in E, BWV 1006: I. Preludio
violin:
Monica Huggett (violinist) (from 1995-09 until 1995-12)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (from 1995-09 until 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
4:09
2Partita No. 3 for solo violin in E, BWV 1006: II. Gavotte en rondeaux - III. Menuets I & II - IV. Bourrée
violin:
Monica Huggett (violinist)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: III. Gavotte en rondeau
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: IV. Menuet I
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: V. Menuet II
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: VI. Bourrée
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
10:11
3The Well-Tempered Clavier, Book I: Prelude & Fugue No. 3 in D-sharp, BWV 848
harpsichord:
Bob van Asperen (harpsichordist and organist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 3 in C-sharp major, BWV 848.2/848
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 848), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 848.2), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 848) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 848)
part of:
The Well-Tempered Clavier, Book I
3:29
4The Well-Tempered Clavier, Book II: Prelude & Fugue No. 14 in F-sharp minor, BWV 883
harpsichord:
Bob van Asperen (harpsichordist and organist)
recording of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 14 in F-sharp minor, BWV 883 (from 1989 until 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
part of:
Bach-Werke-Verzeichnis (number: BWV 883)
part of:
The Well-Tempered Clavier, Book II
7:50
5Chromatic Fantasia & Fugue in D minor, BWV 903: Fantasia
harpsichord:
Maggie Cole (harpsichordist)
recorded at:
Fenton House (Hampstead) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Chromatische Fantasie und Fuge d-Moll, BWV 903: I. Fantasie (from 1987-07 until 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chromatische Fantasie und Fuge d-Moll, BWV 903
5:44
6Chromatic Fantasia & Fugue in D minor, BWV 903: Fugue
harpsichord:
Maggie Cole (harpsichordist)
recorded at:
Fenton House (Hampstead) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Chromatische Fantasie und Fuge d-Moll, BWV 903: II. Fuge (from 1987-07 until 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chromatische Fantasie und Fuge d-Moll, BWV 903
5:49
7Sonata for flute & keyboard in E flat, BWV 1031: I. Allegro moderato
flute:
Michel Debost (flutist)
harpsichord:
Lionel Rogg (organist)
recording of:
Flute Sonata in E-flat major, BWV 1031: I. Allegro moderato
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E-flat major, BWV 1031
4:11
8Sonata for flute & keyboard in E flat, BWV 1031: II. Siciliano
producer:
Eric Macleod (producer)
flute:
Michel Debost (flutist) (from 1977-11 until 1979-03)
harpsichord:
Lionel Rogg (organist) (from 1977-11 until 1979-03)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1977-11 until 1979-03)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (from 1977-11 until 1979-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E-flat major, BWV 1031
2:19
9Sonata for flute & keyboard in E flat, BWV 1031: III. Allegro
flute:
Michel Debost (flutist)
harpsichord:
Lionel Rogg (organist)
recording of:
Flute Sonata in E-flat major, BWV 1031: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: III. Allegro (catch-all for arrangements)
part of:
Flute Sonata in E-flat major, BWV 1031
3:24
10Goldberg Variations, BWV 988: Aria
harpsichord:
Maggie Cole (harpsichordist) (in 1990-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
4:30
11Sonata for violin & basso continuo, BWV 1023: I. Prelude: Adagio ma non tanto
producer:
John H. West (classical engineer/producer)
cello:
Susan Sheppard (cellist) (in 1988-02)
chamber organ:
Davitt Moroney (cembalist) (in 1988-02)
harpsichord:
Davitt Moroney (cembalist)
violin:
John Holloway (violinist/conductor) (in 1988-02)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Finchcocks (Goudhurst) in Kent, England, United Kingdom (in 1988-02)
recording of:
Violin Sonata in E minor, BWV 1023: I. (Preludio) (in 1988-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Sonata in E minor, BWV 1023
recording of:
Violin Sonata in E minor, BWV 1023: II. Adagio ma non tanto (in 1988-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Sonata in E minor, BWV 1023
4:18
12Sonata for violin & basso continuo, BWV 1023: II. Allemande
producer:
John H. West (classical engineer/producer)
cello:
Susan Sheppard (cellist) (in 1988-02, in 1989)
chamber organ:
Davitt Moroney (cembalist) (in 1989)
harpsichord:
Davitt Moroney (cembalist) (in 1988-02)
violin:
John Holloway (violinist/conductor) (in 1988-02, in 1989)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Finchcocks (Goudhurst) in Kent, England, United Kingdom (in 1988-02)
recording of:
Violin Sonata in E minor, BWV 1023: III. Allemande (in 1988-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Sonata in E minor, BWV 1023
recording of:
Violin Sonata in E minor, BWV 1023: III. Allemande (in 1989)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Sonata in E minor, BWV 1023
3:45
13Sonata for violin & basso continuo, BWV 1023: III. Gigue
producer:
John H. West (classical engineer/producer)
cello:
Susan Sheppard (cellist) (in 1988-02)
chamber organ:
Davitt Moroney (cembalist) (in 1988-02)
harpsichord:
Davitt Moroney (cembalist)
violin:
John Holloway (violinist/conductor) (in 1988-02)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Finchcocks (Goudhurst) in Kent, England, United Kingdom (in 1988-02)
recording of:
Violin Sonata in E minor, BWV 1023: IV. Gigue (in 1988-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Sonata in E minor, BWV 1023
2:53
14Toccata, Adagio & Fugue in C, BWV 564: Toccata
organ:
Lionel Rogg (organist) (from 1975-11-25 until 1975-12-04)
recorded at:
Cathédrale Saint-Pierre de Genève in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1975-11-25 until 1975-12-04)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: I. Toccata (from 1975-11-25 until 1975-12-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
5:44
15Toccata, Adagio & Fugue in C, BWV 564: Adagio
organ:
Lionel Rogg (organist) (from 1975-11-25 until 1975-12-04)
recorded at:
Cathédrale Saint-Pierre de Genève in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1975-11-25 until 1975-12-04)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (from 1975-11-25 until 1975-12-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
4:25
16Toccata, Adagio & Fugue in C, BWV 564: Fugue
organ:
Lionel Rogg (organist) (from 1975-11-25 until 1975-12-04)
recorded at:
Cathédrale Saint-Pierre de Genève in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1975-11-25 until 1975-12-04)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: III. Fugue (from 1975-11-25 until 1975-12-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
4:38

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ASIN:US: B000MGTFGC [info]