The Greatest Hits of 1988

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Made and printed in the U.K

Other Identifiers
Label Code: LC 0464
Rights Society: BIEM/MCPS
Matrix / Runout: 780479-2 1:3 MASTERED BY NIMBUS
Price Code (D:): none
Price Code (F:): none
Price Code (UK:): CDGH 1988

Anmerkung zuletzt geändert am 2024-05-26 15:01 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1She Makes My Day
recording of:
She Makes My Day
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Island Music Ltd.
Robert Palmer4:21
2Sign Your Name
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Saiteninstrumente arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Chris Cameron (British pianist, singer-songwriter, arranger and producer) und Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. und Young Terrence Music (Publisher)
Terence Trent D’Arby3.54:37
3Every Day Is Like Sunday
Produzent(in):
Stephen Street (famous producer, songwriter)
recording of:
Everyday Is Like Sunday
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Stephen Street (famous producer, songwriter)
publisher:
Linder Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Morrissey4.63:35
4Hazy Shade of Winter
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
Musikvideos:
Hazy Shade of Winter von The Bangles
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 3)
cover recording of:
A Hazy Shade of Winter
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music und Universal/MCA Music Ltd. (not for release label use!)
Bangles4.62:47
5Reckless
Afrika Bambaataa & Family with UB403:56
6Gimme Hope Jo'Anna
Eddy Grant3:48
7Don't Worry Be Happy
phonographisches Urheberrecht (℗) von:
EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
Musikvideos:
Don't Worry Be Happy von Bobby McFerrin
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 31)
recording of:
Don’t Worry, Be Happy
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin3:56
8I'm Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:37
9Suedehead
Produzent(in):
Stephen Street (famous producer, songwriter)
recording of:
Suedehead
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Stephen Street (famous producer, songwriter)
Morrissey4.13:55
10Love Changes (Everything) (U.S. remix)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher4:31
11The Harder I Try
Brother Beyond3:29
12I Should Be So Lucky
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute)
Musikvideos:
I Should Be So Lucky von Kylie Minogue
recording of:
I Should Be So Lucky
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (vom 1988 bis heute)
Kylie Minogue4.353:26
13Nothing Can Divide Us
Techniker(in):
Karen Hewitt und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Dave Ford (remixer, producer & technician known for work with SAW)
Gitarre:
Matt Aitken
Keyboard:
Matt Aitken und Mike Stock (of Stock Aitken Waterman)
Schlagzeug:
A. Linn (Linn 9000)
zusätzlich Keyboard:
George De Angelis (Production music composer)
Hintergrundgesang:
Mae McKenna (vocalist), Mike Stock (of Stock Aitken Waterman) und Miriam Stockley
phonographisches Urheberrecht (℗) von:
PWL Records Ltd. (not release use)
aufgenommen bei:
PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Nothing Can Divide Us
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jason Donovan23:48
14Just a Mirage
vocals:
Adele Bertei
recording of:
Just a Mirage
Verfasser(in):
Adele Bertei und Toni C.
publisher:
April Music Inc., House of Fun Music, Inc und Tutti Ragazzi Music
Jellybean feat. Adele Bertei3:54
15Who's Leaving Who
recording of:
Who's Leaving Who
Verfasser(in):
Mark Spiro und Jack White (German producer Horst Nußbaum)
Hazell Dean3:45
161-2-3
recording engineer und Mix:
Eric C. Schilling
Produzent(in):
Jorge Casas und Clay Ostwald
vocals:
Gloria M. Estefan
arranger:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) und Joe Galdo (US drummer & percussionist)
aufgenommen bei und mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
1‐2‐3
Verfasser(in):
Enrique Garcia (Miami Sound Machine) und Gloria M. Estefan
publisher:
Foreign Imported Productions & Publishing, Inc.
basiert auf:
Esteros
Gloria Estefan & Miami Sound Machine4.53:33
17Rush Hour
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988)
recording of:
Rush Hour
Verfasser(in):
Peter Rafelson und Jane Wiedlin
publisher:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. und Universal Music–MGB Songs
Jane Wiedlin4:02
18I Owe You Nothing
recording engineer:
John Brand (engineer), Simon Humphrey und Robin Sellers
assistierende(r) Techniker(in):
Richard Edwards (sound engineer) und Alex Osman
Techniker(in):
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in) und Mix:
Nicky Graham
zusätzliche(r) Produzent(in):
Ric Wake
remixer:
Bob Cadway und Ric Wake
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
aufgenommen bei:
Hot Nights Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Owe You Nothing
Verfasser(in):
Nicky Graham und Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (in 1988), Intersong Music Ltd. (in 1988) und Virgin Music (Publishers) Ltd. (in 1988)
Bros3:35
19Maybe (We Should Call It a Day)
recording of:
Maybe (We Should Call It a Day)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Hazell Dean3:40
20He Ain't No Competition
recording of:
He Ain't No Competition
Komponist(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Brother Beyond3:20

Nennungen

Veröffentlichung

vertrieben von und vermarkted von:EMI (EMI Records, or EMI Music only if there is no other imprint)
Teil von:The Greatest Hits Of (Nummer: 1988) (Reihenfolge: 11)
Discogs:https://www.discogs.com/release/8845167 [Info]