The Great EMI Recordings

~ Release by Wilhelm Furtwängler (see all versions of this release, 1 available)

Annotation

(P) & remastering info from booklet:
2011 - CD 1-5, CD 10-12, CD 21
2004 - CD 13 tr. 1-3
2001 - CD 6, CD 16-19
1999 - CD 7-9, CD 15 tr. 4
1998 - CD 14 tr. 1-4, CD 20
1994 - CD 15 tr. 1-3
1993 - CD 14 tr. 5-8
1990 - CD 13 tr. 4-6

Annotation last modified on 2017-06-21 15:16 UTC.

Tracklist

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1▼CD
#	Title	Artist	Rating	Length
1	Symphony no. 1 in C op. 21: I Adagio molto - Allegro con brio producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1952-11-24, from 1952-11-26 until 1952-11-28) conductor: Wilhelm Furtwängler (conductor) (on 1952-11-24, from 1952-11-26 until 1952-11-28) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1952-11-24, from 1952-11-26 until 1952-11-28) recording of: Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio (from 1952-11-24 until 1952-11-28) composer: Ludwig van Beethoven (German composer) (from 1799 until 1800) part of: Symphony no. 1 in C major, op. 21	Ludwig van Beethoven		7:56
2	Symphony no. 1 in C op. 21: II. Andante cantabile con moto producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1952-11-24, from 1952-11-26 until 1952-11-28) conductor: Wilhelm Furtwängler (conductor) (on 1952-11-24, from 1952-11-26 until 1952-11-28) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1952-11-24, from 1952-11-26 until 1952-11-28) recording of: Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto (from 1952-11-24 until 1952-11-28) composer: Ludwig van Beethoven (German composer) (from 1799 until 1800) part of: Symphony no. 1 in C major, op. 21	Ludwig van Beethoven		7:23
3	Symphony no. 1 in C op. 21: III. Menuetto: Allegro molto e vivace producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1952-11-24, from 1952-11-26 until 1952-11-28) conductor: Wilhelm Furtwängler (conductor) (on 1952-11-24, from 1952-11-26 until 1952-11-28) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1952-11-24, from 1952-11-26 until 1952-11-28) recording of: Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace (from 1952-11-24 until 1952-11-28) composer: Ludwig van Beethoven (German composer) (from 1799 until 1800) part of: Symphony no. 1 in C major, op. 21	Ludwig van Beethoven		3:53
4	Symphony no. 1 in C op. 21: IV. Finale: Adagio - Allegro molto e vivace producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1952-11-24, from 1952-11-26 until 1952-11-28) conductor: Wilhelm Furtwängler (conductor) (on 1952-11-24, from 1952-11-26 until 1952-11-28) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1952-11-24, from 1952-11-26 until 1952-11-28) recording of: Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace (from 1952-11-24 until 1952-11-28) composer: Ludwig van Beethoven (German composer) (from 1799 until 1800) part of: Symphony no. 1 in C major, op. 21	Ludwig van Beethoven		6:26
5	Symphony no. 3 in E-flat ‘Eroica’ op. 55: I. Allegro con brio producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25) conductor: Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25) recording of: Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (from 1952-11-24 until 1952-11-25) composer: Ludwig van Beethoven (German composer) (from 1803 until 1804) part of: Symphony no. 3 in E‐flat major, op. 55 “Eroica”	Ludwig van Beethoven		16:11
6	Symphony no. 3 in E-flat ‘Eroica’ op. 55: II. Marcia funebre: Adagio assai producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25) conductor: Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25) recording of: Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (from 1952-11-24 until 1952-11-25) composer: Ludwig van Beethoven (German composer) (from 1803 until 1804) part of: Symphony no. 3 in E‐flat major, op. 55 “Eroica”	Ludwig van Beethoven		17:23
7	Symphony no. 3 in E-flat ‘Eroica’ op. 55: III. Scherzo: Allegro vivace producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25) conductor: Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25) recording of: Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (from 1952-11-24 until 1952-11-25) composer: Ludwig van Beethoven (German composer) (from 1803 until 1804) part of: Symphony no. 3 in E‐flat major, op. 55 “Eroica”	Ludwig van Beethoven		6:32
8	Symphony no. 3 in E-flat ‘Eroica’ op. 55: IV. Finale: Allegro molto - Poco andante - Presto producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25) conductor: Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25) recording of: Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (from 1952-11-24 until 1952-11-25) composer: Ludwig van Beethoven (German composer) (from 1803 until 1804) part of: Symphony no. 3 in E‐flat major, op. 55 “Eroica”	Ludwig van Beethoven		12:20

2▼CD
#	Title	Artist	Rating	Length
1	Symphony no. 2 in D op. 36: I. Adagio - Allegro con brio orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1948-10-03) conductor: Wilhelm Furtwängler (conductor) (on 1948-10-03) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) recorded at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1948-10-03) live recording of: Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio (Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio) (on 1948-10-03) composer: Ludwig van Beethoven (German composer) (from 1801 until 1802) part of: Symphony no. 2 in D major, op. 36	Ludwig van Beethoven		10:11
2	Symphony no. 2 in D op. 36: II. Larghetto orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1948-10-03) conductor: Wilhelm Furtwängler (conductor) (on 1948-10-03) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) recorded at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1948-10-03) live recording of: Symphony no. 2 in D major, op. 36: II. Larghetto (Symphony No. 2 in D major, Op. 36: II. Larghetto) (on 1948-10-03) composer: Ludwig van Beethoven (German composer) (from 1801 until 1802) part of: Symphony no. 2 in D major, op. 36	Ludwig van Beethoven		11:12
3	Symphony no. 2 in D op. 36: III. Scherzo: Allegro orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1948-10-03) conductor: Wilhelm Furtwängler (conductor) (on 1948-10-03) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) recorded at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1948-10-03) live recording of: Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro (Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro) (on 1948-10-03) composer: Ludwig van Beethoven (German composer) (from 1801 until 1802) part of: Symphony no. 2 in D major, op. 36	Ludwig van Beethoven		4:04
4	Symphony no. 2 in D op. 36: IV. Allegro molto orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1948-10-03) conductor: Wilhelm Furtwängler (conductor) (on 1948-10-03) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) recorded at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1948-10-03) live recording of: Symphony no. 2 in D major, op. 36: IV. Allegro molto (Symphony No. 2 in D major, Op. 36: IV. Allegro molto) (on 1948-10-03) composer: Ludwig van Beethoven (German composer) (from 1801 until 1802) part of: Symphony no. 2 in D major, op. 36	Ludwig van Beethoven		6:59
5	Symphony no. 4 in B-flat op. 60: I. Adagio - Allegro vivace producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-12-01 until 1952-12-02) conductor: Wilhelm Furtwängler (conductor) (from 1952-12-01 until 1952-12-02) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-12-01 until 1952-12-02) recording of: Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace (from 1952-12-01 until 1952-12-02) composer: Ludwig van Beethoven (German composer) (in 1806) part of: Symphony no. 4 in B-flat major, op. 60	Ludwig van Beethoven		10:42
6	Symphony no. 4 in B-flat op. 60: II. Adagio producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-12-01 until 1952-12-02) conductor: Wilhelm Furtwängler (conductor) (from 1952-12-01 until 1952-12-02) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-12-01 until 1952-12-02) recording of: Symphony no. 4 in B-flat major, op. 60: II. Adagio (from 1952-12-01 until 1952-12-02) composer: Ludwig van Beethoven (German composer) (in 1806) part of: Symphony no. 4 in B-flat major, op. 60	Ludwig van Beethoven		11:50
7	Symphony no. 4 in B-flat op. 60: III. Allegro vivace - Trio: Un poco meno allegro producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-12-01 until 1952-12-02) conductor: Wilhelm Furtwängler (conductor) (from 1952-12-01 until 1952-12-02) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-12-01 until 1952-12-02) recording of: Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace (from 1952-12-01 until 1952-12-02) composer: Ludwig van Beethoven (German composer) (in 1806) part of: Symphony no. 4 in B-flat major, op. 60	Ludwig van Beethoven		6:01
8	Symphony no. 4 in B-flat op. 60: IV. Allegro ma non troppo producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-12-01 until 1952-12-02) conductor: Wilhelm Furtwängler (conductor) (from 1952-12-01 until 1952-12-02) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-12-01 until 1952-12-02) recording of: Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo (from 1952-12-01 until 1952-12-02) composer: Ludwig van Beethoven (German composer) (in 1806) part of: Symphony no. 4 in B-flat major, op. 60	Ludwig van Beethoven		7:35

3▼CD
#	Title	Artist	Rating	Length
1	Symphony no. 5 in C minor op. 67: I. Allegro con brio producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1954-02-28, on 1954-03-01) conductor: Wilhelm Furtwängler (conductor) (on 1954-02-28, on 1954-03-01) balance engineer: Francis Dillnutt (engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1954-02-28, on 1954-03-01) recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1954-02-28 until 1954-03-01) composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		8:38
2	Symphony no. 5 in C minor op. 67: II. Andante con moto producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1954-02-28, on 1954-03-01) conductor: Wilhelm Furtwängler (conductor) (on 1954-02-28, on 1954-03-01) balance engineer: Francis Dillnutt (engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1954-02-28, on 1954-03-01) recording of: Symphony no. 5 in C minor, op. 67: II. Andante con moto (from 1954-02-28 until 1954-03-01) composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		11:21
3	Symphony no. 5 in C minor op. 67: III. Allegro producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1954-02-28, on 1954-03-01) conductor: Wilhelm Furtwängler (conductor) (on 1954-02-28, on 1954-03-01) balance engineer: Francis Dillnutt (engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1954-02-28, on 1954-03-01) recording of: Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (from 1954-02-28 until 1954-03-01) composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		6:03
4	Symphony no. 5 in C minor op. 67: IV. Allegro - Presto producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1954-02-28, on 1954-03-01) conductor: Wilhelm Furtwängler (conductor) (on 1954-02-28, on 1954-03-01) balance engineer: Francis Dillnutt (engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1954-02-28, on 1954-03-01) recording of: Symphony no. 5 in C minor, op. 67: IV. Allegro (from 1954-02-28 until 1954-03-01) composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		9:52
5	Symphony no. 7 in A op. 92: I. Poco sostenuto - Vivace producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1950-01-18 until 1950-01-19) conductor: Wilhelm Furtwängler (conductor) (from 1950-01-18 until 1950-01-19) balance engineer: Anthony Griffith (engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-01-18 until 1950-01-19) recording of: Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace (from 1950-01-18 until 1950-01-19) composer: Ludwig van Beethoven (German composer) (from 1811 until 1812) part of: Symphony no. 7 in A major, op. 92	Ludwig van Beethoven	5	13:07
6	Symphony no. 7 in A op. 92: II. Allegretto producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1950-01-18 until 1950-01-19) conductor: Wilhelm Furtwängler (conductor) (from 1950-01-18 until 1950-01-19) balance engineer: Anthony Griffith (engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-01-18 until 1950-01-19) recording of: Symphony no. 7 in A major, op. 92: II. Allegretto (from 1950-01-18 until 1950-01-19) composer: Ludwig van Beethoven (German composer) (from 1811 until 1812) part of: Symphony no. 7 in A major, op. 92	Ludwig van Beethoven		10:20
7	Symphony no. 7 in A op. 92: III. Presto - Assai meno presto producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1950-01-18 until 1950-01-19) conductor: Wilhelm Furtwängler (conductor) (from 1950-01-18 until 1950-01-19) balance engineer: Anthony Griffith (engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-01-18 until 1950-01-19) recording of: Symphony no. 7 in A major, op. 92: III. Presto (from 1950-01-18 until 1950-01-19) composer: Ludwig van Beethoven (German composer) (from 1811 until 1812) part of: Symphony no. 7 in A major, op. 92	Ludwig van Beethoven		8:40
8	Symphony no. 7 in A op. 92: IV. Allegro con brio producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1950-01-18 until 1950-01-19) conductor: Wilhelm Furtwängler (conductor) (from 1950-01-18 until 1950-01-19) balance engineer: Anthony Griffith (engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-01-18 until 1950-01-19) recording of: Symphony no. 7 in A major, op. 92: IV. Allegro con brio (from 1950-01-18 until 1950-01-19) composer: Ludwig van Beethoven (German composer) (from 1811 until 1812) part of: Symphony no. 7 in A major, op. 92	Ludwig van Beethoven		6:54

4▼CD
#	Title	Artist	Rating	Length
1	Symphony no. 6 in F ‘Pastoral’ op. 68: I. Allegro ma non troppo (Awakening of cheerful feelings on arriving in the country) producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25) conductor: Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25) recording of: Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (from 1952-11-24 until 1952-11-25) composer: Ludwig van Beethoven (German composer) (in 1808) part of: Symphony no. 6 in F major, op. 68 “Pastorale”	Ludwig van Beethoven		11:57
2	Symphony no. 6 in F ‘Pastoral’ op. 68: II. Andante molto moto (Scene by the brook) producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25) conductor: Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25) recording of: Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook") (from 1952-11-24 until 1952-11-25) composer: Ludwig van Beethoven (German composer) (in 1808) part of: Symphony no. 6 in F major, op. 68 “Pastorale”	Ludwig van Beethoven		13:28
3	Symphony no. 6 in F ‘Pastoral’ op. 68: III. Allegro (Merry gathering of the country folk) - producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25) conductor: Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25) recording of: Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (from 1952-11-24 until 1952-11-25) composer: Ludwig van Beethoven (German composer) (in 1808) part of: Symphony no. 6 in F major, op. 68 “Pastorale”	Ludwig van Beethoven		5:58
4	Symphony no. 6 in F ‘Pastoral’ op. 68: IV. Allegro (Storm and tempest) - producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25) conductor: Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25) recording of: Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (from 1952-11-24 until 1952-11-25) composer: Ludwig van Beethoven (German composer) (in 1808) part of: Symphony no. 6 in F major, op. 68 “Pastorale”	Ludwig van Beethoven		4:08
5	Symphony no. 6 in F ‘Pastoral’ op. 68: V. Allegretto (Shepherds' Song. Happy and thankful feelings after the storm) producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25) conductor: Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25) recording of: Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (from 1952-11-24 until 1952-11-25) composer: Ludwig van Beethoven (German composer) (in 1808) part of: Symphony no. 6 in F major, op. 68 “Pastorale”	Ludwig van Beethoven		9:29
6	Symphony no. 8 in F op. 93: I. Allegro vivace e con brio orchestra: Kungliga Filharmonikerna (Royal Stockholm Philharmonic Orchestra) (on 1948-11-13) conductor: Wilhelm Furtwängler (conductor) (on 1948-11-13) phonographic copyright (℗) by: Unicorn‐Kanchana (from 1972 to present) recorded at: Konserthuset: Stora salen (orchestra venue of Stockholm Concert Hall) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1948-11-13) live recording of: Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio (on 1948-11-13) composer: Ludwig van Beethoven (German composer) (in 1812) part of: Symphony no. 8 in F major, op. 93	Ludwig van Beethoven		8:06
7	Symphony no. 8 in F op. 93: II. Allegretto scherzando orchestra: Kungliga Filharmonikerna (Royal Stockholm Philharmonic Orchestra) (on 1948-11-13) conductor: Wilhelm Furtwängler (conductor) (on 1948-11-13) phonographic copyright (℗) by: Unicorn‐Kanchana (from 1972 to present) recorded at: Konserthuset: Stora salen (orchestra venue of Stockholm Concert Hall) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1948-11-13) live recording of: Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (on 1948-11-13) composer: Ludwig van Beethoven (German composer) (in 1812) part of: Symphony no. 8 in F major, op. 93	Ludwig van Beethoven		4:35
8	Symphony no. 8 in F op. 93: III. Tempo di menuetto orchestra: Kungliga Filharmonikerna (Royal Stockholm Philharmonic Orchestra) (on 1948-11-13) conductor: Wilhelm Furtwängler (conductor) (on 1948-11-13) phonographic copyright (℗) by: Unicorn‐Kanchana (from 1972 to present) recorded at: Konserthuset: Stora salen (orchestra venue of Stockholm Concert Hall) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1948-11-13) live recording of: Symphony no. 8 in F major, op. 93: III. Tempo di menuetto (on 1948-11-13) composer: Ludwig van Beethoven (German composer) (in 1812) part of: Symphony no. 8 in F major, op. 93	Ludwig van Beethoven		5:52
9	Symphony no. 8 in F op. 93: IV. Allegro vivace orchestra: Kungliga Filharmonikerna (Royal Stockholm Philharmonic Orchestra) (on 1948-11-13) conductor: Wilhelm Furtwängler (conductor) (on 1948-11-13) phonographic copyright (℗) by: Unicorn‐Kanchana (from 1972 to present) recorded at: Konserthuset: Stora salen (orchestra venue of Stockholm Concert Hall) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1948-11-13) live recording of: Symphony no. 8 in F major, op. 93: IV. Allegro vivace (on 1948-11-13) composer: Ludwig van Beethoven (German composer) (in 1812) part of: Symphony no. 8 in F major, op. 93	Ludwig van Beethoven		7:35

5▼CD
#	Title	Artist	Rating	Length
1	Furtwängler enters the Festspielhaus producer: Walter Legge (British classical producer) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) recorded at: Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (on 1951-07-29)	[no artist]		1:13
2	Symphony no. 9 in D minor ‘Choral’ op. 125: I. Allegro ma non troppo, un poco maestoso producer: Walter Legge (British classical producer) orchestra: Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (on 1951-07-29) conductor: Wilhelm Furtwängler (conductor) (on 1951-07-29) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) recorded at: Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (on 1951-07-29) live recording of: Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (on 1951-07-29) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		18:00
3	Symphony no. 9 in D minor ‘Choral’ op. 125: II. Molto vivace - Presto producer: Walter Legge (British classical producer) orchestra: Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (on 1951-07-29) conductor: Wilhelm Furtwängler (conductor) (on 1951-07-29) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) recorded at: Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (on 1951-07-29) live recording of: Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (on 1951-07-29) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		12:05
4	Symphony no. 9 in D minor ‘Choral’ op. 125: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo producer: Walter Legge (British classical producer) orchestra: Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (on 1951-07-29) conductor: Wilhelm Furtwängler (conductor) (on 1951-07-29) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) recorded at: Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (on 1951-07-29) live recording of: Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (on 1951-07-29) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		19:41
5	Symphony no. 9 in D minor ‘Choral’ op. 125: IV. Presto - Allegro assai - Presto - Recitativo - Allegro assai - Allegro assai vivace (alla marcia) - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico e sempre ben marcato - Allegro ma non tanto - Presto - Maestoso - Prestissimo bass vocals: Otto Edelmann (austrian bass-baritone) (on 1951-07-29) choir vocals: Chor der Bayreuther Festspiele (Bayreuth Festival Chorus) (on 1951-07-29) contralto vocals: Elisabeth Höngen (mezzosoprano / contralto) (on 1951-07-29) soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1951-07-29) tenor vocals: Hans Hopf (Germanic tenor) (on 1951-07-29) orchestra: Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (on 1951-07-29) conductor: Wilhelm Furtwängler (conductor) (on 1951-07-29) recorded at: Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (on 1951-07-29) compilation of: Symphony no. 9 in D minor, op. 125 "Choral": IV. Allegro assai by Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Wilhelm Furtwängler (conductor), Symphony no. 9 in D minor, op. 125 "Choral": IV. Allegro assai vivace by Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Wilhelm Furtwängler (conductor), Symphony no. 9 in D minor, op. 125 "Choral": IV. Allegro energico, sempre ben marcato by Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Wilhelm Furtwängler (conductor), Symphony no. 9 in D minor, op. 125 "Choral": IV. Allegro ma non tanto by Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Wilhelm Furtwängler (conductor), Symphony no. 9 in D minor, op. 125 "Choral": IV. Andante maestoso by Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Wilhelm Furtwängler (conductor), Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto by Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Wilhelm Furtwängler (conductor), Symphony no. 9 in D minor, op. 125 "Choral": IV. Poco allegro stringendo il tempo, sempre più allegro by Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Wilhelm Furtwängler (conductor) and Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto by Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Wilhelm Furtwängler (conductor) live recording of: Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (on 1951-07-29) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) librettist: Friedrich Schiller (German poet and playwright) quotes lyrics from: An die Freude part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		25:14

6▼CD
#	Title	Artist	Rating	Length
1	Piano Concerto no. 5 in E-flat ‘Emperor’ op. 73: I. Allegro producer: Walter Legge (British classical producer) piano: Edwin Fischer (pianist) (from 1951-02-19 until 1951-02-20) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1951-02-19 until 1951-02-20) conductor: Wilhelm Furtwängler (conductor) (from 1951-02-19 until 1951-02-20) balance engineer: Douglas Larter phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1951) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-02-19 until 1951-02-20) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (from 1951-02-19 until 1951-02-20) composer: Ludwig van Beethoven (German composer) (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven		20:50
2	Piano Concerto no. 5 in E-flat ‘Emperor’ op. 73: II. Adagio un poco mosso producer: Walter Legge (British classical producer) piano: Edwin Fischer (pianist) (from 1951-02-19 until 1951-02-20) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1951-02-19 until 1951-02-20) conductor: Wilhelm Furtwängler (conductor) (from 1951-02-19 until 1951-02-20) balance engineer: Douglas Larter phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1951) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-02-19 until 1951-02-20) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (from 1951-02-19 until 1951-02-20) composer: Ludwig van Beethoven (German composer) (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven		7:51
3	Piano Concerto no. 5 in E-flat ‘Emperor’ op. 73: III. Rondo: Allegro producer: Walter Legge (British classical producer) piano: Edwin Fischer (pianist) (from 1951-02-19 until 1951-02-20) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1951-02-19 until 1951-02-20) conductor: Wilhelm Furtwängler (conductor) (from 1951-02-19 until 1951-02-20) balance engineer: Douglas Larter phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1951) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-02-19 until 1951-02-20) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (from 1951-02-19 until 1951-02-20) composer: Ludwig van Beethoven (German composer) (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven		10:31
4	Violin Concerto no. 2: I. Allegro non troppo producer: David Bicknell (producer and engineer) and Lawrance Collingwood violin: Yehudi Menuhin (violinist) (from 1953-09-12 until 1953-09-13) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-09-12 until 1953-09-13) conductor: Wilhelm Furtwängler (conductor) (from 1953-09-12 until 1953-09-13) balance engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1953-09-12 until 1953-09-13) recording of: Violin Concerto no. 2 in B minor, Sz. 112, BB 117: I. Allegro non troppo (from 1953-09-12 until 1953-09-13) composer: Bartók Béla (Béla Bartók, composer) (from 1937 until 1938) part of: Violin Concerto no. 2 in B minor, Sz. 112, BB 117	Béla Bartók		16:03
5	Violin Concerto no. 2: II. Andante tranquillo producer: David Bicknell (producer and engineer) and Lawrance Collingwood violin: Yehudi Menuhin (violinist) (from 1953-09-12 until 1953-09-13) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-09-12 until 1953-09-13) conductor: Wilhelm Furtwängler (conductor) (from 1953-09-12 until 1953-09-13) balance engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1953-09-12 until 1953-09-13) recording of: Violin Concerto no. 2 in B minor, Sz. 112, BB 117: II. Andante tranquillo (from 1953-09-12 until 1953-09-13) composer: Bartók Béla (Béla Bartók, composer) (from 1937 until 1938) part of: Violin Concerto no. 2 in B minor, Sz. 112, BB 117	Béla Bartók		10:07
6	Violin Concerto no. 2: III. Allegro molto producer: David Bicknell (producer and engineer) and Lawrance Collingwood violin: Yehudi Menuhin (violinist) (from 1953-09-12 until 1953-09-13) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-09-12 until 1953-09-13) conductor: Wilhelm Furtwängler (conductor) (from 1953-09-12 until 1953-09-13) balance engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1953-09-12 until 1953-09-13) recording of: Violin Concerto no. 2 in B minor, Sz. 112, BB 117: III. Allegro molto (from 1953-09-12 until 1953-09-13) composer: Bartók Béla (Béla Bartók, composer) (from 1937 until 1938) part of: Violin Concerto no. 2 in B minor, Sz. 112, BB 117	Béla Bartók		11:39

7▼CD
#	Title	Artist	Rating	Length
1	Violin Concerto in D major, op. 61: I. Allegro ma non troppo producer: Walter Legge (British classical producer) solo violin: Yehudi Menuhin (violinist) violin: Yehudi Menuhin (violinist) (from 1947-08-28 until 1947-08-29) orchestra: Orchestre du Festival de Lucerne (Lucerne Festival Orchestra, dissolved 1993) (from 1947-08-28 until 1947-08-29) conductor: Wilhelm Furtwängler (conductor) (from 1947-08-28 until 1947-08-29) balance engineer: Douglas Larter recorded at: Kunsthaus in Lucerne, Luzern (Canton of Lucerne), Switzerland (from 1947-08-28 until 1947-08-29) recording of: Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (from 1947-08-28 until 1947-08-29) composer: Ludwig van Beethoven (German composer) (in 1806) part of: Concerto for Violin and Orchestra in D major, op. 61 recording of: Cadenza to Beethoven: Violin Concerto op. 61: 1st Movement (Kreisler) composer: Fritz Kreisler (Austrian‐American violinist and composer) is based on: Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo	Ludwig van Beethoven		24:03
2	Violin Concerto in D major, op. 61: II. Larghetto producer: Walter Legge (British classical producer) violin: Yehudi Menuhin (violinist) (from 1947-08-28 until 1947-08-29) orchestra: Orchestre du Festival de Lucerne (Lucerne Festival Orchestra, dissolved 1993) (from 1947-08-28 until 1947-08-29) conductor: Wilhelm Furtwängler (conductor) (from 1947-08-28 until 1947-08-29) balance engineer: Douglas Larter recorded at: Kunsthaus in Lucerne, Luzern (Canton of Lucerne), Switzerland (from 1947-08-28 until 1947-08-29) edit of: Concerto en ré majeur, op. 35: 2e Mouvement : Larghetto / 3e Mouvement : Rondo (Allegro) (Cadence De Kreisler) by Yehudi Menuhin (violinist), Orchestre du Festival de Lucerne (Lucerne Festival Orchestra, dissolved 1993), Wilhelm Furtwängler (conductor) recording of: Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (from 1947-08-28 until 1947-08-29) composer: Ludwig van Beethoven (German composer) (in 1806) part of: Concerto for Violin and Orchestra in D major, op. 61	Ludwig van Beethoven		10:52
3	Violin Concerto in D major, op. 61: III. Rondo: Allegro producer: Walter Legge (British classical producer) violin: Yehudi Menuhin (violinist) (from 1947-08-28 until 1947-08-29) orchestra: Orchestre du Festival de Lucerne (Lucerne Festival Orchestra, dissolved 1993) (from 1947-08-28 until 1947-08-29) conductor: Wilhelm Furtwängler (conductor) (from 1947-08-28 until 1947-08-29) balance engineer: Douglas Larter recorded at: Kunsthaus in Lucerne, Luzern (Canton of Lucerne), Switzerland (from 1947-08-28 until 1947-08-29) edit of: Concerto en ré majeur, op. 35: 2e Mouvement : Larghetto / 3e Mouvement : Rondo (Allegro) (Cadence De Kreisler) by Yehudi Menuhin (violinist), Orchestre du Festival de Lucerne (Lucerne Festival Orchestra, dissolved 1993), Wilhelm Furtwängler (conductor) recording of: Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (from 1947-08-28 until 1947-08-29) composer: Ludwig van Beethoven (German composer) (in 1806) part of: Concerto for Violin and Orchestra in D major, op. 61	Ludwig van Beethoven		10:14
4	Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - Cadenza - Tempo I - Presto producer: Lawrance Collingwood violin: Yehudi Menuhin (violinist) (from 1952-05-25 until 1952-05-26) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1952-05-25 until 1952-05-26) conductor: Wilhelm Furtwängler (conductor) (from 1952-05-25 until 1952-05-26) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-05-25 until 1952-05-26) recording of: Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato) (from 1952-05-25 until 1952-05-26) composer: Felix Mendelssohn (composer) (from 1838 until 1844-09-16) revised by: Felix Mendelssohn (composer) (in 1845) part of: Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)	Felix Mendelssohn		12:29
5	Violin Concerto in E minor, op. 64: II. Andante - Allegretto non troppo producer: Lawrance Collingwood violin: Yehudi Menuhin (violinist) (from 1952-05-25 until 1952-05-26) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1952-05-25 until 1952-05-26) conductor: Wilhelm Furtwängler (conductor) (from 1952-05-25 until 1952-05-26) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-05-25 until 1952-05-26) recording of: Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante) (from 1952-05-25 until 1952-05-26) composer: Felix Mendelssohn (composer) (from 1838 until 1844-09-16) revised by: Felix Mendelssohn (composer) (in 1845) part of: Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)	Felix Mendelssohn		7:55
6	Violin Concerto in E minor, op. 64: III. Allegretto ma non troppo - Allegro molto vivace producer: Lawrance Collingwood violin: Yehudi Menuhin (violinist) (from 1952-05-25 until 1952-05-26) orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1952-05-25 until 1952-05-26) conductor: Wilhelm Furtwängler (conductor) (from 1952-05-25 until 1952-05-26) balance engineer: Robert Beckett (classical recording engineer, EMI mainly) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-05-25 until 1952-05-26) recording of: Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace) (from 1952-05-25 until 1952-05-26) composer: Felix Mendelssohn (composer) (from 1838 until 1844-09-16) revised by: Felix Mendelssohn (composer) (in 1845) part of: Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)	Felix Mendelssohn		6:46

8▼CD
#	Title	Artist	Rating	Length
1	Fidelio op. 72: Overture producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) part of: Fidelio, op. 72 (1814 version) revision of: Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)	Ludwig van Beethoven		6:36
2	Fidelio op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" producer: Lawrance Collingwood soprano vocals [Marzelline]: Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19) tenor vocals [Jaquino]: Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		5:10
3	Fidelio op. 72: Act I, no. 2. Aria "O, wär' ich schon mit dir vererint" producer: Lawrance Collingwood soprano vocals [Marzelline]: Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly and Joseph Sonnleithner translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		4:40
4	Fidelio op. 72: Act I, no. 3. Quartet "Mir ist so wunderbar" producer: Lawrance Collingwood bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) soprano vocals [Marzelline]: Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19) tenor vocals [Jaquino]: Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1805) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly revised by: Ludwig van Beethoven (German composer) (in 1814) translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		4:44
5	Fidelio op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben" producer: Lawrance Collingwood bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		2:57
6	Fidelio op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut, hab immer Mut" producer: Lawrance Collingwood bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) soprano vocals [Marzelline]: Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		7:21
7	Fidelio op. 72: Act I, no. 6. March producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		2:15
8	Fidelio op. 72: Act I, no. 7. Aria with Chorus "Ha! Welch ein Augenblick!" producer: Lawrance Collingwood baritone vocals [Pizarro]: Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19) choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		3:22
9	Fidelio op. 72: Act I, no. 8. Duet "Jetzt, Alter, jetzt hat es Eile!" producer: Lawrance Collingwood baritone vocals [Pizarro]: Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19) bass vocals: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		4:58
10	Fidelio op. 72: Act I, no. 9. Recitative "Abscheulicher! Wo eilst du hin?" - Aria "Komm, Hoffnung, laß den letzten Stern" producer: Lawrance Collingwood soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		7:57
11	Fidelio op. 72: Act I, no. 10. Finale "O, welche Lust!" - producer: Lawrance Collingwood baritone vocals and bass vocals [Second Prisoner]: Franz Bierbach (operatic bass) (from 1953-10-13 until 1953-10-19) choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19) tenor vocals: Alwin Hendricks (from 1953-10-13 until 1953-10-19) and Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19) tenor vocals [First Prisoner]: Alwin Hendricks (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1805, in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		7:25
12	Fidelio op. 72: Act I, no. 10. Finale "Nun sprecht, wie ging's?" - producer: Lawrance Collingwood bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		6:00
13	Fidelio op. 72: Act I, no. 10. Finale "Ach! Varter, eilt!" producer: Lawrance Collingwood baritone vocals [Pizarro]: Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19) bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19) soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) soprano vocals [Marzelline]: Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19) tenor vocals [Jaquino]: Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		7:29

9▼CD
#	Title	Artist	Rating	Length
1	Fidelio op. 72, Act II, Scene I, no. 11 Introduction - producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene I, no. 11a. Introduction (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814)	Ludwig van Beethoven		4:07
2	Fidelio op. 72, Act II, Scene I, no. 11 Aria "Gott! Welch' Dunkel hier!" producer: Lawrance Collingwood tenor vocals [Florestan]: Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene I, no. 11a. Recitative "Gott! Welch Dunkel hier!" (Florestan) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814)	Ludwig van Beethoven		7:31
3	Fidelio op. 72, Act II, Scene I, no. 12 Melodrama "Wie kalt ist hier!" - producer: Lawrance Collingwood bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt II	Ludwig van Beethoven		2:15
4	Fidelio op. 72, Act II, Scene I, no. 12 Duet "Nur hurtig fort, nur frisch gegraben" producer: Lawrance Collingwood bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) soprano vocals: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Stephan von Breuning and Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner and Georg Friedrich Treitschke part of: Fidelio, op. 72: Akt II	Ludwig van Beethoven		4:37
5	Fidelio op. 72, Act II, Scene I, no. 13 Trio "Euch werde Lohn in besser'n Welten" producer: Lawrance Collingwood bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) tenor vocals [Florestan]: Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt II	Ludwig van Beethoven		6:40
6	Fidelio op. 72, Act II, Scene I, no. 14 Quartet "Er sterbe!" - bass vocals: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-17) choir vocals: Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-17) soprano vocals: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-17) tenor vocals: Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-17) vocals: Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-17) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-17) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-17) recording of: Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 1953-10-13 until 1953-10-17) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt II	Ludwig van Beethoven		3:50
7	Fidelio op. 72, Act II, Scene I, no. 14 Recitative "Vater Rocco!" producer: Lawrance Collingwood baritone vocals [Pizarro]: Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19) bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) tenor vocals [Florestan]: Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19) tenor vocals [Jaquino]: Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) part of: Fidelio, op. 72: Akt II	Ludwig van Beethoven		1:32
8	Fidelio op. 72, Act II, Scene I, no. 15 Duet "O namenlose Freude!" producer: Lawrance Collingwood soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) tenor vocals [Florestan]: Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt II	Ludwig van Beethoven		2:49
9	Leonore Overture no. 3 in C op. 72a producer: Lawrance Collingwood orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Stephan von Breuning and Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner and Georg Friedrich Treitschke part of: Fidelio, op. 72: Akt II recording of: Overture “Leonore” no. 3 in C major, op. 72b (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (from 1805 until 1806) part of: Works of Ludwig van Beethoven by opus number (number: op. 72b) revision of: Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)	Ludwig van Beethoven		15:19
10	Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Heil sei dem Tag" - producer: Lawrance Collingwood choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)	Ludwig van Beethoven		2:00
11	Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Des besten Königs Wink und Wille" - producer: Lawrance Collingwood baritone vocals [Pizarro]: Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19) bass vocals [Don Fernando]: Alfred Poell (baritone) (from 1953-10-13 until 1953-10-19) bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19) soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) soprano vocals [Marzelline]: Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)	Ludwig van Beethoven		3:53
12	Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Du schlossest auf des Edien Grab" - producer: Lawrance Collingwood bass vocals [Don Fernando]: Alfred Poell (baritone) (from 1953-10-13 until 1953-10-19) bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19) soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) soprano vocals [Marzelline]: Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19) tenor vocals [Florestan]: Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) part of: Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)	Ludwig van Beethoven		3:53
13	Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Wer ein holdes Weib errungen" producer: Lawrance Collingwood bass vocals [Don Fernando]: Alfred Poell (baritone) (from 1953-10-13 until 1953-10-19) bass vocals [Rocco]: Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19) choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19) soprano vocals [Leonore]: Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19) soprano vocals [Marzelline]: Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19) tenor vocals [Florestan]: Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19) conductor: Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19) recording of: Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 1953-10-13 until 1953-10-19) composer: Ludwig van Beethoven (German composer) (in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)	Ludwig van Beethoven		4:00

10▼CD
#	Title	Artist	Rating	Length
1	Hungarian Dances: No. 1 in G minor: Allegro molto producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-04-04) conductor: Wilhelm Furtwängler (conductor) (on 1949-04-04) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-04-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration) (on 1949-04-04) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto part of: Hungarian Dances for orchestra, WoO 1, Book 1	Johannes Brahms		3:09
2	Hungarian Dances: No. 3 in F major: Allegretto producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-04-04) conductor: Wilhelm Furtwängler (conductor) (on 1949-04-04) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-04-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 1, no. 3 in F major: Allegretto (Brahms orchestration) (on 1949-04-04) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto part of: Hungarian Dances for orchestra, WoO 1, Book 1	Johannes Brahms		2:32
3	Hungarian Dances: No. 10 in F major: Presto producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-04-04) conductor: Wilhelm Furtwängler (conductor) (on 1949-04-04) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-04-04) recording of: Hungarian Dances for orchestra, WoO 1, Book 2, no. 10 in F major: Presto (Brahms orchestration) (on 1949-04-04) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 2, no. 10 in E major: Presto part of: Hungarian Dances for orchestra, WoO 1, Book 2	Johannes Brahms		1:53
4	Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Thema. Chorale St. Antoni (Andante) producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-03-30, on 1949-04-02) conductor: Wilhelm Furtwängler (conductor) (on 1949-03-30, on 1949-04-02) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-03-30, on 1949-04-02) recording of: Variations on a Theme by Joseph Haydn, op. 56a: Thema. Chorale St. Antoni. Andante (from 1949-03-30 until 1949-04-02) composer: Johannes Brahms (German composer) (in 1873) is based on: Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni orchestration of: Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante part of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)	Johannes Brahms		2:07
5	Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation I (Poco più animato) producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-03-30, on 1949-04-02) conductor: Wilhelm Furtwängler (conductor) (on 1949-03-30, on 1949-04-02) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-03-30, on 1949-04-02) recording of: Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato (from 1949-03-30 until 1949-04-02) composer: Johannes Brahms (German composer) (in 1873) part of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)	Johannes Brahms		1:17
6	Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation II (Più vivace) producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-03-30, on 1949-04-02) conductor: Wilhelm Furtwängler (conductor) (on 1949-03-30, on 1949-04-02) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-03-30, on 1949-04-02) recording of: Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace (from 1949-03-30 until 1949-04-02) composer: Johannes Brahms (German composer) (in 1873) part of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)	Johannes Brahms		1:01
7	Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation III (Con moto) producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-03-30, on 1949-04-02) conductor: Wilhelm Furtwängler (conductor) (on 1949-03-30, on 1949-04-02) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-03-30, on 1949-04-02) recording of: Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto (from 1949-03-30 until 1949-04-02) composer: Johannes Brahms (German composer) (in 1873) part of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)	Johannes Brahms		2:06
8	Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation IV (Andante con moto) producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-03-30, on 1949-04-02) conductor: Wilhelm Furtwängler (conductor) (on 1949-03-30, on 1949-04-02) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-03-30, on 1949-04-02) recording of: Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto (from 1949-03-30 until 1949-04-02) composer: Johannes Brahms (German composer) (in 1873) part of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)	Johannes Brahms		2:44
9	Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation V (Vivace) producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-03-30, on 1949-04-02) conductor: Wilhelm Furtwängler (conductor) (on 1949-03-30, on 1949-04-02) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-03-30, on 1949-04-02) recording of: Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace (from 1949-03-30 until 1949-04-02) composer: Johannes Brahms (German composer) (in 1873) part of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)	Johannes Brahms		0:54
10	Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VI (Vivace) producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-03-30, on 1949-04-02) conductor: Wilhelm Furtwängler (conductor) (on 1949-03-30, on 1949-04-02) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-03-30, on 1949-04-02) recording of: Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace (from 1949-03-30 until 1949-04-02) composer: Johannes Brahms (German composer) (in 1873) part of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)	Johannes Brahms		1:22
11	Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VII (Grazioso) producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-03-30, on 1949-04-02) conductor: Wilhelm Furtwängler (conductor) (on 1949-03-30, on 1949-04-02) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-03-30, on 1949-04-02) recording of: Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso (from 1949-03-30 until 1949-04-02) composer: Johannes Brahms (German composer) (in 1873) part of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)	Johannes Brahms		3:18
12	Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VIII (Presto non troppo) producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-03-30, on 1949-04-02) conductor: Wilhelm Furtwängler (conductor) (on 1949-03-30, on 1949-04-02) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-03-30, on 1949-04-02) recording of: Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII. Presto non troppo (from 1949-03-30 until 1949-04-02) composer: Johannes Brahms (German composer) (in 1873) part of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)	Johannes Brahms		0:58
13	Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Finale (Andante) producer: Walter Legge (British classical producer) orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1949-03-30, on 1949-04-02) conductor: Wilhelm Furtwängler (conductor) (on 1949-03-30, on 1949-04-02) balance engineer: Douglas Larter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-03-30, on 1949-04-02) recording of: Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante (from 1949-03-30 until 1949-04-02) composer: Johannes Brahms (German composer) (in 1873) orchestration of: Variations on a Theme by Joseph Haydn, op. 56b: Finale. Andante part of: Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)	Johannes Brahms		3:55
14	Symphony no. 1 in C minor op. 68: I. Un poco sostenuto - Allegro orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1952-01-27) conductor: Wilhelm Furtwängler (conductor) (on 1952-01-27) live recording of: Sinfonie Nr. 1 c-Moll, op. 68: I. Un poco sostenuto – Allegro (on 1952-01-27) composer: Johannes Brahms (German composer) (from 1855 until 1876) part of: Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)	Johannes Brahms		14:28
15	Symphony no. 1 in C minor op. 68: II. Andante sostenuto orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1952-01-27) conductor: Wilhelm Furtwängler (conductor) (on 1952-01-27) live recording of: Sinfonie Nr. 1 c-Moll, op. 68: II. Andante sostenuto (on 1952-01-27) composer: Johannes Brahms (German composer) (from 1855 until 1876) part of: Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)	Johannes Brahms		10:22
16	Symphony no. 1 in C minor op. 68: III. Un poco allegretto e grazioso orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1952-01-27) conductor: Wilhelm Furtwängler (conductor) (on 1952-01-27) live recording of: Sinfonie Nr. 1 c-Moll, op. 68: III. Un poco allegretto e grazioso (on 1952-01-27) composer: Johannes Brahms (German composer) (from 1855 until 1876) part of: Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)	Johannes Brahms		5:08
17	Symphony no. 1 in C minor op. 68: IV. Adagio - Più Andante - Allegro non troppo ma con brio orchestra: Wiener Philharmoniker (Vienna Philharmonic) (on 1952-01-27) conductor: Wilhelm Furtwängler (conductor) (on 1952-01-27) live recording of: Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio (on 1952-01-27) composer: Johannes Brahms (German composer) (from 1855 until 1876) part of: Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)	Johannes Brahms		16:52

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20▶CD

21▶CD: Remembering Furtwängler - A Documentary

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ASIN:	US: B004CHURXW [info]

The Great EMI Recordings

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