The Heavy Metal Box

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Housed in a faux Marshall amp head that goes up to 11 (a cheeky nod to Spinal Tap), this four-disc Rhino box set presents a wildly eclectic look at heavy metal in its various permutations, ranging from glammed-up hard rock to fierce, pummeling thrash. Beginning with late-1960s proto-metal act Iron Butterfly (the organ-tinged "In-A-Gadda-Da-Vida") and closing with a '90s track by the revered Brazilian ensemble Sepultura (the rumbling "Dead Embryonic Cells"), the collection covers a lot of ground, making time for the opera-like drama of power metal (see Iron Maiden's "The Number of the Beast" and Helloween's "A Little Time") and the lusty rock of the leather-loving variety ( Spinal Tap's gleefully lewd "Big Bottom" and Poison's "Talk Dirty to Me"). While some may balk at having Great White and Slayer on the same disc, the strength of the compilation is in its diversity, which proves that metal is far from an easily definable genre.

Annotation last modified on 2015-01-08 15:51 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1In-A-Gadda-Da-Vida
phonographic copyright (℗) by:
ATCO Records (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
lyricist and composer:
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:54
2Summertime Blues
recorded in:
Hollywood, Los Angeles, California, United States (in 1967)
producer:
Abe Kesh
bass and lead vocals:
Dickie Peterson (in 1967)
drums (drum set):
Paul Whaley (in 1967)
guitar:
Leigh Stephens (in 1967)
phonographic copyright (℗) by:
Mercury Inc. (copyrights use only) (in 1968)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 63)
cover recording of:
Summertime Blues (in 1967)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Cheer4.53:46
3Easy Livin’
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Rafe McKenna
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre (London) in Westminster, London (Greater London), England, United Kingdom (on 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Livin’ (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled "Sydney") and Umble Tunes Ltd.
Uriah Heep4.252:37
4Highway Star
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
assistant engineer:
Jeremy Gee
engineer and mixer:
Martin Birch
producer:
Deep Purple
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
Highway Star (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple4.356:08
5Billion Dollar Babies
producer:
Bob Ezrin
additional guest guitar:
Steve "The Deacon" Hunter (rock guitarist) (from 1972-08 until 1973-01)
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper) (from 1972-08 until 1973-01)
drums (drum set):
Neal Smith (former Alice Cooper drummer) (from 1972-08 until 1973-01)
guitar:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01) and Glen Buxton (American guitarist) (from 1972-08 until 1973-01)
keyboard:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01)
additional guest lead vocals:
Donovan (Scottish singer, songwriter and guitarist) (from 1972-08 until 1973-01)
background vocals:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (from 1972-08 until 1973-01) and Neal Smith (former Alice Cooper drummer) (from 1972-08 until 1973-01)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1972-08 until 1973-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recording of:
Billion Dollar Babies (from 1972-08 until 1973-01)
writer:
Michael Bruce (of Alice Cooper), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and Reggie Vincent
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Ezra Music (, in 1973), Ezra Music Corp., Ezra Music, Inc., Famous Chappell, Primary Wave Music Publishing, Rockin' Reggie Music, Sony/ATV Songs LLC, Universal Music Publishing Group, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper43:39
6Lost Johnny
miscellaneous support:
Herb Fenstein (producer) (task: coordinator [coordination] / hall of the mountan grill), Andy Morris (engineer, Olympic studios) (task: engineer [assistant engineer] / hall of the mountan grill), Oggy (coordinator) (task: coordinator [coordination] / hall of the mountan grill) and Doug Smith (Douglas Smith; manager, coordinator & executive producer, notably for Hawkwind and Motörhead) (task: coordinator [coordination] / hall of the mountan grill)
producer:
Doug Bennett (producer, engineer) and Hawkwind
12 string guitar and guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (from 1974-05 until 1974-06)
bass guitar and guitar:
Lemmy (“Lemmy” from Motörhead) (from 1974-05 until 1974-06)
drums (drum set) and percussion:
Simon King (drummer) (from 1974-05 until 1974-06)
electric bass guitar:
Lemmy Kilmister (“Lemmy” from Motörhead) (from 1974-05 until 1974-06)
flute, oboe and saxophone:
Nik Turner (from 1974-05 until 1974-06)
keyboard:
Del Dettmar (from 1974-05 until 1974-06)
mellotron:
Simon House (from 1974-05 until 1974-06)
synthesizer:
Del Dettmar (from 1974-05 until 1974-06) and Simon House (from 1974-05 until 1974-06)
vocals:
Lemmy (“Lemmy” from Motörhead) (from 1974-05 until 1974-06)
recorded at and engineered at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1974-05 until 1974-06)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1974)
recording of:
Lost Johnnie (from 1974-05 until 1974-06)
writer:
Mick Farren (UK punk rock musician/journalist) and Lemmy Kilmister (“Lemmy” from Motörhead)
Hawkwind3:29
7Bad Motor Scooter
engineer:
Donn Landee and Steve Jarvis (American engineer and producer)
producer:
Montrose (70s US hard rock band) and Ted Templeman
bass guitar:
Bill Church (Bassist)
drums (drum set):
Denny Carmassi
guitar:
Ronnie Montrose
lead vocals:
Sammy Hagar
recording of:
Bad Motor Scooter
lyricist and composer:
Sammy Hagar
Montrose33:43
8Working Man
producer:
Rush (Canadian rock trio)
bass guitar and lead vocals:
Geddy Lee (from 1973-11 until 1973-11-15)
drums (drum set):
John Rutsey (from 1973-11 until 1973-11-15)
guitar:
Alex Lifeson (from 1973-11 until 1973-11-15)
vocals:
Alex Lifeson (from 1973-11 until 1973-11-15) and John Rutsey (from 1973-11 until 1973-11-15)
remixer:
Terry Brown (producer)
arranger:
Rush (Canadian rock trio)
phonographic copyright (℗) by:
Phonogram, Inc.
recorded at:
Eastern Sound in Toronto, Ontario, Canada (in 1973-04) and Toronto Sound Studios in Toronto, Ontario, Canada (from 1973-11 until 1973-11-15)
remixed at:
Toronto Sound Studios in Toronto, Ontario, Canada
recording of:
Working Man (from 1973-11 until 1973-11-15)
lyricist and composer:
Geddy Lee and Alex Lifeson
Rush4.37:12
9Man on the Silver Mountain
producer:
Martin Birch, Ritchie Blackmore and Ronnie James Dio
mixer:
Martin Birch
bass:
Craig Gruber (from 1975-02-20 until 1975-03-14)
clavinet, electronic organ, mellotron and piano:
Mickey Lee Soule (from 1975-02-20 until 1975-03-14)
drums (drum set):
Gary Driscoll (from 1975-02-20 until 1975-03-14)
guitar:
Ritchie Blackmore (from 1975-02-20 until 1975-03-14)
lead vocals:
Ronnie James Dio (from 1975-02-20 until 1975-03-14)
phonographic copyright (℗) by:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1975)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1975-02-20 until 1975-03-14)
recording of:
Man on the Silver Mountain (from 1975-02-20 until 1975-03-14)
lyricist:
Ronnie James Dio
composer:
Ritchie Blackmore and Ronnie James Dio
publisher:
Downtown Music UK Ltd. and Owl Music
Rainbow4.14:38
10Detroit Rock City
phonographic copyright (℗) by:
Phonogram International (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recording of:
Detroit Rock City
writer:
Bob Ezrin and Paul Stanley (KISS frontman)
publisher:
Café Americana Inc. (ended), KISS Songs Inc. (ended), All by Myself Publishing Company, Hori Productions America Inc. and Intersong U.S.A. (publisher)
sub-publisher:
大洋音楽 (Taiyō Music)
is based on:
You’re Much Too Young
KISS53:57
11The Ripper
engineer:
Jeffrey Calvert, Dave Charles (British drummer as well as producer & engineer) and Chris Tsangarides
producer:
Jeffrey Calvert, Judas Priest and Max West
drums (drum set):
Alan Moore (Judas Priest drummer) (from 1975-11 until 1975-12)
electric bass guitar:
Ian Hill (UK bassist for Judas Priest) (from 1975-11 until 1975-12)
electric guitar:
K.K. Downing (from 1975-11 until 1975-12) and Glenn Tipton (from 1975-11 until 1975-12)
lead vocals:
Rob Halford (from 1975-11 until 1975-12)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 1975-11 until 1975-12)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Ripper (from 1975-11 until 1975-12)
lyricist and composer:
Glenn Tipton
publisher:
EMI Songs Ltd.
Judas Priest2:47
12Cat Scratch Fever
engineer:
Tim Geelan and Wayne Tarnowski
producer:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman and Tom Werman
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (number: 12) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 32)
recording of:
Cat Scratch Fever
lyricist and composer:
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music and Round Hill Works
Ted Nugent3.453:39
13Lights Out
recording of:
Lights Out
writer:
Phil Mogg, Andrew Maynard Parker (British rock drummer), Michael Schenker and Pete Way
UFO44:30
14Godzilla
additional engineer:
Thom Panunzio and Corky Stasiak
assistant engineer:
Sam Ginsberg, Jay Krugman, Rod O’Brien, Gray Russell and David Thoener
engineer:
John Jansen (US recording engineer and producer) and Shelly Yakus
producer:
Blue Öyster Cult (US rock band), Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Shelly Yakus
bass guitar:
Joe Bouchard (in 1977-07)
drums (drum set) and harmonica:
Albert Bouchard (in 1977-07)
guitar:
Eric Bloom (Blue Öyster Cult) (in 1977-07), Joe Bouchard (in 1977-07), Buck Dharma (in 1977-07) and Allen Lanier (in 1977-07)
keyboard:
Allen Lanier (in 1977-07)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1977-07) and Buck Dharma (in 1977-07)
vocals:
Albert Bouchard (from 1977-06 until 1977-07) and Joe Bouchard (in 1977-07)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1977-07)
recording of:
Godzilla (in 1977-07)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing Group
Blue Öyster Cult3.93:42
15Demolition Boys
producer:
Vic Maile
recording of:
Demolition Boys
writer:
Kelly Johnson and Kim McAuliffe
publisher:
EMI Intertrax Music Inc. (BMI-affiliated)
Girlschool3:39
16White Witch
keyboard programming:
Sev Lewkowicz (keyboard player)
assistant engineer:
Jools Cooper (engineer) and Nick Rogers (engineer/mixing)
engineer:
Mark Dearnley, John Gallen (UK music producer, recording & mix engineer.) and Ashley Howe
producer:
Martin Smith (UK musician, producer and engineer, b. 1945)
bass guitar, keyboard and background vocals:
Kevin Riddles
drums (drum set) and percussion:
Dave Hogg
guitar and lead vocals:
Kevin Heybourne
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom
recording of:
White Witch
lyricist and composer:
Kevin Heybourne
publisher:
Hit Songs Ltd.
sub-publisher:
EMI Music Publishing France
Angel Witch34:49
17The Phantom of the Opera
engineer:
Martin Levan
producer:
Wil Malone
drums (drum set):
Clive Burr (in 1979-12)
electric bass guitar:
Steve Harris (Iron Maiden bassist) (in 1979-12)
electric guitar:
Dave Murray (Iron Maiden guitarist) (in 1979-12) and Dennis Stratton (in 1979-12)
background vocals:
Steve Harris (Iron Maiden bassist) (in 1979-12) and Dennis Stratton (in 1979-12)
lead vocals:
Paul Di’Anno (in 1979-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-12)
recording of:
Phantom of the Opera (in 1979-12)
lyricist and composer:
Steve Harris (Iron Maiden bassist)
Iron Maiden7:07
18Neon KnightsBlack Sabbath4.853:51
2CD
#TitleArtistRatingLength
1Ace of Spades
producer:
Vic Maile (from 1980-08-04 until 1980-09-15)
bass:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (from 1980-08-04 until 1980-09-15)
drums (drum set):
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (from 1980-08-04 until 1980-09-15)
guitar:
'Fast' Eddie Clarke (Motörhead guitarist) (from 1980-08-04 until 1980-09-15)
vocals:
'Fast' Eddie Clarke (Motörhead guitarist) (from 1980-08-04 until 1980-09-15) and Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (from 1980-08-04 until 1980-09-15)
performer:
Motörhead (from 1980-08-04 until 1980-09-15)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980) and Universal Music (plain logo: “Universal Music”) (in 1980)
music videos:
Ace of Spades by Motörhead
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 33), TV Cream: Real 100 Best Singles Ever (number: 41) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 442)
recording of:
Ace of Spades (from 1980-08-04 until 1980-09-15)
writer:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) and Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:48
2Am I EvilDiamond Head4.257:42
3Nice Boys
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
recording of:
Nice Boys
writer:
Angry Anderson, Mick Cocks, Geordie Leach, Dallas Royall (Digger) and Peter Wells (Rose Tattoo guitarist)
publisher:
J. Albert & Son Pty Limited
Rose Tattoo52:52
4Attack of the Mad Axeman
recording of:
Atack of the Mad Axeman
lyricist and composer:
Gary John Barden and Michael Schenker
Michael Schenker Group4:19
5Denim and Leather
engineer:
Andy Lydon
producer:
Nigel Thomas (Producer - graphics designer)
drums (drum set) [drums]:
Pete Gill
electric bass guitar [bass]:
Steve Dawson (UK bassist for Saxon)
electric guitar [guitars]:
Graham Oliver (blues rock, hard rock, UK) and Paul Quinn (Saxon guitarist)
lead vocals:
Biff Byford
phonographic copyright (℗) by:
Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2009)
recorded at:
Studio Aquarius in Genève (Geneva), Genève (Canton of Geneva), Switzerland
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Denim and Leather
writer:
Biff Byford, Steve Dawson (UK bassist for Saxon), Pete Gill, Graham Oliver (blues rock, hard rock, UK) and Paul Quinn (Saxon guitarist)
publisher:
Axis Music Ltd. and Carlin Music Corporation
Saxon3.655:27
6Blitzkrieg
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2003)
recording of:
Blitzkrieg
writer:
Brian Smith (UK metal vocalist for Blitzkrieg), Ian Jones (UK metal guitarist for Blitzkrieg) and Jim Sirotto
publisher:
Men From The North Ltd, Neat Music and Neat Music Publishing
Blitzkrieg3:22
7Gangland
assistant engineer and assistant producer:
Andrew Warwick (producer/engineer)
engineer and producer:
Chris Tsangarides
bass guitar:
Richard Laws
drums (drum set) [stix, kix and a bag of trix]:
Brian Dick
guitar:
John Sykes and Robb Weir (Robert Mortimer Weir; Guitarist)
background vocals:
Richard Laws, John Sykes and Robb Weir (Robert Mortimer Weir; Guitarist)
lead vocals:
Jon Deverill (singer)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Gangland
lyricist and composer:
Tygers of Pan Tang
Tygers of Pan Tang43:41
8Witching Hour
producer:
Keith Nichol and Venom (British metal band)
bass guitar [bulldozer bass]:
Cronos (British metal musician Conrad Lant) (in 1981-08)
drums (drum set) [drums and nuclear warheads]:
Abaddon (member of Venom) (in 1981-08)
guitar [chainsaw guitar dives]:
Mantas (member of Venom) (in 1981-08)
vocals:
Cronos (British metal musician Conrad Lant) (in 1981-08)
recorded at:
Impulse Studios in Wallsend, North Tyneside, Tyne and Wear, England, United Kingdom (in 1981-08)
recording of:
Witching Hour (in 1981-08)
writer:
Anthony Bray, Jeffrey Dunn and Conrad Lant
Venom43:39
9You’ve Got Another Thing Comin’
engineer:
Louis Austin (engineering)
producer:
Tom Allom
drums (drum set):
Dave Holland (British rock drummer) (in 1982)
electric bass guitar:
Ian Hill (UK bassist for Judas Priest) (in 1982)
electric guitar:
Kenneth Downing (in 1982) and Glenn Tipton (in 1982)
lead vocals:
Rob Halford (in 1982)
recorded at:
Ibiza Sound Studio in Ibiza Town, Illes Balears (Balearic Islands), Spain (in 1982)
mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States and Beejay Recording Studios in Orlando, Florida, United States
music videos:
You’ve Got Another Thing Comin’ (music video) by Judas Priest
recording of:
You’ve Got Another Thing Comin’ (in 1982)
writer:
Kenneth Downing, Rob Halford and Glenn Tipton
Judas Priest4.355:11
10The Number of the Beast
engineer and producer:
Martin Birch
drums (drum set):
Clive Burr (from 1982-01 until 1982-02)
electric bass guitar:
Steve Harris (Iron Maiden bassist) (from 1982-01 until 1982-02)
electric guitar:
Dave Murray (Iron Maiden guitarist) (from 1982-01 until 1982-02) and Adrian Smith (UK guitarist/songwriter, Iron Maiden) (from 1982-01 until 1982-02)
lead vocals:
Bruce Dickinson (Iron Maiden vocalist) (from 1982-01 until 1982-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom (from 1982-01 until 1982-02)
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
recording of:
The Number of the Beast (from 1982-01 until 1982-02)
lyricist and composer:
Steve Harris (Iron Maiden bassist)
publisher:
Rakibitlou Music Ltda. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Iron Maiden4:26
11Star War
Raven5:33
12Say What You Will
producer:
Eddie Kramer (engineer)
recording of:
Say What You Will
writer:
Eddie Clarke (Motörhead guitarist), Dave King (Dublin-born singer/guitarist/songwriter of Flogging Molly) and Jerry Shirley
composer:
Fastway (1980s UK hard rock band)
Fastway3:21
13Black Funeral
producer:
Henrik Lund (Danish producer) (from 1983-07-18 until 1983-07-29)
recording of:
Black Funeral (from 1983-07-18 until 1983-07-29)
lyricist:
King Diamond (the man)
composer:
Hank Shermann
Mercyful Fate32:48
14Animal (F**k Like a Beast)
recording of:
Animal (Fuck Like a Beast)
lyricist and composer:
Blackie Lawless
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 9)
W.A.S.P.3:07
15Mean Streak
Y & T4:06
16Holy Diver
assistant engineer:
Ray Leonard (engineer)
engineer:
Angelo Arcuri
producer:
Ronnie James Dio
drums (drum set):
Vinny Appice (in 1983)
electric bass guitar:
Jimmy Bain (in 1983)
guitar:
Vivian Campbell (in 1983)
keyboard:
Jimmy Bain (in 1983) and Ronnie James Dio (in 1983)
lead vocals:
Ronnie James Dio (in 1983)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at:
Sound City Studios in Van Nuys, California, United States (in 1983)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 9) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 43)
recording of:
Holy Diver (in 1983)
lyricist and composer:
Ronnie James Dio
publisher:
Niji Music
Dio4.355:49
17Queen of the Reich
engineer:
Tom Hall (recording engineer)
producer:
Queensrÿche
drums (drum set):
Scott Rockenfield (in 1982)
electric bass guitar:
Eddie Jackson (US metal bassist for Queensrÿche) (in 1982)
electric guitar:
Chris DeGarmo (in 1982) and Michael Wilton (in 1982)
background vocals:
Chris DeGarmo (in 1982) and Eddie Jackson (US metal bassist for Queensrÿche) (in 1982)
lead vocals:
Geoff Tate (in 1982)
recorded at:
Triad Studios in Redmond, Washington, United States (in 1982)
recording of:
Queen of the Reich (in 1982)
lyricist and composer:
Chris DeGarmo
Queensrÿche44:21
18Whiplash
additional engineer:
Andy Wroblewski
engineer:
Chris Bubacz
executive producer:
Jon Zazula
producer:
Paul Curcio
drums (drum set) [drums]:
Lars Ulrich (in 1983-05)
electric bass guitar [bass]:
Cliff Burton (in 1983-05)
electric guitar [lead guitar]:
Kirk Hammett (in 1983-05)
electric guitar [rhythm guitar] and lead vocals:
James Hetfield (in 1983-05)
phonographic copyright (℗) by:
Metallica (in 1983)
phonographic copyright (℗) by:
Blackened Recordings Inc. (copyrights holder, do not use as label!) (in 2016)
recorded at and mixed at:
Music America Studios in Rochester, New York, United States (in 1983-05)
recording of:
Whiplash (in 1983-05)
writer:
James Hetfield and Lars Ulrich
publisher:
Creeping Death Music and PolyGram Music Publishing Ltd.
Metallica3.654:09
3CD
#TitleArtistRatingLength
1Rock You Like a Hurricane
engineer:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) and Gerd Rautenbach
producer:
Dieter Dierks
mixer:
Mike Beiriger, Dieter Dierks and Scorpions (German rock band)
acoustic guitar and electric guitar:
Rudolf Schenker (in 1984)
bass guitar:
Francis Buchholz (in 1984)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1984)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1984) and Rudolf Schenker (in 1984)
slide guitar:
Matthias Jabs (in 1984)
background vocals:
Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (drummer, Germany) (in 1984) and Rudolf Schenker (in 1984)
lead vocals:
Klaus Meine (in 1984)
arranger:
Dieter Dierks
phonographic copyright (℗) by:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2015, in 2018), Breeze Music (in 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1984) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1983 until 1984)
part of:
Alan Cross: Hurricane Songs (number: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 18) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 36)
recording of:
Rock You Like a Hurricane (in 1984)
lyricist:
Klaus Meine and Herman Rarebell (drummer, Germany)
composer:
Rudolf Schenker
publisher:
Arabella Music Edition München, Arabella Musikverlag GmbH and Universal Music Publishing (use ONLY if no country‐specific information is available)
Scorpions4.054:12
2Metal Health
engineer:
Duane Baron
producer:
Spencer Proffer
drums (drum set):
Frankie Banali (US drummer)
electric bass guitar:
Chuck Wright
electric guitar:
Carlos Cavazo
keyboard:
Pat Regan (American recording engineer)
lead vocals:
Kevin DuBrow
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pasha
recorded at and mixed at:
Pasha Music House in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 66)
recording of:
Metal Health (Bang Your Head)
writer:
Frankie Banali (US drummer), Carlos Cavazo, Tony Cavazo and Kevin DuBrow
publisher:
Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Quiet Riot4.255:17
3Into the Fire
additional engineer:
Gary McGachan
associate producer:
Roy Thomas Baker (producer)
producer:
Tom Werman
mixer:
Michael Wagener
bass guitar and keyboard:
Jeff Pilson
drums (drum set):
Mick Brown (US drummer, formerly of Dokken)
guitar:
Don Dokken and George Lynch
background vocals:
Mick Brown (US drummer, formerly of Dokken) and Jeff Pilson
lead vocals:
Don Dokken
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1984)
recording of:
Into the Fire
writer:
Mick Brown (US drummer, formerly of Dokken), Don Dokken, George Lynch and Jeff Pilson
publisher:
E/A Music Inc., Megadude Music, WB Music Corp. (1929–2019) and エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Dokken4.54:24
4Balls to the Wall
engineer:
Louis Austin (engineering)
producer:
Accept (German heavy metal band)
mixer:
Michael Wagener
bass guitar:
Peter Baltes (from 1983-07 until 1983-08)
drums (drum set):
Stefan Kaufmann (German drummer for Accept and U.D.O.) (from 1983-07 to ????)
guitar:
Hermann Frank (from 1983-07 until 1983-08) and Wolf Hoffmann (from 1983-07 until 1983-08)
vocals:
Udo Dirkschneider (from 1983-07 until 1983-08)
recorded at and mixed at:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1983-07 until 1983-08)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 79)
recording of:
Balls to the Wall (from 1983-07 until 1983-08)
lyricist:
Peter Baltes, Deaffy, Udo Dirkschneider, Wolf Hoffmann and Stefan Kaufmann (German drummer for Accept and U.D.O.)
composer:
Peter Baltes, Udo Dirkschneider, Wolf Hoffmann and Stefan Kaufmann (German drummer for Accept and U.D.O.)
publisher:
Breeze Music GmbH, SMV Schacht Musikverlage and Summer Breeze Music (from 1983 to present)
Accept4.055:43
5Round and RoundRatt4.54:25
6I Wanna Rock
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer) and Greg Laney
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist) (from 1984-02 until 1984-03)
drums (drum set):
A.J. Pero (from 1984-02 until 1984-03)
electric guitar:
Jay Jay French (from 1984-02 until 1984-03) and Eddie Ojeda (from 1984-02 until 1984-03)
background vocals:
Jay Jay French (from 1984-02 until 1984-03), Mark Mendoza (Twisted Sister bassist) (from 1984-02 until 1984-03), Eddie Ojeda (from 1984-02 until 1984-03), A.J. Pero (from 1984-02 until 1984-03) and Dee Snider (from 1984-02 until 1984-03)
lead vocals:
Dee Snider (from 1984-02 until 1984-03)
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 17)
recording of:
I Wanna Rock (from 1984-02 until 1984-03)
lyricist and composer:
Dee Snider
publisher:
Universal Tunes
Twisted Sister4.23:04
7Boulevard of Broken Dreams
recording engineer:
Lenny DeRose, Robert “Ringo” Hrycyna, Jay Messina, Rod O’Brien and Tom Swift (engineer)
producer:
Bob Ezrin
bass guitar:
Sami Yaffa (bassist)
drums (drum set):
Razzle (of Hanoi Rocks)
electric guitar:
Nasty Suicide
electric guitar [lead guitar]:
Andy McCoy
guest keyboard and guest background vocals:
Bob Ezrin
background vocals:
Andy McCoy, Razzle (of Hanoi Rocks), Nasty Suicide and Sami Yaffa (bassist)
remixer:
Lenny DeRose, Bob Ezrin, Robert “Ringo” Hrycyna and Rod O’Brien
phonographic copyright (℗) by:
A.A.B. Tuotanto Oy
recorded at:
Phase One Studios in Toronto, Ontario, Canada and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
remixed at:
Phase One Studios in Toronto, Ontario, Canada
recording of:
Boulevard of Broken Dreams
writer:
Bob Ezrin, Ian Hunter (Mott the Hoople) and Andy McCoy
Hanoi Rocks4:03
8Big Bottom
part of:
Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 23)
recording of:
Big Bottom
writer:
Christopher Guest, Michael McKean (actor), Rob Reiner (American actor and filmmaker) and Harry Shearer
Spın̈al Tap43:32
9Midnite Maniac
engineer:
Bob Rock
producer:
Bruce Fairbairn
recording of:
Midnite Maniac
lyricist, writer and composer:
Marc Storace and Fernando von Arb
publisher:
Krokus Music AG and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
sub-publisher:
Universal Music Publishing France (not for release label use!)
Krokus4:02
10I’ll See the Light, TonightYngwie J. Malmsteen’s Rising Force4:26
11Crazy Nights
bass guitar:
山下昌良 (Masayoshi Yamashita)
drums (drum set):
樋口宗孝
guitar:
高崎晃 (Akira Takasaki)
lead vocals:
二井原実 (Minoru Niihara)
recording of:
Crazy Nights
lyricist:
二井原実 (Minoru Niihara)
composer:
高崎晃 (Akira Takasaki)
publisher:
日音 (NICHION INC.)
Loudness4:05
12Shake Me
assistant engineer:
David Glover (bass guitarist), Joe Hauserman (engineer), Mark McKenna (engineer), Nick Didia and Paul Wertheimer (engineer)
engineer and producer:
Andy Johns
bass guitar:
Eric Brittingham
drums (drum set):
Fred Coury
guest keyboard:
Jeff Paris
guitar:
Tom Keifer and Jeff LaBar
piano and lead vocals:
Tom Keifer
background vocals:
Eric Brittingham and Jeff LaBar
guest background vocals:
Bill Mattson and Tony Mills (former vocalist for TNT and Shy)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986)
recorded at:
Bearsville Studios in Bearsville, New York, United States, Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, United States, Sigma Sound Studios in Philadelphia, Pennsylvania, United States, Sound Factory (1969–1980) in Los Angeles, California, United States and The Warehouse (Philadelphia, PA) in Philadelphia, Pennsylvania, United States
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Shake Me
lyricist and composer:
Tom Keifer
publisher:
Chappell & Co., Inc. (USA) and Eve Songs, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cinderella4.53:44
13Watch the Children Pray
Metal Church5:55
14To Hell With the Devil
recording of:
To Hell With the Devil
writer:
Michael Sweet (US Christian metal singer and guitarist, frontman of Stryper) and Robert Sweet
Stryper44:06
15A Little Time
engineer:
Tommy Hansen and Tommy Newton
co-producer:
Tommy Hansen
producer:
Tommy Newton
mixer:
Tommy Hansen
bass guitar:
Markus Grosskopf (from 1986-11 until 1987-01)
drums (drum set):
Ingo Schwichtenberg (from 1986-11 until 1987-01)
guitar:
Kai Hansen (German metal guitarist & vocalist) (from 1986-11 until 1987-01) and Michael Weikath (from 1986-11 until 1987-01)
background vocals:
Markus Grosskopf (from 1986-11 until 1987-01), Kai Hansen (German metal guitarist & vocalist) (from 1986-11 until 1987-01) and Michael Weikath (from 1986-11 until 1987-01)
lead vocals:
Michael Kiske (from 1986-11 until 1987-01)
arranger:
Helloween (German power metal band)
recorded at and mixed at:
Horus Sound Studio in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1986-11 until 1987-01)
recording of:
A Little Time (from 1986-11 until 1987-01)
lyricist and composer:
Michael Kiske
Helloween3.354:00
16Wrecking Crew
engineer:
Alex Perialas
producer:
Overkill (US thrash metal band fronted by Bobby “Blitz” Ellsworth) and Alex Perialas
bass guitar:
D.D. Verni (from 1986-09 until 1986-12)
guitar:
Bobby Gustafson (from 1986-09 until 1986-12)
membranophone:
Rat Skates (from 1986-09 until 1986-12)
lead vocals:
Bobby “Blitz” Ellsworth (from 1986-09 until 1986-12)
recorded at:
Pyramid Sound Recording Studios in Ithaca (city), New York, United States (from 1986-09 until 1986-12)
recording of:
Wrecking Crew (from 1986-09 until 1986-12)
writer:
Bobby “Blitz” Ellsworth, Bobby Gustafson, Rat Skates and D.D. Verni
publisher:
Universal Music Careers
Overkill4.54:33
17Caught in a Mosh
assistant engineer:
Chip Schane
engineer:
Eddie Kramer (engineer) and Chris Rutherford
executive producer:
Jon Zazula
producer:
Anthrax (US thrash metal band) and Eddie Kramer (engineer)
assistant mixer:
Francis McSweeney
mixer:
Paul Hamingson and Eddie Kramer (engineer)
bass guitar [bass]:
Frank Bello (US bassist for Anthrax) (from 1986-10 until 1986-12)
drums (drum set):
Charlie Benante (from 1986-10 until 1986-12)
guitar:
Dan Spitz (from 1986-10 until 1986-12)
guitar [rhythm guitar]:
Scott Ian (from 1986-10 until 1986-12)
lead vocals:
Joe Belladonna (from 1986-10 until 1986-12)
recorded at:
Quadradial Studios in North Miami, Florida, United States (from 1986-10 until 1986-12)
mixed at:
Compass Point Studios in Nassau, Bahamas
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 22)
recording of:
Caught in a Mosh (from 1986-10 until 1986-12)
writer:
Joey Belladonna, Frank Bello (US bassist for Anthrax), Charlie Benante, Scott Ian and Dan Spitz
publisher:
Imagem Music, NFP Music, Universal Music–Z Tunes LLC and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Anthrax3.755:00
18Peace Sells
engineer:
Randy Burns (Producer / Engineer) and Casey McMackin
producer:
Randy Burns (Producer / Engineer) and Dave Mustaine
assistant mixer:
Stan Katayama
mixer:
Paul Lani, Dave Mustaine (in 2004) and Ralph Patlan (in 2004)
bass guitar [bass guitars] and background vocals [back-up vocals]:
David Ellefson (from 1986-02-15 until 1986-03-20)
drums (drum set):
Gar Samuelson (from 1986-02-15 until 1986-03-20)
guitar family [lead and rhythm guitars]:
Dave Mustaine (from 1986-02-15 until 1986-03-20) and Chris Poland (from 1986-02-15 until 1986-03-20)
vocals:
Dave Mustaine (from 1986-02-15 until 1986-03-20)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2005)
recorded at:
MadDog Studios (Venice (Los Angeles), 1980–1996) in Venice, Los Angeles, California, United States (from 1986-02-15 until 1986-03-20), Music Grinder Studios in Hollywood, Los Angeles, California, United States (from 1986-02-15 until 1986-03-20), Rock Steady Studios in Hollywood, Los Angeles, California, United States (from 1986-02-15 until 1986-03-20) and Track Record Studios in North Hollywood, Los Angeles, California, United States (from 1986-02-15 until 1986-03-20)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Peace Sells (from 1986-02-15 until 1986-03-20)
lyricist and composer:
Dave Mustaine
arranger:
Megadeth
publisher:
Mustaine Music (in 1986), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1986) and Theory Music (in 1986)
Megadeth3.054:02
4CD
#TitleArtistRatingLength
1Still of the Night
producer:
Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
bass guitar:
Neil Murray (British bass guitar player)
drums (drum set) and percussion:
Aynsley Dunbar
guest keyboard:
Don Airey and Bill Cuomo
guest solo guitar:
Vivian Campbell
guitar and background vocals:
John Sykes
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Whitesnake Productions (Overseas) Ltd. (in 1987)
produced for:
Mike Stone Enterprises and Pogologo Productions
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 27)
recording of:
Still of the Night
writer:
David Coverdale and John Sykes
publisher:
WB Music Corp. (1929–2019), Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake46:36
2Rock Me
additional engineer:
Eddie Ashworth
engineer:
Michael Lardie
producer:
Michael Lardie, Mark Kendall and Alan Niven
drums (drum set) [drums]:
Audie Desbrow
electric bass guitar [bass]:
Sean McNabb
electric guitar [lead guitar]:
Mark Kendall
electric guitar [rhythm guitar], harmonica and keyboard:
Michael Lardie
lead vocals [vocals]:
Jack Russell (original singer for Great White)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
produced for:
Stravinski Brothers Productions
recorded at:
Total Access Recording in Redondo Beach, California, United States
recording of:
Rock Me
writer:
Michael Lardie, Mark Kendall, Alan Niven and Jack Russell (original singer for Great White)
publisher:
BMG Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and WC Music Corp.
sub-publisher:
Sony Music Publishing France and Warner Chappell Music France
Great White7:14
3Talk Dirty to MePoison3:54
4Bathroom WallFaster Pussycat33:42
5Hall of the Mountain King
assistant engineer:
Joe Henehan (engineer)
engineer:
James A. Ball
co-producer:
Savatage
producer:
Paul O’Neill (US rock producer)
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton
drums (drum set):
Steve Wachholz
guitar:
Criss Oliva
lead vocals:
Jon Oliva
arranger:
Paul O’Neill (US rock producer) and Savatage
instruments technician:
Tim Lacey (engineer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Hall of the Mountain King
composer:
Edvard Grieg (composer)
arranger:
Johnny Lee Middleton, Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
publisher:
Metal Membrane Music
arrangement of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
Savatage4.45:36
6Kiss Me Deadly
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
phonographic copyright (℗) by:
BMG Entertainment (in 1988) and Dreamland Records (in 1988)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 33) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 76)
recording of:
Kiss Me Deadly (in 1987)
lyricist and composer:
Mick Smiley
publisher:
Mike Chapman Publishing Enterprises, The Makiki Publishing Co. Ltd., The Twin Towers Co. and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lita Ford3.654:00
7Hail and Kill
recording engineer, engineer and mixer:
Rich Breen (engineer)
assistant engineer:
Elvis T. Gruber
assistant executive producer:
Dorothy Sicignano
executive producer:
Jason Flom
producer:
Manowar
bass guitar:
Joey DeMaio
drums (drum set) and percussion:
Scott Columbus
guitar and keyboard:
Ross the Boss
lead vocals:
Eric Adams (Louis Marullo, Manowar)
recording of:
Hail and Kill
lyricist:
Joey DeMaio
composer:
Ross the Boss
Manowar4.45:55
8Trial by Fire
assistant engineer:
Rob Hunter (Wacko!, engineer)
engineer, producer and mixer:
Alex Perialas
executive producer:
Jon Zazula and Marsha Zazula
arranger:
Testament (thrash metal band, originally named Legacy)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Megaforce Records Inc. (company, not for release label use!) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recorded at and mixed at:
Pyramid Sound Recording Studios in Ithaca (city), New York, United States
recording of:
Trial by Fire
lyricist:
Chuck Billy, Eric Peterson (metal guitarist, member of Testament) and Alex Skolnick
composer:
Eric Peterson (metal guitarist, member of Testament) and Alex Skolnick
publisher:
FASD Music (in 1988) and Zazmar Music Company (in 1988)
Testament3.54:15
9Welcome Home
engineer:
Roberto Falcao
producer and mixer:
King Diamond (the man) and Roberto Falcao
bass guitar:
Hal Patino
drums (drum set):
Mikkey Dee (Motörhead/Scorpions drummer Micael Delaouglou)
guitar:
Pete Blakk and Andy LaRocque
vocals:
King Diamond (the man)
recording of:
Welcome Home
lyricist and composer:
King Diamond (the man)
King Diamond44:36
10South of Heaven
recording of:
South of Heaven
lyricist:
Tom Araya
composer:
Jeff Hanneman
Slayer4:45
11One
additional engineer and assistant engineer:
Toby Wright (producer & engineer)
engineer:
Flemming Rasmussen
producer:
Metallica and Flemming Rasmussen
assistant mixer:
George Cowan (US engineer)
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
bass guitar:
Jason Newsted (from 1988-01 until 1988-05)
drums (drum set):
Lars Ulrich (from 1988-01 until 1988-05)
guitar [lead guitar]:
Kirk Hammett (from 1988-01 until 1988-05)
guitar [rhythm guitar] and lead vocals:
James Hetfield (from 1988-01 until 1988-05)
arranger:
James Hetfield and Lars Ulrich
phonographic copyright (℗) by:
Metallica (in 1988)
phonographic copyright (℗) by:
Blackened Recordings (copyrights holder, do not use as label!) (in 2018)
recorded at:
One on One Studios in North Hollywood, Los Angeles, California, United States (from 1988-01 until 1988-05)
mixed at:
Bearsville Studios in Bearsville, New York, United States (in 1988-06)
part of:
Grammy Award: Best Metal Performance nominees (number: 1990 winner) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 11)
recording of:
One (from 1988-01 until 1988-05)
lyricist:
James Hetfield
composer:
James Hetfield and Lars Ulrich
publisher:
Creeping Death Music
Metallica4.47:24
12Cult of Personality
engineer:
Paul Hamingson
producer and mixer:
Ed Stasium (US record producer & audio engineer)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 12) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 69)
recording of:
Cult of Personality
writer:
Will Calhoun, Corey Glover, Vernon Reid (English-born US guitarist and songwriter) and Muzz Skillings
Living Colour4.354:53
13Youth Gone Wild
recording engineer, producer and mixer:
Michael Wagener
additional engineer:
Dave Kent (engineer)
bass guitar:
Rachel Bolan (in 1988)
drums (drum set):
Rob Affuso (in 1988)
guitar:
Scotti Hill (in 1988) and Dave “The Snake” Sabo (in 1988)
background vocals:
Rachel Bolan (in 1988), Scotti Hill (in 1988) and Dave “The Snake” Sabo (in 1988)
lead vocals:
Sebastian Bach (Canadian metal singer) (in 1988)
recorded at:
Royal Recorders in Lake Geneva, Wisconsin, United States (in 1988)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 75)
recording of:
Youth Gone Wild (in 1988)
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row4.33:19
14Cowboys From Hell
assistant engineer:
Matt Lane (engineer)
engineer and producer:
Terry Date (American record producer and engineer)
co-producer:
Pantera (metal band)
mixer:
Terry Date (American record producer and engineer) and Pantera (metal band)
bass guitar [bass]:
Rex
drums (drum set) [drums]:
Vinnie Paul
guitar [guitars]:
Diamond Darrell
vocals:
Philip Anselmo
arranger:
Pantera (metal band)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
recorded at:
Pantego Sound Studio in Pantego, Texas, United States
mixed at:
Carriage House Studios in Stamford, Connecticut, United States
music videos:
Cowboys From Hell (music video) by Pantera (metal band)
recording of:
Cowboys From Hell
lyricist and composer:
Pantera (metal band)
publisher:
Cota Music and Power Metal Music
Pantera4.24:06
15Beg to Differ
mastering:
Greg Calbi (American mastering engineer)
engineer:
Mark Dodson (UK producer) and Steve McAllister
producer:
Mark Dodson (UK producer) and Prong (US metal band)
mixer:
Mark Dodson (UK producer)
bass guitar:
Mike Kirkland (metal musician)
drums (drum set) and background vocals:
Ted Parsons (drummer)
guitar:
Tommy Victor
vocals:
Mike Kirkland (metal musician) and Tommy Victor
recording of:
Beg to Differ
composer:
Ted Parsons (drummer) and Tommy Victor
Prong4:15
16Dead Embryonic Cells
engineer:
Scott Burns (record producer) (from 1990 until 1991)
producer:
Scott Burns (record producer) (from 1990 until 1991), Igor Cavalera (from 1990 until 1991), Max Cavalera (from 1990 until 1991), Andreas Kisser (from 1990 until 1991) and Paulo Jr. (from 1990 until 1991)
mixer:
Andy Wallace (engineer)
bass guitar:
Paulo Jr. (from 1990 until 1991)
drums (drum set):
Igor Cavalera (from 1990 until 1991)
guitar:
Max Cavalera (from 1990 until 1991) and Andreas Kisser (from 1990 until 1991)
lead vocals:
Max Cavalera (from 1990 until 1991)
recording of:
Dead Embryonic Cells (from 1990 until 1991)
lyricist:
Max Cavalera
composer:
Igor Cavalera, Max Cavalera, Andreas Kisser and Paulo Jr.
publisher:
Roadblock Music, Inc.
Sepultura4.14:51