AA302: From Composition to Performance: Musicians at Work (block 2: tan)

~ Release by The Open University (see all versions of this release, 3 available)

Tracklist

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6▼CD
#TitleArtistRatingLength
1Missa Solemnis: Kyrie
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
organ:
Alastair Ross (organist and harpsichordist) (in 1989-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-11)
solo bass vocals:
Alastair Miles (operatic bass) (in 1989-11)
solo mezzo-soprano vocals:
Catherine Robbin (Canadian mezzo-soprano) (in 1989-11)
solo soprano vocals:
Charlotte Margiono (soprano) (in 1989-11)
solo tenor vocals:
William Kendall (tenor) (in 1989-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-11)
recording of:
Missa Solemnis D‐Dur, op. 123: I. Kyrie (in 1989-11)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven8:51
2Symphony no. 2: I.
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Barry McCann (Producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1980-04-02 until 1980-04-03)
conductor:
Vernon Handley (conductor) (from 1980-04-02 until 1980-04-03)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1980-04-02 until 1980-04-03)
recording of:
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente (from 1980-04-02 until 1980-04-03)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar17:34
3Symphony no. 2: II.
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Barry McCann (Producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1980-04-02 until 1980-04-03)
conductor:
Vernon Handley (conductor) (from 1980-04-02 until 1980-04-03)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1980-04-02 until 1980-04-03)
recording of:
Symphony no. 2 in E-flat major, op. 63: II. Larghetto (from 1980-04-02 until 1980-04-03)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar13:40
4Symphony no. 2: III.
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Barry McCann (Producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1980-04-02 until 1980-04-03)
conductor:
Vernon Handley (conductor) (from 1980-04-02 until 1980-04-03)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1980-04-02 until 1980-04-03)
recording of:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto (from 1980-04-02 until 1980-04-03)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar8:19
5Symphony no. 2: IV.
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Barry McCann (Producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1980-04-02 until 1980-04-03)
conductor:
Vernon Handley (conductor) (from 1980-04-02 until 1980-04-03)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1980-04-02 until 1980-04-03)
recording of:
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso (from 1980-04-02 until 1980-04-03)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar14:41
6Symphony no. 2, sketch relating to ‘Ghost’ theme
Sir Edward Elgar0:23
7Symphony no. 2, sketch relating to ‘Ghost’ theme
Sir Edward Elgar0:29
8Symphony no. 2, sketch: later version of ‘Ghost’ theme
Sir Edward Elgar0:26
7▼CD
#TitleArtistRatingLength
1Orfeo ed Euridice, Act 2, Scene 1: Bars 1–20 Ballo in E-flat
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck1:13
2Orfeo ed Euridice, Act 2, Scene 1: Bars 21–23 Harp prelude
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck0:10
3Orfeo ed Euridice, Act 2, Scene 1: Bars 24–33 Coro ‘Chi mai dell’Erebo’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck0:15
4Orfeo ed Euridice, Act 2, Scene 1: Bars 34–50 Ballo in C minor
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck0:41
5Orfeo ed Euridice, Act 2, Scene 1: Bars 51–90 Coro ‘Chi mai dell’Erebo’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck1:01
6Orfeo ed Euridice, Act 2, Scene 1: Bars 91–109 Ballo in E-flat
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck1:12
7Orfeo ed Euridice, Act 2, Scene 1: Bars 110–152 Solo and chorus ‘Deh placatevi’
recording engineer:
Stan Taal (in 1991-05) and Jan Wesselink (in 1991-05)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Tjeerd Veeger
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1991-05)
orchestra and performer:
English Baroque Soloists (The English Baroque Soloists) (in 1991-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-05)
balance engineer:
Onno Scholtze (sound engineer) (in 1991-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-05)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. “Deh! Placatevi con me” (Orfeo) (in 1991-05)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck2:21
8Orfeo ed Euridice, Act 2, Scene 1: Bars 153–184 Coro ‘Misero giovane’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck0:55
9Orfeo ed Euridice, Act 2, Scene 1: Bars 185–208 Solo ‘Mille pene’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck0:49
10Orfeo ed Euridice, Act 2, Scene 1: Bars 209–229 Coro ‘Ah, quale incognito’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck0:49
11Orfeo ed Euridice, Act 2, Scene 1: Bars 230–244 Solo ‘Men tiranne’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck0:35
12Orfeo ed Euridice, Act 2, Scene 1: Bars 245–292 Coro ‘Ah, quale incognito’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck1:22
13Orfeo ed Euridice, Act 2, Scene 2: Bars 1–28 Ballo in F major
recording engineer:
Stan Taal (in 1991-05) and Jan Wesselink (in 1991-05)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Tjeerd Veeger
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1991-05)
orchestra and performer:
English Baroque Soloists (The English Baroque Soloists) (in 1991-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-05)
balance engineer:
Onno Scholtze (sound engineer) (in 1991-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-05)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Ballo (Andante) (in 1991-05)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck1:53
14Orfeo ed Euridice, Act 2, Scene 2: Bars 29–96 Solo ‘Che puro ciel’
recording engineer:
Stan Taal (in 1991-05) and Jan Wesselink (in 1991-05)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Tjeerd Veeger
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1991-05)
countertenor vocals [Orfeo]:
Derek Lee Ragin (countertenor) (in 1991-05)
orchestra and performer:
English Baroque Soloists (The English Baroque Soloists) (in 1991-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-05)
balance engineer:
Onno Scholtze (sound engineer) (in 1991-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-05)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Aria "Che puro ciel" (Orfeo) (Italian version) (in 1991-05)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck6:07
15Orfeo ed Euridice, Act 2, Scene 2: Bars 97–151 Coro ‘Vieni a’ regni’
recording engineer:
Stan Taal (in 1991-05) and Jan Wesselink (in 1991-05)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Tjeerd Veeger
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1991-05)
orchestra and performer:
English Baroque Soloists (The English Baroque Soloists) (in 1991-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-05)
balance engineer:
Onno Scholtze (sound engineer) (in 1991-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-05)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Coro "Vieni a' regni del riposo" (in 1991-05)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck1:55
16Orfeo ed Euridice, Act 2, Scene 2: Bars 152–199 Ballo in B-flat
recording engineer:
Stan Taal (in 1991-05) and Jan Wesselink (in 1991-05)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Tjeerd Veeger
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1991-05)
orchestra and performer:
English Baroque Soloists (The English Baroque Soloists) (in 1991-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-05)
balance engineer:
Onno Scholtze (sound engineer) (in 1991-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-05)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Ballo (Andante) (in 1991-05)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck2:42
17Orfeo ed Euridice, Act 2, Scene 2: Bars 200–214 Recitative ‘Anime avventurose’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck0:44
18Orfeo ed Euridice, Act 2, Scene 2: Bars 213–267 Coro ‘Torna, O bella’
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
English Baroque Soloists (The English Baroque Soloists)
Christoph Willibald Gluck2:00
19Ezio: ‘Se povero il ruscello’
Christoph Willibald Gluck9:30
20Orphée et Eurydice, Act 2, ‘Quel nouveau ciel’
conductor:
Hans Rosbaud (conductor)
Christoph Willibald Gluck5:27
21Mazurka in A minor, op. 7 no. 2 (Chopin Institute edition 1953)
Fryderyk Chopin2:36
22Mazurka in A minor, op. 7 no. 2 (autograph version)
Fryderyk Chopin1:57
23Sequenza
flute:
Kathryn Lukas (flautist)
recording of:
Sequenza I for Flute
composer:
Luciano Berio (Italian composer) (in 1958)
part of:
Sequenze (number: I)
Luciano Berio6:30
24The development of the solo flute repertoire
spoken vocals:
Kathryn Lukas (flautist)
[dialogue]18:13
8▼CD
#TitleArtistRatingLength
1The two editions of Berio’s ‘Sequenza’
spoken vocals:
Kathryn Lukas (flautist)
[dialogue]5:23
2Sequenza VI (extract)
viola:
Walter Trampler (violist)
partial recording of:
Sequenza VI for Viola
composer:
Luciano Berio (Italian composer) (in 1967)
part of:
Sequenze (number: VI)
Luciano Berio3:45
3Chemins II
instruments:
Ensemble intercontemporain
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
Chemins II
composer:
Luciano Berio (Italian composer) (in 1967)
Luciano Berio3:49
4Il Ri torno d’Ulisse in Patria, Act 1, Scene 7, ‘Dormo ancora o son desto?’
choir vocals:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
performer:
Concerto Vocale (Belgian baroque/early music ensemble)
partial recording of:
Il Ritorno d'Ulisse in Patria, Atto I
part of:
Il ritorno d'Ulisse in patria, SV 325
Claudio Monteverdi4:14
5Ulysses Awakes
viola:
Jane Atkins
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
John Woolrich7:29
6John Woolrich and Jane Atkins talk to Fiona Richards
[dialogue]15:47
7Rag Rageshree
Veena Sahasrabuddhe25:41
9▼CD
#TitleArtistRatingLength
1Lohengrin, Act 2: Prelude
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Rudolf Kempe (conductor)
Richard Wagner1:05
2Götterdämmerung: Siegfried’s Funeral March
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
Richard Wagner1:30
3Siegfried, Act 2: Prelude (extract - The Dragon Motif)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
Richard Wagner1:17
4Rigoletto: Act 1 (extract)
choir vocals:
Coro del Teatro alla Scala di Milano
vocals:
Renato Bruson (baritone) and Andrea Rost (Hungarian lyric soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
Giuseppe Verdi1:28
5Taste the Blood of Dracula: Ride to the ruined church
James Bernard2:12
6Putty Tat Trouble (recording session)
Carl Stalling7:35
7Two Crows from Tacos (recording session)
Carl Stalling4:41
8Laura
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
David Raksin
David Raksin5:56
9Spellbound: The Dream
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
Miklós Rózsa3:05
10Sorcerer: Search
producer:
Tangerine Dream
instruments:
Peter Baumann (member of Berlin Express & Tangerine Dream), Christoph Franke (German musician, formerly with Tangerine Dream) and Edgar Froese
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Search (Sorcerer) (in 1977)
composer:
Peter Baumann (member of Berlin Express & Tangerine Dream), Christopher Franke (German musician, formerly with Tangerine Dream) and Edgar Froese
Tangerine Dream2:58
11Koyaanisqatsi: Fruit Igoe
recording engineer:
Rod Hui, Joe Lopes (engineer) and Dominick Maita
producer:
Philip Glass (US composer & pianist) and Kurt Munkacsi
mixer:
Kurt Munkacsi and Michael Riesman (American composer, conductor, keyboardist)
choir vocals:
The Western Wind Vocal Ensemble
conductor:
Michael Riesman (American composer, conductor, keyboardist)
phonographic copyright (℗) by:
IRE (in 1983)
mixed at:
Greene St. Recording in SoHo, New York, New York, United States
recording of:
Pruit Igoe
composer:
Philip Glass (US composer & pianist)
part of:
Koyaanisqatsi (full soundtrack)
Philip Glass47:08
12Ben Hur: Prelude
orchestra:
The Symphony Orchestra of Rome
conductor:
Carlo Savina (Italian composer)
Miklós Rózsa3:28
13Music from 'Casablanca'
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
Franz Waxman3:49
10▼CD
#TitleArtistRatingLength
1Ingcagca
Mazinyo Mavuso1:34
2Le Mantyi Ekhoyo Igweba Kanzima
[unknown]2:38
3Izitombi Ziyasishiya
Mkakwa Mugomezengu3:30
4Tom Hark
recording of:
Tom Hark (Original instrumental)
composer:
Rupert Bopape
Elias & His Zig‐Zag Jive Flutes32:21
5Preaching Blues
recorded in:
New York, New York, United States
producer:
Frank Driggs and John Hammond (producer)
steel guitar and lead vocals:
Son House (from 1965-04-12 until 1965-04-14)
recording of:
Preachin’ Blues (from 1965-04-12 until 1965-04-14)
writer:
Son House
Son House5:47
6Lonesome Home Blues
recorded in:
Memphis, Tennessee, United States (on 1928-08-31)
guitar:
Tommy Johnson (American Delta blues musician) (on 1928-08-31)
vocals:
Tommy Johnson (American Delta blues musician) (on 1928-08-31)
Tommy Johnson3:17
7Shake Rattle and Roll
recorded in:
New York, New York, United States (on 1954-02-15)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1954-02-15)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1954-02-15)
drums (drum set) [drums]:
Connie Kay (on 1954-02-15)
guitar:
Mickey Baker (on 1954-02-15)
piano:
Jesse Stone (on 1954-02-15)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-02-15)
trombone:
Wilbur DeParis (on 1954-02-15)
vocals:
Big Joe Turner (on 1954-02-15)
arranger:
Jesse Stone
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2001)
cover recording of:
Shake, Rattle and Roll (on 1954-02-15)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
recording of:
Shake, Rattle and Roll
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Big Joe Turner53:03
8Sweet Little Angel
recording of:
Sweet Little Angel
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Black Angel Blues
B.B. King3:16
9Hey Joe
engineer:
Dave Siddle (engineer) (from 1966-10-23 until 1966-11)
producer:
Chas Chandler
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1966-10-23 until 1966-11)
electric bass guitar:
Noel Redding (from 1966-10-23 until 1966-11)
electric guitar:
Jimi Hendrix (from 1966-10-23 until 1966-11)
background vocals:
The Breakaways (60s UK all girl group) (from 1966-10-23 until 1966-11)
vocals:
Jimi Hendrix (from 1966-10-23 until 1966-11)
arranger:
Jimi Hendrix
phonographic copyright (℗) by:
Experience Hendrix, L.L.C. (in 2010)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1966-10-23 until 1966-11), Pye Studios in London (Greater London), England, United Kingdom (in 1966-11) and Regent Sound Studios in London (Greater London), England, United Kingdom (in 1966-11)
produced at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1966-10-23)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 22)
cover recording of:
Hey Joe (from 1966-10-23 until 1966-11)
lyricist and composer:
Billy Roberts (songwriter)
publisher:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music and Third Story Music, Inc.
Jimi Hendrix4.153:27
10Sunshine of Your Love
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 65) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (from 1967-04 until 1967-05)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce and Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Cream4.354:17
11Superbad
recording of:
Super Bad
lyricist and composer:
James Brown (The Godfather of Soul)
James Brown4:30
12Colonial Mentality (extract)
edit of:
Colonial Mentality by Fẹla and Afrika 70
partial recording of:
Colonial Mentality
lyricist and composer:
Fela Kuti
Fela Kuti8:47
13The Entertainer
piano:
Dick Hyman (jazz pianist)
recording of:
The Entertainer
composer:
Scott Joplin (composer and pianist) (in 1902)
publisher:
Chappell, EMI Music Publishing (do not use as a release label!) and Multimood Music (publisher)
part of:
Classic 100: Piano (2025) (number: 25)
Scott Joplin4:32
14New Orleans Blues (1923): Intro and Chorus 1
Jelly Roll Morton0:33
15New Orleans Blues (1923): Chorus 2
Jelly Roll Morton0:20
16New Orleans Blues (1923): Chorus 3 and Chorus 4
Jelly Roll Morton0:43
17New Orleans Blues (1923): Chorus 5
Jelly Roll Morton0:21
18New Orleans Blues (1923): Chorus 6 and Chorus 7
Jelly Roll Morton0:54
19New Orleans Blues (1938)
recording engineer:
Alan Lomax (US ethnomusicologist) (in 1938-06)
recorded at:
Coolidge Auditorium (Thomas Jefferson Building, Library of Congress) in Washington, D.C., United States (in 1938-06)
recording of:
New Orleans Blues (in 1938-06)
composer:
Ferdinand Joseph LaMothe
Jelly Roll Morton3:27
20Dipper Mouth Blues (1923-06-23)
King Oliver's Jazz Band2:19
21Parker's Mood: Intro
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:16
22Parker's Mood: Chorus 1
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:35
23Parker's Mood: Chorus 2
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:37
24Parker's Mood: Chorus 3
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:37
25Parker's Mood: Chorus 4
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:40
26Parker's Mood: Coda
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
double bass:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
Charlie Parker0:20
27I Got Rhythm: Intro and Head
congas:
José Mangual (on 1965-08-19)
double bass:
Ike Isaacs (bassist) (on 1965-08-19)
drums (drum set):
Jimmie Smith (jazz drummer) (on 1965-08-19)
piano:
Erroll Garner (on 1965-08-19)
George Gershwin1:08
28I Got Rhythm: Chorus 1
congas:
José Mangual (on 1965-08-19)
double bass:
Ike Isaacs (bassist) (on 1965-08-19)
drums (drum set):
Jimmie Smith (jazz drummer) (on 1965-08-19)
piano:
Erroll Garner (on 1965-08-19)
George Gershwin0:43
29I Got Rhythm: Chorus 2
congas:
José Mangual (on 1965-08-19)
double bass:
Ike Isaacs (bassist) (on 1965-08-19)
drums (drum set):
Jimmie Smith (jazz drummer) (on 1965-08-19)
piano:
Erroll Garner (on 1965-08-19)
George Gershwin0:44
30I Got Rhythm: Head and Coda
congas:
José Mangual (on 1965-08-19)
double bass:
Ike Isaacs (bassist) (on 1965-08-19)
drums (drum set):
Jimmie Smith (jazz drummer) (on 1965-08-19)
piano:
Erroll Garner (on 1965-08-19)
George Gershwin1:27
11▶CD