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~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Toccata in D Minor for Organ, BWV 565
organ:
Walter Kraft (organist / composer)
recorded at:
Grote Kerk (has a Christian-Müller-Orgel) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (from 1961 until 1967)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
2:23
2Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
3:59
3Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
2:47
4Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affetuoso
orchestra:
Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (ended)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:56
5Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
violin:
Susanne Lautenbacher (violinist) and Dieter Vorholz (violinist)
orchestra:
Mainzer Kammerorchester (Mainz Chamber Orchestra)
conductor:
Günter Kehr (conductor and violinist)
partial recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
2:18
6Concerto for 2 Violins in D minor, BWV 1043: II. Adagio
violin:
Susanne Lautenbacher (violinist) and Dieter Vorholz (violinist)
orchestra:
Mainzer Kammerorchester (Mainz Chamber Orchestra)
conductor:
Günter Kehr (conductor and violinist)
partial recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
3:13
7Violin Concerto No. 1 in A minor, BWV 1041: I. Allegro
violin:
Susanne Lautenbacher (violinist)
orchestra:
Mainzer Kammerorchester (Mainz Chamber Orchestra)
conductor:
Günter Kehr (conductor and violinist)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
2:18
8Violin Concerto No. 2 in E major, BWV 1042: I. Allegro
violin:
Susanne Lautenbacher (violinist)
orchestra:
Mainzer Kammerorchester (Mainz Chamber Orchestra)
conductor:
Günter Kehr (conductor and violinist)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
3:19
9Magnificat in D major, BWV 243: Magnificat
choir vocals:
Ama Deus Ensemble Chorus
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:28
10Magnificat in D major, BWV 243: Deposuit potentes
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (from 1962 until 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:13
11Prelude and Fugue No. 1 in C major, BWV 846
organ:
Martin Galling (pianist and harpsichordist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
1:48
12Concerto for Three Harpsichords in C major, BWV 1064: II. Adagio
harpsichord:
Nicole Hostettler (harpsichord), Christiane Jaccottet (harpsichord) and Christine Sartoretti (harpsichord)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Jörg Faerber (conductor)
recording of:
Concerto in C major for Three Harpsichords, BWV 1064: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 3 Harpsichords in C major, BWV 1064
2:32
13Concerto for Two Harpsichords in C minor: II. Adagio
harpsichord:
Christiane Jaccottet (harpsichord) and Christine Sartoretti (harpsichord)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Jörg Faerber (conductor)
recording of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C minor for Two Harpsichords, BWV 1060
5:12
14Concerto for Four Harpsichords in A minor, BWV 1065
harpsichord:
Nicole Hostettler (harpsichord), Christiane Jaccottet (harpsichord), Leonore Klinckerfuss (harpsichordist/pianist) and Christine Sartoretti (harpsichord)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Jörg Faerber (conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: I. [Allegro]
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
4:04
15Herz und Mund und Tat und Leben, BWV 147 "Jesu, Joy of Man's Desiring"
conductor:
Barry Faldner
performer:
Chicago Symphony Orchestra Brass
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:20
16Toccata, Adagio and Fugue in C major, BWV 564: II. Adagio
organ:
Walter Kraft (organist / composer)
recorded at:
Christkirche in Tønder, Region of Southern Denmark, Denmark
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (from 1961 until 1967)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
4:10
17Partita No. 3 in E major, BWV 1006: I. Prelude
violin:
Susanne Lautenbacher (violinist)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
3:41
182-Part Invention (No. 8 in F)
harpsichord:
Martin Galling (pianist and harpsichordist)
recording of:
Inventio Nr. 8 F-Dur, BWV 779
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 8) and Bach-Werke-Verzeichnis (number: BWV 779)
0:55
19Wachet Auf (Sleepers Awake)
organ:
Klemens Schnorr (organist)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
4:27
20Brandenburg Concerto No. 4 in G (III. Presto)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
3:10
21Brandenburg Concerto No. 2 in F (III. Allegro assai)
trumpet:
Rolf Quinque (trumpet player)
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:24
22Brandenburg Concerto No. 5 in D (III. Allegro)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
2:12
23Orchestral Suite No. 2 in B minor (VII. Badinerie)
flute:
Klaus Pohlers (flutist)
orchestra:
Mainzer Kammerorchester (Mainz Chamber Orchestra)
conductor:
Günter Kehr (conductor and violinist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:17
24Mass in B minor (Gloria)
choir vocals:
Ama Deus Ensemble Chorus
orchestra and performer:
Ama Deus Ensemble
conductor:
Valentin Radu
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
1:46
25Mass in B minor - Dona nobis pacem
choir vocals:
Ama Deus Ensemble Chorus
conductor:
Valentin Radu
performer:
Ama Deus Ensemble
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:33

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ASIN:US: B0000058I1 [info]