The Ultimate: The Sun Years

~ Release by Jerry Lee Lewis (see all versions of this release, 1 available)

Annotation

Firstly issued as 11 CD boxset, but the CD 12 ("Bonus CD") has been issued shortly after in the same year 1993 with the same catalog number (Sun Box 4-12).
Nevertheless the boxset "Classic Jerry Lee Lewis" (Bear Family Records, BCD 15420, 1989), contrary to the assertion of Charly Records (which added the CD 12 expressly for cover the recordings from BCD 15420, but this was achieved only partially), contains many recordings not included in "The Ultimate", or included as different kind (e.g., stereo instead of mono or with different overdubbing, different false start, etc.).
The sound mastering of "The Ultimate" is sometimes different to the one of the "Classic Jerry Lee Lewis". All stereo tracks of "The Ultimate" boxset are inverted as regards to the boxset "Classic Jerry Lee Lewis".

Annotation last modified on 2016-03-22 09:45 UTC.

Tracklist

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1▼CD: The Original Singles, Part 1
#TitleRatingLength
1Crazy Arms
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (on 1956-11-14)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1956-11-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1956-11-14)
phonographic copyright (℗) by:
Sun Record Company (in 1956)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1956-11-14)
cover recording of:
Crazy Arms (on 1956-11-14)
writer:
Ralph Mooney (in 1954) and Chuck Seals (in 1954)
publisher:
Champion Music Corp., Leeds Music, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Sony/ATV Tree Publishing (in 1956) and MCA Music Svenska AB (in 1978)
2:46
2End of the Road
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (on 1956-11-14)
guitar:
Roland Janes (on 1956-11-14)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1956-11-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1956-11-14)
phonographic copyright (℗) by:
Sun Record Company (in 1956)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1956-11-14)
recording of:
End of the Road (on 1956-11-14)
lyricist and composer:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (until 1956-11-14)
publisher:
Hill & Range Songs, Inc. (publisher) and Knox Music, Inc.
1:50
3It’ll Be Me
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1957-01 until 1957-02)
drums (drum set):
Jimmy Van Eaton (from 1957-01 until 1957-02)
guitar:
Roland Janes (from 1957-01 until 1957-02)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1957-01 until 1957-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1957-01 until 1957-02)
phonographic copyright (℗) by:
Sun Record Company (in 1957) and Charly Records (from 2008 to present)
recording of:
It’ll Be Me (from 1957-01 until 1957-02)
lyricist, writer and composer:
Jack Clement
publisher:
Bob Webster Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
2:47
4Whole Lotta Shakin’ Goin’ On
producer:
Jack Clement and Sam Phillips (founder of Sun Records) (in 1957)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) and Charly Records (from 2008 to present)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1957-02-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (on 1957-02-05)
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
4.652:54
5Great Balls of Fire
producer:
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) and Sam Phillips (founder of Sun Records) (in 1957)
bass guitar:
Sidney Stokes
drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographic copyright (℗) by:
Sun Record Company (in 1957)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1957-10-08)
edit of:
Great Balls of Fire (chat & master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 96) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 242)
recording of:
Great Balls of Fire (in 1957-10)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
cover recording of:
Great Balls of Fire
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
4.351:54
6You Win Again
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-08-21)
drums (drum set):
Otis Jett (on 1957-08-21)
guitar:
Roland Janes (on 1957-08-21)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-08-21)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1957-10)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-08-21)
phonographic copyright (℗) by:
Sun Record Company (in 1957)
remix of:
You Win Again (undubbed master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
cover recording of:
You Win Again (in 1957-10)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1952-09-03)
2:57
7Down the Line
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (from 1958-01-16 until 1958-01-18)
drums (drum set):
Jimmy Van Eaton (from 1958-01-16 until 1958-01-18)
guitar:
Roland Janes (from 1958-01-16 until 1958-01-18) and Billy Lee Riley (from 1958-01-16 until 1958-01-18)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-01-16 until 1958-01-18)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-01-16 until 1958-01-18)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
cover recording of:
Go Go Go (Down the Line) (from 1958-01-16 until 1958-01-18)
lyricist and composer:
Roy Orbison
publisher:
Barbara Orbison Music Company, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Roy Orbison Music Company and Roys Boy’s, LLC
2:15
8Breathless
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1958-01-21)
drums (drum set):
Jimmy Van Eaton (on 1958-01-21)
guitar:
Roland Janes (on 1958-01-21) and Billy Lee Riley (on 1958-01-21)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-01-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-01-21)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
recording of:
Breathless (on 1958-01-21)
lyricist and composer:
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. and Obie Music Inc.
42:45
9High School Confidential
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1958-03)
drums (drum set):
Jimmy Van Eaton (in 1958-03)
guitar:
Roland Janes (in 1958-03) and Billy Lee Riley (in 1958-03)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
compilation of:
High School Confidential (take named (3.5) on BCD 17254) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) and High School Confidential (take named (3.2) on BCD 17254) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
edit of:
High School Confidential (take named (3.2) on BCD 17254) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) and High School Confidential (take named (3.5) on BCD 17254) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 25)
recording of:
High School Confidential (in 1958-03)
writer:
Ron Hargrave (from 1958-01 until 1958-01-28) and Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-01 until 1958-01-28)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music and Penron Music Publishing
52:31
10Fools Like Me
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1958-03)
drums (drum set):
Jimmy Van Eaton (in 1958-03)
guitar:
Roland Janes (in 1958-03)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
background vocals and choir vocals:
Jack Clement (on 1958-04-08), Roland Janes (on 1958-04-08) and Roy Orbison (on 1958-04-08)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
remix of:
Fools Like Me (undubbed master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-04-08)
recording of:
Fools Like Me (on 1958-04-08)
writer:
Jack Clement and Pee Wee Maddux
publisher:
Knox Music, Inc.
2:52
11The Return of Jerry Lee
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
spoken vocals:
Jack Clement (on 1958-05-30) and George Klein (on 1958-05-30)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
recording of:
The Return of Jerry Lee
writer:
Jack Clement and Barbara Pittman
2:35
12Lewis Boogie
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1957-06)
drums (drum set):
Jimmy Van Eaton (in 1957-06)
guitar:
Roland Janes (in 1957-06)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
phonographic copyright (℗) by:
Sun Record Company (from 1958 to present, in 1958)
recording of:
Lewis Boogie (in 1957-06)
lyricist and composer:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
publisher:
Knox Music, Inc.
2:01
13Break Up
producer:
Bill Justis
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1958-07-11 until 1958-07-19)
drums (drum set):
Jimmy Van Eaton (from 1958-07-11 until 1958-07-19)
guitar:
Roland Janes (from 1958-07-11 until 1958-07-19)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-07-11 until 1958-07-19)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-07-11 until 1958-07-19)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
recording of:
Break Up (from 1958-07-11 until 1958-07-19)
lyricist and composer:
Charlie Rich (US country singer)
publisher:
Knox Music, Inc.
2:41
14I’ll Make It All Up to You
producer:
Jack Clement and Bill Justis
bass guitar and background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1958-07-21)
drums (drum set):
Otis Jett (on 1958-07-09) and Jimmy Van Eaton (on 1958-07-21)
guitar:
Roland Janes (on 1958-07-21)
piano:
Charlie Rich (US country singer) (on 1958-07-09)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-07-09)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
remix of:
I'll Make It All Up to You (undubbed master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) and I'll Make It All Up to You (guitar overdub of undubbed master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-07-21)
recording of:
I’ll Make It All Up to You (on 1958-07-21)
lyricist and composer:
Charlie Rich (US country singer)
publisher:
Hi Lo Music
3:06
15It Hurt Me So
producer:
Jack Clement, Bill Justis and Sam Phillips (founder of Sun Records)
bass guitar:
Cliff Acred (on 1958-11-05)
drums (drum set):
Jeff Davis (US 1950s drummer) (on 1958-11-05) and Jimmy Van Eaton (on 1958-11-05)
guitar:
Roland Janes (on 1958-11-05) and Billy Lee Riley (on 1958-11-05)
piano:
Charlie Rich (US country singer) (on 1958-11-05)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1958-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-11-05)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
remix of:
It Hurt Me So (undubbed master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
It Hurt Me So (in 1958-11)
lyricist and composer:
Bill Justis and Charlie Rich (US country singer)
publisher:
Jack Clement Music, Inc.
2:41
16I’ll Sail My Ship Alone
producer:
Jack Clement, Bill Justis and Sam Phillips (founder of Sun Records)
bass guitar:
Cliff Acred (on 1958-11-05)
drums (drum set):
Jeff Davis (US 1950s drummer) (on 1958-11-05) and Jimmy Van Eaton (on 1958-11-05)
guitar:
Roland Janes (on 1958-11-05) and Billy Lee Riley (on 1958-11-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-11-05)
saxophone:
Martin Willis (US saxophonist) (on 1958-11-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-11-05)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
cover recording of:
I’ll Sail My Ship Alone (on 1958-11-05)
writer:
Morry Burns, Henry Bernard, Lois Mann and Henry Thurston
2:09
17Lovin’ Up a Storm
producer:
Jack Clement, Bill Justis and Sam Phillips (founder of Sun Records)
bass guitar:
Billy Lee Riley (from 1958-12 until 1959-01)
drums (drum set):
Jimmy Van Eaton (from 1958-12 until 1959-01)
guitar:
Roland Janes (from 1958-12 until 1959-01)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-12 until 1959-01)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-12 until 1959-01)
phonographic copyright (℗) by:
Sun Record Company (in 1959)
cover recording of:
Lovin’ Up a Storm (from 1958-12 until 1959-01)
writer:
Luther Dixon and Allyson R. Khent
publisher:
Ludix Publishing Co., Inc.
1:53
18Big Blon’ Baby
producer:
Jack Clement, Bill Justis and Sam Phillips (founder of Sun Records)
bass guitar:
Billy Lee Riley (from 1958-12 until 1959-01)
drums (drum set):
Jimmy Van Eaton (from 1958-12 until 1959-01)
guitar:
Roland Janes (from 1958-12 until 1959-01)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-12 until 1959-01)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-12 until 1959-01)
phonographic copyright (℗) by:
Sun Record Company (in 1959)
recording of:
Big Blon’ Baby (from 1958-12 until 1959-01)
writer:
Kenny Jacobson and Rhoda Roberts
publisher:
Alamo Music, Inc.
1:43
19Let’s Talk About Us
producer:
Ernie Barton
bass guitar:
Leo Lodner (from 1959-06-25 until 1959-06-26)
drums (drum set):
Russell Smith (US 1950s drummer) (from 1959-06-25 until 1959-06-26)
guitar:
Roland Janes (from 1959-06-25 until 1959-06-26) and Billy Lee Riley (from 1959-06-25 until 1959-06-26)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1959-06-25 until 1959-06-26)
background vocals and choir vocals:
Gene Lowery Singers (from 1959-06-27 until 1959-06-30)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1959-06-25 until 1959-06-26)
phonographic copyright (℗) by:
Sun Record Company (in 1959)
remix of:
Let’s Talk About Us (undubbed master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Let’s Talk About Us (from 1959-06-27 until 1959-06-30)
lyricist and composer:
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1959)
2:09
20The Ballad of Billy Joe
producer:
Ernie Barton
bass guitar:
Leo Lodner (from 1959-06-25 until 1959-06-26)
drums (drum set):
Russell Smith (US 1950s drummer) (from 1959-06-25 until 1959-06-26)
guitar:
Roland Janes (on 1959-06-25) and Billy Lee Riley (from 1959-06-25 until 1959-06-26)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1959-06-25 until 1959-06-26)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1959-06-25 until 1959-06-26)
phonographic copyright (℗) by:
Sun Record Company (in 1959)
recording of:
The Ballad of Billy Joe (from 1959-06-25 until 1959-06-26)
lyricist and composer:
Charlie Rich (US country singer)
publisher:
Knox Music, Inc.
3:00
21Little Queenie
producer:
Jack Clement, Bill Justis and Sam Phillips (founder of Sun Records)
bass guitar:
Leo Lodner (on 1959-05-28)
drums (drum set):
Jimmy Van Eaton (on 1959-05-28)
guitar:
Roland Janes (on 1959-05-28)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1959-05-28)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1959-05-28)
phonographic copyright (℗) by:
Sun Record Company (in 1959)
cover recording of:
Little Queenie (on 1959-05-28)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:26
22I Could Never Be Ashamed of You
producer:
Jack Clement, Bill Justis and Sam Phillips (founder of Sun Records)
bass guitar:
Billy Lee Riley (from 1958-12 until 1959-01)
drums (drum set):
Jimmy Van Eaton (from 1958-12 until 1959-01)
guitar:
Roland Janes (from 1958-12 until 1959-01)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-12 until 1959-01)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-12 until 1959-01)
phonographic copyright (℗) by:
Sun Record Company (in 1959)
cover recording of:
I Could Never Be Ashamed of You (from 1958-12 until 1959-01)
lyricist and composer:
Hank Williams (country music legend)
2:25
23Old Black Joe
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
Stan Kesler (US session musician, composer and producer) (on 1958-07-09) and Leo Lodner (from 1960-01-21 until 1960-01-25)
drums (drum set):
Jimmy Van Eaton (on 1958-07-09, from 1960-01-21 until 1960-01-25)
guitar:
Roland Janes (on 1958-07-09, from 1960-01-21 until 1960-01-25)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1960-01-21 until 1960-01-25)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1958-07-21)
background vocals and choir vocals:
Gene Lowery Singers (in 1960-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1960-01-21 until 1960-01-25)
phonographic copyright (℗) by:
Sun Record Company (in 1960)
remix of:
Old Black Joe (undubbed master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Old Black Joe (Jerry Lee Lewis version) (in 1960-02)
lyricist and composer:
Stephen Foster (composer) (in 1853)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:06
24Baby Baby Bye Bye
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
Stan Kesler (US session musician, composer and producer) (on 1958-07-09) and Leo Lodner (from 1960-01-21 until 1960-01-25)
drums (drum set):
Jimmy Van Eaton (on 1958-07-09, from 1960-01-21 until 1960-01-25)
guitar:
Roland Janes (on 1958-07-09, from 1960-01-21 until 1960-01-25)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1960-01-21 until 1960-01-25)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1958-07-21) and Gene Lowery Singers (in 1960-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1960-01-21 until 1960-01-25)
phonographic copyright (℗) by:
Sun Record Company (in 1960)
remix of:
Baby Baby Bye Bye (undubbed master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
edit of:
Baby, Baby Bye Bye (chat & master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Baby Baby Bye Bye (in 1960-02)
writer:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) and Huey “Piano” Smith
1:59
25John Henry
drums (drum set):
Jimmy Van Eaton
guitar:
Roland Janes
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
tenor saxophone:
Martin Willis (US saxophonist)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
edit of:
John Henry (stereo extended) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
John Henry (Jerry Lee Lewis version)
writer:
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:34
26Hang Up My Rock ’n’ Roll Shoes
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
Leo Lodner (in 1960-06)
drums (drum set):
Jimmy Van Eaton (in 1960-06)
guitar:
Roland Janes (in 1960-06)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1960-06)
saxophone:
Martin Willis (US saxophonist) (in 1960-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1960-06)
phonographic copyright (℗) by:
Sun Record Company (in 1969)
cover recording of:
Hang Up My Rock and Roll Shoes (in 1960-06)
lyricist and composer:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Tideland Music Publishing Corporation and Unichappell Music, Inc.
2:36
27When I Get Paid
edit of:
When I Get Paid (extended) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
When I Get Paid
writer:
Henry Sledd and York Wilburn
2:49
28Love’s Made a Fool of Me
producer:
Scotty Moore (American guitarist and recording engineer) and Charles Underwood
bass guitar:
Billy Lee Riley (on 1960-10-13)
drums (drum set):
Jimmy Van Eaton (on 1960-10-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1960-10-13) and Brad Suggs (on 1960-10-13)
horn:
Robert Alexius (on 1960-10-13), Ronnie Capone (on 1960-10-13) and Fred Ford (horn player) (on 1960-10-13)
piano:
Larry Muhoberac (American musician, producer, and composer) (on 1960-10-13)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (ended)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1960-10-13)
phonographic copyright (℗) by:
Sun Record Company (in 1960)
remix of:
Love Made a Fool of Me (stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Love Made a Fool of Me (on 1960-10-13)
writer:
Henry Sledd and York Wilburn
2:47
2▼CD: The Original Singles, Part 2
#TitleArtistRatingLength
1What’d I Say
producer:
Billy Sherrill (US songwriter/producer/arranger)
bass guitar:
Bob Moore (U.S. bassist and bandleader) (on 1961-02-09)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1961-02-09)
guitar:
Hank Garland (on 1961-02-09) and Kelton ‘Kelso’ Herston (on 1961-02-09)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-02-09)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-02-09)
phonographic copyright (℗) by:
Sun Record Company (in 1961)
remix of:
What’d I Say (master stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
What’d I Say (on 1961-02-09)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jerry Lee Lewis2:29
2Livin’ Lovin’ Wreck
producer:
Billy Sherrill (US songwriter/producer/arranger)
bass guitar:
Bob Moore (U.S. bassist and bandleader) (on 1961-02-09)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1961-02-09)
guitar:
Hank Garland (on 1961-02-09) and Kelton ‘Kelso’ Herston (on 1961-02-09)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-02-09)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-02-09)
phonographic copyright (℗) by:
Sun Record Company (in 1961)
remix of:
Livin’ Lovin’ Wreck (stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Livin’ Lovin’ Wreck (on 1961-02-09)
lyricist and composer:
Otis Blackwell (American pianist, singer and songwriter)
Jerry Lee Lewis2:05
3Cold Cold Heart
producer:
Billy Sherrill (US songwriter/producer/arranger)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”)
drums (drum set):
Jimmy Van Eaton
guitar:
Roland Janes
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
remix of:
Cold Cold Heart (master stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
edit of:
Cold Cold Heart (slate & master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Cold, Cold Heart (on 1961-02-09)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1951-02-16)
Jerry Lee Lewis43:08
4It Won’t Happen With Me
bass guitar:
Bob Moore (U.S. bassist and bandleader) (on 1961-06-12)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1961-06-12)
guitar:
Kelton ‘Kelso’ Herston (on 1961-06-12) and Wayne Moss (on 1961-06-12)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1961-06-12)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-06-12)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-06-12)
phonographic copyright (℗) by:
Sun Record Company (in 1961)
remix of:
It Won't Happen With Me (master stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
It Won’t Happen With Me (on 1961-06-12)
lyricist and composer:
Raymond Lamont Evans
publisher:
Knox Music, Inc.
Jerry Lee Lewis3:01
5Save the Last Dance for Me
bass guitar:
Bob Moore (U.S. bassist and bandleader) (on 1961-06-12)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1961-06-12)
guitar:
Kelton ‘Kelso’ Herston (on 1961-06-12) and Wayne Moss (on 1961-06-12)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1961-06-12)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-06-12)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-06-12)
phonographic copyright (℗) by:
Sun Record Company (in 1961)
remix of:
Save the Last Dance for Me (stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Save the Last Dance for Me (on 1961-06-12)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
Jerry Lee Lewis1:52
6As Long as I Live
bass guitar:
W.S. 'T-Willie' Stevenson (from 1960-01-21 until 1960-01-25)
drums (drum set):
Jimmy Van Eaton
guitar:
Roland Janes
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
edit of:
As Long as I Live (false start & master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
As Long as I Live (in 1960-01)
lyricist and composer:
Roy Acuff
Jerry Lee Lewis2:28
7Money (That’s What I Need)
edit of:
Money (extended) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Money (That’s What I Want)
writer:
Janie Bradford and Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
Jerry Lee Lewis2:38
8Bonnie B.
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
Leo Lodner (from 1960-01-21 until 1960-01-25)
drums (drum set):
Jimmy Van Eaton (from 1960-01-21 until 1960-01-25)
guitar:
Roland Janes (from 1960-01-21 until 1960-01-25)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1960-01-21 until 1960-01-25)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1960-01-21 until 1960-01-25)
phonographic copyright (℗) by:
Sun Record Company (in 1961)
recording of:
Bonnie B (from 1960-01-21 until 1960-01-25)
lyricist and composer:
Charles Underwood
Jerry Lee Lewis2:21
9I’ve Been Twistin’
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
R.W. McGee (on 1962-01-04)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1962-01-04)
guitar:
Roland Janes (on 1962-01-04) and Brad Suggs (on 1962-01-04)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-01-04)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-01-04)
phonographic copyright (℗) by:
Sun Record Company (in 1962)
compilation of:
I've Been Twistin' (take named (1) on BCD 17254) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) and I've Been Twistin' (take 4) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
edit of:
I've Been Twistin' (take 4) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) and I've Been Twistin' (take named (1) on BCD 17254) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
I’ve Been Twistin’ (on 1962-01-04)
lyricist and composer:
Herman Parker Jr.
Jerry Lee Lewis3:16
10Ramblin’ Rose
producer:
Billy Sherrill (US songwriter/producer/arranger)
bass guitar:
Bob Moore (U.S. bassist and bandleader) (on 1961-09-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1961-09-21)
guitar:
Jerry Kennedy (on 1961-09-21) and Wayne Moss (on 1961-09-21)
horn:
Cameron Mullins (on 1961-09-21), Don Sheffield (on 1961-09-21), Bill McElhiney (on 1961-09-21) and John Wilkin (on 1961-09-21)
organ:
Jerry Tuttle (on 1961-09-21)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-09-21)
saxophone:
Karl Gavin (on 1961-09-21), Jim Hall (saxophonist) (on 1961-09-21) and Homer 'Boots' Randolph (on 1961-09-21)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-09-21)
phonographic copyright (℗) by:
Sun Record Company (in 1989)
cover recording of:
Ramblin’ Rose (Written by Wilkin and Burch) (on 1961-09-21)
writer:
Fred Burch and Marijohn Wilkin
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Jerry Lee Lewis3:21
11Sweet Little Sixteen
edit of:
Sweet Little Sixteen (slate & master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Sweet Little Sixteen
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Jerry Lee Lewis2:56
12How’s My Ex Treating You
producer:
Scotty Moore (American guitarist and recording engineer) and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1962-06-14)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1962-06-14)
guitar:
Roland Janes (on 1962-06-14) and Scotty Moore (American guitarist and recording engineer) (on 1962-06-14)
organ:
Shirley Sisk (on 1962-06-14)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-06-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-06-14)
phonographic copyright (℗) by:
Sun Record Company (in 1962)
recording of:
How’s My Ex Treating You (on 1962-06-14)
lyricist and composer:
Vic McAlpin
Jerry Lee Lewis2:38
13Good Golly Miss Molly
producer:
Billy Sherrill (US songwriter/producer/arranger)
bass guitar:
Floyd Chance (on 1962-09-11)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1962-09-11)
guitar:
Fred Carter (on 1962-09-11) and Kelton ‘Kelso’ Herston (on 1962-09-11)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-09-11)
background vocals and choir vocals:
Helen Chance (on 1962-09-11), Neal Matthews (on 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (on 1962-09-11) and Marijohn Wilkin (on 1962-09-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-09-11)
phonographic copyright (℗) by:
Sun Record Company (in 1962)
remix of:
Good Golly Miss Molly (master stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Good Golly Miss Molly (on 1962-09-11)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. and Robin Hood Music Co.
Jerry Lee Lewis2:20
14I Can’t Trust Me (In Your Arms Anymore)
producer:
Billy Sherrill (US songwriter/producer/arranger)
bass guitar:
Floyd Chance (on 1962-09-11)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1962-09-11)
guitar:
Fred Carter (on 1962-09-11) and Kelton ‘Kelso’ Herston (on 1962-09-11)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-09-11)
background vocals and choir vocals:
Helen Chance (on 1962-09-11), Neal Matthews (on 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (on 1962-09-11) and Marijohn Wilkin (on 1962-09-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-09-11)
phonographic copyright (℗) by:
Sun Record Company (in 1962)
remix of:
I Can't Trust Me (In Your Arms Anymore) (master stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
I Can’t Trust Me in Your Arms Anymore (on 1962-09-11)
writer:
Tommy Certain and Vic McAlpin
Jerry Lee Lewis2:15
15Teenage Letter
remix of:
Teenage Letter (stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
edit of:
Teenage Letter (false start & take 2) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Teenage Letter
lyricist and composer:
Renald Richard
Jerry Lee Lewis2:23
16Season of My Heart
edit of:
Seasons of My Heart (chat & take 1) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) & Linda Gail Lewis
recording of:
Seasons of My Heart
writer:
Darrell Edwards and George Jones (US country music vocalist)
publisher:
Fort Knox Music Inc. and Trio Music Company
Jerry Lee Lewis & Linda Gail Lewis3:02
17Carry Me Back to Old Virginia
edit of:
Carry Me Back to Old Virginia (extended master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Carry Me Back to Old Virginia (Jerry Lee Lewis version)
lyricist and composer:
James A. Bland
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
version of:
Carry Me Back to Old Virginny
Jerry Lee Lewis2:28
18I Know What It Means
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
R.W. McGee (on 1962-01-04)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1962-01-04)
guitar:
Roland Janes (on 1962-01-04) and Brad Suggs (on 1962-01-04)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-01-04)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-01-04)
phonographic copyright (℗) by:
Sun Record Company (in 1965)
cover recording of:
I Know What It Means (on 1962-01-04)
lyricist and composer:
Stan Kesler (US session musician, composer and producer)
publisher:
Katrina Music Publishing Company
Jerry Lee Lewis2:42
19I Get the Blues When It Rains
edit of:
I Get the Blues When It Rains (false start & master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
I Get the Blues When It Rains
lyricist and composer:
Marcy Klauber and Harry Stoddard
Jerry Lee Lewis2:15
20In the Mood
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
Leo Lodner (from 1960-01-21 until 1960-01-25)
drums (drum set):
Jimmy Van Eaton (from 1960-01-21 until 1960-01-25)
guitar:
Roland Janes (from 1960-01-21 until 1960-01-25)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1960-01-21 until 1960-01-25)
phonographic copyright (℗) by:
Sun Record Company (in 1960)
cover recording of:
In the Mood (from 1960-01-21 until 1960-01-25)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
Jerry Lee Lewis2:22
21Invitation to Your Party
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
Herman 'Hawk' Hawkins (on 1963-08-28)
drums (drum set):
Morris 'Tarp' Tarrant (American drummer) (on 1963-08-28)
guitar:
Roland Janes (on 1963-08-28) and Scotty Moore (American guitarist and recording engineer) (on 1963-08-28)
organ:
W.R. Felts (on 1963-08-28)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1963-08-28)
strings:
Joan Gilbert (on 1963-08-28), Noel Gilbert (on 1963-08-28), Milton Friedsland (on 1963-08-28) and Anne Oldham (on 1963-08-28)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1963-08-28)
chorus master:
Hurshel Wayne Wiginton (on 1963-08-28)
strings arranger:
Vinnie Trauth (on 1963-08-28)
phonographic copyright (℗) by:
Sun Record Company (in 1969)
remix of:
Invitation to Your Party (take named (9) on BCD 17254 stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Invitation to Your Party (on 1963-08-28)
lyricist and composer:
Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
Jerry Lee Lewis1:57
22Frankie & Johnny
producer:
Jack Clement, Bill Justis and Sam Phillips (founder of Sun Records)
bass guitar:
Billy Lee Riley (from 1958-12 until 1959-01)
drums (drum set):
Jimmy Van Eaton (from 1958-12 until 1959-01)
guitar:
Roland Janes (from 1958-12 until 1959-01)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-12 until 1959-01)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-12 until 1959-01)
phonographic copyright (℗) by:
Sun Record Company (in 1961)
recording of:
Frankie and Johnny (Jerry Lee Lewis version) (from 1958-12 until 1959-01)
writer:
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
arrangement of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
Jerry Lee Lewis2:35
23One Minute Past Eternity
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
Herman 'Hawk' Hawkins (on 1963-08-28)
drums (drum set):
Morris 'Tarp' Tarrant (American drummer) (on 1963-08-28)
guitar:
Roland Janes (on 1963-08-28) and Scotty Moore (American guitarist and recording engineer) (on 1963-08-28)
organ:
W.R. Felts (on 1963-08-28)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1963-08-28)
strings:
Joan Gilbert (on 1963-08-28), Noel Gilbert (on 1963-08-28), Milton Friedsland (on 1963-08-28) and Anne Oldham (on 1963-08-28)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1963-08-28)
chorus master:
Hurshel Wayne Wiginton (on 1963-08-28)
strings arranger:
Vinnie Trauth (on 1963-08-28)
phonographic copyright (℗) by:
Sun Record Company (in 1969)
recording of:
One Minute Past Eternity (on 1963-08-28)
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
Jerry Lee Lewis2:05
24I Can’t Seem to Say Goodbye
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
Herman 'Hawk' Hawkins (on 1963-08-28)
drums (drum set):
Morris 'Tarp' Tarrant (American drummer) (on 1963-08-28)
guitar:
Roland Janes (on 1963-08-28) and Scotty Moore (American guitarist and recording engineer) (on 1963-08-28)
organ:
W.R. Felts (on 1963-08-28)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1963-08-28)
strings:
Joan Gilbert (on 1963-08-28), Noel Gilbert (on 1963-08-28), Milton Friedsland (on 1963-08-28) and Anne Oldham (on 1963-08-28)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1963-08-28)
chorus master:
Hurshel Wayne Wiginton (on 1963-08-28)
strings arranger:
Vinnie Trauth (on 1963-08-28)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
remix of:
I Can't Seem to Say Goodbye (take named (2) on BCD 17254 stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
I Can’t Seem to Say Goodbye (on 1963-08-28)
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
Jerry Lee Lewis2:35
25Waiting for a Train
producer:
Scotty Moore (American guitarist and recording engineer) and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1962-01-05)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1962-01-05)
guitar:
Roland Janes (on 1962-01-05) and Scotty Moore (American guitarist and recording engineer) (on 1962-01-05)
organ:
Shirley Sisk (on 1962-01-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-01-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-01-05)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
remix of:
Waiting for a Train (take named (1.2) on BCD 17254 stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Waiting for a Train (on 1962-01-05)
lyricist and composer:
Jimmie Rodgers (country music pioneer, died in 1933)
Jerry Lee Lewis1:43
26Big Legged Woman
producer:
Jack Clement and Bill Justis
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1958-07-11 until 1958-07-19)
drums (drum set):
Jimmy Van Eaton (from 1958-07-11 until 1958-07-19)
guitar:
Roland Janes (from 1958-07-11 until 1958-07-19)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-07-11 until 1958-07-19)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-07-11 until 1958-07-19)
phonographic copyright (℗) by:
Sun Record Company (in 1969)
recording of:
Big Legged Woman (from 1958-07-11 until 1958-07-19)
writer:
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Jerry Lee Lewis2:28
27Love on Broadway
edit of:
Love on Broadway (chat & take) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Love on Broadway
writer:
Dub Allbritten and Ronnie Self (rockabilly singer and songwriter)
Jerry Lee Lewis2:33
28Your Lovin’ Ways
edit of:
Your Lovin' Ways (slate & take 8) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Your Lovin’ Ways
writer:
Robert Chilton and Alton Harkins
Jerry Lee Lewis2:40
29I Can’t Trust Me (In Your Arms Anymore) (remix)
Jerry Lee Lewis2:27
3▼CD: Country Roots
#TitleRatingLength
1You’re the Only Star in My Blue Heaven
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (on 1956-11-14)
guitar:
Roland Janes (on 1956-11-14)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1956-11-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1956-11-14)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
cover recording of:
You're the Only Star in My Blue Heaven (on 1956-11-14)
lyricist and composer:
Gene Autry (“The Singing Cowboy”)
2:40
2Born to Lose
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (on 1956-11-14)
guitar:
Roland Janes (from 1956-11-14 until 1956-11)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1956-11-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1956-11-14)
phonographic copyright (℗) by:
Sun Record Company (in 1974)
cover recording of:
Born to Lose (on 1956-11-14)
lyricist and composer:
Frankie Brown
publisher:
Peer International Corporation (BMI) (on 1943-05-29)
2:41
3Silver Threads Among the Gold
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (from 1956-11 until 1956-12)
guitar:
Roland Janes (from 1956-11 until 1956-12)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
recording of:
Silver Threads Among the Gold (Jerry Lee Lewis version) (from 1956-11 until 1956-12)
lyricist:
Eben E. Rexford (in 1873)
composer:
Hart Pease Danks (in 1873)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
version of:
Silver Threads Among the Gold
2:07
4I’m Throwing Rice (At the Girl I Love)
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1958-03)
drums (drum set):
Jimmy Van Eaton (in 1958-03)
guitar:
Roland Janes (in 1958-03)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
cover recording of:
I’m Throwing Rice At the Girl I Love (in 1958-03)
lyricist and composer:
Eddy Arnold, Ed G. Nelson (Popular music songwriter and bandleader) and Steve Nelson (US songwriter who co-wrote “Frosty the Snowman”)
publisher:
Hill and Range Songs, Inc. (publisher) (on 1949-06-27)
2:16
5I Love It So Much It Hurts
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (from 1958-01-16 until 1958-01-18)
drums (drum set):
Jimmy Van Eaton (from 1958-01-16 until 1958-01-18)
guitar:
Roland Janes (from 1958-01-16 until 1958-01-18) and Billy Lee Riley (from 1958-01-16 until 1958-01-18)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-01-16 until 1958-01-18)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-01-16 until 1958-01-18)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
cover recording of:
I Love You So Much It Hurts (from 1958-01-16 until 1958-01-18)
lyricist and composer:
Floyd Tillman
2:22
6Deep Elem Blues
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
John Van Eaton (from 1956-11 until 1956-12)
guitar:
Roland Janes (from 1956-11 until 1956-12)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
phonographic copyright (℗) by:
Sun Record Company (in 1987)
cover recording of:
Deep Elm Blues (from 1956-11 until 1956-12)
lyricist and composer:
Leon Chappelear
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1934-01-13)
2:45
7Hand Me Down My Walking Cane
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
J.W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1957-05-30)
drums (drum set):
Russell Smith (US 1950s drummer) (on 1957-05-30)
guitar:
Roland Janes (on 1957-05-30)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-05-30)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-05-30)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
recording of:
Hand Me Down My Walking Cane (Jerry Lee Lewis version) (on 1957-05-30)
lyricist and composer:
James A. Bland
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
version of:
Hand Me Down My Walking Cane
2:20
8Crawdad Song
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (from 1956-11 until 1956-12)
guitar:
Roland Janes (from 1956-11 until 1956-12)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
recording of:
Crawdad Song (from 1956-11 until 1956-12)
writer:
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
version of:
Crawdad Song
1:51
9Dixie
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (from 1956-11 until 1956-12)
guitar:
Roland Janes (from 1956-11 until 1956-12)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
phonographic copyright (℗) by:
Sun Record Company (in 1974)
instrumental cover recording of:
Dixie (from 1956-11 until 1956-12)
lyricist and composer:
Daniel Decatur Emmett (19th century songwriter)
writer:
[traditional] (special purpose artist)
publisher:
Klezmer Corp (publisher, ASCAP)
1:33
10Goodnight Irene
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (from 1956-11 until 1956-12)
guitar:
Roland Janes (from 1956-11 until 1956-12)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
cover recording of:
Goodnight, Irene (Raffi adaptation) (from 1956-11 until 1956-12)
lyricist:
Debi Pike and Raffi (Canadian singer/songwriter/author)
composer:
Huddie Ledbetter and John A. Lomax
publisher:
Ludlow Music, Inc.
is based on:
Goodnight Irene
3:02
11Will the Circle Be Unbroken
producer:
Ernie Barton
bass guitar:
Leo Lodner (from 1959-06-25 until 1959-06-26)
drums (drum set):
Russell Smith (US 1950s drummer) (from 1959-06-25 until 1959-06-26)
guitar:
Roland Janes (from 1959-06-25 until 1959-06-26) and Billy Lee Riley (from 1959-06-25 until 1959-06-26)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1959-06-25 until 1959-06-26)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1959-06-25 until 1959-06-26)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
cover recording of:
Can the Circle Be Unbroken (By and By) (from 1959-06-25 until 1959-06-26)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (on 1907-04-30)
additional lyricist and additional composer:
A.P. Carter
lyricist:
Ada Ruth Habershon (in 1907)
composer:
Charles Hutchinson Gabriel (in 1907)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1935-06-22)
version of:
Will the Circle Be Unbroken?
2:25
12Old Time Religion
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (in 1957-02)
guitar:
Roland Janes (in 1957-02)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
recording of:
Old Time Religion (Jerry Lee Lewis version) (in 1957-02)
writer:
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
version of:
Old-Time Religion (Gospel song)
1:56
13When the Saints Go Marchin’ In
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (in 1957-02)
guitar:
Roland Janes (in 1957-02)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
recording of:
When the Saints Go Marching In (in 1957-02)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
2:13
14Turn Around
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1957-07)
drums (drum set):
Jimmy Van Eaton (in 1957-07)
guitar:
Roland Janes (in 1957-07)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-07)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-07)
phonographic copyright (℗) by:
Sun Record Company (in 1957)
cover recording of:
Turn Around (in 1957-07)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Hi Lo Music and Hill & Range Songs, Inc. (publisher)
2:51
15That Lucky Old Sun
producer:
Jack Clement and Bill Justis
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-07-05 until 1958-07-07)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-07-05 until 1958-07-07)
phonographic copyright (℗) by:
Sun Record Company (in 1975)
cover recording of:
That Lucky Old Sun (from 1958-07-05 until 1958-07-07)
lyricist:
Haven Gillespie (in 1949)
composer:
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. and Robbins Music Corp.
3:11
16I Love You Because
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (from 1958-01-16 until 1958-01-18)
drums (drum set):
Jimmy Van Eaton (from 1958-01-16 until 1958-01-18)
guitar:
Roland Janes (from 1958-01-16 until 1958-01-18) and Billy Lee Riley (from 1958-01-16 until 1958-01-18)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-01-16 until 1958-01-18)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-01-16 until 1958-01-18)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
cover recording of:
I Love You Because (from 1958-01-16 until 1958-01-18)
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
3:04
17I Can’t Help It (If I’m Still in Love with You)
producer:
Jack Clement and Bill Justis
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1958-07-11 until 1958-07-19)
drums (drum set):
Jimmy Van Eaton (from 1958-07-11 until 1958-07-19)
guitar:
Roland Janes (from 1958-07-11 until 1958-07-19)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-07-11 until 1958-07-19)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-07-11 until 1958-07-19)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
cover recording of:
I Can’t Help It (If I’m Still in Love With You) (from 1958-07-11 until 1958-07-19)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Chappell & Co. and Acuff-Rose Publications, Inc. (BMI) (on 1951-04-25)
2:55
18Cold Cold Heart
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1958-01-21)
drums (drum set):
Jimmy Van Eaton (on 1958-01-21)
guitar:
Roland Janes (on 1958-01-21) and Billy Lee Riley (on 1958-01-21)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-01-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-01-21)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
cover recording of:
Cold, Cold Heart (on 1958-01-21)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1951-02-16)
3:09
19Shame on You
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun Record Company (in 1974)
cover recording of:
Shame on You (on 1957-02-05)
lyricist and composer:
Spade Cooley
writer:
Donnell Clyde Cooley, Jr.
2:12
20I’ll Keep on Lovin’ You
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1957-06)
drums (drum set):
Jimmy Van Eaton (in 1957-06)
guitar:
Roland Janes (in 1957-06)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
cover recording of:
I’ll Keep On Loving You (Alternative title: If the World Keeps on Turning) (in 1957-06)
lyricist and composer:
Floyd Tillman
1:52
21Ole Pal of Yesterday
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (in 1957-02)
guitar:
Roland Janes (in 1957-02)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-02)
phonographic copyright (℗) by:
Sun Record Company (in 1986)
cover recording of:
Ole Pal of Yesterday (in 1957-02)
lyricist and composer:
Jimmy Long
2:38
22You Win Again
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
J.W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1957-05-30)
drums (drum set):
Russell Smith (US 1950s drummer) (on 1957-05-30)
guitar:
Roland Janes (on 1957-05-30)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-05-30)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-05-30)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
cover recording of:
You Win Again (on 1957-05-30)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1952-09-03)
2:08
23I’ll Sail My Ship Alone
producer:
Jack Clement, Bill Justis and Sam Phillips (founder of Sun Records)
bass guitar:
Cliff Acred (on 1958-11-05)
drums (drum set):
Jeff Davis (US 1950s drummer) (on 1958-11-05) and Jimmy Van Eaton (on 1958-11-05)
guitar:
Roland Janes (on 1958-11-05) and Billy Lee Riley (on 1958-11-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-11-05)
saxophone:
Martin Willis (US saxophonist) (on 1958-11-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-11-05)
phonographic copyright (℗) by:
Sun Record Company (in 1982)
cover recording of:
I’ll Sail My Ship Alone (on 1958-11-05)
writer:
Morry Burns, Henry Bernard, Lois Mann and Henry Thurston
2:10
24Little Green Valley
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
J.W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1957-05-30)
drums (drum set):
Russell Smith (US 1950s drummer) (on 1957-05-30)
guitar:
Roland Janes (on 1957-05-30)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-05-30)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-05-30)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
cover recording of:
Little Green Valley (on 1957-05-30)
lyricist and composer:
Carson Robison
1:54
25My Carolina Sunshine Girl
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun Record Company (in 1974)
cover recording of:
My Carolina Sunshine Girl (on 1957-02-05)
lyricist and composer:
Jimmie Rodgers (country music pioneer, died in 1933)
1:54
26Long Gone Lonesome Blues
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun Record Company (in 1974)
cover recording of:
Long Gone Lonesome Blues (on 1957-02-05)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1950-03-01)
2:06
27You Are My Sunshine
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
guitar:
Roland Janes (on 1957-02-05)
membranophone:
Jimmy Van Eaton (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
compilation of:
You Are My Sunshine (2 false starts named (1) on BCD 17254) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) and You Are My Sunshine (take named (2) on BCD 17254) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
You Are My Sunshine (on 1957-02-05)
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter and steel guitarist)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
2:26
28Singing the Blues
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (from 1956-11 until 1956-12)
guitar:
Roland Janes (from 1956-11 until 1956-12)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
phonographic copyright (℗) by:
Sun Record Company (in 1971)
cover recording of:
Singing the Blues (from 1956-11 until 1956-12)
lyricist and composer:
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) and Acuff-Rose Music Limited (UK)
2:09
29I Forgot to Remember to Forget
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-08-21)
drums (drum set):
Otis Jett (on 1957-08-21)
guitar:
Roland Janes (on 1957-08-21)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-08-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-08-21)
phonographic copyright (℗) by:
Sun Record Company (in 1987)
cover recording of:
I Forgot to Remember to Forget (on 1957-08-21)
writer:
Charlie Feathers and Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:28
30I’ll Make It All Up to You
edit of:
I'll Make It All Up to You (false start & take named (1.2) on BCD 17254) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
I’ll Make It All Up to You
lyricist and composer:
Charlie Rich (US country singer)
publisher:
Hi Lo Music
2:44
4▶CD: Hillbilly Music
5▶CD: Sixty Minute Man, R&B Roots
6▶CD: Hits Re-defined (I Did ’Em My Way)
7▶CD: Rarities, Not on CD
8▶CD: More Rarities
9▶CD: Unissued Takes, Vol. 1
10▶CD: Pumpin’ Piano Rock (Did I Write Some of ’Em?)
11▶CD: Unissued Takes, Vol. 2
12▶CD: Bonus CD

Credits

Release

liner notes:Adam Komorowski (compilation producer) (until 1992-07-27)
co-producer:Adam Komorowski (compilation producer) (until 1993)
Joop Visser (Dutch record producer) (until 1993)
mastering:Andy Pearce (Mastering engineer) (until 1993)
compiler:Adam Komorowski (compilation producer) (until 1993)
Discogs:https://www.discogs.com/release/3895721 [info]