Bernstein Conducts Bernstein

~ Release by Leonard Bernstein (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleRatingLength
1On the Town: Three Dance Episodes (1944): I. The Great Lover. Allegro pesante
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Three Dance Episodes from “On the Town”: I. The Great Lover (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1945)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
1:51
2On the Town: Three Dance Episodes (1944): II. Andante. Sostenuto
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Three Dance Episodes from “On the Town”: II. Lonely Town: Pas de deux (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1945)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
3:40
3On the Town: Three Dance Episodes (1944): III. Times Square: 1944. Allegro
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Three Dance Episodes from “On the Town”: III. Times Square: 1944 (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1945)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
4:54
4Fancy Free (Ballet 1944): Big Stuff (Blues) (beginning)
producer:
Hans Weber (producer/engineer)
bass guitar:
Thissy Thiers (on 1978-10-23)
drums (drum set) [drums]:
Dicky Tarrach (on 1978-10-23)
piano:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
solo piano:
Ruth Mense (pianist)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
live partial recording of:
Fancy Free: Big Stuff (on 1978-10-23)
lyricist and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
0:36
5Fancy Free (Ballet 1944): I. opening dance
producer:
Hans Weber (producer/engineer)
solo piano:
Ruth Mense (pianist)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Fancy Free: I. Enter Three Sailors (on 1978-10-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
3:05
6Fancy Free (Ballet 1944): II. Scene at the Bar
producer:
Hans Weber (producer/engineer)
solo piano:
Ruth Mense (pianist)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Fancy Free: II. Scene at the Bar (on 1978-10-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
1:49
7Fancy Free (Ballet 1944): III. Enter Two Girls
producer:
Hans Weber (producer/engineer)
solo piano:
Ruth Mense (pianist)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Fancy Free: III. Enter Two Girls (on 1978-10-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
2:51
8Fancy Free (Ballet 1944): IV. Pas de deux
producer:
Hans Weber (producer/engineer)
solo piano:
Ruth Mense (pianist)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Fancy Free: IV. Pas de deux (on 1978-10-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
is based on:
Fancy Free: Big Stuff
part of:
Fancy Free
3:19
9Fancy Free (Ballet 1944): V. Competition Scene
producer:
Hans Weber (producer/engineer)
solo piano:
Ruth Mense (pianist)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Fancy Free: V. Competition Scene (on 1978-10-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
3:18
10Fancy Free (Ballet 1944): VI. Variation I: Galop
producer:
Hans Weber (producer/engineer)
solo piano:
Ruth Mense (pianist)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Fancy Free: VI. Three Dance Variations: Variation I: Galop (on 1978-10-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
1:28
11Fancy Free (Ballet 1944): Variation II (Waltz)
producer:
Hans Weber (producer/engineer)
solo piano:
Ruth Mense (pianist)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Fancy Free: VI. Three Dance Variations: Variation II: Waltz (on 1978-10-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
2:40
12Fancy Free (Ballet 1944): Variation III (Danzon)
producer:
Hans Weber (producer/engineer)
solo piano:
Ruth Mense (pianist)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Fancy Free: VI. Three Dance Variations: Variation III: Danzon (on 1978-10-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
2:49
13Fancy Free (Ballet 1944): VII. Finale
producer:
Hans Weber (producer/engineer)
solo piano:
Ruth Mense (pianist)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Fancy Free: VII. Finale (on 1978-10-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
5:01
14Fancy Free (Ballet 1944): Big Stuff (blues)
producer:
Hans Weber (producer/engineer)
bass guitar:
Thissy Thiers (on 1978-10-23)
drums (drum set) [drums]:
Dicky Tarrach (on 1978-10-23)
piano and lead vocals:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
solo piano:
Ruth Mense (pianist)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Fancy Free: Big Stuff (on 1978-10-23)
lyricist and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
1:57
15Facsimile (1946): Choreographic Essay for Orchestra
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Facsimile: Choreographic Essay for Orchestra (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1946)
19:14
2CD
#TitleRatingLength
1Overture to Candide (1956)
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Hanno Rinke
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
recording of:
Candide: Overture (on 1982-07-24)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
4:25
2Symphonic Dances from 'West Side Story' (1957): Prologue: Allegro moderato
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Symphonic Dances from West Side Story: I. Prologue. Allegro moderato (on 1982-07-24)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
4:06
3Symphonic Dances from 'West Side Story' (1957): Somewhere (Adagio)
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Symphonic Dances from West Side Story: II. “Somewhere”. Adagio (on 1982-07-24)
additional orchestrator:
Irwin Kostal and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
4:35
4Symphonic Dances from 'West Side Story' (1957): Scherzo: Vivace leggiero
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Symphonic Dances from West Side Story: III. Scherzo. Vivace leggiero (on 1982-07-24)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
1:20
5Symphonic Dances from 'West Side Story' (1957): Mambo: Presto
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Symphonic Dances from West Side Story: IV. Mambo. Presto (on 1982-07-24)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
2:21
6Symphonic Dances from 'West Side Story' (1957): Cha-Cha (Andantino con grazia)
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Symphonic Dances from West Side Story: V. Cha-Cha (“Maria”). Andantino con grazia (on 1982-07-24)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
0:55
7Symphonic Dances from 'West Side Story' (1957): Meeting Scene: Meno mosso
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Symphonic Dances from West Side Story: VI. Meeting Scene. Meno mosso (on 1982-07-24)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
0:47
8Symphonic Dances from 'West Side Story' (1957): Cool Fugue (Allegretto)
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Symphonic Dances from West Side Story: VII. “Cool” Fugue. Allegretto (on 1982-07-24)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
3:44
9Symphonic Dances from 'West Side Story' (1957): Rumble: Molto allegro
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Symphonic Dances from West Side Story: VIII. Rumble. Molto allegro (on 1982-07-24)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
1:56
10Symphonic Dances from 'West Side Story' (1957): Finale: Adagio
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Symphonic Dances from West Side Story: IX. Finale. Adagio (on 1982-07-24)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
recording of:
Symphonic Dances from West Side Story: IX. Finale. Adagio (on 1982-07-24)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
3:19
11Symphonic Suite from the Film "On the Waterfront" (1955): Andante (with dignity) - Presto barbaro
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
live recording of:
Symphonic Suite from On the Waterfront: I. Andante (with dignity) - Presto barbaro (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1955)
part of:
Symphonic Suite from On the Waterfront
3:17
12Symphonic Suite from the Film "On the Waterfront" (1955): Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
live recording of:
Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1955)
part of:
Symphonic Suite from On the Waterfront
2:23
13Symphonic Suite from the Film "On the Waterfront" (1955): Andante largamente - More flowing-Lento
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
live recording of:
Symphonic Suite from On the Waterfront: III. Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1955)
part of:
Symphonic Suite from On the Waterfront
5:12
14Symphonic Suite from the Film "On the Waterfront" (1955): Moving forward - Largamente - Andante come prima
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
live recording of:
Symphonic Suite from On the Waterfront: IV. Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1955)
part of:
Symphonic Suite from On the Waterfront
3:45
15Symphonic Suite from the Film "On the Waterfront" (1955): Allegro non troppo, molto marcato - Poco più sostenuto
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
live recording of:
Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1955)
part of:
Symphonic Suite from On the Waterfront
4:44
16Symphonic Suite from the Film "On the Waterfront" (1955): a tempo (Poco più sostenuto)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
live recording of:
Symphonic Suite from On the Waterfront: VI. A tempo (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1955)
part of:
Symphonic Suite from On the Waterfront
2:21
17Prelude, Fugue and Riffs (1949): Prelude (for the Brass): Fast and exact
clarinet:
Peter Schmidl (clarinetist) (on 1988-09-22)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1988-09-22)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1988-09-22)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (on 1988-09-22)
live recording of:
Prelude, Fugue and Riffs: I. Prelude for the Brass (on 1988-09-22)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1949)
part of:
Prelude, Fugue and Riffs
1:54
18Prelude, Fugue and Riffs (1949): Fugue (for the Saxes): Exactly the same beat
clarinet:
Peter Schmidl (clarinetist) (on 1988-09-22)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1988-09-22)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1988-09-22)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (on 1988-09-22)
live recording of:
Prelude, Fugue and Riffs: II. Fugue for the Saxes (on 1988-09-22)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1949)
part of:
Prelude, Fugue and Riffs
1:51
19Prelude, Fugue and Riffs (1949): Riffs (for Everyone)
clarinet:
Peter Schmidl (clarinetist) (on 1988-09-22)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1988-09-22)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1988-09-22)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (on 1988-09-22)
live recording of:
Prelude, Fugue and Riffs: III. Riffs for Everyone (on 1988-09-22)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1949)
part of:
Prelude, Fugue and Riffs
4:29
3CD
#TitleRatingLength
1Symphony No.1 'Jeremiah' (1942): I. Prophecy: Largamente
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1977-08-23)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Symphony no. 1 “Jeremiah”: I. Prophecy (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1942)
part of:
Symphony no. 1 “Jeremiah”
7:15
2Symphony No.1 'Jeremiah' (1942): II. Profanation: Vivace con brio
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1977-08-23)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Symphony no. 1 “Jeremiah”: II. Profanation (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1942)
part of:
Symphony no. 1 “Jeremiah”
6:53
3Symphony No.1 'Jeremiah' (1942): III. Lamentation: Lento
producer:
Hans Weber (producer/engineer)
solo mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (on 1977-08-23)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1977-08-23)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Symphony no. 1 “Jeremiah”: III. Lamentation (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1942)
part of:
Symphony no. 1 “Jeremiah”
10:37
4Symphony No.2 "The Age of Anxiety" (1947-49): Part I. The Prologue - Lento Moderato
producer:
Hans Weber (producer/engineer)
piano:
Lukas Foss (German-American composer, pianist and conductor) (on 1977-08-23)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1977-08-23)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): Ia. The Prologue. Lento moderato (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (from 1948 until 1949)
revised by:
Leonard Bernstein (American conductor, composer, pianist) (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
2:20
5Symphony No.2 "The Age of Anxiety" (1947-49): Part I: The Seven Ages: Variations 1-7
producer:
Hans Weber (producer/engineer)
piano:
Lukas Foss (German-American composer, pianist and conductor) (on 1977-08-23)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1977-08-23)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): Ib. The Seven Ages (Variations I–VII) (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (from 1948 until 1949)
revised by:
Leonard Bernstein (American conductor, composer, pianist) (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
8:14
6Symphony No.2 "The Age of Anxiety" (1947-49): Part I: The Seven Stages: Variations 8-14
producer:
Hans Weber (producer/engineer)
piano:
Lukas Foss (German-American composer, pianist and conductor) (on 1977-08-23)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1977-08-23)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): Ic. The Seven Stages (Variations VIII–XIV) (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (from 1948 until 1949)
revised by:
Leonard Bernstein (American conductor, composer, pianist) (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
6:06
7Symphony No.2 "The Age of Anxiety" (1947-49): Part II - The Dirge: Largo
producer:
Hans Weber (producer/engineer)
piano:
Lukas Foss (German-American composer, pianist and conductor) (on 1977-08-23)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1977-08-23)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): IIa. The Dirge. Largo (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (from 1948 until 1949)
revised by:
Leonard Bernstein (American conductor, composer, pianist) (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
5:59
8Symphony No.2 "The Age of Anxiety" (1947-49): Part II - The Masque: Extremely fast
producer:
Hans Weber (producer/engineer)
piano:
Lukas Foss (German-American composer, pianist and conductor) (on 1977-08-23)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1977-08-23)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): IIb. The Masque. Extremely Fast (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (from 1948 until 1949)
revised by:
Leonard Bernstein (American conductor, composer, pianist) (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
4:42
9Symphony No.2 "The Age of Anxiety" (1947-49): Part II: The Epilogue: L'istesso tempo - Adagio - ...
producer:
Hans Weber (producer/engineer)
piano:
Lukas Foss (German-American composer, pianist and conductor) (on 1977-08-23)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1977-08-23)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): IIc. The Epilogue. Adagio – Andante – Con moto (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (from 1948 until 1949)
revised by:
Leonard Bernstein (American conductor, composer, pianist) (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
8:07
4CD
#TitleRatingLength
1Chichester Psalms (1965): I. Psalm 108, Vers2; Psalm 100
choir vocals:
Wiener Jeunesse-Chor (on 1977-08-23)
solo alto vocals:
Solist der Wiener Sängerknaben (The Vienna Boys Choir) (on 1977-08-23)
spoken vocals:
Michael Wager (on 1977-08-23)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
chorus master:
Günther Theuring (conductor) (on 1977-08-23)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Chichester Psalms: I. Psalm 108 verse 2, Psalm 100. Maestoso ma energico – Allegro molto (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1965)
part of:
Chichester Psalms
3:38
2Chichester Psalms (1965): II. Psalm 23; Psalm 2 (V. 1-4)
choir vocals:
Wiener Jeunesse-Chor (on 1977-08-23)
solo alto vocals:
Solist der Wiener Sängerknaben (The Vienna Boys Choir) (on 1977-08-23)
spoken vocals:
Michael Wager (on 1977-08-23)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
chorus master:
Günther Theuring (conductor) (on 1977-08-23)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Chichester Psalms: II. Psalm 23, Psalm 2 verses 1–4. Andante con moto, ma tranquillo – Allegro feroce (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1965)
part of:
Chichester Psalms
5:36
3Chichester Psalms (1965): III.Psalm 131; Psalm 133 (V. 1)
choir vocals:
Wiener Jeunesse-Chor (on 1977-08-23)
solo alto vocals:
Solist der Wiener Sängerknaben (The Vienna Boys Choir) (on 1977-08-23)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1977-08-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-08-23)
chorus master:
Günther Theuring (conductor) (on 1977-08-23)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1977-08-23)
live recording of:
Chichester Psalms: III. Psalm 131, Psalm 133 verse 1. Prelude. Sostenuto molto – Peacefully flowing – Lento possible (on 1977-08-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1965)
part of:
Chichester Psalms
9:51
4Symphony No. 3 "Kaddish": I. Invocation: Adagio
producer:
Hans Weber (producer/engineer)
spoken vocals:
Michael Wager (in 1977-08)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1977-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1977-08)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Rheingoldhalle in Mainz, Rheinland-Pfalz (Rhineland-Palatinate), Germany (in 1977-08)
partial recording of:
Symphony no. 3 “Kaddish”: I. Invocation – Kaddish 1 (in 1977-08)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1963)
part of:
Symphony no. 3 “Kaddish”
3:00
5Symphony No. 3 "Kaddish": L'istesso tempo - Allegro molto (Kaddish 1)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Jeunesse-Chor (in 1977-08)
spoken vocals:
Michael Wager (in 1977-08)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1977-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1977-08)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Rheingoldhalle in Mainz, Rheinland-Pfalz (Rhineland-Palatinate), Germany (in 1977-08)
partial recording of:
Symphony no. 3 “Kaddish”: I. Invocation – Kaddish 1 (in 1977-08)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1963)
part of:
Symphony no. 3 “Kaddish”
4:58
6Symphony No. 3 "Kaddish": II. Din-Torah: Di nuevo Adagio
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Jeunesse-Chor (in 1977-08)
spoken vocals:
Michael Wager (in 1977-08)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1977-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1977-08)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Rheingoldhalle in Mainz, Rheinland-Pfalz (Rhineland-Palatinate), Germany (in 1977-08)
partial recording of:
Symphony no. 3 “Kaddish”: II. Din-Torah – Kaddish 2 (in 1977-08)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1963)
part of:
Symphony no. 3 “Kaddish”
5:57
7Symphony No. 3 "Kaddish": Andante con tenerezza (Kaddish 2)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Montserrat Caballé (soprano) (in 1977-08)
spoken vocals:
Michael Wager (in 1977-08)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1977-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1977-08)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Rheingoldhalle in Mainz, Rheinland-Pfalz (Rhineland-Palatinate), Germany (in 1977-08)
partial recording of:
Symphony no. 3 “Kaddish”: II. Din-Torah – Kaddish 2 (in 1977-08)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1963)
part of:
Symphony no. 3 “Kaddish”
8:13
8Symphony No. 3 "Kaddish": III. Scherzo Presto scherzando, sempre pianissimo (Kaddish 3)
producer:
Hans Weber (producer/engineer)
spoken vocals:
Michael Wager (in 1977-08)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1977-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1977-08)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Rheingoldhalle in Mainz, Rheinland-Pfalz (Rhineland-Palatinate), Germany (in 1977-08)
partial recording of:
Symphony no. 3 “Kaddish”: III. Scherzo – Kaddish 3 – Finale. Fugue-Tutti (in 1977-08)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1963)
part of:
Symphony no. 3 “Kaddish”
4:37
9Finale: Adagio come nel Din-Torah (Kaddish 3)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1977-08)
spoken vocals:
Michael Wager (in 1977-08)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1977-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1977-08)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Rheingoldhalle in Mainz, Rheinland-Pfalz (Rhineland-Palatinate), Germany (in 1977-08)
partial recording of:
Symphony no. 3 “Kaddish”: III. Scherzo – Kaddish 3 – Finale. Fugue-Tutti (in 1977-08)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1963)
part of:
Symphony no. 3 “Kaddish”
2:43
10Allegro vivo, con gioia (Kaddish 3)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Jeunesse-Chor (in 1977-08)
spoken vocals:
Michael Wager (in 1977-08)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1977-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1977-08)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Rheingoldhalle in Mainz, Rheinland-Pfalz (Rhineland-Palatinate), Germany (in 1977-08)
partial recording of:
Symphony no. 3 “Kaddish”: III. Scherzo – Kaddish 3 – Finale. Fugue-Tutti (in 1977-08)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1963)
part of:
Symphony no. 3 “Kaddish”
9:51
5CD
#TitleRatingLength
1Divertimento for Orchestra (1980): I Sennets and Tuckets: Allegro non troppo, ma con brio
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Divertimento for Orchestra: I. Sennets and Tuckets (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
1:18
2Divertimento for Orchestra (1980): II Walz: Allegretto, con grazia
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Divertimento for Orchestra: II. Waltz (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
2:13
3Divertimento for Orchestra (1980): III Mazurka: Mesto (molto moderato)
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Divertimento for Orchestra: III. Mazurka (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
1:56
4Divertimento for Orchestra (1980): IV Samba: Allegro giusto
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Divertimento for Orchestra: IV. Samba (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
0:59
5Divertimento for Orchestra (1980): V Turkey Trot: Allegretto, ben misurato
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Divertimento for Orchestra: V. Turkey Trot (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
1:56
6Divertimento for Orchestra (1980): VI Sphinxes: Adagio lugubre
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Divertimento for Orchestra: VI. Sphinxes (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
0:52
7Divertimento for Orchestra (1980): VII Blues: Slow blues tempo
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Divertimento for Orchestra: VII. Blues (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
1:39
8Divertimento for Orchestra (1980): VIII March: The BSO Forever. Andante (In memoriam)
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Divertimento for Orchestra: VIII. March: The BSO Forever (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
3:44
9A Musical Toast (1980): Allegro con brio
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
balance engineer:
Wolfgang Mitlehner
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
A Musical Toast (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
2:23
10Slava! A Political Overture (1977): Fast and flamboyant
producer:
Hans Weber (producer/engineer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Slava! A Political Overture for Orchestra (on 1978-10-23)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
4:16
11Three Meditations from "Mass" (1977): I Lento assai, molto sostenuto
cello:
Mstislav Rostropovich (cellist/conductor) (on 1981-05-29)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Three Meditations From "Mass" for Cello and Orchestra: I. Lento assai, molto sostenuto (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1971)
arranger:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
arrangement of:
Mass: V. Meditation No. 1
part of:
Three Meditations From "Mass" for Cello and Orchestra
4:34
12Three Meditations from "Mass" (1977): II Andante sostenuto-Variations I-IV-Coda
cello:
Mstislav Rostropovich (cellist/conductor) (on 1981-05-29)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Three Meditations From "Mass" for Cello and Orchestra: II. Andante sostenuto - Variations I-IV - Coda (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1971)
arranger:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
arrangement of:
Mass: VII. Meditation No. 2
part of:
Three Meditations From "Mass" for Cello and Orchestra
4:08
13Three Meditations from "Mass" (1977): III Presto-Fast and primitive-Molto adagio
cello:
Mstislav Rostropovich (cellist/conductor) (on 1981-05-29)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Three Meditations From "Mass" for Cello and Orchestra: III. Presto - Fast and Primitive - Molto adagio (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1971)
arranger:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
arrangement of:
Mass: XI. Meditation No. 3 (De profundis, Part 1)
part of:
Three Meditations From "Mass" for Cello and Orchestra
8:23
14Halil (1981) Nocturne for Solo Flute, String Orchestra and Percussion
flute:
Jean‐Pierre Rampal (flautist) (on 1981-05-29)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1981-05-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1981-05-29)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1981-05-29)
recording of:
Halil (on 1981-05-29)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1981)
16:04
6CD
#TitleRatingLength
1Concerto for Orchestra 'Jubilee Games': 1. Free-Style Events: Allegro con brio, giocoso
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-28)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-04-28)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1989-04-28)
recording of:
Concerto for Orchestra "Jubilee Games": I. Free-Style Events: Allegro con brio, giocoso (on 1989-04-28)
composer:
Leonard Bernstein (American conductor, composer, pianist) (from 1986 until 1989)
part of:
Concerto for Orchestra "Jubilee Games"
7:27
2Concerto for Orchestra 'Jubilee Games': Mixed Doubles: Theme and Seven Variations
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-28)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-04-28)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1989-04-28)
recording of:
Concerto for Orchestra "Jubilee Games": II. Mixed Doubles: Theme and Seven Variations (on 1989-04-28)
composer:
Leonard Bernstein (American conductor, composer, pianist) (from 1986 until 1989)
part of:
Concerto for Orchestra "Jubilee Games"
10:30
3Concerto for Orchestra 'Jubilee Games': Diaspora Dances: Vivace
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-28)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-04-28)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1989-04-28)
recording of:
Concerto for Orchestra "Jubilee Games": III. Diaspora Dances: Vivace (on 1989-04-28)
composer:
Leonard Bernstein (American conductor, composer, pianist) (from 1986 until 1989)
part of:
Concerto for Orchestra "Jubilee Games"
6:13
4Concerto for Orchestra 'Jubilee Games': Benediction: Moderato, invocando
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1989-04-28)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1989-04-28)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1989-04-28)
recording of:
Concerto for Orchestra "Jubilee Games": IV. Benediction: Moderato, invocando (on 1989-04-28)
composer:
Leonard Bernstein (American conductor, composer, pianist) (from 1986 until 1989)
part of:
Concerto for Orchestra "Jubilee Games"
6:00
5Dybbuk Suite No.1: 1. Invocation and Trance
bass-baritone vocals:
Bruce Fifer (vocalist)
tenor vocals:
Paul Sperry (tenor)
orchestra:
New York Philharmonic (on 1975-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-04-09)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1975-04-09)
recording of:
Dybbuk Suite no. 1: I. Invocation and Trance (on 1975-04-09)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1974)
4:54
6Dybbuk Suite No.1: 2. The Pledge
bass-baritone vocals:
Bruce Fifer (vocalist)
tenor vocals:
Paul Sperry (tenor)
orchestra:
New York Philharmonic (on 1975-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-04-09)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1975-04-09)
recording of:
Dybbuk Suite no. 1: II. The Pledge (on 1975-04-09)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1974)
4:36
7Dybbuk Suite No.1: 3. Kabbalah
bass-baritone vocals:
Bruce Fifer (vocalist)
tenor vocals:
Paul Sperry (tenor)
orchestra:
New York Philharmonic (on 1975-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-04-09)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1975-04-09)
recording of:
Dybbuk Suite no. 1: III. Kabbalah (on 1975-04-09)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1974)
4:32
8Dybbuk Suite No.1: 4. Possession
bass-baritone vocals:
Bruce Fifer (vocalist)
tenor vocals:
Paul Sperry (tenor)
orchestra:
New York Philharmonic (on 1975-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-04-09)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1975-04-09)
recording of:
Dybbuk Suite no. 1: IV. Possession (on 1975-04-09)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1974)
2:37
9Dybbuk Suite No.1: 5. Pas de deux
bass-baritone vocals:
Bruce Fifer (vocalist)
tenor vocals:
Paul Sperry (tenor)
orchestra:
New York Philharmonic (on 1975-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-04-09)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1975-04-09)
recording of:
Dybbuk Suite no. 1: V. Pas de deux (on 1975-04-09)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1974)
5:30
10Dybbuk Suite No.1: 6. Exorcism
bass-baritone vocals:
Bruce Fifer (vocalist)
tenor vocals:
Paul Sperry (tenor)
orchestra:
New York Philharmonic (on 1975-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-04-09)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1975-04-09)
recording of:
Dybbuk Suite no. 1: VI. Exorcism (on 1975-04-09)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1974)
8:31
11Dybbuk Suite No.2: 1. The Messengers
tenor vocals:
Paul Sperry (tenor)
orchestra:
New York Philharmonic (on 1975-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-04-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1975-04-25)
recording of:
Dybbuk Suite no. 2: I. The Messengers (on 1975-04-25)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1974)
2:06
12Dybbuk Suite No.2: 2. Leah
tenor vocals:
Paul Sperry (tenor)
orchestra:
New York Philharmonic (on 1975-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-04-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1975-04-25)
recording of:
Dybbuk Suite no. 2: II. Leah (on 1975-04-25)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1974)
3:01
13Dybbuk Suite No.2: 3. 5 Kabbalah Variations
tenor vocals:
Paul Sperry (tenor)
orchestra:
New York Philharmonic (on 1975-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-04-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1975-04-25)
recording of:
Dybbuk Suite no. 2: III. Five Kabbalah Variations (on 1975-04-25)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1974)
6:34
14Dybbuk Suite No.2: 4. Dream
tenor vocals:
Paul Sperry (tenor)
orchestra:
New York Philharmonic (on 1975-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-04-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1975-04-25)
recording of:
Dybbuk Suite no. 2: IV. Dream (on 1975-04-25)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1974)
5:24
7CD
#TitleRatingLength
1Serenade (1954): I Phaedrus - Pausanias: Lento - Allegro marcato
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Günther Breest (producer for classical music) and Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo violin:
Gidon Kremer (violinist) (on 1979-10-14)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-10-14)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-10-14)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Frederic R. Mann Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1979-10-14)
live recording of:
Serenade after Plato’s “Symposium”: I. Phaedrus: Pausanias. Lento – Allegro (on 1979-10-14)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1954)
part of:
Serenade after Plato’s “Symposium”
6:44
2Serenade (1954): II Aristophanes: Allegretto
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Günther Breest (producer for classical music) and Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo violin:
Gidon Kremer (violinist) (on 1979-10-14)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-10-14)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-10-14)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Frederic R. Mann Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1979-10-14)
live recording of:
Serenade after Plato’s “Symposium”: II. Aristophanes. Allegretto (on 1979-10-14)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1954)
part of:
Serenade after Plato’s “Symposium”
4:11
3Serenade (1954): III Erixymachus: Presto
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Günther Breest (producer for classical music) and Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo violin:
Gidon Kremer (violinist) (on 1979-10-14)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-10-14)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-10-14)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Frederic R. Mann Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1979-10-14)
live recording of:
Serenade after Plato’s “Symposium”: III. Eryximachus. Presto (on 1979-10-14)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1954)
part of:
Serenade after Plato’s “Symposium”
1:30
4Serenade (1954): IV Agathon: Adagio
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Günther Breest (producer for classical music) and Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo violin:
Gidon Kremer (violinist) (on 1979-10-14)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-10-14)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-10-14)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Frederic R. Mann Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1979-10-14)
live recording of:
Serenade after Plato’s “Symposium”: IV. Agathon. Adagio (on 1979-10-14)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1954)
part of:
Serenade after Plato’s “Symposium”
6:31
5Serenade (1954): V Socrates - Alcibiades: Molto tenuto - Allegro molto vivace
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Günther Breest (producer for classical music) and Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo violin:
Gidon Kremer (violinist) (on 1979-10-14)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-10-14)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-10-14)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Frederic R. Mann Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1979-10-14)
live recording of:
Serenade after Plato’s “Symposium”: V. Socrates: Alcibiades. Molto tenuto – Allegro molto vivace (on 1979-10-14)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1954)
part of:
Serenade after Plato’s “Symposium”
10:34
6Songfest (1977) I Opening hymn: To the poem
producer:
Horst Weber
baritone vocals:
John Reardon (baritone) (on 1977-12-12)
bass-baritone vocals:
Donald Gramm (bass-baritone) (on 1977-12-12)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano) (in 1977-12) and Nancy Williams (operatic mezzo-soprano) (in 1977-12)
soprano vocals:
Clamma Dale (soprano) (on 1977-12-12)
tenor vocals:
Neil Rosenshein (tenor) (on 1977-12-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: I. To the Poem (on 1977-12-12)
lyricist:
Frank O'Hara (American poet, art critic and writer)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
3:25
7Songfest (1977) II Three Solos: The Pennycandystore Beyond the El
producer:
Horst Weber
baritone vocals:
John Reardon (baritone) (on 1977-12-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: II. The Pennycandystore Beyond the El (on 1977-12-12)
lyricist:
Lawrence Ferlinghetti
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
1:56
8Songfest (1977) II Three Solos: A Julia de Burgos
producer:
Horst Weber
soprano vocals:
Clamma Dale (soprano) (on 1977-12-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: III. A Julia de Burgos (on 1977-12-12)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
3:34
9Songfest (1977) II Three Solos: To What You Said...
producer:
Horst Weber
baritone vocals:
Donald Gramm (bass-baritone)
bass-baritone vocals:
Donald Gramm (bass-baritone) (on 1977-12-12)
orchestra:
National Symphony Orchestra Washington (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: IV. To What You Said (on 1977-12-12)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
5:28
10Songfest (1977) III Three Ensembles: Duet, I, Too, Sing America and Okay "Negroes"
producer:
Horst Weber
baritone vocals:
John Reardon (baritone) (on 1977-12-12)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano) (on 1977-12-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: V. I, Too, Sing America (on 1977-12-12)
lyricist:
Langston Hughes and June Jordan
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
3:51
11Songfest (1977) III Three Ensembles: Trio, To My Dear and Loving Husband
producer:
Horst Weber
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano) (on 1977-12-12) and Nancy Williams (operatic mezzo-soprano) (on 1977-12-12)
soprano vocals:
Clamma Dale (soprano) (on 1977-12-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: VI. To My Dear and Loving Husband (on 1977-12-12)
lyricist:
Anne Bradstreet
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
3:59
12Songfest (1977) III Three Ensembles: Duet, Storyette H. M.
producer:
Horst Weber
bass-baritone vocals:
Donald Gramm (bass-baritone) (on 1977-12-12)
soprano vocals:
Clamma Dale (soprano) (on 1977-12-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: VII. Storyette H. M. (on 1977-12-12)
lyricist:
Gertrude Stein (American writer)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
1:55
13Songfest (1977) IV Sextet: If you can't eat you got to
producer:
Horst Weber
bass-baritone vocals:
Donald Gramm (bass-baritone) (in 1977-12) and John Reardon (baritone) (in 1977-12)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano) (in 1977-12) and Nancy Williams (operatic mezzo-soprano) (in 1977-12)
soprano vocals:
Clamma Dale (soprano) (in 1977-12)
tenor vocals:
Neil Rosenshein (tenor) (in 1977-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: VIII. 'If You Can't Eat You Got To' (on 1977-12-12)
lyricist:
e. e. cummings
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
2:25
14Songfest (1977) V Three Solos: Music I Heard With You
producer:
Horst Weber
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano) (on 1977-12-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: IX. Music I Heard With You (on 1977-12-12)
lyricist:
Conrad Aiken
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
3:30
15Songfest (1977) V Three Solos: Zizi's lemant
producer:
Horst Weber
tenor vocals:
Neil Rosenshein (tenor) (on 1977-12-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: X. Zizi's Lament (on 1977-12-12)
lyricist:
Gregory Corso
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
2:32
16Songfest (1977) V Three Solos: 3. Sonnet
producer:
Horst Weber
mezzo-soprano vocals:
Nancy Williams (operatic mezzo-soprano) (on 1977-12-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: XI. What Lips My Lips Have Kissed... (on 1977-12-12)
lyricist:
Edna St. Vincent Millay
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
5:26
17Songfest (1977) VI Closing Hymn: Israfel
producer:
Horst Weber
bass-baritone vocals:
Donald Gramm (bass-baritone) (in 1977-12) and John Reardon (baritone) (in 1977-12)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano) (in 1977-12) and Nancy Williams (operatic mezzo-soprano) (in 1977-12)
soprano vocals:
Clamma Dale (soprano) (in 1977-12)
tenor vocals:
Neil Rosenshein (tenor) (in 1977-12)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (on 1977-12-12)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-12-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (on 1977-12-12)
recording of:
Songfest: XII. Israfel (on 1977-12-12)
lyricist:
Edgar Allan Poe (American writer)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1977)
part of:
Songfest: A Cycle of American Poems for Six Singers and Orchestra
4:32