Complete Beethoven Edition, Volume 4: Leonore / Fidelio

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Annotation

Please note that the version of Leonore recorded here is based off the Hess 109 (1805) version but has some cuts/additions as noted in the track titles.

Annotation last modified on 2017-09-11 14:12 UTC.

Tracklist

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1▼CD
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1Leonore, Hess 109: Overture “Leonore II”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Overture “Leonore” no. 2 in C major, op. 72a (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
13:03
2Leonore, Hess 109: Act I: “…’Twas in truth”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
1:26
3Leonore, Hess 109: Act I, no. 1. Aria “O wär’ ich schon mit dir vereint” (Marzelline) (first version from 1804)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Marzelline]:
Christiane Oelze (German soprano) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act I. No. 1 Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
3:22
4Leonore, Hess 109: Act I. “Beharrlich bleibt auf dem Liebespfad”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:28
5Leonore, Hess 109: Act I, no. 2. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Marzelline]:
Christiane Oelze (German soprano) (in 1996-09)
tenor vocals [Jaquino]:
Michael Schade (tenor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:52
6Leonore, Hess 109: Act I. “Der Kerkmeister, Rocco, der Vater”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:23
7Leonore, Hess 109: Act I, no. 3. Trio “Ein Mann ist bald genommen” (Rocco, Marzelline, Jaquino) (extra bar and instrumental refinements from 1806 version)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
soprano vocals [Marzelline]:
Christiane Oelze (German soprano) (in 1996-09)
tenor vocals [Jaquino]:
Michael Schade (tenor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
3:44
8Leonore, Hess 109: Act I. “Fidelio kam - und niemand weiss woher”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:18
9Leonore, Hess 109: Act I, no. 4. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jacquino)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
soprano vocals [Marzelline]:
Christiane Oelze (German soprano) (in 1996-09)
tenor vocals [Jaquino]:
Michael Schade (tenor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:00
10Leonore, Hess 109: Act I. “Gefühl ist gut, doch Geld ist besser”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:14
11Leonore, Hess 109: Act I, no. 5. Aria “Hat man nicht auch Gold beineben” (Rocco)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act I. No. 5 Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:27
12Leonore, Hess 109: Act I. “Unantastbar klar birgt Leonores Brust”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
1:06
13Leonore, Hess 109: Act I, no. 6. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) (2 cuts from 1806 version, 2 cuts along the lines of 1814 version)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
soprano vocals [Marzelline]:
Christiane Oelze (German soprano) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
5:58
14Leonore, Hess 109: Act II, no. 7. Introduction in D major
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act II. No. 7 March (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:59
15Leonore, Hess 109: Act II. “Der Gouverneur ist da”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:41
16Leonore, Hess 109: Act II, no. 8. Aria with Choir “Ha! Welch ein Augenblick!” (Pizarro, choir) (16 new bars from 1814 version included)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Don Pizarro]:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (in 1996-09)
choir vocals [Chor]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
3:06
17Leonore, Hess 109: Act II. “Postiert eine Trompete auf dem Wachturm!”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:08
18Leonore, Hess 109: Act II, no. 9. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) (1 cut from 1814 version)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
bass vocals [Don Pizarro]:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:34
19Leonore, Hess 109: Act II. “Und Leonore begegnet Marzelline”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:22
20Leonore, Hess 109: Act II, no. 10. Duet “Um in der Ehe froh zu leben” (Marzelline, Leonore)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
soprano vocals [Marzelline]:
Christiane Oelze (German soprano) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act II. No. 10 Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
6:05
21Leonore, Hess 109: Act II. “Die ernsten Steine des dumpfen Gemäuers”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:30
22Leonore, Hess 109: Act II, no. 11. Recitation and Aria “Ach, brich noch nicht, du mattes Herz!” - “Komm, Hoffnung, lass den letzen Stern” (Leonore) (small cut in final coloratura passage)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
7:47
2▼CD
#TitleRatingLength
1Leonore, Hess 109: Act II, no. 12. Finale. Prisoner’s Chorus “O welche Lust, in frier Luft” (2 small cuts from 1806 version)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Zweiter Gefangener]:
Colin Campbell (baritone) (in 1996-09)
tenor vocals [Erster Gefangener]:
Robert Burt (tenor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
7:55
2Leonore, Hess 109: Act II, no. 12. Finale. Recitation “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) - “Nun sprecht, wie ging’s?” (Leonore, Rocco) - Duet “Noch heute, noch heute?” (Leonore, Rocco)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:41
3Leonore, Hess 109: Act II, no. 12. Finale. Duet “Wir müssen gleich zu werke schreiten” - Quartet “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
bass vocals [Don Pizarro]:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
soprano vocals [Marzelline]:
Christiane Oelze (German soprano) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
3:39
4Leonore, Hess 109: Act II, no. 12. Finale. Aria “Auf euch nur will ich bauen” (Pizarro, choir) (2 cuts in vocal section)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Don Pizarro]:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (in 1996-09)
choir vocals [Chor]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
2:56
5Leonore, Hess 109: Act III. “Florestans Not im Dunkel tauber Einsamkeit”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
1:21
6Leonore, Hess 109: Act III, no. 13. Recitation and Aria “Gott! Welch Dunkel hier!” - “On des Lebens Frühlingstagen” (Florestan) (1806 version with additions from Prague score and sketches)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals [Florestan]:
Kim Begley (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch Dunkel hier!" (Florestan) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
10:09
7Leonore, Hess 109: Act III, no. 14. Melodrama “Wie kalt ist es in diesem unteirdischen Gewölbe!” (Leonore, Rocco) (1814 version with 2 bars cut) - Duet “Nur hurtig fort” (Rocco, Leonore)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
1:41
8Leonore, Hess 109: Act III. Duet “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
4:00
9Leonore, Hess 109: Act III. “Dort, in der Tiefe”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:52
10Leonore, Hess 109: Act III, no. 15. Trio “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) (1 bar of first section from 1814 version, 32 bars of repeat from 1806 version)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
tenor vocals [Florestan]:
Kim Begley (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:51
11Leonore, Hess 109: Act III. “Und Rocco eilt”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:21
12Leonore, Hess 109: Act III, no. 16. Quartet “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
bass vocals [Don Pizarro]:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
tenor vocals [Florestan]:
Kim Begley (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:26
13Leonore, Hess 109: Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:06
14Leonore, Hess 109: Act III, no. 17. Recitation and Duet “Ich kann mich noch nicht fassen” (Florestan, Leonore) (2 cuts and substitute passage of 13 bars from 1806 version, first 2 bars cut in 1805 version restored)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
tenor vocals [Florestan]:
Kim Begley (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
7:45
15Leonore, Hess 109: Act III, no. 18. Finale. “Zur Rache! Zur Rache!” (choir, Leonore, Florestan, Rocco, Fernando, Jaquino, Marzelline) (small cut with added lines for Jacuino and Marzelline from 1806 version)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
bass vocals [Don Fernando]:
Alastair Miles (operatic bass) (in 1996-09)
choir vocals [Chor]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
soprano vocals [Marzelline]:
Christiane Oelze (German soprano) (in 1996-09)
tenor vocals [Florestan]:
Kim Begley (in 1996-09)
tenor vocals [Jaquino]:
Michael Schade (tenor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act III. No. 18 Finale ''Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:20
16Leonore, Hess 109: Act III, no. 18. Finale. “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Fernando, Rocco, choir)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
bass vocals [Don Fernando]:
Alastair Miles (operatic bass) (in 1996-09)
choir vocals [Chor]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
soprano vocals [Marzelline]:
Christiane Oelze (German soprano) (in 1996-09)
tenor vocals [Florestan]:
Kim Begley (in 1996-09)
tenor vocals [Jaquino]:
Michael Schade (tenor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
recording of:
Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Leonore, Hess 109
4:16
17Leonore, Hess 109: Act III, no. 18. Finale. “So müssen endlich Aufgeklärte”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:08
18Leonore, Hess 109: Act III, no. 18. Finale. “Doch höre erst, du Bösewicht” (Fernando, choir, Leonore, Florestan)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Don Fernando]:
Alastair Miles (operatic bass) (in 1996-09)
choir vocals [Chor]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
tenor vocals [Florestan]:
Kim Begley (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:50
19Leonore, Hess 109: Act III, no. 18. Finale. “Dann herrscht allgemeine Freiheit und Gleichheit der Geister”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:04
20Leonore, Hess 109: Act III, no. 18. Finale. “Nein, nein, nein! Erst ist noch zu gering bestraft!” (choir)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Chor]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:13
21Leonore, Hess 109: Act III, no. 18. Finale. “Ein höherer geist, vom Himmel gesandt”
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
spoken vocals:
Christoph Bantzer (German actor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
0:11
22Leonore, Hess 109: Act III, no. 18. Finale. Recitation “Der König wird dein Richter sein!” (Fernando, choir)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Don Fernando]:
Alastair Miles (operatic bass) (in 1996-09)
choir vocals [Chor]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
1:10
23Leonore, Hess 109: Act III, no. 18. Finale. “Wer ein holdes Weib errungen” (Marzelline, Jaquino, Rocco, Fernando, choir, Florestan, Leonore) (1 bar cut in 1805 version restored, bridge passage before Florestan’s solo shortened)
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals [Rocco]:
Franz Hawlata (bass-baritone) (in 1996-09)
bass vocals [Don Fernando]:
Alastair Miles (operatic bass) (in 1996-09)
choir vocals [Chor]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1996-09)
soprano vocals [Leonore]:
Hillevi Martinpelto (soprano) (in 1996-09)
soprano vocals [Marzelline]:
Christiane Oelze (German soprano) (in 1996-09)
tenor vocals [Florestan]:
Kim Begley (in 1996-09)
tenor vocals [Jaquino]:
Michael Schade (tenor) (in 1996-09)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
5:25
24Leonore, Hess 109: Appendix, no. 7a. March (alternative version) in B‐flat major
recording engineer:
Rainer Maillard
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1996-09)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1996-09)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1997)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
partial recording of:
Leonore, Hess 109 (in 1996-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
premiered at:
Leonore Premier (1805-11-20)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 109)
1:52
3▼CD
#TitleRatingLength
1Fidelio, op. 72: Overture
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
7:15
2Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
solo tenor vocals [Jaquino]:
Adolf Dallapozza (tenor) (on 1978-02-21)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Adolf Dallapozza (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
4:55
3Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
spoken vocals:
Lucia Popp (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
0:16
4Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
soprano vocals:
Lucia Popp (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (on 1978-02-21)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
4:19
5Fidelio, op. 72: Act I, Scene I. “Jaquino!” - “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
solo tenor vocals [Jaquino]:
Adolf Dallapozza (tenor) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (on 1978-02-21)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
0:57
6Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
solo tenor vocals [Jaquino]:
Adolf Dallapozza (tenor) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
5:04
7Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (on 1978-02-21)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
0:42
8Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
2:47
9Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (on 1978-02-21)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (on 1978-02-21)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
1:28
10Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
6:21
11Fidelio, op. 72: Act I, Scene II, no. 6. March
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
2:09
12Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo bass-baritone vocals [Don Pizarro]:
Hans Sotin (operatic bass) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (on 1978-02-21)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
0:45
13Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1978-02-21)
solo bass-baritone vocals [Don Pizarro]:
Hans Sotin (operatic bass) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
3:16
14Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo bass-baritone vocals [Don Pizarro]:
Hans Sotin (operatic bass) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (on 1978-02-21)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
0:23
15Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo bass-baritone vocals [Don Pizarro]:
Hans Sotin (operatic bass) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
4:59
16Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
soprano vocals:
Gundula Janowitz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
8:10
17Fidelio, op. 72: Act I, Scene II. “Marzelline!” - “Nein, ich will nicht ...” (Jaquino, Marzelline, Rocco, Leonore)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
solo tenor vocals [Jaquino]:
Adolf Dallapozza (tenor) (on 1978-02-21)
spoken vocals:
Adolf Dallapozza (tenor) and Lucia Popp (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (on 1978-02-21)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
0:40
18Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust”
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1978-02-21)
solo bass vocals [2nd Prisoner]:
Alfred Šramek (bass-baritone) (on 1978-02-21)
solo tenor vocals [1st Prisoner]:
Karl Terkal (Austrian Tenor) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
7:16
19Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f.
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo bass-baritone vocals [Don Pizarro]:
Hans Sotin (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
solo tenor vocals [Jaquino]:
Adolf Dallapozza (tenor) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
7:11
20Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus)
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1978-02-21)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo bass-baritone vocals [Don Pizarro]:
Hans Sotin (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
solo tenor vocals [Jaquino]:
Adolf Dallapozza (tenor) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
4:02
4▼CD
#TitleRatingLength
1Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen”
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo tenor vocals [Florestan]:
René Kollo (tenor) (on 1978-02-21)
tenor vocals:
René Kollo (tenor)
vocals:
René Kollo (tenor) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
11:29
2Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” - Duet “Nur hurtig fort, nur frisch gegraben”
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
6:04
3Fidelio, op. 72: Act II, Scene I. “Er erwacht”
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
1:17
4Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten”
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo tenor vocals [Florestan]:
René Kollo (tenor) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
6:25
5Fidelio, op. 72: Act II, Scene I. “Alles ist bereit”
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo bass-baritone vocals [Don Pizarro]:
Hans Sotin (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo tenor vocals [Florestan]:
René Kollo (tenor) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (on 1978-02-21)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
0:32
6Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder”
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo bass-baritone vocals [Don Pizarro]:
Hans Sotin (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo tenor vocals [Florestan]:
René Kollo (tenor) (on 1978-02-21)
solo tenor vocals [Jaquino]:
Adolf Dallapozza (tenor) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
4:57
7Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!”
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo tenor vocals [Florestan]:
René Kollo (tenor) (on 1978-02-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
2:44
8Fidelio, op. 72: Act II. Overture “Leonore III”
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
15:01
9Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” - “Bestrafet sei der Bösewicht” - “O Gott! Welch ein Augenblick!” - “Wer ein holdes Weib errungen”
producer:
Günther Breest (producer for classical music) and Hans Weber (producer/engineer)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1978-02-21)
solo bass vocals [Rocco]:
Manfred Jungwirth (operatic bass) (on 1978-02-21)
solo bass-baritone vocals [Don Fernando]:
Dietrich Fischer‐Dieskau (baritone) (on 1978-02-21)
solo bass-baritone vocals [Don Pizarro]:
Hans Sotin (operatic bass) (on 1978-02-21)
solo soprano vocals [Leonore]:
Gundula Janowitz (soprano) (on 1978-02-21)
solo soprano vocals [Marzelline]:
Lucia Popp (soprano) (on 1978-02-21)
solo tenor vocals [Florestan]:
René Kollo (tenor) (on 1978-02-21)
solo tenor vocals [Jaquino]:
Adolf Dallapozza (tenor) (on 1978-02-21)
vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1978-02-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-02-21)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1978-02-21)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale) (on 1978-02-21)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
13:26
10Leonore Overture no. 1 in C major, op. 138
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1989-10)
conductor:
Claudio Abbado (conductor) (in 1989-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1989-10)
recording of:
Overture “Leonore” no. 1 in C major, op. 138 (in 1989-10)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 138)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
9:09

Credits

Release

part of:Complete Beethoven Edition (Deutsche Grammophon) (number: 4) (order: 6)
ASIN:US: B000001GZ7 [info]

Release group

includes:Fidelio by Beethoven (Ludwig van Beethoven, German composer); Wiener Philharmoniker (Vienna Philharmonic), Wiener Staatsopernchor (Wiener Staatsoper Choir), Leonard Bernstein (American conductor, composer, pianist)
Leonore by Beethoven (Ludwig van Beethoven, German composer); Orchestre Révolutionnaire et Romantique, Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
part of:Complete Beethoven Edition (Deutsche Grammophon, release groups) (number: 4) (order: 4)