100 Hits: Great British Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:33
2Watch That Man
phonographic copyright (℗) by:
Chelsea/Roxbury/Wes Sky Industries Inc. (in 1974)
cover recording of:
Watch That Man
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (in 1974) and MainMan (in 1974)
Lulu5:00
3Black Magic Woman
recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
Fleetwood Mac2:52
4Don’t Stop
engineer:
Tim Summerhayes
producer:
Pip Williams (producer)
editor:
Bias Boshell
phonographic copyright (℗) by:
Acklode Ltd. (in 1996)
recorded at and mixed at:
ARSIS Studios in Surrey, England, United Kingdom
cover recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) and Gentoo Music, Inc. (in 1977)
Status Quo3:41
5God Gave Rock and Roll to You
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1974) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recording of:
God Gave Rock and Roll to You
lyricist and composer:
Russ Ballard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mainspring Music and Verulam Music Co., Ltd.
Argent4.53:22
6I’d Rather Go Blind
phonographic copyright (℗) by:
Blue Horizon Records (in 1968, in 2005)
cover recording of:
I’d Rather Go Blind
lyricist:
Billy Foster (American singer, member of The Medallions and songwriter)
composer:
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Chicken Shack3:16
7Race With the Devil
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968, in 1969) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1968)
recording of:
Race With the Devil
writer:
Adrian Gurvitz
publisher:
Campbell Connelly & Co. Ltd., Radio Music Britain and Universal/MCA Music Ltd. (not for release label use!)
Gun4.253:34
8Cuddly Toy
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recording of:
Cuddly Toy
lyricist and composer:
Andrew Roachford
publisher:
Kassner Associated Publishers, PolyGram Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Roachford3.63:50
9Stand and Deliver
engineer:
Alan Douglas (Scottish born engineer)
producer:
Chris Hughes (producer, aka “Merrick”)
bass guitar and lead vocals:
Adam Ant (English new wave singer and actor)
drums (drum set):
Chris Hughes (producer, aka “Merrick”) and Terry Lee Miall
guitar:
Marco Pirroni (British musician and producer)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
part of:
The Downloader’s Music Source Book (number: 145)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam & the Ants43:09
10Boxerbeat
recording of:
Boxerbeat
writer:
David Collard, Rob Marche and Dig Wayne
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Jo Boxers32:54
11Go Wild in the Country
producer:
Brian Tench
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
recording of:
Go Wild in the Country
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Malcolm McLaren
publisher:
EMI Songs Ltd.
Bow Wow Wow2:44
12Crash
mixer:
Mark Wallis (in 1988)
bass guitar:
Steve Dullaghan
guitar:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recording of:
Crash
writer:
Paul Court (of "The Primitives"), Steve Dullaghan and Tracy Louise Spencer
publisher:
Complete Music Ltd.
The Primitives4.652:33
13Love Plus One
producer:
Bob Sargeant
drums (drum set):
Blair Cunningham
guitar:
Graham Jones (Haircut 100)
instruments:
Leslie Nemes
percussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
saxophone:
Phil Smith (Saxophonist)
vocals:
Nick Heyward
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 90)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut 10043:39
14The King of Rock ’n’ Roll
producer:
Thomas Dolby
mixer:
David Leonard (US producer and engineer)
keyboard:
Thomas Dolby
lead vocals:
Paddy McAloon
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.)
recording of:
The King of Rock ’n’ Roll
lyricist and composer:
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout44:23
15Brilliant Mind
engineer:
John Brough, Renny Hill (engineer) and Seb (Engineer)
producer:
Mick Glossop (producer & engineer)
bass:
Sally Still
drums (drum set) and percussion:
Hamilton Lee
guitar and background vocals:
Tim Whelan
keyboard:
Maya Gilder (Keyboardist)
saxophone:
Larry Whelan (Saxophonist)
strings:
Tim Beaton and Charlie Buchannon
lead vocals:
Jim Irvin
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recorded at:
Townhouse 3 in Battersea, Wandsworth, London (Greater London), England, United Kingdom
mixed at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 86)
recording of:
Brilliant Mind
writer:
Jim Irvin, Hamilton Lee, Sally Still and Tim Whelan
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Furniture3.353:42
16The First Picture of You
phonographic copyright (℗) by:
Arista Records, LLC (holding company - file NO releases here!) (in 1983)
recording of:
The First Picture of You
writer:
Jeremy Kelly, Peter Coyle and Ged Quinn (Keyboardist)
publisher:
Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
The Lotus Eaters33:40
17Dignity
producer:
Jon Kelly (engineer at Air London Studios) (from 1986-12 until 1987-02)
bass guitar:
Ewen Vernal (from 1986-12 until 1987-02)
drums (drum set) and percussion:
Dougie Vipond (from 1986-12 until 1987-02)
guitar:
Graeme Kelling (from 1986-12 until 1987-02)
keyboard:
James Prime (from 1986-12 until 1987-02)
background vocals:
Lorraine McIntosh (vocalist for Deacon Blue) (from 1986-12 until 1987-02)
lead vocals:
Ricky Ross (Scottish singer-songwriter) (from 1986-12 until 1987-02)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1986-12 until 1987-02)
recording of:
Dignity (from 1986-12 until 1987-02)
lyricist and composer:
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music and Sony/ATV Music Publishing
Deacon Blue4.353:59
18E=MC²
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
E=mc²
writer:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
B.A.D. Songs, Big Audio Dynamics Music, Inc., BMG Songs, Inc., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite34:27
19Time for Action
recording of:
Time for Action
lyricist and composer:
David Cairns (of Secret Affair)
Secret Affair32:44
20Hit Me With Your Rhythm Stick
producer:
Laurie Latham
drums (drum set):
Charley Charles (UK drummer) (in 1978)
electric bass guitar:
Norman Watt-Roy (in 1978)
guitar:
John Turnbull (in 1978)
Hammond organ:
Mick Gallagher (UK hammond organ player) (in 1978)
piano:
Chaz Jankel (English musician and songwriter) (in 1978)
saxophone:
Davey Payne (UK saxophonist) (in 1978)
lead vocals:
Ian Dury (in 1978)
phonographic copyright (℗) by:
Templemill Music Ltd (in 1979)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury3.93:43
2▼CD
#TitleArtistRatingLength
1Holding Out for a Hero
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
lyricist:
Dean Pitchford
composer:
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing LLC (1995–2020)
is based on:
Stark Raving Love
Bonnie Tyler4.154:22
2That’s the Way (I Like It)
cover recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
Dead or Alive3:06
3See the Day
bass guitar:
Randy Hope-Taylor
drums (drum set):
Paul Waller
guitar family:
Steve Sherin
saxophone:
Ian Ritchie
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
recording of:
See the Day
lyricist and composer:
Dee C. Lee
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dee C. Lee4:39
4Perfect
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
music videos:
Perfect by Fairground Attraction
recording of:
Perfect
lyricist and composer:
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:38
5Everytime You Go Away
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
cover recording of:
Everytime You Go Away
lyricist and composer:
Daryl Hall
publisher:
Bright Music Ltd. (publisher), Hot Cha Music Co., Intersong Music Ltd., Six Continents Music Publishing, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Young5:23
6Blue Hat for a Blue Day
recording of:
Blue Hat for a Blue Day
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Nick Heyward4:05
7Fight for Ourselves
assistant engineer:
Stephen Wissnet
engineer:
Gary Langan
producer:
Gary Langan and Spandau Ballet
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet)
drums (drum set):
John Keeble
guitar:
Gary Kemp
keyboard:
Toby Chapman
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet)
background vocals:
Ruby James (L.A-based singer/songwriter), Shirley Lewis and Helena Springs
lead vocals:
Tony Hadley
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recorded at and mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany and Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, France
recording of:
Fight for Ourselves
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet24:23
8Don’t Talk to Me About Love
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Don’t Talk to Me About Love
writer:
Clare Grogan, Stephen Lironi, Tony McDaid and Johnny McElhone
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Slotorest Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Altered Images3:49
9Love & Pride
producer:
Richard James Burgess
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Love & Pride
writer:
Paul King (British-Irish singer/musician/VJ) and Mick Roberts
publisher:
EMI Songs Ltd. and King Songs
King43:22
10System Addict
recording of:
System Addict
writer:
Gary Bell and Billy Livsey
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Five Star34:04
11I Owe You Nothing
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer:
Ric Wake
producer and mixer:
Nicky Graham
remixer:
Bob Cadway and Ric Wake
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Owe You Nothing
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (in 1988), Intersong Music Ltd. (in 1988) and Virgin Music (Publishers) Ltd. (in 1988)
Bros3:36
12All Around the World
producer and mixer:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
arranger:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1989)
recording of:
All Around the World
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) and BMG Music Publishing Ltd.
Lisa Stansfield3.754:23
13Proud
edit of:
Proud (album version) by Heather Small
recording of:
Proud
lyricist and composer:
Heather Small (in 2000) and Peter-John Vettese (British keyboardist, songwriter, arranger and record producer) (in 2000)
publisher:
EMI April Music Inc. (in 2000)
Heather Small3:56
14Light My Fire
cover recording of:
Light My Fire
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
Will Young33:31
15Better Best Forgotten
assistant engineer:
Bradlee Spreadborough and Al Unsworth
engineer:
Dan Frampton (engineer) and Chris McDonnell (engineer)
producer:
Mark Topham, Karl Twigg and Pete Waterman
mixer:
Dan Frampton (engineer)
drums (drum set) [drums]:
Chris McDonnell (engineer)
keyboard [keyboards]:
Mark Topham and Karl Twigg
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
Better Best Forgotten
writer:
Andrew Frampton and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music Publishing Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Steps2.853:47
16Let’s Get Ready to Rhumble
recording of:
Let’s Get Ready to Rhumble
writer:
Nicky Graham, Deni Lew and Michael Olton
PJ & Duncan3:36
17If Ya Gettin’ Down
recording of:
If Ya Gettin' Down
writer:
Richard Breen, Jason Paul Brown (Five), Mike Cleveland (80's dance), Sean Conlon, Julian Gallagher (songwriter, producer) and Richard Stannard
publisher:
EMI Music Publishing Limited (PRS‐affiliated), Island Music (Island Music Ltd.), Sony/ATV Music Publishing Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available) and Windswept Pacific Music Ltd
Five3:01
18Ready to Go
programming:
Ben Grosse (American producer and engineer), Jesus Beats, Mike Tuller and John Vitale (UK guitarist)
additional producer:
Ben Grosse (American producer and engineer)
producer:
Republica (UK alternative rock band)
mixer:
Ben Grosse (American producer and engineer)
additional guitar:
Sal Aiello, Grant Mohrman and Marlon Young
drums (drum set):
Dave Barbarossa
guest guitar:
John Malea
guitar:
Johnny Male
keyboard:
Tim Dorney and Andy Todd (UK electronic producer/keyboardist, member of Republica)
piano:
Dave Arch (pianist, conductor, arranger and composer)
lead vocals:
Saffron (singer of Republica)
additional remixer:
Ben Grosse (American producer and engineer)
remixer:
Ben Grosse (American producer and engineer)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1996), BMG Records (UK) Limited (1987–1996) (in 1996) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1996)
recorded at:
Milo Studios in Hoxton, Hackney, London (Greater London), England, United Kingdom, Republica Studios (London studio for Republica) in London (Greater London), England, United Kingdom and The Workhouse in London (Greater London), England, United Kingdom
part of:
Anti-Hit List: September 3, 1996 (number: 1)
recording of:
Ready to Go
writer:
Tim Dorney, Johnny Male, Saffron (singer of Republica) and Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd., Momentum Music (publisher), Momentum Music Ltd., Notting Hill Music (publisher), Notting Hill Music (UK) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Republica3.65:02
19What Do I Do Now
assistant engineer:
Julie Gardner (engineer) and Tom Girling
producer:
Stephen Street (famous producer, songwriter)
mixer:
John Smith (UK producer/engineer)
acoustic guitar, drums (drum set) and percussion:
Andy MacLure
additional keyboard:
Stephen Street (famous producer, songwriter)
additional other instruments:
John Green (session musician specialising in arranging strings, playing stringed instruments, the organ and keyboards) and Stephen Street (famous producer, songwriter)
additional piano and additional synthesizer:
John Green (session musician specialising in arranging strings, playing stringed instruments, the organ and keyboards)
bass guitar:
Diid Osman
guitar:
Jon Stewart (UK guitarist) and Louise Wener
lead vocals:
Louise Wener
recording of:
What Do I Do Now?
lyricist and composer:
Louise Wener
Sleeper43:42
20Why Won’t You Give Me Your Love?
assistant engineer:
Tom Stanley
engineer:
Cenzo Townshend (engineer)
producer:
Stephen Street (famous producer, songwriter)
music videos:
Why Won’t You Give Me Your Love? by The Zutons
recording of:
Why Won’t You Give Me Your Love?
lyricist:
Dave McCabe (English singer, songwriter and guitarist)
composer:
Boyan Chowdhury, Abi Harding, Dave McCabe (English singer, songwriter and guitarist), Sean Payne (member of The Big Kids, The Isrites, The Zutons) and Russell Pritchard
The Zutons3:22
3▼CD
#TitleArtistRatingLength
1Boogie Nights
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
edit of:
Boogie Nights by Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:36
2Pick Up the Pieces
producer:
Arif Mardin
horn arranger:
Roger Ball
arranger:
AWB
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
writer:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. and Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band4.054:00
3Thunder in My Heart
engineer:
Howard Steele (US producer, sound engineer)
producer:
Richard Perry (producer)
bass guitar:
Abraham Laboriel
congas:
Lenny Castro
drums (drum set):
Jeff Porcaro
guitar:
Lee Ritenour and Fred Tackett
piano:
Tom Snow (US keyboardist/songwriter)
tambourine:
Bobbye Hall
vocals:
Leo Sayer
conductor:
Gene Page
strings arranger:
Gene Page
recording of:
Thunder in My Heart
lyricist:
Leo Sayer
composer:
Tom Snow (US keyboardist/songwriter)
Leo Sayer53:36
4The Man With the Golden Gun
producer:
John Barry (English score composer)
vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Man With the Golden Gun (The Man With the Golden Gun)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
The Man With the Golden Gun (from the James Bond Film)
Lulu3.252:37
5Star
recording of:
Star
lyricist and composer:
Doreen Chanter
publisher:
Eaton Music Limited
Kiki Dee53:15
6Love Grows (Where My Rosemary Goes)
producer:
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographic copyright (℗) by:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) and Demon Music Group (in 1970)
music videos:
Love Grows (Where My Rosemary Goes) by Edison Lighthouse
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 40) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
writer:
Tony Macaulay and Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. and Universal Music Publishing MGB Australia
Edison Lighthouse3.82:50
7Bye Bye Baby
engineer:
Barry Hammond and Peter Tattersall
producer:
Phil Wainman
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974)
cover recording of:
Bye, Bye, Baby (Baby Goodbye) (in 1974)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
recording of:
Bye, Bye, Baby (Baby Goodbye)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
Bay City Rollers4.52:51
8Arms of Mary
producer:
Howard Albert and Ron Albert
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
lyricist and composer:
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. and Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sutherland Brothers & Quiver52:38
9Ain’t No Pleasing You
recording of:
Ain’t No Pleasin’ You
lyricist and composer:
Chas Hodges and Dave Peacock (English bass guitarist, Chas & Dave)
Chas ’n’ Dave4:13
10Born to Be With You
cover recording of:
Born to Be With You
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
Dave Edmunds43:30
11Whistle Down the Wind
bass:
Pino Palladino
drums (drum set):
Dave Mattacks
recording of:
Whistle Down the Wind
lyricist and composer:
Nick Heyward
Nick Heyward2.53:42
12Hold Your Head Up
recording of:
Hold Your Head Up
writer:
Rod Argent and Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA and Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent3:44
13Albatross
producer:
Mike Vernon
drums (drum set):
Mick Fleetwood (on 1968-10-06)
electric bass guitar:
John McVie (on 1968-10-06)
guitar:
Peter Green (former member of Fleetwood Mac) (on 1968-10-06) and Danny Kirwan (Fleetwood Mac) (on 1968-10-06)
phonographic copyright (℗) by:
Blue Horizon Records (in 1968) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Albatross (on 1968-10-06)
composer:
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited and Palan Music Publishing Ltd.
Fleetwood Mac4.23:10
14Roll Away the Stone
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recording of:
Roll Away the Stone
lyricist and composer:
Ian Hunter (Mott the Hoople)
publisher:
Island Music Limited (Island Music Ltd.) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Mott the Hoople3.53:10
15Rocks
additional engineer:
David Bianco (American engineer and record producer) and Jeffrey Reed
engineer:
David Bianco (American engineer and record producer) and Jeff Powell (engineer)
additional producer:
George Drakoulias
co-producer:
David Bianco (American engineer and record producer)
producer:
Tom Dowd
remixer:
George Drakoulias
phonographic copyright (℗) by:
Creation Records Ltd. (in 1994) and Sire Records Company (not for release label use!) (in 1994)
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Rocks
writer:
Bobby Gillespie, Andrew Innes and Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:37
16Trash
producer:
Ed Buller
mixer:
David Bascombe and Ed Buller
phonographic copyright (℗) by:
Suede ltd. (in 1996)
part of:
Anti-Hit List: August 27, 1996 (number: 10)
recording of:
Trash
writer:
Brett Anderson (Suede) and Richard Oakes
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), PolyGram Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (ended), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.) (ended), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Universal Music Publishing France (not for release label use!) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Suede3.354:08
17I Think I’m in Love
recording of:
I Think I'm in Love
lyricist and composer:
Jason Pierce (UK musician, Spacemen 3/Spiritualized)
publisher:
Redemption Songs
Spiritualized3:59
18Change
producer:
Ian Broudie and Simon Rogers
mixer:
David Bascombe
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1995)
recording of:
Change
writer:
Ian Broudie
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
The Lightning Seeds3:41
19I See You Baby (Fatboy Slim radio edit)
producer:
Groove Armada
editor:
Fatboy Slim
remixer:
Fatboy Slim
remix of:
I See You Baby by Groove Armada
recording of:
I See You Baby
lyricist and composer:
Andy Cato, Tom Findlay (UK electronic DJ/producer, Groove Armada) and Toi Wooten
Groove Armada feat. Gram’ma Funk3:30
20Insomnia
producer:
Rollo (Rollo Armstrong of Faithless) and Sister Bliss
lead vocals [rap]:
Maxi Jazz
edit of:
Insomnia (original Reverence album mix) by Faithless
recording of:
Insomnia
lyricist:
Maxi Jazz
writer:
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
Faithless33:34
4▼CD
#TitleArtistRatingLength
1You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:19
2Through the Barricades
producer:
Gary Langan and Spandau Ballet
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
recording of:
Through the Barricades
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet5:20
3Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
performer:
Rory Dodd (in 1983)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:30
4Everything Must Change
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Everything Must Change
writer:
Ian Kewley and Paul Young (English pop singer and musician)
publisher:
Bright Music Ltd. (publisher)
Paul Young4:40
5When Love Breaks Down
producer:
Phil Thornalley
bass:
Martin McAloon
drums (drum set):
Neil Conti
guest keyboard and synthesizer:
Thomas Dolby
guitar:
Paddy McAloon
vocals:
Paddy McAloon and Wendy Smith (British musician, formerly with Prefab Sprout)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
edit of:
When Love Breaks Down by Prefab Sprout
recording of:
When Love Breaks Down
lyricist and composer:
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout3:48
6Rain or Shine
recording of:
Rain or Shine
writer:
Billy Livsey and Peter Sinfield
Five Star53:58
7(Feels Like) Heaven
producer:
Peter Wilson (UK Producer)
arranger:
Chic Medley and Kevin Patterson (songwriter)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
lyricist and composer:
Eddie Jordan (songwriter) and Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:30
8I Could Be Happy
recording of:
I Could Be Happy
lyricist and composer:
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone and Jim McKinven
Altered Images53:31
9Theme From “S’Express”
producer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
samples:
Is It Love You’re After by Rose Royce, Stacey’s Dream (a cappella) by Stacey Q and The Bottle by Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
lyricist and composer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
writer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory and Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) and Rhythm King Music (Publishing arm of Rhythm King Records)
is based on:
Is It Love You’re After
S’Express43:56
10Winter in July
recording engineer and programming:
Kerry Hopwood
drums (drum set) programming:
Tim Simenon
mixer:
Alan Moulder (producer and engineer) and Tim Simenon
arranger:
Loretta Heywood
phonographic copyright (℗) by:
Rhythm King Records Ltd. (in 1991)
recording of:
Winter in July
lyricist:
Loretta Heywood
composer:
Guy Sigsworth and Tim Simenon
publisher:
EMI Publishing and Rhythm King Music (Publishing arm of Rhythm King Records)
Bomb the Bass4:29
11Drop the Boy
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer and mixer:
Nicky Graham
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Drop the Boy
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, BMG Platinum Songs US and Maximum Music Limited
Bros4:09
12Find My Love
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
guest mandolin:
Anthony Thistlethwaite
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
recording of:
Find My Love
lyricist and composer:
Mark Nevin
publisher:
MCA Music Ltd.
Fairground Attraction feat. Eddi Reader4.53:43
13Real Gone Kid
recording engineer:
Felix Kendall (UK recording engineer)
producer:
Warne Livesey
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
recording of:
Real Gone Kid
lyricist and composer:
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
Deacon Blue4.354:06
14Favourite Shirts (Boy Meets Girl)
producer:
Bob Sargeant
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
part of:
TV Cream: Real 100 Best Singles Ever (number: 31)
recording of:
Favourite Shirts (Boy Meets Girl)
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut 10053:06
15Just Got Lucky
producer:
Alan Shacklock
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1983)
recording of:
Just Got Lucky
writer:
Chris Bostock and Dig Wayne
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1983)
Jo Boxers33:43
16Antmusic
producer:
Chris Hughes (producer, aka “Merrick”)
acoustic guitar, harmonica, piano and lead vocals:
Adam Ant (English new wave singer and actor)
bass guitar:
Kevin Mooney
drums (drum set):
Merrick (producer, aka “Merrick”) and Terry Lee Miall
electric guitar:
Marco Pirroni (British musician and producer)
vocals:
Kevin Mooney
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980, in 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980)
music videos:
Antmusic by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 139)
recording of:
Antmusic
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing MGB Ltd.
Adam & the Ants43:36
17I Want Candy
producer:
Kenny Laguna
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 8) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 86)
cover recording of:
I Want Candy (in 1982)
writer:
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) and Richard Gottehrer (American songwriter and music executive)
publisher:
Downtown Music Publishing LLC (PRS-affiliated), Sloopy II Music, Sony/ATV Songs LLC and Wren Music Co.
Bow Wow Wow42:45
18Every Day Hurts
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1979) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1979)
recording of:
Every Day Hurts
writer:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson and Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd.
Sad Café44:06
19Baby I Love You
cover recording of:
Baby, I Love You
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Dave Edmunds43:32
20Mind Blowing Decisions
assistant engineer:
Mike Hedges (UK producer/recording engineer) and Andy Jackson (UK recording engineer/prog musician)
engineer and mixer:
James Guthrie
producer:
Barry Blue (singer, producer, and songwriter)
assistant mixer:
Andy Jackson (UK recording engineer/prog musician)
conductor:
John Cameron (British composer, arranger and conductor)
orchestrator:
John Cameron (British composer, arranger and conductor)
concertmaster:
Pat Halling
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1977, in 1978)
recording of:
Mind Blowing Decisions (in 1977)
lyricist and composer:
Johnnie Wilder, Jr. (US vocalist for Heatwave)
publisher:
Johnnie Wilder Music, Skratch Music Publishing Ltd. and 大洋音楽 (Taiyō Music)
Heatwave54:16
5▼CD
#TitleArtistRatingLength
1Country Girl
recording of:
Country Girl
writer:
Martin Duffy, Bobby Gillespie, Andrew Innes and Gary Mounfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3:53
2Dancing in the Moonlight
engineer:
Alan Douglas (Scottish born engineer)
producer:
George Drakoulias
mixer:
Dave Shiftman (American producer/audio engineer) and Greg Fidelman (Greg Fields)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2000)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom
mixed at:
Ocean Wave Studios
cover recording of:
Dancing in the Moonlight
lyricist and composer:
Sherman Kelly
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader4.53:51
3Place Your Hands
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Place Your Hands
writer:
John Bessant, Dominic Greensmith, Kenwyn House and Gary Stringer (Reef, StringerBessant, Them Is Me lead singer)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Reef43:39
4Valerie
assistant engineer:
Tom Stanley
engineer:
Cenzo Townshend (engineer)
producer:
Stephen Street (famous producer, songwriter)
recording of:
Valerie (in 2006)
writer:
Boyan Chowdhury, Dave McCabe (English singer, songwriter and guitarist), Abi Harding, Sean Payne (member of The Big Kids, The Isrites, The Zutons) and Russ Pritchard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Zutons3.653:57
5Drop Dead Gorgeous
drums (drum set):
Dave Barbarossa
guest instruments:
Johnny Male
guest keyboard:
Pete Davis (solo project of math rock band Invalids)
keyboard:
Tim Dorney and Andy Todd (UK electronic producer/keyboardist, member of Republica)
lead vocals:
Saffron (singer of Republica)
recording of:
Drop Dead Gorgeous
writer:
Tim Dorney, Johnny Male, Saffron (singer of Republica) and Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd. and Momentum Music (publisher)
Republica33:32
6Animal Nitrate
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 40) and NME: Greatest “Indie” Anthems Ever: 2007 (number: 43)
recording of:
Animal Nitrate
writer:
Brett Anderson (Suede) and Bernard Butler
publisher:
PolyGram Music Publishing
Suede4.353:27
7Sale of the Century
assistant engineer:
Julie Gardner (engineer) and Tom Girling
producer:
Stephen Street (famous producer, songwriter)
mixer:
John Smith (UK producer/engineer)
acoustic guitar, drums (drum set) and percussion:
Andy MacLure
additional keyboard:
Stephen Street (famous producer, songwriter)
additional other instruments:
John Green (session musician specialising in arranging strings, playing stringed instruments, the organ and keyboards) and Stephen Street (famous producer, songwriter)
additional piano and additional synthesizer:
John Green (session musician specialising in arranging strings, playing stringed instruments, the organ and keyboards)
bass guitar:
Diid Osman
guitar:
Jon Stewart (UK guitarist) and Louise Wener
lead vocals:
Louise Wener
part of:
Anti-Hit List: May 28, 1996 (number: 6)
recording of:
Sale of the Century
lyricist:
Louise Wener
writer and composer:
Andy MacLure and Louise Wener
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Sleeper4.54:31
8Lucky You
producer:
Ian Broudie and Simon Rogers
mixer:
David Bascombe
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
recording of:
Lucky You
writer:
Ian Broudie and Terry Hall
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd. and Chrysalis Music Ltd. (music publisher, affiliated with PRS)
The Lightning Seeds4:22
9Stop Your Crying
recording of:
Stop Your Cryin'
lyricist and composer:
Jason Pierce (UK musician, Spacemen 3/Spiritualized)
publisher:
Redemption Songs
Spiritualized5:15
10Original
engineer:
Adam Wren
producer and mixer:
Leftfield (British electronic project)
guest lead vocals and guest vocals:
Toni Halliday
vocals:
Toni Halliday
recording of:
Original
lyricist and composer:
Neil Barnes, Paul Daley and Toni Halliday
Leftfield4:11
11Superstylin’
recording of:
Superstylin’
writer:
Andy Cato, Tom Findlay (UK electronic DJ/producer, Groove Armada), Keeling Lee, Michael Anthony Daniel (MC & vocalist Michael Anthony Daniel) and Jonathan White
Groove Armada54:00
12God Is a DJ
programming:
Rollo (Rollo Armstrong of Faithless)
engineer:
Goetz
producer:
Rollo (Rollo Armstrong of Faithless) and Sister Bliss
mixer:
Goetz, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
keyboard:
Sister Bliss
vocals:
Maxi Jazz
publisher:
Champion (UK soul, dance and house music label) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
God Is a DJ
lyricist:
Maxi Jazz
writer:
Jamie Catto, Maxi Jazz, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
publisher:
BMG Music Publishing Ltd., Champion (UK soul, dance and house music label), Champion Management & Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Faithless3.753:34
13Hide U
producer and mixer:
Decoder (drum and bass producer Darren Beale) and Substance (UK drum & bass producers DJ Dazee, Mark Morrison & John Shales)
produced at:
Ledge Studio One in Bristol, England, United Kingdom
recording of:
Hide U
composer:
Darren Beale, Sian Evans and Mark Morrison (drum n bass producer aka Substance)
publisher:
Tairona Songs
Kosheen4.354:13
14You’re Not Alone
recording of:
You’re Not Alone
lyricist:
Tim Kellett
composer:
Tim Kellett and Robin Taylor-Firth
publisher:
BMG Music Publishing Ltd. and Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Olive3:57
15Broken Heels
recording of:
Broken Heels
writer:
Bilal Hajji, Savan Kotecha and Nadir Khayat
Alexandra Burke23:35
16Keep on Movin’
recording engineer:
Adrian Bushby
additional programming:
Chris Laws (engineer, keyboardist & songwriter)
additional producer and additional mixer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
producer:
Julian Gallagher (songwriter, producer) and Richard Stannard
assistant mixer:
Daniel Pursey (UK engineer), Conal Markey and Alvin Sweeney
mixer:
Adrian Bushby, Jake Davies and Matt Howe (producer and engineer)
performer:
Abs (Richard Abidin Breen ex-Five), J (Five), Ritchie (British singer/songwriter, member of boy band "Five") and Scott (British singer/performer/songwriter)
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1999)
produced for:
Biffco Productions
recorded at:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
additionally mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
additionally produced at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Keep On Movin’
writer:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) and Richard Stannard
publisher:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd and Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five53:16
17Beat Again
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2009)
recording of:
Beat Again
writer:
Wayne Hector and Steve Mac (British pop producer/songwriter Steve McCutcheon)
JLS3.53:17
18Oopsy Daisy
guest vocals:
Dayo Olatunji
recording of:
Oopsy Daisy
writer:
Jahmaal Flyffe (grime/rap, a.k.a. Chipmunk) and Talay Riley
Chipmunk23:37
19One for Sorrow
assistant engineer:
Bradlee Spreadborough and Al Unsworth
engineer:
Chris McDonnell (engineer)
producer:
Mark Topham, Karl Twigg and Pete Waterman
mixer:
Dan Frampton (engineer) and Paul Waterman
drums (drum set) [drums]:
Chris McDonnell (engineer)
keyboard [keyboards]:
Mark Topham and Karl Twigg
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
One For Sorrow
writer:
Lance Ellington (Strictly Come Dancing), Mark Topham and Karl Twigg
publisher:
All Boys Music Ltd.
Steps4.54:21
20Change
producer:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
mixer:
Bobby Boughton, Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
publisher:
Big Life Music Ltd.
recording of:
Change
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Big Life Music Ltd.
Lisa Stansfield4:19

Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 184) (order: 133)