Tracklist

1Digital Media
#TitleArtistRatingLength
1Carmen: Overture (Prelude)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1975-07 until 1975-12)
conductor:
Sir Georg Solti (conductor) (from 1975-07 until 1975-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1975-07 until 1975-12)
recording of:
Carmen : Prélude (from 1975-07 until 1975-12)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:15
2Symphony no. 40 in G minor, K. 550: I. Molto allegro
recorded in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (from 1984-06-15 until 1984-06-16)
engineer:
James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Chamber Orchestra of Europe (from 1984-06-15 until 1984-06-16)
conductor:
Sir Georg Solti (conductor) (from 1984-06-15 until 1984-06-16)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Alte Oper in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (from 1984-06-15 until 1984-06-16)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (from 1984-06-15 until 1984-06-16)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:19
3Symphony no. 4 in A, op. 90 “Italian”: I. Allegro vivaceFelix Mendelssohn10:03
4Das Rheingold: “Entry of the Gods Into Valhalla”
engineer:
James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
conductor:
Sir Georg Solti (conductor) (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recording of:
Excerpt from Das Rheingold: Entrance of the Gods into Valhalla (from 1982-10-11 until 1982-10-12)
composer:
Richard Wagner (composer) (from 1851 until 1854)
part of:
Das Rheingold: Scene IV
recording of:
Excerpt from Das Rheingold: Entrance of the Gods into Valhalla (from 1982-10-14 until 1982-10-15)
composer:
Richard Wagner (composer) (from 1851 until 1854)
part of:
Das Rheingold: Scene IV
Richard Wagner5:19
5La Damnation de Faust, op. 24: Marche Hongroise
sound engineer:
Simon Eadon (classical music engineer) and James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1981-05)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1981-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1981-05)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March) (in 1981-05)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:48
6“Pomp and Circumstance Marches”, op. 39: March no. 1 in D
engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer) and Christopher Raeburn (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1977-02-07, on 1977-02-18, on 1977-03-18, on 1977-04-04)
conductor:
Sir Georg Solti (conductor) (on 1977-02-07, on 1977-02-18, on 1977-03-18, on 1977-04-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1977-02-07, on 1977-02-18, on 1977-03-18, on 1977-04-04)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (from 1977-02-07 until 1977-04-04)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:32
7Prince Igor: Polovtsian Dances and Chorus
producer:
John Culshaw
choir vocals:
London Symphony Chorus (on 1966-05-27)
orchestra:
London Symphony Orchestra (on 1966-05-27)
conductor:
Sir Georg Solti (conductor) (on 1966-05-27)
chorus master:
John Alldis (chorusmaster and conductor) (on 1966-05-27)
balance engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-05-27)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (from 1966-01-31 until 1966-05-27)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
recording of:
Prince Igor: Act II. Polovtsian Dance with Choir
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Alexander Borodin13:39
8Ouverture Solennelle “1812”, op. 49
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (from 1986-01 until 1986-02)
conductor:
Sir Georg Solti (conductor) (from 1986-01 until 1986-02)
balance engineer:
John Pellowe (audio engineer) (from 1986-01 until 1986-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1986-01 until 1986-02)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (from 1986-01 until 1986-02)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Pyotr Ilyich Tchaikovsky14:52

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2005)
purchase for download:https://itunes.apple.com/us/album/id1452145001 [info]
stream for free:https://open.spotify.com/album/3M26IZAosfSCgcSNLoYWYU [info]
https://www.deezer.com/album/8710627 [info]
streaming page:https://music.apple.com/us/album/1452145001 [info]

Release group

part of:20th Century Masters: The Millennium Collection (release groups) (order: 195)