Night Games

~ Release by Charley Pride (see all versions of this release, 2 available)

Tracklist

112" Vinyl
#TitleRatingLength
1Draw the Line
assistant engineer:
Doug Crider
engineer:
Bill Harris (US sound engineer)
producer:
Norris “Norro” Wilson
recorded at:
Music City Music Hall in Nashville, Tennessee, United States
recording of:
Draw the Line (in 1983)
lyricist and composer:
Jerry Fuller
publisher:
Sony/ATV Songs LLC
43:20
2Love on a Blue Rainy Day
assistant engineer:
Doug Crider
engineer:
Bill Harris (US sound engineer)
producer:
Norris “Norro” Wilson
strings:
Nashville String Machine
strings arranger:
D. Bergen White (American arranger, producer, conductor, musician, composer and singer)
recorded at:
Music City Music Hall in Nashville, Tennessee, United States
recording of:
Love on a Blue Rainy Day (in 1983)
writer:
Richard E. Carpenter (Country, Blues songwriter, drummer, engineer) and Kent Robbins
publisher:
Let There Be Music and Robbins Legacy Music (BMI)
43:34
3The Late Show
assistant engineer:
Doug Crider
engineer:
Bill Harris (US sound engineer)
producer:
Norris “Norro” Wilson
horn [horns]:
Nashville Horn Works
strings:
Nashville String Machine
strings arranger:
D. Bergen White (American arranger, producer, conductor, musician, composer and singer)
recorded at:
Music City Music Hall in Nashville, Tennessee, United States
recording of:
The Late Show (in 1983)
writer:
Bill Shore and David Wills (country, 1970s-80s)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WC Music Corp.
42:49
4Night Games
assistant engineer:
Doug Crider
engineer:
Bill Harris (US sound engineer)
producer:
Norris “Norro” Wilson
horn [horns]:
Nashville Horn Works
strings:
Nashville String Machine
strings arranger:
D. Bergen White (American arranger, producer, conductor, musician, composer and singer)
recorded at:
Music City Music Hall in Nashville, Tennessee, United States
recording of:
Night Games (Charley Pride song)
writer:
Blake Mevis and Norris “Norro” Wilson
42:42
5Down in Louisiana
assistant engineer:
Doug Crider
engineer:
Bill Harris (US sound engineer)
producer:
Norris “Norro” Wilson
recorded at:
Music City Music Hall in Nashville, Tennessee, United States
recording of:
Down in Louisiana (in 1983)
writer:
Jim McBride (US country songwriter) and Keith Stegall (American country singer / songwriter and record producer)
publisher:
EMI April Music Inc. and Reservoir 416
32:07
6Every Heart Should Have One
assistant engineer:
Doug Crider
engineer:
Bill Harris (US sound engineer)
producer:
Norris “Norro” Wilson
recorded at:
Music City Music Hall in Nashville, Tennessee, United States
recording of:
Every Heart Should Have One (in 1983)
writer:
Byron Gallimore and Bill Shore
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
42:54
7Thanks for Wakin' Me Up This Mornin'
assistant engineer:
Doug Crider
engineer:
Bill Harris (US sound engineer)
producer:
Norris “Norro” Wilson
strings:
Nashville String Machine
strings arranger:
D. Bergen White (American arranger, producer, conductor, musician, composer and singer)
recorded at:
Music City Music Hall in Nashville, Tennessee, United States
recording of:
Thanks for Waking Me Up This Morning, Thanks for Kissing Me Goodnight Last Night (in 1983)
lyricist and composer:
Shelley Pinz
publisher:
The Clyde Otis Music Group, Inc. (publisher; do NOT use as release label)
32:55
8Livin' It Up (Livin' It Down)
assistant engineer:
Doug Crider
engineer:
Bill Harris (US sound engineer)
producer:
Norris “Norro” Wilson
recorded at:
Music City Music Hall in Nashville, Tennessee, United States
recording of:
Lovin' It Up, Livin' It Down (in 1983)
writer:
Byron Gallimore, Bill Shore and David Wills (country, 1970s-80s)
publisher:
HoriPro Entertainment Group, Inc. D/B/A Dixie Stars, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WC Music Corp.
42:48
9Just Can't Leave That Woman Alone
assistant engineer:
Doug Crider
engineer:
Bill Harris (US sound engineer)
producer:
Norris “Norro” Wilson
recorded at:
Music City Music Hall in Nashville, Tennessee, United States
recording of:
Just Can't Leave That Woman Alone (in 1983)
writer:
Wayland Holyfield and Jim McBride (US country songwriter)
publisher:
EMI April Music Inc., Ides of March Music, SBK April Music Inc. and Wayfield Inc.
43:08
10I Could Let Her Get Close to Me (But She Could Never Get Close to You)
assistant engineer:
Doug Crider
engineer:
Bill Harris (US sound engineer)
producer:
Norris “Norro” Wilson
recorded at:
Music City Music Hall in Nashville, Tennessee, United States
recording of:
I Could Let Her Get Close to Me, but She Could Never Get Close to You (in 1983)
writer:
Blake Mevis, Bill Shore and David Wills (country, 1970s-80s)
publisher:
G.I.D. Music, Inc. (ASCAP) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
43:20

Credits

Release

art direction:Robert Small (US TV & film producer)
photography:Virginia Liberatore (Photographer)
miscellaneous support:James Burns (American television producer) (task: RSE coordination)
graphic design:Frank Olinsky
mastering:Randy Kling (US sound engineer)
bass:David Hungate
Mike Leech
Bob Wray (American Bassist)
drums (drum set):Jerry Carrigan (US drummer)
Jerry Kroon
Ralph Gallant
guitar:Bobby Thompson (guitar & banjo player)
guitar [lead guitar]:Brent Rowan
Pete Wade
guitar [rhythm guitar]:Jerry Stembridge (American session guitarist, bassist, producer in the genre of country)
percussion:Terry McMillan
Farrell Morris
piano:David Briggs (US producer and musician)
Gary Prim (pianist, songwriter)
mastered at:Disc Mastering in Nashville, Tennessee, United States
Discogs:https://www.discogs.com/release/3757491 [info]