52nd Street Themes

~ Release by Joe Lovano Nonet (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1If You Could See Me Now
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
If You Could See Me Now (jazz standard) (from 1999-11-03 until 1999-11-04)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:54
2On A Misty Night
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
arranger:
Joe Lovano (American jazz artist)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
recording of:
On a Misty Night (from 1999-11-03 until 1999-11-04)
composer:
Tadd Dameron
publisher:
Carbaby Music Company
5:03
3Sippin' At Bells
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
Sippin' at Bells (from 1999-11-03 until 1999-11-04)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
5:11
4Passion Flower
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1999-11-03 until 1999-11-04)
arranger:
Joe Lovano (American jazz artist)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
Passion Flower (from 1999-11-03 until 1999-11-04)
composer:
Billy Strayhorn
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
5:05
5Deal
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
Deal (from 1999-11-03 until 1999-11-04)
composer:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
arranger:
Joe Lovano (American jazz artist)
publisher:
Lovo Music
7:14
6The Scene Is Clean
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
The Scene Is Clean (from 1999-11-03 until 1999-11-04)
composer:
Tadd Dameron
arranger:
Joe Lovano (American jazz artist)
publisher:
Bregman, Vocco & Conn, Inc.
3:49
7Whatever Possess'd Me
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
Whatever Possess'd Me (from 1999-11-03 until 1999-11-04)
composer:
Tadd Dameron
arranger:
Joe Lovano (American jazz artist)
publisher:
Carbaby Music Company
3:58
8Charlie Chan
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
Charlie Chan (from 1999-11-03 until 1999-11-04)
composer and arranger:
Joe Lovano (American jazz artist)
publisher:
Lovo Music
8:08
9Theme For Ernie
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
Theme for Ernie (from 1999-11-03 until 1999-11-04)
composer:
Fred Lacey (US jazz guitarist)
named after artist:
Ernie Henry
publisher:
Prestige Music (US drum & bass)
5:53
10Tadd's Delight
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
Tadd's Delight (from 1999-11-03 until 1999-11-04)
composer:
Tadd Dameron
7:50
11Abstractions On 52nd Street
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
tenor saxophone:
Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
Abstractions On 52nd Street (from 1999-11-03 until 1999-11-04)
composer and arranger:
Joe Lovano (American jazz artist)
publisher:
Lovo Music
2:05
1252nd Street Theme
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
arranger:
Joe Lovano (American jazz artist)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
52nd Street Theme (from 1999-11-03 until 1999-11-04)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
4:33
13Embraceable You
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
arranger:
Joe Lovano (American jazz artist)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
Embraceable You (from 1999-11-03 until 1999-11-04)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:59

Credits

Release

printed in:Europe
art direction and graphic design:Jessi Novod
design/illustration:Cyclone (illustration)
photography:Jimmy Katz (photographer, engineer)
liner notes:Michael Cuscuna
assistant producer:Judi Silvano
executive producer:Mantis Evar
mastering:Greg Calbi (American mastering engineer)
distributed by and marketed by:EMI (EMI Records, or EMI Music only if there is no other imprint)
copyrighted (©) by:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States (on 1999-11-08)
Discogs:https://www.discogs.com/release/2635314 [info]
ASIN:UK: B00004SQ28 [info]