Kantaten "Ich will den Kreuzstab gerne tragen", BWV 56 / "Nun komm, der Heiden Heiland", BWV 62

~ Release by Johann Sebastian Bach; Dietrich Fischer‐Dieskau, Peter Schreier (see all versions of this release, 1 available)

Annotation

BWV 56: Kammerchor ad hoc

Annotation last modified on 2012-12-14 21:41 UTC.

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
1Kantate BWV 56: 1. Arie "Ich will den Kreuzstab gerne tragen"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1956)
orchestra:
Festival Strings Lucerne (in 1956)
conductor:
Rudolf Baumgartner (conductor) (in 1956)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1956)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach?:??
2Kantate BWV 56: 2. Rezitativ "Mein Wandel auf der Welt"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1956)
orchestra:
Festival Strings Lucerne (in 1956)
conductor:
Rudolf Baumgartner (conductor) (in 1956)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1956)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach?:??
3Kantate BWV 56: 3. Arie "Endligh, endlich wird mein Joch"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1956)
orchestra:
Festival Strings Lucerne (in 1956)
conductor:
Rudolf Baumgartner (conductor) (in 1956)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1956)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach?:??
4Kantate BWV 56: 4. Rezitativ und Arioso "Ich stehe fertig und beriet"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1956)
orchestra:
Festival Strings Lucerne (in 1956)
conductor:
Rudolf Baumgartner (conductor) (in 1956)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1956)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach?:??
5Kantate BWV 56: 5. Choral "Komm, o Tod, du Schlafes Bruder"
orchestra:
Festival Strings Lucerne (in 1956)
conductor:
Rudolf Baumgartner (conductor) (in 1956)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1956)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach?:??
6Kantate BWV 62: Chor "Nun komm, der Heiden Heiland"
choir vocals:
Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (in 1967-09)
recorded at:
Haus Auensee in Leipzig, Sachsen (Saxony), Germany (in 1967-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1967-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach?:??
7Kantate BWV 62: Arie (Tenor) "Bewundert, o Menschen, dies große Geheimnis"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (in 1967-09)
recorded at:
Haus Auensee in Leipzig, Sachsen (Saxony), Germany (in 1967-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen" (in 1967-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach?:??
8Kantate BWV 62: Rezitativ (Bass) "So geht aus Gottes Herrlichkeit und Thron"
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (in 1967-09)
recorded at:
Haus Auensee in Leipzig, Sachsen (Saxony), Germany (in 1967-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit" (in 1967-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach?:??
9Kantate BWV 62: Arie (Bass) "Streite, siege, starker Held!"
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (in 1967-09)
recorded at:
Haus Auensee in Leipzig, Sachsen (Saxony), Germany (in 1967-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (in 1967-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach?:??
10Kantate BWV 62: Rezitativ (Duett: Sopran - Alt)
alto vocals:
Gerda Schriever (German mezzo/contralto)
soprano vocals:
Adele Stolte (soprano)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (in 1967-09)
recorded at:
Haus Auensee in Leipzig, Sachsen (Saxony), Germany (in 1967-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Duetto: Soprano, Alto) "Wir ehren diese Herrlichkeit" (in 1967-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach?:??
11Kantate BWV 62: Choral "Lob sei Gott, dem Vater, g'than"
choir vocals:
Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (in 1967-09)
recorded at:
Haus Auensee in Leipzig, Sachsen (Saxony), Germany (in 1967-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (in 1967-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach?:??

Credits

Release

part of:Resonance (Deutsche Grammophon) (order: 2)
Discogs:https://www.discogs.com/release/7271814 [info]
other databases:https://www.musik-sammler.de/media/281017/ [info]