Jazz Alive! A Night at the Half Note (stereo)

~ Release by Zoot Sims / Al Cohn / Phil Woods (see all versions of this release, 17 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Lover Come Back to Me
double bass [bass]:
Knobby Totah (jazz bassist) (from 1959-02-06 until 1959-02-07)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-06 until 1959-02-07)
piano:
Mose Allison (from 1959-02-06 until 1959-02-07)
tenor saxophone:
Al Cohn (from 1959-02-06 until 1959-02-07) and Zoot Sims (US jazz saxophonist) (from 1959-02-06 until 1959-02-07)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-06 until 1959-02-07)
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (in 1959-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Al Cohn and Zoot Sims9:19
2It Had to Be You
double bass [bass]:
Knobby Totah (jazz bassist) (from 1959-02-06 until 1959-02-07)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-06 until 1959-02-07)
piano:
Mose Allison (from 1959-02-06 until 1959-02-07)
tenor saxophone:
Al Cohn (from 1959-02-06 until 1959-02-07) and Zoot Sims (US jazz saxophonist) (from 1959-02-06 until 1959-02-07)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-06 until 1959-02-07)
instrumental recording of:
It Had to Be You (in 1959-02)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Al Cohn and Zoot Sims10:27
3Wee Dot
double bass [bass]:
Knobby Totah (jazz bassist) (from 1959-02-06 until 1959-02-07)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-06 until 1959-02-07)
piano:
Mose Allison (from 1959-02-06 until 1959-02-07)
tenor saxophone:
Al Cohn (from 1959-02-06 until 1959-02-07) and Zoot Sims (US jazz saxophonist) (from 1959-02-06 until 1959-02-07)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-06 until 1959-02-07)
recording of:
Wee Dot (in 1959-02)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
Al Cohn and Zoot Sims9:20
4After You've Gone
double bass [bass]:
Knobby Totah (jazz bassist) (from 1959-02-06 until 1959-02-07)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1959-02-06 until 1959-02-07)
piano:
Mose Allison (from 1959-02-06 until 1959-02-07)
tenor saxophone:
Al Cohn (from 1959-02-06 until 1959-02-07) and Zoot Sims (US jazz saxophonist) (from 1959-02-06 until 1959-02-07)
recorded at:
The Half Note in SoHo, New York, New York, United States (from 1959-02-06 until 1959-02-07)
instrumental recording of:
After You’ve Gone (in 1959-02)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Al Cohn and Zoot Sims11:29