Louis Armstrong

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Annotation

15 CDs in Jewel Cases in a cardboard box; CD 3 ("A Monday Date") is missing.

Individual cat#s / barcodes:

CD 4: 204517-202 / 4011222045171
CD 5: 204518-202 / ???
CD 9: 204522-202 / 4011222045225

(Should be fairly consistent for the rest.)

Annotation last modified on 2015-01-14 13:30 UTC.

Tracklist

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1▼CD: Gut Bucket Blues
#TitleRatingLength
1My Heart
recorded in:
Chicago, Illinois, United States (on 1925-11-12)
banjo:
Johnny St. Cyr (on 1925-11-12)
clarinet:
Johnny Dodds (on 1925-11-12)
cornet:
Louis Armstrong (on 1925-11-12)
piano:
Lil Hardin Armstrong (on 1925-11-12)
trombone:
Kid Ory (on 1925-11-12)
recording of:
My Heart (Will Always Lead Me Back to You) (on 1925-11-12)
composer:
Lil Hardin Armstrong
2:32
2Yes I'm in the Barrel
recorded in:
Chicago, Illinois, United States (on 1925-11-12)
banjo:
Johnny St. Cyr (on 1925-11-12)
clarinet:
Johnny Dodds (on 1925-11-12)
cornet:
Louis Armstrong (on 1925-11-12)
piano:
Lil Armstrong (on 1925-11-12)
trombone:
Kid Ory (on 1925-11-12)
recording of:
Yes, I'm In the Barrel (on 1925-11-12)
composer:
Louis Armstrong
2:45
3Gut Bucket Blues
recorded in:
Chicago, Illinois, United States (on 1925-11-12)
banjo:
Johnny St. Cyr (on 1925-11-12)
clarinet:
Johnny Dodds (on 1925-11-12)
cornet:
Louis Armstrong (on 1925-11-12)
piano:
Lil Hardin Armstrong (on 1925-11-12)
trombone:
Kid Ory (on 1925-11-12)
vocals:
Louis Armstrong (on 1925-11-12)
recording of:
Gut Bucket Blues (on 1925-11-12)
composer:
Louis Armstrong
2:50
4Come Back Sweet Papa
recorded in:
Chicago, Illinois, United States (on 1926-02-22)
alto saxophone and clarinet:
Johnny Dodds (on 1926-02-22)
banjo:
Johnny St. Cyr (on 1926-02-22)
cornet:
Louis Armstrong (on 1926-02-22)
piano:
Lil Armstrong (on 1926-02-22)
trombone:
Kid Ory (on 1926-02-22)
recording of:
Come Back Sweet Papa (on 1926-02-22)
composer:
Paul Barbarin (jazz drummer from New Orleans) and Luis Russell
2:33
5Georgia Grind
recorded in:
Chicago, Illinois, United States (on 1926-02-26)
banjo:
Johnny St. Cyr (on 1926-02-26)
clarinet:
Johnny Dodds (on 1926-02-26)
piano:
Lil Hardin Armstrong (on 1926-02-26)
trombone:
Kid Ory (on 1926-02-26)
trumpet:
Louis Armstrong (on 1926-02-26)
vocals:
Louis Armstrong (on 1926-02-26) and Lil Hardin Armstrong (on 1926-02-26)
recording of:
Georgia Grind (on 1926-02-26)
writer:
Spencer Williams (US jazz composer, pianist & singer)
2:38
6Heebie Jeebies
recorded in:
Chicago, Illinois, United States (on 1926-02-26)
banjo:
Johnny St. Cyr (on 1926-02-26)
clarinet:
Johnny Dodds (on 1926-02-26)
cornet and lead vocals:
Louis Armstrong (on 1926-02-26)
piano:
Lil Hardin Armstrong (on 1926-02-26)
trombone:
Kid Ory (on 1926-02-26)
recording of:
Heebie Jeebies (on 1926-02-26)
lyricist and composer:
Boyd Atkins
2:58
7Cornet Chop Suey
recorded in:
Chicago, Illinois, United States (on 1926-02-26)
banjo:
Johnny St. Cyr (on 1926-02-26)
clarinet:
Johnny Dodds (on 1926-02-26)
cornet:
Louis Armstrong (on 1926-02-26)
piano:
Lil Hardin Armstrong (on 1926-02-26)
trombone:
Kid Ory (on 1926-02-26)
recording of:
Cornet Chop Suey (on 1926-02-26)
composer:
Louis Armstrong
3:07
8Oriental Strut
recorded in:
Chicago, Illinois, United States (on 1926-02-26)
banjo:
Johnny St. Cyr (on 1926-02-26)
clarinet:
Johnny Dodds (on 1926-02-26)
cornet:
Louis Armstrong (on 1926-02-26)
piano:
Lil Hardin Armstrong (on 1926-02-26)
trombone:
Kid Ory (on 1926-02-26)
recording of:
Oriental Strut (on 1926-02-26)
writer:
Johnny St. Cyr
3:10
9You're Next
recorded in:
Chicago, Illinois, United States (on 1926-02-26)
banjo:
Johnny St. Cyr (on 1926-02-26)
clarinet:
Johnny Dodds (on 1926-02-26)
cornet:
Louis Armstrong (on 1926-02-26)
piano:
Lil Hardin Armstrong (on 1926-02-26)
trombone:
Kid Ory (on 1926-02-26)
3:24
10Muskrat Ramble
recorded in:
Chicago, Illinois, United States (on 1926-02-26)
banjo:
Johnny St. Cyr (on 1926-02-26)
clarinet:
Johnny Dodds (on 1926-02-26)
cornet:
Louis Armstrong (on 1926-02-26)
piano:
Lil Hardin Armstrong (on 1926-02-26)
trombone:
Kid Ory (on 1926-02-26)
recording of:
Muskrat Ramble (1926 original instrumental version) (on 1926-02-26)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
2:36
11Don't Forget to Mess Around
recorded in:
Chicago, Illinois, United States (on 1926-06-16)
alto saxophone and clarinet:
Johnny Dodds (on 1926-06-16)
banjo:
Johnny St. Cyr (on 1926-06-16)
cornet:
Louis Armstrong (on 1926-06-16)
piano:
Lil Hardin Armstrong (on 1926-06-16)
trombone:
Kid Ory (on 1926-06-16)
vocals:
Louis Armstrong (on 1926-06-16)
recording of:
Don’t Forget to Mess Around (on 1926-06-16)
writer:
Louis Armstrong and Paul Barbarin (jazz drummer from New Orleans)
3:15
12I'm Gonna Gitcha
recorded in:
Chicago, Illinois, United States (on 1926-06-16)
banjo:
Johnny St. Cyr (on 1926-06-16)
clarinet:
Johnny Dodds (on 1926-06-16)
cornet:
Louis Armstrong (on 1926-06-16)
piano:
Lil Hardin Armstrong (on 1926-06-16)
trombone:
Kid Ory (on 1926-06-16)
vocals:
Louis Armstrong (on 1926-06-16)
2:55
13Droppin' Shucks
recorded in:
Chicago, Illinois, United States (on 1926-06-16)
banjo:
Johnny St. Cyr (on 1926-06-16)
clarinet:
Johnny Dodds (on 1926-06-16)
cornet:
Louis Armstrong (on 1926-06-16)
piano:
Lil Hardin Armstrong (on 1926-06-16)
trombone:
Kid Ory (on 1926-06-16)
vocals:
Louis Armstrong (on 1926-06-16)
recording of:
Droppin’ Shucks (on 1926-06-16)
writer:
Lil Hardin Armstrong
3:04
14Who's It
recorded in:
Chicago, Illinois, United States (on 1926-06-16)
banjo:
Johnny St. Cyr (on 1926-06-16)
clarinet:
Johnny Dodds (on 1926-06-16)
cornet and slide whistle:
Louis Armstrong (on 1926-06-16)
piano:
Lil Hardin Armstrong (on 1926-06-16)
trombone:
Kid Ory (on 1926-06-16)
recording of:
Who’s It (on 1926-06-16)
composer:
Richard M. Jones (US jazz pianist)
2:57
15King of the Zulus
recorded in:
Chicago, Illinois, United States (on 1926-06-23)
banjo:
Johnny St. Cyr (on 1926-06-23)
clarinet:
Johnny Dodds (on 1926-06-23)
cornet:
Louis Armstrong (on 1926-06-23)
piano:
Lil Hardin Armstrong (on 1926-06-23)
trombone:
Kid Ory (on 1926-06-23)
spoken vocals:
Clarence Babcock (on 1926-06-23)
vocals:
Louis Armstrong (on 1926-06-23) and Lil Hardin Armstrong (on 1926-06-23)
recording of:
King of the Zulus (on 1926-06-23)
composer:
Lil Hardin Armstrong
3:12
16Big Fat Ma and Skinny Pa
recorded in:
Chicago, Illinois, United States (on 1926-06-23)
banjo:
Johnny St. Cyr (on 1926-06-23)
clarinet:
Johnny Dodds (on 1926-06-23)
cornet:
Louis Armstrong (on 1926-06-23)
piano:
Lil Hardin Armstrong (on 1926-06-23)
trombone:
Kid Ory (on 1926-06-23)
spoken vocals:
Clarence Babcock (on 1926-06-23)
vocals:
Louis Armstrong (on 1926-06-23)
recording of:
Big Fat Ma and Skinny Pa (on 1926-06-23)
writer:
Richard M. Jones (US jazz pianist)
3:03
17Lonesome Blues
recorded in:
Chicago, Illinois, United States (on 1926-06-23)
banjo:
Johnny St. Cyr (on 1926-06-23)
clarinet:
Johnny Dodds (on 1926-06-23)
cornet:
Louis Armstrong (on 1926-06-23)
piano:
Lil Hardin Armstrong (on 1926-06-23)
trombone:
Kid Ory (on 1926-06-23)
vocals:
Louis Armstrong (on 1926-06-23)
3:10
18Sweet Little Papa
recording of:
Sweet Little Papa
composer:
Kid Ory
2:49
19Jazz Lips
recorded in:
Chicago, Illinois, United States (on 1926-11-16)
banjo:
Johnny St. Cyr (on 1926-11-16)
clarinet:
Johnny Dodds (on 1926-11-16)
cornet:
Louis Armstrong (on 1926-11-16)
piano:
Lil Hardin Armstrong (on 1926-11-16)
trombone:
Kid Ory (on 1926-11-16)
recording of:
Jazz Lips (on 1926-11-16)
composer:
Lil Hardin Armstrong
3:09
20Skid-Dat-De-Dat
recorded in:
Chicago, Illinois, United States (on 1926-11-16)
banjo:
Johnny St. Cyr (on 1926-11-16)
clarinet:
Johnny Dodds (on 1926-11-16)
cornet:
Louis Armstrong (on 1926-11-16)
piano:
Lil Hardin Armstrong (on 1926-11-16)
trombone:
Kid Ory (on 1926-11-16)
vocals:
Louis Armstrong (on 1926-11-16)
recording of:
Skid-dat-de-dat (on 1926-11-16)
composer:
Lil Hardin Armstrong
3:09
2▼CD: Wild Man Blues
#TitleRatingLength
1Big Butter and Egg Man
recording of:
Big Butter and Egg Man
writer:
Louis Armstrong and Percy Venable (in 1926)
3:13
2Sunset Cafe Stomp
recorded in:
Chicago, Illinois, United States (on 1926-11-16)
banjo:
Johnny St. Cyr (on 1926-11-16)
clarinet:
Johnny Dodds (on 1926-11-16)
cornet:
Louis Armstrong (on 1926-11-16)
piano:
Lil Hardin Armstrong (on 1926-11-16)
trombone:
Kid Ory (on 1926-11-16)
vocals:
May Alix (on 1926-11-16)
recording of:
Sunset Café Stomp (on 1926-11-16)
composer:
Louis Armstrong
2:54
3You Made Me Love You
recorded in:
Chicago, Illinois, United States (on 1926-11-27)
banjo:
Johnny St. Cyr (on 1926-11-27)
clarinet:
Johnny Dodds (on 1926-11-27)
cornet:
Louis Armstrong (on 1926-11-27)
piano:
Lil Hardin Armstrong (on 1926-11-27)
trombone:
Hy Clark (US jazz trombonist) (on 1926-11-27)
vocals:
Louis Armstrong (on 1926-11-27)
recording of:
You Made Me Love You (on 1926-11-27)
writer:
Louis Armstrong and Percy Venable
3:00
4Irish Black Bottom
recorded in:
Chicago, Illinois, United States (on 1926-11-27)
banjo:
Johnny St. Cyr (on 1926-11-27)
clarinet:
Johnny Dodds (on 1926-11-27)
cornet:
Louis Armstrong (on 1926-11-27)
piano:
Lil Hardin Armstrong (on 1926-11-27)
trombone:
Hy Clark (US jazz trombonist) (on 1926-11-27)
vocals:
Louis Armstrong (on 1926-11-27)
recording of:
Irish Black Bottom (on 1926-11-27)
composer:
Percy Venable
2:46
5Willie the Weeper
recorded in:
Chicago, Illinois, United States (on 1927-05-07)
banjo and guitar:
Johnny St. Cyr (on 1927-05-07)
clarinet:
Johnny Dodds (on 1927-05-07)
cornet:
Louis Armstrong (on 1927-05-07)
drums (drum set):
Baby Dodds (on 1927-05-07)
piano:
Lil Hardin Armstrong (on 1927-05-07)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-07)
tuba:
Pete Briggs (on 1927-05-07)
performer:
Louis Armstrong and His Hot Seven (in 1927)
recording of:
Willie the Weeper (on 1927-05-07)
writer:
Marty Bloom, Walter Melrose and Grant Rymal
3:11
6Wild Man Blues
recorded in:
Chicago, Illinois, United States (on 1927-05-07)
banjo:
Johnny St. Cyr (on 1927-05-07)
clarinet:
Johnny Dodds (on 1927-05-07)
cornet:
Louis Armstrong (on 1927-05-07)
drums (drum set):
Baby Dodds (on 1927-05-07)
piano:
Lil Armstrong (on 1927-05-07)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-07)
tuba:
Pete Briggs (on 1927-05-07)
recording of:
Wild Man Blues (on 1927-05-07)
composer:
Louis Armstrong and Ferdinand Joseph LaMothe
3:18
7Chicago Breakdown
alto saxophone:
Boyd Atkins (on 1927-05-09) and Joe Walker (US early jazz saxophonist) (on 1927-05-09)
banjo and guitar:
Rip Bassett (on 1927-05-09)
baritone saxophone:
Joe Walker (US early jazz saxophonist) (on 1927-05-09)
clarinet and soprano saxophone:
Boyd Atkins (on 1927-05-09)
cornet:
Louis Armstrong (on 1927-05-09) and Bill Wilson (US early jazz cornetist) (on 1927-05-09)
drums (drum set):
Tubby Hall (on 1927-05-09)
piano:
Earl Hines (jazz pianist and bandleader) (on 1927-05-09)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1927-05-09)
trombone:
Honoré Dutrey (on 1927-05-09)
tuba:
Pete Briggs (on 1927-05-09)
recording of:
Chicago Breakdown (on 1927-05-09)
composer:
Jelly Roll Morton
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
3:29
8Alligator Crawl
recorded in:
Chicago, Illinois, United States (on 1927-05-10)
banjo:
Johnny St. Cyr (on 1927-05-10)
clarinet:
Johnny Dodds (on 1927-05-10)
cornet:
Louis Armstrong (on 1927-05-10)
drums (drum set):
Warren “Baby” Dodds (on 1927-05-10)
piano:
Lil Hardin Armstrong (on 1927-05-10)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-10)
tuba:
Pete Briggs (on 1927-05-10)
performer:
Louis Armstrong and His Hot Seven (in 1927)
recording of:
Alligator Crawl (on 1927-05-10)
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter) and Andy Razaf
composer:
Fats Waller
3:06
9Potato Head Blues
recording of:
Potato Head Blues
composer:
Louis Armstrong
3:00
10Melancholy Blues
recording of:
Melancholy Blues
writer:
Marty Bloom and Walter Melrose
3:06
11Weary Blues
recording of:
Weary Blues
lyricist:
George Cates and Mort Greene
composer:
Artie Matthews
3:04
12Twelfth Street Rag
recorded in:
Chicago, Illinois, United States (on 1927-05-11)
banjo:
Johnny St. Cyr (on 1927-05-11)
clarinet:
Johnny Dodds (on 1927-05-11)
cornet:
Louis Armstrong (on 1927-05-11)
drums (drum set):
Baby Dodds (on 1927-05-11)
piano:
Lil Hardin Armstrong (on 1927-05-11)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-11)
tuba:
Pete Briggs (on 1927-05-11)
recording of:
12th Street Rag (on 1927-05-11)
publisher:
Euday L. Bowman (on 1914-01-30)
lyricist:
James S. Sumner
composer:
Euday L. Bowman
arrangement of:
Twelfth Street Rag
3:13
13Keyhole Blues
recorded in:
Chicago, Illinois, United States (on 1927-05-13)
banjo:
Johnny St. Cyr (on 1927-05-13)
clarinet:
Johnny Dodds (on 1927-05-13)
cornet:
Louis Armstrong (on 1927-05-13)
drums (drum set):
Warren “Baby” Dodds (on 1927-05-13)
piano:
Lil Hardin Armstrong (on 1927-05-13)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-13)
tuba:
Pete Briggs (on 1927-05-13)
vocals:
Louis Armstrong (on 1927-05-13)
recording of:
Keyhole Blues (on 1927-05-13)
composer:
Wesley A. Wilson
3:32
14S.O.L. Blues
recorded in:
Chicago, Illinois, United States (on 1927-05-13)
banjo:
Johnny St. Cyr (on 1927-05-13)
clarinet:
Johnny Dodds (on 1927-05-13)
drums (drum set):
Baby Dodds (on 1927-05-13)
piano:
Lil Hardin Armstrong (on 1927-05-13)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-13)
trumpet:
Louis Armstrong (on 1927-05-13)
tuba:
Pete Briggs (on 1927-05-13)
vocals:
Louis Armstrong (on 1927-05-13)
recording of:
S.O.L. Blues (on 1927-05-13)
lyricist and composer:
Louis Armstrong
3:00
15Gully Low Blues
recorded in:
Chicago, Illinois, United States (on 1927-05-14)
banjo:
Johnny St. Cyr (on 1927-05-14)
clarinet:
Johnny Dodds (on 1927-05-14)
cornet:
Louis Armstrong (on 1927-05-14)
drums (drum set):
Baby Dodds (on 1927-05-14)
piano:
Lil Armstrong (on 1927-05-14)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-14)
tuba:
Pete Briggs (on 1927-05-14)
vocals:
Louis Armstrong (on 1927-05-14)
recording of:
Gully Low Blues (on 1927-05-14)
writer:
Louis Armstrong
3:23
16That's When I'll Come Back to You
recorded in:
Chicago, Illinois, United States (on 1927-05-14)
banjo:
Johnny St. Cyr (on 1927-05-14)
clarinet:
Johnny Dodds (on 1927-05-14)
cornet:
Louis Armstrong (on 1927-05-14)
drums (drum set):
Warren “Baby” Dodds (on 1927-05-14)
piano and additional vocals:
Lil Hardin Armstrong (on 1927-05-14)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-14)
tuba:
Pete Briggs (on 1927-05-14)
vocals:
Louis Armstrong (on 1927-05-14)
recording of:
That’s When I’ll Come Back to You (on 1927-05-14)
lyricist and composer:
Fred Biggs
3:03
17Put 'em Down Blues
recorded in:
Chicago, Illinois, United States (on 1927-09-02)
banjo:
Johnny St. Cyr (on 1927-09-02)
clarinet:
Johnny Dodds (on 1927-09-02)
cornet:
Louis Armstrong (on 1927-09-02)
piano:
Lil Armstrong (on 1927-09-02)
trombone:
Kid Ory (on 1927-09-02)
vocals:
Louis Armstrong (on 1927-09-12)
recording of:
Put 'Em Down Blues (on 1927-09-02)
composer:
Louis Armstrong
3:14
18Ory's Creole Trombone
recorded in:
Chicago, Illinois, United States (on 1927-09-02)
banjo:
Johnny St. Cyr (on 1927-09-02)
clarinet:
Johnny Dodds (on 1927-09-02)
cornet and trumpet:
Louis Armstrong (on 1927-09-02)
piano:
Lil Armstrong (on 1927-09-02)
trombone:
Kid Ory (on 1927-09-02)
recording of:
Ory’s Creole Trombone (on 1927-09-02)
composer:
Kid Ory
3:07
19The Last Time
recorded in:
Chicago, Illinois, United States (on 1927-09-06)
banjo and guitar:
Johnny St. Cyr (on 1927-09-06)
clarinet:
Johnny Dodds (on 1927-09-06)
cornet:
Louis Armstrong (on 1927-09-06)
piano:
Lil Hardin Armstrong (on 1927-09-06)
trombone:
Kid Ory (on 1927-09-06)
vocals:
Louis Armstrong (on 1927-09-06)
recording of:
The Last Time (on 1927-09-06)
lyricist and composer:
Bill Ewing (1920s) and Sara Martin (1920s US blues singer, 1884–1955)
3:28
20Struttin' With Some Barbecue
recorded in and engineered in:
Chicago, Illinois, United States (on 1927-12-09)
banjo:
Johnny St. Cyr (on 1927-12-09)
clarinet:
Johnny Dodds (on 1927-12-29)
cornet:
Louis Armstrong (on 1927-12-09)
piano:
Lil Hardin Armstrong (on 1927-12-09)
trombone:
Kid Ory (on 1927-12-09)
recording of:
Struttin’ With Some Barbecue (on 1927-12-09)
composer:
Lil Hardin Armstrong
3:01
3▼CD: A Monday Date
#TitleRatingLength
1Got No Blues
recorded in:
Chicago, Illinois, United States (on 1927-12-09)
banjo:
Johnny St. Cyr (on 1927-12-09)
clarinet:
Johnny Dodds (on 1927-12-09)
cornet:
Louis Armstrong (on 1927-12-09)
piano:
Lil Hardin Armstrong (on 1927-12-09)
trombone:
Kid Ory (on 1927-12-09)
vocals:
Louis Armstrong (on 1927-12-09)
3:24
2Once in a While
recorded in:
Los Angeles, California, United States (on 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-11-15)
double bass:
Red Callender (on 1937-11-15)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-11-15)
guitar:
Lee Blair (on 1937-11-15)
piano:
Luis Russell (on 1937-11-15)
reeds:
Bingie Madison (on 1937-11-15)
trombone:
J.C. Higginbotham (on 1937-11-15)
trumpet:
Louis Armstrong (on 1937-11-15)
vocals:
Louis Armstrong (on 1937-11-15)
orchestra:
Louis Armstrong & His Orchestra (on 1937-11-15)
recording of:
Once in a While (on 1937-11-15)
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
3:15
3I'm Not Rough
recorded in:
Chicago, Illinois, United States (on 1927-12-10)
banjo:
Johnny St. Cyr (on 1927-12-10)
clarinet:
Johnny Dodds (on 1927-12-10)
cornet:
Louis Armstrong (on 1927-12-10)
guitar:
Lonnie Johnson (American blues and jazz musician) (on 1927-12-10)
piano:
Lil Hardin Armstrong (on 1927-12-10)
trombone:
Kid Ory (on 1927-12-10)
vocals:
Louis Armstrong (on 1927-12-10)
recording of:
I’m Not Rough (on 1927-12-10)
writer:
Lil Hardin Armstrong
43:00
4Hotter Than That
recording of:
Hotter Than That
composer:
Lil Hardin Armstrong
3:02
5Savoy Blues
recorded in:
Chicago, Illinois, United States (on 1927-12-13)
clarinet:
Johnny Dodds (on 1927-12-13)
cornet:
Louis Armstrong (on 1927-12-13)
guitar:
Johnny St. Cyr (on 1927-12-13) and Lonnie Johnson (American blues and jazz musician) (on 1927-12-13)
piano:
Lil Armstrong (on 1927-12-13)
trombone:
Kid Ory (on 1927-12-13)
recording of:
Savoy Blues (on 1927-12-13)
composer:
Kid Ory
3:26
6Fireworks
recorded in:
Chicago, Illinois, United States (on 1928-06-27)
banjo and guitar:
Mancy "Peck" Carr (on 1928-06-27)
clarinet:
Jimmy Strong (on 1928-06-27)
cymbal:
Zutty Singleton (on 1928-06-27)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-27)
trombone:
Fred Robinson (American trombonist) (on 1928-06-27)
trumpet:
Louis Armstrong (on 1928-06-27)
vocals:
Louis Armstrong (on 1928-06-27)
recording of:
Fireworks (on 1928-06-27)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
3:08
7Skip the Gutter
recorded in:
Chicago, Illinois, United States (on 1928-06-27)
banjo:
Mancy "Peck" Carr (on 1928-06-27)
clarinet:
Jimmy Strong (on 1928-06-27)
cymbal:
Zutty Singleton (on 1928-06-27)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-27)
trombone:
Fred Robinson (American trombonist) (on 1928-06-27)
trumpet:
Louis Armstrong (on 1928-06-27)
vocals:
Louis Armstrong (on 1928-06-27)
recording of:
Skip the Gutter (on 1928-06-27)
writer:
Spencer Williams (US jazz composer, pianist & singer)
3:07
8A Monday Date
recorded in:
Chicago, Illinois, United States (on 1928-06-27)
banjo:
Mancy Cara (on 1928-06-27)
clarinet:
Jimmy Strong (on 1928-06-27)
cymbal:
Zutty Singleton (on 1928-06-27)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-27)
trombone:
Fred Robinson (American trombonist) (on 1928-06-27)
trumpet:
Louis Armstrong (on 1928-06-27)
vocals:
Louis Armstrong (on 1928-06-27) and Earl Hines (jazz pianist and bandleader) (on 1928-06-27)
recording of:
My Monday Date (on 1928-06-27)
composer:
Earl Hines (jazz pianist and bandleader)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
adaptations:
My Monday Date (with lyrics)
3:14
9Don't Jive Me
recorded in:
Chicago, Illinois, United States (on 1928-06-28)
banjo:
Mancy "Peck" Carr (on 1928-06-28)
clarinet:
Jimmy Strong (on 1928-06-28)
cymbal:
Zutty Singleton (on 1928-06-28)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-28)
trombone:
Fred Robinson (American trombonist) (on 1928-06-28)
trumpet:
Louis Armstrong (on 1928-06-28)
recording of:
Don’t Jive Me (on 1928-06-28)
writer:
Louis Armstrong
2:50
10West End Blues
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-05), Joe Garland (saxophonist, composer) (on 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (jazz trombonist) (on 1939-04-05)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (trumpet) (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong and His Orchestra (in 1939) and Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
West End Blues (Armstrong recording) (on 1939-04-05)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
3:14
11Sugar Foot Strut
recorded in:
Chicago, Illinois, United States (on 1928-06-29)
banjo:
Mancy "Peck" Carr (on 1928-06-29)
clarinet:
Jimmy Strong (on 1928-06-29)
cymbal:
Zutty Singleton (on 1928-06-29)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-29)
trombone:
Fred Robinson (American trombonist) (on 1928-06-29)
trumpet:
Louis Armstrong (on 1928-06-29)
vocals:
Louis Armstrong (on 1928-06-29)
recording of:
Sugar Foot Strut (on 1928-06-28)
composer:
Henry Myers (in 1927), Billy Pierce (Choreographer) (in 1927) and Charles M. Schwab (in 1927)
3:23
12Two Deuces
recorded in:
Chicago, Illinois, United States (on 1928-06-29)
banjo:
Mancy "Peck" Carr (on 1928-06-29)
clarinet:
Jimmy Strong (on 1928-06-29)
cymbal:
Zutty Singleton (on 1928-06-29)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-29)
trombone:
Fred Robinson (American trombonist) (on 1928-06-29)
trumpet:
Louis Armstrong (on 1928-06-29)
recording of:
Two Deuces (on 1928-06-29)
composer:
Lil Hardin Armstrong
2:57
13Squeeze Me
recorded in:
Chicago, Illinois, United States (on 1928-06-29)
banjo:
Mancy "Peck" Carr (on 1928-06-29)
clarinet:
Jimmy Strong (on 1928-06-29)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-29)
trombone:
Fred Robinson (American trombonist) (on 1928-06-29)
trumpet:
Louis Armstrong (on 1928-06-29)
background vocals:
Fred Robinson (American trombonist), Jimmy Strong and Earl Hines (jazz pianist and bandleader) (on 1928-06-29)
vocals:
Louis Armstrong (on 1928-06-29)
recording of:
Squeeze Me (on 1928-06-29)
lyricist:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
composer:
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
3:25
14Knee Drops
recorded in:
Chicago, Illinois, United States (on 1928-07-05)
banjo:
Mancy "Peck" Carr (on 1928-07-05)
clarinet and tenor saxophone:
Jimmy Strong (on 1928-07-05)
cymbal:
Zutty Singleton (on 1928-07-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-07-05)
trombone:
Fred Robinson (American trombonist) (on 1928-07-05)
trumpet:
Louis Armstrong (on 1928-07-05)
vocals:
Louis Armstrong (on 1928-07-05)
recording of:
Knee Drops (on 1928-07-05)
writer:
Lil Hardin Armstrong
publisher:
Leeds Music Inc.
3:25
15No, Papa, No
recorded in:
Chicago, Illinois, United States (on 1928-12-04)
banjo:
Mancy "Peck" Carr (on 1928-12-04)
clarinet:
Jimmy Strong (on 1928-12-04)
drums (drum set):
Zutty Singleton (on 1928-12-04)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-04)
trombone:
Fred Robinson (American trombonist) (on 1928-12-04)
trumpet:
Louis Armstrong (on 1928-12-04)
vocals:
Louis Armstrong (on 1928-12-04)
2:57
16Basin Street Blues
recorded in:
Chicago, Illinois, United States (on 1933-01-27)
alto saxophone:
Scoville Browne (on 1933-01-27) and George Oldham (on 1933-01-27)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-27)
clarinet:
Scoville Browne (on 1933-01-27), Budd Johnson (on 1933-01-27) and George Oldham (on 1933-01-27)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-27)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-27)
piano:
Teddy Wilson (on 1933-01-27)
tenor saxophone:
Budd Johnson (on 1933-01-27)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-27)
trumpet:
Louis Armstrong (on 1933-01-27), Zilner Randolph (on 1933-01-27) and Elmer Whitlock (US trumpet player) (on 1933-01-27)
vocals:
Louis Armstrong (on 1933-01-27)
cover recording of:
Basin Street Blues (on 1933-01-27)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:20
17No-One Else but You
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
alto saxophone and clarinet:
Don Redman (on 1928-12-05)
banjo and guitar:
Dave Wilborn (on 1928-12-05)
drums (drum set):
Zutty Singleton (on 1928-12-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-05)
trombone:
Fred Robinson (American trombonist) (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
vocals:
Louis Armstrong (on 1928-12-05)
arranger:
Don Redman
recording of:
No One Else but You (on 1928-12-05)
composer:
Don Redman
3:26
18Beau Koo Jack
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
alto saxophone and clarinet:
Don Redman (on 1928-12-05)
banjo and guitar:
Dave Wilborn (on 1928-12-05)
drums (drum set):
Zutty Singleton (on 1928-12-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-05)
trombone:
Fred Robinson (American trombonist) (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
vocals:
Louis Armstrong (on 1928-12-05)
arranger:
Alex Hill (20th century US jazz pianist)
recording of:
Beau Koo Jack (on 1928-12-05)
lyricist:
Walter Melrose
composer:
Louis Armstrong and Alex Hill (20th century US jazz pianist)
3:05
19Save It, Pretty Mama
recording of:
Save It, Pretty Mama
writer:
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) and Don Redman
3:24
20Weather Bird
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
recording of:
Weather Bird (on 1928-12-05)
composer:
Louis Armstrong
2:42
4▼CD: Mahogany Hall Stomp
#TitleRatingLength
1Muggles
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
banjo:
Mancy "Peck" Carr (on 1928-12-05)
clarinet:
Jimmy Strong (on 1928-12-05)
drums (drum set):
Zutty Singleton (on 1928-12-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-05)
trombone:
Fred Robinson (American trombonist) (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
vocals:
Louis Armstrong (on 1928-12-05)
recording of:
Muggles (on 1928-12-07)
lyricist and composer:
Louis Armstrong
2:54
2Hear Me Talkin’ to Ya?
recording of:
Hear Me Talkin' to Ya
lyricist and composer:
Louis Armstrong
3:28
3St. James Infirmary
recording of:
St. James Infirmary (Joe Primrose’s arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
3:22
4Tight Like This
recorded in:
Chicago, Illinois, United States (on 1928-12-12)
alto saxophone:
Don Redman (on 1928-12-12)
banjo:
Mancy "Peck" Carr (on 1928-12-12)
clarinet:
Don Redman (on 1928-12-12) and Jimmy Strong (on 1928-12-12)
drums (drum set):
Zutty Singleton (on 1928-12-12)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-12)
tenor saxophone:
Jimmy Strong (on 1928-12-12)
trombone:
Fred Robinson (American trombonist) (on 1928-12-12)
trumpet and lead vocals:
Louis Armstrong (on 1928-12-12)
vocals:
Louis Armstrong (on 1928-12-12)
performer:
Louis Armstrong and His Savoy Ballroom Five (on 1928-12-12)
recording of:
Tight Like This (on 1928-12-12)
lyricist and composer:
Langston Curl
33:22
5Knockin' a Jug
recorded in:
New York, New York, United States (on 1929-03-05)
drums (drum set):
Kaiser Marshall (on 1929-03-05)
guitar:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1929-03-05)
piano:
Joe Sullivan (piano, USA) (on 1929-03-05)
tenor saxophone:
Happy Caldwell (American jazz reed player) (on 1929-03-05)
trombone:
Jack Teagarden (on 1929-03-05)
trumpet:
Louis Armstrong (on 1929-03-05)
edit of:
Knockin’ a Jug by Louis Armstrong & His Orchestra
recording of:
Knockin’ a Jug (on 1929-03-05)
composer:
Louis Armstrong and Eddie Condon
3:29
6I Can't Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:34
7Mahogany Hall Stomp
recorded in:
New York, New York, United States (on 1929-03-05)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1929-03-05)
banjo:
Eddie Condon (on 1929-03-05)
clarinet:
Albert Nicholas (on 1929-03-05)
double bass:
George "Pops" Foster (on 1929-03-05)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1929-03-05)
guitar:
Lonnie Johnson (American blues and jazz musician) (on 1929-03-05)
piano:
Luis Russell (on 1929-03-05)
tenor saxophone:
Teddy Hill (on 1929-03-05)
trombone:
J.C. Higginbotham (on 1929-03-05)
trumpet:
Louis Armstrong (on 1929-03-05)
recording of:
Mahogany Hall Stomp (on 1929-03-05)
composer:
Spencer Williams (US jazz composer, pianist & singer)
3:29
8Ain't Misbehavin'
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
3:26
9(What Did I Do to Be So) Black and Blue
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
celesta [celeste]:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
tenor saxophone:
Jimmy Strong (on 1929-07-22)
trombone:
Fred Robinson (American trombonist) (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
Black and Blue (on 1929-07-22)
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
3:12
10That Rhythm Man
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
clarinet:
Jimmy Strong (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-22)
trombone:
Fred Robinson (American trombonist) (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
orchestra:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
That Rhythm Man (on 1929-07-22)
writer:
Harry Brooks (jazz pianist & songwriter), Andy Razaf and Thomas Waller (Fats Waller)
3:13
11Sweet Savannah Sue
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-22)
tenor saxophone:
Jimmy Strong (on 1929-07-22)
trombone:
Fred Robinson (American trombonist) (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
Sweet Savannah Sue (on 1929-07-22)
lyricist:
Andy Razaf
composer:
Harry Brooks (jazz pianist & songwriter), Andy Razaf and Fats Waller
3:17
12Some of These Days
recording of:
Some of These Days
lyricist and composer:
Shelton Brooks
writer:
Spencer Williams (US jazz composer, pianist & singer)
3:17
13When You're Smiling
3:33
14After You've Gone
recording of:
After You’ve Gone
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
3:25
15I Ain't Got Nobody
recording of:
I Ain’t Got Nobody
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
2:47
16Dallas Blues
3:18
17St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:04
18Rockin' Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:24
19Song of the Islands
recording of:
Song of the Islands (Na Lei O Hawaii)
lyricist and composer:
Charles E. King
3:31
20Bessie Couldn't Help It
recorded in:
New York, New York, United States (on 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1930-02-01) and William Thornton Blue (American jazz reed player) (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1930-02-01)
guitar:
Will Johnson (jazz musician) (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
tenor saxophone:
Teddy Hill (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (jazz musician) (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (trumpet) (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
orchestra:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (on 1930-02-01)
writer:
Charles A. Bayha, Jacques Richmond (songwriter) and Byron Warner (active in the 1960's)
3:20
5▼CD: Dear Old Southland
#TitleRatingLength
1Blue Turning Grey Over You
recorded in:
New York, New York, United States (on 1930-02-01)
clarinet:
Teddy Hill (on 1930-02-01), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1930-02-01) and William Thornton Blue (American jazz reed player) (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1930-02-01)
guitar:
Will Johnson (jazz musician) (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (jazz musician) (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (trumpet) (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
recording of:
Blue, Turning Grey Over You (on 1930-02-01)
lyricist:
Andy Razaf
composer:
Thomas Waller (Fats Waller)
3:30
2Dear Old Southland
recording of:
Dear Old Southland (jazz standard)
lyricist:
Henry Creamer (Lyricist) (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
3:21
3My Sweet
recorded in:
New York, New York, United States (on 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-04-05) and Ted McCord (on 1930-04-05)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-04-05)
guitar:
Bernard Addison (on 1930-04-05)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-04-05) and Buck Washington (on 1930-04-05)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-04-05)
trombone:
Henry Hicks (jazz trombonist) (on 1930-04-05)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-04-05) and Louis Armstrong (on 1930-04-05)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-04-05)
vibraphone:
Unknown, probably Joe Turner ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1930-04-05)
vocals:
Louis Armstrong (on 1930-04-05)
recording of:
My Sweet (on 1930-04-05)
lyricist:
Stuart Gorrell
composer:
Hoagy Carmichael
3:25
4I Can't Believe That You're in Love With Me
recorded in:
New York, New York, United States (on 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-04-05) and Ted McCord (on 1930-04-05)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-04-05)
guitar:
Bernard Addison (on 1930-04-05)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-04-05)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-04-05)
trombone:
Henry Hicks (jazz trombonist) (on 1930-04-05)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-04-05) and Louis Armstrong (on 1930-04-05)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-04-05)
vocals:
Louis Armstrong (on 1930-04-05)
recording of:
I Can’t Believe That You’re in Love With Me (on 1930-04-05)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:12
5Indian Cradle Song
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-05-04)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-05-04)
trombone:
Henry Hicks (jazz trombonist) (on 1930-05-04)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
3:02
6Exactly Like You
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-05-04)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-05-04)
trombone:
Henry Hicks (jazz trombonist) (on 1930-05-04)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-05-04)
vibraphone:
Unknown, probably Joe Turner ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
recording of:
Exactly Like You (on 1930-05-04)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
3:30
7Dinah
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-05-04)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-05-04)
trombone:
Henry Hicks (jazz trombonist) (on 1930-05-04)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
recording of:
Dinah (on 1930-05-04)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
3:24
8Tiger Rag
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-05-04)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-05-04)
trombone:
Henry Hicks (jazz trombonist) (on 1930-05-04)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-05-04)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1930-05-04)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
3:17
9I'm a Ding Dong Daddy (From Dumas)
recording of:
I'm a Ding Dong Daddy
writer:
Phil Baxter (US songwriter, singer and band leader)
3:14
10I'm in the Market for You
3:19
11Confessin' (That I Love You)
recorded in:
Los Angeles, California, United States (on 1930-08-19)
alto saxophone:
Leon Herriford (on 1930-08-19) and Willie Stark (on 1930-08-19)
drums (drum set):
Lionel Hampton (on 1930-08-19)
piano:
Harvey Brooks (US jazz pianist and composer) (on 1930-08-19)
steel guitar:
Ceele Burke (on 1930-08-19)
tenor saxophone:
William Franz (on 1930-08-19)
trombone:
Lawrence Brown (jazz trombonist) (on 1930-08-19)
trumpet:
Louis Armstrong (on 1930-08-19) and Leon Elkins (on 1930-08-19)
tuba:
Reggie Jones (on 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (on 1930-08-19)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:28
12If I Could Be With You One Hour Tonight
recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (Lyricist) (in 1926)
composer:
James P. Johnson (in 1926)
3:42
13Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:22
14Memories of You
recorded in:
Los Angeles, California, United States (on 1930-10-16)
alto saxophone:
Les Hite (on 1930-10-16) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-10-16)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-10-16)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-10-16)
drums (drum set) and vibraphone:
Lionel Hampton (on 1930-10-16)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-10-16)
piano:
Harvey Brooks (US jazz pianist and composer) (on 1930-10-16) and Henry Prince (on 1930-10-16)
trombone:
Luther Craven (on 1930-10-16)
trumpet:
Louis Armstrong (on 1930-10-16), George Orendorff (on 1930-10-16) and Harold Scott (on 1930-10-16)
vocals:
Louis Armstrong (on 1930-10-16)
conductor:
Les Hite (on 1930-10-16)
recording of:
Memories of You (on 1930-10-16)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:17
15You're Lucky to Me
recorded in:
Los Angeles, California, United States (on 1930-10-16)
alto saxophone:
Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-10-16)
baritone saxophone:
Les Hite (on 1930-10-16)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-10-16)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-10-16)
drums (drum set):
Lionel Hampton (on 1930-10-16)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-10-16)
piano:
Harvey Brooks (US jazz pianist and composer) (on 1930-10-16) and Henry Prince (on 1930-10-16)
trombone:
Luther Craven (on 1930-10-16)
trumpet:
Louis Armstrong (on 1930-10-16), George Orendorff (on 1930-10-16) and Harold Scott (on 1930-10-16)
vocals:
Louis Armstrong (on 1930-10-16)
conductor:
Les Hite (on 1930-10-16)
recording of:
You’re Lucky to Me (on 1930-10-16)
lyricist:
Andy Razaf
composer:
Eubie Blake
3:30
16Sweethearts on Parade
recording of:
Sweethearts on Parade
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
3:21
17You're Drivin' Me Crazy
recorded in:
Los Angeles, California, United States (on 1930-12-23)
alto saxophone:
Les Hite (on 1930-12-23) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-12-23)
banjo:
Bill Perkins (jazz guitar and banjo) (on 1930-12-23)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-12-23)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-12-23)
drums (drum set) and spoken vocals:
Lionel Hampton (on 1930-12-23)
piano:
Henry Prince (on 1930-12-23)
trombone:
Luther Craven (on 1930-12-23)
trumpet:
Louis Armstrong (on 1930-12-23), McClure Morris (on 1930-12-23) and Harold Scott (on 1930-12-23)
vocals:
Louis Armstrong (on 1930-12-23)
conductor:
Les Hite (on 1930-12-23)
recording of:
You’re Driving Me Crazy (on 1930-12-23)
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
3:12
18The Peanut Vendor
recorded in:
Los Angeles, California, United States (on 1930-12-23)
alto saxophone:
Les Hite (on 1930-12-23) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-12-23)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-12-23)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-12-23)
drums (drum set):
Lionel Hampton (on 1930-12-23)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-12-23)
percussion:
Henry Prince (on 1930-12-23)
trombone:
Luther Craven (on 1930-12-23)
trumpet:
Louis Armstrong (on 1930-12-23), McClure Morris (on 1930-12-23) and Harold Scott (on 1930-12-23)
vocals:
Louis Armstrong (on 1930-12-23)
conductor:
Les Hite (on 1930-12-23)
recording of:
The Peanut Vendor (on 1930-12-23)
lyricist:
L. Wolfe Gilbert and Marion Sunshine
composer:
Moisés Simons
translated version of:
El manisero
3:36
19Just a Gigolo
recorded in:
Los Angeles, California, United States (on 1931-03-09)
celesta [celeste] and piano:
Henry Prince (on 1931-03-09)
clarinet:
Les Hite (on 1931-03-09) and Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
double bass and tuba:
Joe Bailey (US double bassist and songwriter) (on 1931-03-09)
drums (drum set) and vibraphone:
Lionel Hampton (on 1931-03-09)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1931-03-09)
tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
trombone:
Luther Craven (on 1931-03-09)
trumpet:
Louis Armstrong (on 1931-03-09), McClure Morris (on 1931-03-09) and Harold Scott (on 1931-03-09)
vocals:
Louis Armstrong (on 1931-03-09)
conductor:
Les Hite (on 1931-03-09)
recording of:
Just a Gigolo (English version) (on 1931-03-09)
lyricist:
Julius Brammer
composer:
Leonello Casucci
translator:
Irving Caesar
translated version of:
Schöner Gigolo
3:25
20Shine
recorded in:
Los Angeles, California, United States (on 1931-03-09)
alto saxophone [alto sax]:
Les Hite (on 1931-03-09) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1931-03-09)
banjo:
Bill Perkins (jazz guitar and banjo) (on 1931-03-09)
clarinet and tenor saxophone [tenor sax]:
Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
double bass [bass] and tuba:
Joe Bailey (US double bassist and songwriter) (on 1931-03-09)
drums (drum set):
Lionel Hampton (on 1931-03-09)
piano:
Henry Prince (on 1931-03-09)
trombone:
Luther Craven (on 1931-03-09)
trumpet:
Louis Armstrong (on 1931-03-09), McLure "Red Mac" Morris (on 1931-03-09) and Harold Scott (on 1931-03-09)
vocals:
Louis Armstrong (on 1931-03-09)
recording of:
Shine (on 1931-03-09)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
3:23
6▶CD: When It's Sleepy Time Down South
7▶CD: That's My Home
8▶CD: Swing, You Cats
9▶CD: I Hope Gabriel Likes My Music
10▶CD: Alexander's Ragtime Band
11▶CD: Rockin' Chair
12▶CD: Harlem Stomp
13▶CD: Among My Souvenirs
14▶CD: It Takes Time
15▶CD: La vie en rose