Just One of Those Things

~ Release by Nat King Cole with orchestra conducted by Billy May (see all versions of this release, 8 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1When Your Lover Has Gone
recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
Nat King Cole with orchestra conducted by Billy May2:34
2A Cottage for Sale
recording of:
A Cottage for Sale
lyricist:
Larry Conley (jazz bandleader/songwriter/trombonist)
composer:
Willard Robison
publisher:
Chappell & Co.
Nat King Cole with orchestra conducted by Billy May2:59
3Who’s Sorry Now?
recording of:
Who’s Sorry Now? (1923 song)
lyricist:
Bert Kalmar (in 1923) and Harry Ruby (in 1923)
composer:
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (on 1923-03-07) and Mills Music Corporation (in 1929)
Nat King Cole with orchestra conducted by Billy May2:59
4Once in a While
cover recording of:
Once in a While
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
Nat King Cole with orchestra conducted by Billy May2:50
5These Foolish Things Remind Me of You
recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Nat King Cole with orchestra conducted by Billy May3:49
6Just for the Fun of It
recording of:
Just for the Fun of It
writer:
Lillian Bret Harte and Arlene Jackson
Nat King Cole with orchestra conducted by Billy May2:36
7Don’t Get Around Much Anymore
cover recording of:
Don’t Get Around Much Anymore (on 1957-07-10)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Nat King Cole with orchestra conducted by Billy May3:13
8I Understand
recording of:
I Understand
lyricist:
Kim Gannon
composer:
Mabel Wayne
Nat King Cole with orchestra conducted by Billy May2:26
9Just One of Those Things
cover recording of:
Just One of Those Things (on 1957-07-31)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Nat King Cole with orchestra conducted by Billy May2:16
10The Song Is Ended (But the Melody Lingers on)
recording of:
The Song Is Ended (but the Melody Lingers On)
lyricist:
Irving Berlin
composer:
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
Nat King Cole with orchestra conducted by Billy May2:47
11I Should Care
recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Nat King Cole with orchestra conducted by Billy May2:48
12The Party’s Over
recording of:
The Party’s Over (Bells Are Ringing)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
Nat King Cole with orchestra conducted by Billy May22:44
13Tangerine
recording of:
Tangerine (1941 song)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Nat King Cole with orchestra conducted by Nelson Riddle2:47
14St. Louis Blues
producer:
Lee Gillette
piano:
Nat King Cole (on 1958-01-30)
vocals:
Nat King Cole (on 1958-01-30)
orchestra:
Nelson Riddle and His Orchestra (on 1958-01-30)
conductor:
Ralph Carmichael
arranger:
Nelson Riddle
recording of:
St. Louis Blues (on 1958-01-30)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Nat King Cole with orchestra conducted by Nelson Riddle2:25
15Angel Eyes
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (US jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Angel Eyes (1946 jazz standard) (on 1953-01-14)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Nat King Cole with orchestra conducted by Billy May3:15
16Lover, Come Back to Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (US jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Lover, Come Back to Me (from "The New Moon") (on 1953-01-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Nat King Cole with orchestra conducted by Billy May2:32
17Can’t I
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (US jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Can’t I? (on 1953-01-14)
lyricist and composer:
Leroy Lovett Jr
Nat King Cole with orchestra conducted by Billy May3:16
18Teach Me Tonight
bass:
Joe Mondragon (on 1954-10-18)
cello:
Cy Bernard (on 1954-10-18) and Eleanor Slatkin (US cellist, b. Aller) (on 1954-10-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-10-18)
guitar:
Al Hendrickson (on 1954-10-18)
harp:
Ann Mason Stockton (American harpist) (on 1954-10-18)
percussion:
Stevan Dweek (on 1954-10-18), Alvin Stoller (on 1954-10-18) and Carlos Vidal (Cuban percussionist) (on 1954-10-18)
piano:
Bill Miller (pianist) (on 1954-10-18)
reeds:
Fred Fallensby (on 1954-10-18), Chuck Gentry (on 1954-10-18), Skeets Herfurt (on 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (on 1954-10-18) and Wilbur Schwartz (on 1954-10-18)
trombone:
Ed Kusby (on 1954-10-18), Murray McEachern (on 1954-10-18), Pullman “Tommy” Pederson (on 1954-10-18) and Si Zentner (on 1954-10-18)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-10-18), Conrad Gozzo (on 1954-10-18), Manny Klein (on 1954-10-18) and Uan Rasey (on 1954-10-18)
viola:
Alvin Dinkin (on 1954-10-18) and Stanley Harris (US big band viola player) (on 1954-10-18)
violin:
Victor Bay (on 1954-10-18), Alex Beller (on 1954-10-18), Mischa Russell (violinist) (on 1954-10-18), Eudice Shapiro (Violinist) (on 1954-10-18), Paul Shure (on 1954-10-18) and Felix Slatkin (on 1954-10-18)
vocals:
Nat King Cole (on 1954-10-18)
orchestra:
Billy May & His Orchestra (on 1954-10-18)
conductor:
Billy May (on 1954-10-18) and Nelson Riddle (on 1954-10-18)
arranger:
Billy May and Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-10-18)
cover recording of:
Teach Me Tonight (on 1954-10-18)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Nat King Cole with orchestra conducted by Billy May3:13
19Walkin’ My Baby Back Home
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (bass and tuba player) (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (jazz trumpeter) (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-09-04)
cover recording of:
Walkin’ My Baby Back Home (on 1951-09-04)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Nat King Cole with orchestra conducted by Billy May2:41
20What Does It Take
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (bass and tuba player) (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (jazz trumpeter) (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
orchestra:
Billy May & His Orchestra (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-09-04)
recording of:
What Does It Take (on 1951-09-04)
lyricist:
Jimmy Van Heusen
writer:
Johnny Burke (American lyricist, 1908–1964)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Nat King Cole with orchestra conducted by Billy May2:48
21Walkin’
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (bass and tuba player) (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (jazz trumpeter) (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-09-04)
recording of:
Walkin'
lyricist and composer:
Mary Lou Williams (American jazz pianist and composer) (in 1951)
Nat King Cole with orchestra conducted by Billy May2:50
22I’m Hurting
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (bass and tuba player) (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (jazz trumpeter) (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-09-04)
recording of:
I’m Hurtin’
writer:
Skeets McDonald
Nat King Cole with orchestra conducted by Billy May2:51
23Papa Loves Mambo
bass:
Joe Mondragon (on 1954-10-18)
cello:
Cy Bernard (on 1954-10-18) and Eleanor Slatkin (US cellist, b. Aller) (on 1954-10-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-10-18)
guitar:
Al Hendrickson (on 1954-10-18)
harp:
Ann Mason Stockton (American harpist) (on 1954-10-18)
percussion:
Stevan Dweek (on 1954-10-18), Alvin Stoller (on 1954-10-18) and Carlos Vidal (Cuban percussionist) (on 1954-10-18)
piano:
Bill Miller (pianist) (on 1954-10-18)
reeds:
Fred Fallensby (on 1954-10-18), Chuck Gentry (on 1954-10-18), Skeets Herfurt (on 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (on 1954-10-18) and Wilbur Schwartz (on 1954-10-18)
trombone:
Ed Kusby (on 1954-10-18), Murray McEachern (on 1954-10-18), Pullman “Tommy” Pederson (on 1954-10-18) and Si Zentner (on 1954-10-18)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-10-18), Conrad Gozzo (on 1954-10-18), Manny Klein (on 1954-10-18) and Uan Rasey (on 1954-10-18)
viola:
Alvin Dinkin (on 1954-10-18) and Stanley Harris (US big band viola player) (on 1954-10-18)
violin:
Victor Bay (on 1954-10-18), Alex Beller (on 1954-10-18), Mischa Russell (violinist) (on 1954-10-18), Eudice Shapiro (Violinist) (on 1954-10-18), Paul Shure (on 1954-10-18) and Felix Slatkin (on 1954-10-18)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1954-10-18)
vocals:
Nat King Cole (on 1954-10-18)
orchestra:
Billy May & His Orchestra (on 1954-10-18)
conductor:
Billy May (on 1954-10-18) and Nelson Riddle (on 1954-10-18)
arranger:
Billy May and Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-10-18)
cover recording of:
Papa Loves Mambo (on 1954-10-18)
writer:
Al Hoffman, Dick Manning (American songwriter) and Bickley Reichner
Nat King Cole with orchestra conducted by Billy May2:41
24Too Marvelous for Words
The Nat King Cole Trio1:56
25It’s Only a Paper Moon
The Nat King Cole Trio2:11
26I’d Rather Have the Blues (aka Blues From Kiss Me Deadly)
Nat King Cole2:55
27Never Let Me Go
Nat King Cole2:55