Django With His American Friends

~ Release by Django Reinhardt (see all versions of this release, 1 available)

Annotation

Track by track breakdown, with artists, in the booklet images.

Annotation last modified on 2021-08-01 04:02 UTC.

Tracklist

| |
1▼CD
#TitleRatingLength
1Avalon
recorded in:
Paris, Île-de-France, France (on 1935-03-02)
alto saxophone and clarinet:
André Ekyan (on 1935-03-02) and Charles Lisée (saxophonist / clarinetist) (on 1935-03-02)
clarinet and tenor saxophone:
Alix Combelle (on 1935-03-02)
double bass:
Eugène d’Hellemmes (on 1935-03-02)
drums (drum set):
Maurice Chaillou (drummer) (on 1935-03-02)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-03-02)
piano:
Stéphane Grappelli (jazz violinist) (on 1935-03-02)
tenor saxophone:
Coleman Hawkins (on 1935-03-02)
trombone:
Guy Paquinet (on 1935-03-02)
trumpet:
Pierre Allier (trumpeter / composer) (on 1935-03-02), Arthur Briggs (trumpeter) (on 1935-03-02) and Noël Chiboust (on 1935-03-02)
cover recording of:
Avalon (on 1935-03-02)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
3:05
2Blue Moon
recorded in:
Paris, Île-de-France, France (on 1935-03-02)
alto saxophone and clarinet:
André Ekyan (on 1935-03-02) and Charles Lisée (saxophonist / clarinetist) (on 1935-03-02)
clarinet and tenor saxophone:
Alix Combelle (on 1935-03-02)
double bass:
Eugène d’Hellemmes (on 1935-03-02)
drums (drum set):
Maurice Chaillou (drummer) (on 1935-03-02)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-03-02)
piano:
Stéphane Grappelli (jazz violinist) (on 1935-03-02)
tenor saxophone:
Coleman Hawkins (on 1935-03-02)
trombone:
Guy Paquinet (on 1935-03-02)
trumpet:
Pierre Allier (trumpeter / composer) (on 1935-03-02), Arthur Briggs (trumpeter) (on 1935-03-02) and Noël Chiboust (on 1935-03-02)
cover recording of:
Blue Moon (on 1935-03-02)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
3:15
3What a Difference a Day Makes
recording of:
What a Diff’rence a Day Made
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
3:22
4Stardust
recorded in:
Paris, Île-de-France, France (on 1935-03-02)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-03-02)
piano:
Stéphane Grappelli (jazz violinist) (on 1935-03-02)
tenor saxophone:
Coleman Hawkins (on 1935-03-02)
instrumental cover recording of:
Stardust (the jazz standard) (on 1935-03-02)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:12
5St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:04
6Rosetta
recorded in:
Paris, Île-de-France, France (on 1935-11-25)
clarinet:
George Johnson (1930s American jazz musician, worked primarily in Europe) (on 1935-11-25)
double bass:
June Cole (on 1935-11-25)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-11-25)
piano:
Garnet Clark (on 1935-11-25)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-11-25)
instrumental recording of:
Rosetta (on 1935-11-25)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
2:42
7Stardust
alto saxophone and clarinet:
George Johnson (1930s American jazz musician, worked primarily in Europe) (on 1935-11-23)
double bass:
June Cole (on 1935-11-23)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-11-23)
piano:
Garnet Clark (on 1935-11-23)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-11-23)
cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
2:33
8The Object of My Affection
recorded in:
Paris, Île-de-France, France (on 1935-11-25)
clarinet:
George Johnson (1930s American jazz musician, worked primarily in Europe) (on 1935-11-25)
double bass:
June Cole (on 1935-11-25)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1935-11-25)
piano:
Garnet Clark (on 1935-11-25)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-11-25)
vocals:
Bill Coleman (US jazz trumpeter) (on 1935-11-25)
recording of:
The Object of My Affection (on 1935-11-25)
writer:
Jimmie Grier (US jazz clarinetist), Coy Poe (Songwriter) and Pinky Tomlin (singer, actor, songwriter, and bandleader)
2:49
9After You've Gone
double bass:
Carlo Pecori (from 1949-01 until 1949-02)
drums (drum set):
Aurelio de Carolis (from 1949-01 until 1949-02)
guitar:
Django Reinhardt (French jazz guitarist and composer) (from 1949-01 until 1949-02)
piano:
Gianni Safred (from 1949-01 until 1949-02)
violin:
Stéphane Grappelli (jazz violinist) (from 1949-01 until 1949-02)
recording of:
After You’ve Gone (from 1949-01 until 1949-02)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
3:07
10I'se a Muggin'
recorded in:
Paris, Île-de-France, France (on 1936-05-04)
double bass:
Lucien Simoens (on 1936-05-04)
guitar:
Pierre Ferret (on 1936-05-04), Django Reinhardt (French jazz guitarist and composer) (on 1936-05-04) and Joseph Reinhardt (on 1936-05-04)
violin:
Stephane Grappelly (jazz violinist) (on 1936-05-04)
vocals:
Freddy Taylor (jazz trumpeter and vocalist) (on 1936-05-04)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1057-1)
recording of:
I’se a Muggin’ (on 1936-05-04)
composer:
Stuff Smith (jazz violinist)
3:06
11Georgia on My Mind
recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:13
12Honeysuckle Rose
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
2:46
13Crazy Rhythm
alto saxophone:
André Ekyan (on 1937-04-28)
clarinet:
Alix Combelle (on 1937-04-28)
double bass:
Eugène d’Hellemmes (on 1937-04-28)
drums (drum set):
Tommy Benford (on 1937-04-28)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-04-28)
piano:
Stéphane Grappelli (jazz violinist) (on 1937-04-28)
tenor saxophone:
Coleman Hawkins (on 1937-04-28)
trumpet:
Benny Carter (on 1937-04-28)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1743-1) and Swing (by matrix number) (number: OLA 1743-1)
instrumental recording of:
Crazy Rhythm (on 1937-04-28)
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
3:01
14Out of Nowhere
recording of:
Out of Nowhere
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:17
15Sweet Georgia Brown
recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3:01
16Bugle Call Rag
double bass:
Richard Fullbright (on 1937-07-07)
drums (drum set):
Bill Beason (on 1937-07-07)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-07-07)
trombone:
Dicky Wells (on 1937-07-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1937-07-07), Shad Collins (on 1937-07-07) and Bill Dillard (on 1937-07-07)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1884-1) and Swing (by matrix number) (number: OLA 1884-1)
recording of:
Bugle Call Rag (on 1937-07-07)
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
2:42
17Between the Devil and the Deep Blue Sea
double bass:
Richard Fullbright (on 1937-07-07)
drums (drum set):
Bill Beason (on 1937-07-07)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-07-07)
trombone:
Dicky Wells (on 1937-07-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1937-07-07), Shad Collins (on 1937-07-07) and Bill Dillard (on 1937-07-07)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1885-1) and Swing (by matrix number) (number: OLA 1885-1)
instrumental recording of:
Between the Devil and the Deep Blue Sea (on 1937-07-07)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
2:57
18I Got Rhythm
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:15
19Sweet Sue, Just You
recording of:
Sweet Sue, Just You
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
3:06
2▼CD
#TitleRatingLength
1Hangin' Around Boudon
2:55
2Japanese Sandman
recording of:
The Japanese Sandman
lyricist:
Raymond B. Egan (in 1920)
writer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
composer:
Richard A. Whiting (in 1920)
3:02
3Eddie's Blues
recorded in:
Paris, Île-de-France, France (on 1937-09-29)
banjo:
Everett Barksdale (on 1933-06-12)
bell [bells] and drums (drum set):
Jimmy Bertrand (on 1933-06-12)
double bass:
Milton Hinton (on 1933-06-12)
guitar:
Everett Barksdale (on 1933-06-12) and Django Reinhardt (French jazz guitarist and composer) (on 1937-09-29)
piano:
Antonia Spaulding (on 1933-06-12)
violin:
Eddie South (on 1937-09-29)
vocals:
Everett Barksdale (on 1933-06-12), Milton Hinton (on 1933-06-12), Eddie South (on 1933-06-12) and Antonia Spaulding (on 1933-06-12)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 2145-1) and Swing (by matrix number) (number: OLA 2145-1)
recording of:
Eddie’s Blues (on 1937-09-29)
composer:
Django Reinhardt (French jazz guitarist and composer) and Eddie South
3:09
4Sweet Georgia Brown
double bass:
Wilson Myers
guitar:
Django Reinhardt (French jazz guitarist and composer)
violin:
Stéphane Grappelli (jazz violinist) and Eddie South
instrumental recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:48
5Oh, Lady Be Good
recorded in:
Paris, Île-de-France, France (on 1937-09-29)
double bass:
Wilson Myers
guitar:
Roger Chaput (guitarist) and Django Reinhardt (French jazz guitarist and composer)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-09-29)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-09-29), Eddie South (on 1937-09-29) and Michel Warlop (on 1937-09-29)
instrumental recording of:
Oh, Lady Be Good! (on 1937-09-29)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
3:19
6Dinah
recorded in:
Paris, Île-de-France, France (on 1937-09-29)
double bass:
Wilson Myers (on 1937-09-29)
guitar:
Roger Chaput (guitarist) (on 1937-09-29) and Django Reinhardt (French jazz guitarist and composer) (on 1937-09-29)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-09-29) and Eddie South (on 1937-09-29)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 2148-1) and Swing (by matrix number) (number: OLA 2148-1)
recording of:
Dinah (on 1937-09-29)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
instrumental recording of:
Dinah (on 1937-09-29)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
2:28
7Daphné
recorded in:
Paris, Île-de-France, France (on 1937-09-29)
double bass:
Wilson Myers (on 1937-09-29)
guitar:
Roger Chaput (guitarist) (on 1937-09-29) and Django Reinhardt (French jazz guitarist and composer) (on 1937-09-29)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-09-29)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-09-29) and Eddie South (on 1937-09-29)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 2149-1) and Swing (by matrix number) (number: OLA 2149-1)
recording of:
Daphné (on 1937-09-29)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer) (in 1938)
3:00
8I Ain't Got Nobody
alto saxophone:
Christian Wagner (clarinetist/saxophonist) (on 1937-11-19)
alto saxophone and clarinet:
Christian Wagner (clarinetist/saxophonist)
clarinet:
Frank “Big Boy” Goudie (on 1937-11-19) and Christian Wagner (clarinetist/saxophonist) (on 1937-11-19)
double bass:
Lucien Simoens (on 1937-11-19)
drums (drum set):
Jerry Mengo (on 1937-11-19)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-11-19)
piano:
Emil Stern (jazz pianist, composer and bandleader) (on 1937-11-19)
tenor saxophone:
Frank “Big Boy” Goudie (on 1937-11-19)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1937-11-19)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1979-1) and Swing (by matrix number) (number: OLA 1979-1)
instrumental recording of:
I Ain’t Got Nobody (on 1937-11-19)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
3:02
9Baby Won't You Please Come Home
cover recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
3:00
10Baby Won't You Please Come Home
cover recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
3:02
11Big Boy Blues
alto saxophone:
Christian Wagner (clarinetist/saxophonist) (on 1937-11-19)
clarinet and tenor saxophone:
Frank “Big Boy” Goudie (on 1937-11-19)
double bass:
Lucien Simoens (on 1937-11-19)
drums (drum set):
Jerry Mengo (on 1937-11-19)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-11-19)
piano:
Emil Stern (jazz pianist, composer and bandleader) (on 1937-11-19)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1937-11-19)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1981-1) and Swing (by matrix number) (number: OLA 1981-1)
recording of:
Big Boy Blues (on 1937-11-19)
composer:
Frank “Big Boy” Goudie
3:27
12Bill Coleman Blues
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-11-19)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1937-11-19)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1983-1) and Swing (by matrix number) (number: OLA 1983-1)
recording of:
Bill Coleman Blues (on 1937-11-19)
composer:
Bill Coleman (US jazz trumpeter)
2:47
13Swing Guitars
alto saxophone and clarinet:
Christian Wagner (clarinetist/saxophonist)
clarinet:
Christian Wagner (clarinetist/saxophonist) (on 1937-11-19)
double bass [contrebasse]:
Lucien Simoens (on 1937-11-19)
drums (drum set) [batterie]:
Jerry Mengo (on 1937-11-19)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-11-19)
piano:
Emil Stern (jazz pianist, composer and bandleader) (on 1937-11-19)
tenor saxophone:
Frank “Big Boy” Goudie (on 1937-11-19)
trumpet [trompette]:
Bill Coleman (US jazz trumpeter) (on 1937-11-19)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1982-1) and Swing (by matrix number) (number: OLA 1982-1)
recording of:
Swing Guitars (on 1937-11-19)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
3:07
14Somebody Loves Me
guitar:
Django Reinhardt (French jazz guitarist and composer)
violin:
Eddie South
instrumental recording of:
Somebody Loves Me
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
recording of:
Somebody Loves Me
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
3:29
15I Can't Believe That You're in Love With Me
double bass:
Paul Cordonnier
guitar:
Django Reinhardt (French jazz guitarist and composer)
violin:
Eddie South
instrumental recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:19
16Swing Interpretation of the First Movement of the Concerto for Two Violins in D Minor
guitar:
Django Reinhardt (French jazz guitarist and composer)
violin:
Stéphane Grappelli (jazz violinist) and Eddie South
arranger:
Stéphane Grappelli (jazz violinist), Django Reinhardt (French jazz guitarist and composer) and Eddie South
recording of:
Interprétation swing du premier mouvement du concerto en ré mineur
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Quintette du Hot Club de France
is based on:
Concerto for 2 Violins in D minor, BWV 1043
2:28
17Fiddle Blues
recorded in:
Paris, Île-de-France, France (on 1937-11-25)
double bass:
Paul Cordonnier (on 1937-11-25)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-11-25)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-11-25) and Eddie South (on 1937-11-25)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1992-1) and Swing (by matrix number) (number: OLA 1992-1)
recording of:
Fiddle’s Blues (on 1937-11-25)
2:47
18Improvisations on the First Movement of the Concerto for Two Violins in D Minor
recorded in:
Paris, Île-de-France, France (on 1937-11-25)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1937-11-25)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-11-25) and Eddie South (on 1937-11-25)
arranger:
Django Reinhardt (French jazz guitarist and composer)
recording of:
Interprétation swing du premier mouvement du concerto en ré mineur (on 1937-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Quintette du Hot Club de France
is based on:
Concerto for 2 Violins in D minor, BWV 1043
3:21
3▼CD
#TitleRatingLength
1I'm Coming, Virginia
recording of:
I’m Coming Virginia
lyricist:
Will Marion Cook
composer:
Donald Heywood
3:06
2Farewell Blues
alto saxophone:
Fletcher Allen (on 1938-03-07) and Benny Carter (on 1938-03-07)
double bass:
Len Harrison (on 1938-03-07)
drums (drum set):
Robert Montmarche (on 1938-03-07) and Robert Mommarche (on 1938-03-07)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1938-03-07)
piano:
De Sota (on 1938-03-07) and York de Souza (on 1938-03-07)
saxophone:
Fletcher Allen (on 1938-03-07), Benny Carter (on 1938-03-07), Alix Combelle (on 1938-03-07) and Bertie King (Jamaican alto/tenor saxophonist, clarinetist & flautist) (on 1938-03-07)
tenor saxophone:
Alix Combelle (on 1938-03-07) and Bertie King (Jamaican alto/tenor saxophonist, clarinetist & flautist) (on 1938-03-07)
part of:
Swing (by matrix number) (number: 0SW 5-1)
recording of:
Farewell Blues (on 1938-03-07)
composer:
Leon Rappolo (until 1922), Paul Mares (until 1922) and Elmer Schoebel (until 1922)
publisher:
Herman Darewski Music Publishing Co Ltd. and Lawrence Wright
3:18
3Blue Light Blues
alto saxophone:
Fletcher Allen (on 1938-03-07)
clarinet:
Bertie King (Jamaican alto/tenor saxophonist, clarinetist & flautist) (on 1938-03-07)
double bass:
Len Harrison (on 1938-03-07)
drums (drum set):
Robert Montmarche (on 1938-03-07)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1938-03-07)
piano:
York de Souza (on 1938-03-07)
tenor saxophone:
Alix Combelle (on 1938-03-07)
trumpet:
Benny Carter (on 1938-03-07)
part of:
Swing (by matrix number) (number: 0SW 6-1)
recording of:
Blue Light Blues (on 1938-03-07)
composer:
Benny Carter
3:07
4Body and Soul
double bass:
Roger Grasset (on 1938-05-31)
guitar:
Joseph Reinhardt (on 1938-05-31) and Eugène Vées (on 1938-05-31)
harmonica:
Larry Adler (on 1938-05-31)
piano:
Stéphane Grappelli (jazz violinist) (on 1938-05-31)
solo guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1938-05-31)
recording of:
Body and Soul (on 1938-05-31)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:05
5Lover, Come Back to Me
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (on 1938-05-31)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:33
6My Melancholy Baby
instrumental recording of:
My Melancholy Baby (on 1938-05-31)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
recording of:
My Melancholy Baby
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
3:16
7I Got Rhythm
recording of:
I Got Rhythm (on 1938-05-31)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:55
8Montmartre (Django's Jump)
clarinet:
Barney Bigard
cornet:
Rex Stewart
double bass:
Billy Taylor (jazz bassist) (on 1939-04-05)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1939-04-05)
part of:
Swing (by matrix number) (number: 0SW 63-1)
recording of:
Montmartre (on 1939-04-05)
composer:
Cole Porter (composer)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
2:25
9Low Cotton
clarinet:
Barney Bigard
cornet:
Rex Stewart (on 1939-04-05)
double bass:
Billy Taylor (jazz bassist) (on 1939-04-05)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1939-04-05)
part of:
Swing (by matrix number) (number: 0SW 64-1)
recording of:
Low Cotton (on 1939-04-05)
writer:
Rex Stewart
3:01
10Finesse (Night Wind)
clarinet and drums (drum set):
Barney Bigard
cornet:
Rex Stewart (on 1939-04-05)
double bass:
Billy Taylor (jazz bassist) (on 1939-04-05)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1939-04-05)
part of:
Swing (by matrix number) (number: 0SW 65-1)
recording of:
Finesse (recorded by Django Reinhardt and Rex Stewart, 1939-04-05)
2:21
11The Sheik of Araby
recorded in:
Paris, Île-de-France, France (on 1937-04-27)
double bass:
Louis Vola (on 1937-04-27)
guitar:
Marcel Bianchi (on 1937-04-27), Pierre “Baro” Ferret (on 1937-04-27) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-27)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-27)
instrumental recording of:
The Sheik of Araby (on 1937-04-27)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
3:01
12I Know That You Know Me
clarinet:
Barney Bigard
cornet:
Rex Stewart (on 1939-04-05)
double bass:
Billy Taylor (jazz bassist) (on 1939-04-05)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1939-04-05)
part of:
Swing (by matrix number) (number: 0SW 66-1)
recording of:
I Know That You Know (Caldwell & Youmans) (on 1939-04-05)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
2:33
13Solid Old Man
clarinet and drums (drum set):
Barney Bigard
cornet:
Rex Stewart (on 1939-04-05)
double bass:
Billy Taylor (jazz bassist) (on 1939-04-05)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1939-04-05)
part of:
Swing (by matrix number) (number: 0SW 67-1)
recording of:
Solid Old Man (song recorded by Django Reinhardt and Rex Stewart, 1939-04-05)
3:05
14My Melancholy Baby
instrumental recording of:
My Melancholy Baby
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
recording of:
My Melancholy Baby
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
2:58
15Scatterbrain
2:21
16Sometimes I'm Happy
instrumental recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
2:47
17Djangology
trombone:
Bill Decker (trombonist, 1940s) (on 1945-11-06)
trumpet:
Herb Bass (performed with Django Reinhardt) (on 1945-11-06), Robin Gould (trumpeter) (on 1945-11-06), Jerry Stephan (performed with Django Reinhardt) (on 1945-11-06) and Lonnie Wilfong (trumpeter, 1940s) (on 1945-11-06)
part of:
Swing (by matrix number) (number: 0SW 408-1)
recording of:
Djangology (on 1945-11-06)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
2:37
18Swing Guitars
recording of:
Swing Guitars
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
2:26
19Manoir de mes rêves
recording of:
Manoir de mes rêves
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
3:16
20Are You in the Mood?
recording of:
Are You in the Mood?
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
2:57