The All Time Greatest Movie Songs of the Last 3 Decades

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1My Heart Will Go On
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:41
2From the Heart
tecnico:
Ali Boudris e Mario Luccy
produttore:
Khris Kellow
produttore esecutivo:
Diane Warren (US songwriter)
assistente tecnico di missaggio:
Tom Bender (engineer)
tecnico di missaggio:
Mick Guzauski
chitarra :
Ali Boudris
registrata presso:
Bananaboat Studios in Burbank, California, Stati Uniti e Realsongs in Los Angeles, California, Stati Uniti
mixata presso:
Barking Doctor Recording in Mount Kisco, New York, Stati Uniti
registrazione di:
From the Heart
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Realsongs
Another Level4:53
3Evergreen (Love Theme From “A Star Is Born”)
produttore:
Phil Ramone e Barbra Streisand
voce:
Barbra Streisand
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrazione di:
Evergreen (love theme from “A Star Is Born”)
paroliere:
Paul Williams (US songwriter/soft rock vocalist) (nel 1976)
compositore:
Barbra Streisand (nel 1976)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Olive Music LLC, Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28), Emmanuel Music Corp (nel 1976) e First Artists Music Co. (nel 1976)
parte di:
Academy Award for Best Original Song (numero: 1976 winner)
Barbra Streisand3:06
4Mrs. Robinson
tecnico di registrazione:
Roy Halee (il 1968-02-02)
assistente produttore:
Bob Johnston (US record producer and early rockebilly singer)
produttore:
Art Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1968-02-02)
chitarra :
Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
voce:
Art Garfunkel (il 1968-02-02) e Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1968) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 270)
registrazione di:
Mrs. Robinson (il 1968-02-02)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:03
5Streets of Philadelphia
produttore:
Chuck Plotkin e Bruce Springsteen
tecnico di missaggio:
Bob Clearmountain
voce:
Bruce Springsteen
diritti fonografici (℗) detenuti da:
Sony Music Entertainment, Inc., U.S.A. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1994)
registrazione di:
Streets of Philadelphia (nel 1993-09)
editore:
Bruce Springsteen
paroliere e compositore:
Bruce Springsteen (nel 1993-08)
editore:
Zomba Music Publishing (music publisher – add no releases here!) e Zomba Music Publishing Ltd.
parte di:
The 66th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1993 winner)
Bruce Springsteen3.653:52
6Men in Black
tecnico di registrazione:
John Shriver
programmazione degli strumenti:
Poke and Tone
produttore:
Poke and Tone
tecnico di missaggio:
Commissioner Gordon (US hip hop producer Gordon Williams) e Tony Maserati (engineer / mixer)
voce di accompagnamento:
Coko (R&B singer Cheryl Gamble)
editore:
Track Masters Entertainment
campionamenti:
Forget Me Nots di Patrice Rushen
registrazione di:
Men in Black
autore:
Fred Washington (US session bassist), Patrice Rushen, Will Smith (US actor aka The Fresh Prince) e Terry McFadden
editore:
Baby Fingers Music, Freddie Dee Music, New Columbia Pictures, Inc, Treyball Music, Inc. e Yamina Music
Will Smith4.153:47
7Arthur’s Theme
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:53
8All Time High
voce:
Rita Coolidge
registrazione di:
All Time High (Main Titles) (from the film "Octopussy")
paroliere:
Tim Rice
compositore:
John Barry (English score composer)
editore:
BMG Music e EMI Songs
parte di:
James Bond themes
parte di:
Octopussy (soundtrack from the James Bond film)
Rita Coolidge43:03
9Take My Breath Away
tecnico:
Dave Concors, Michael Rosen (US metal producer/engineer) e Tom Whitlock
produttore:
Jerry Bruckheimer, Giorgio Moroder e Don Simpson (American film producer, screenwriter, and actor)
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
Rob Brill
chitarra elettrica :
Ric Olsen
sintetizzatore :
Arthur Barrow e John Crawford (Berlin bassist)
voce principale:
Terri Nunn (Berlin singer)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Take My Breath Away di Berlin (US new wave/synthpop)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 62) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 490)
registrazione di:
Take My Breath Away (song from the 1986 film Top Gun)
paroliere:
Tom Whitlock
compositore:
Giorgio Moroder
editore:
Famous Music Publishing Germany GmbH & Co. KG (conclusa), Jastian Music Inc. (conclusa), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986), GMPC (nel 1986) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (conclusa), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 59th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1986 winner)
Berlin3.654:13
10Endless Love
tecnico di registrazione:
Reggie Dozier
produttore:
Lionel Richie
tecnico di missaggio:
Guy Costa
esecutore ospite aggiunto:
Diana Ross
arrangiatore:
Gene Page
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 20)
registrazione di:
Endless Love
paroliere e compositore:
Lionel Richie
editore:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) e Warner/Chappell North America
parte di:
The 54th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1981 nominee)
Diana Ross & Lionel Richie3.54:27
11Knockin’ on Heaven’s Door
tecnico:
Dan Wallin
produttore:
Gordon Carroll (producer)
armonium, organo e spinetta :
Carl Fortina (nel 1973-02)
batteria :
Jim Keltner (nel 1973-02)
chitarra :
Bob Dylan (nel 1973-02) e Roger McGuinn (nel 1973-02)
chitarra basso :
Terry Paul (nel 1973-02)
voce:
Bob Dylan (nel 1973-02)
voce di accompagnamento:
Carol Hunter (nel 1973-02), Brenda Patterson (nel 1973-02) e Donna Weiss (nel 1973-02)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973)
lavorazione tecnica effettuata presso:
The Burbank Studios in Burbank, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 190)
registrazione di:
Knockin’ on Heaven’s Door (nel 1973-02)
paroliere e compositore:
Bob Dylan
paroliere aggiunto:
Bob Dylan (il 1975-03-23)
editore:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Ram’s Horn Music (nel 1973)
Bob Dylan4.72:31
12The Entertainer
Marvin Hamlisch3:03
13It Had to Be You
arrangiatore e orchestratore:
Marc Shaiman (American score composer and lyricist)
registrazione cover di:
It Had to Be You (nel 1989-05)
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
Harry Connick, Jr.2:39
14Axel F
produttore:
Harold Faltermeyer
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e Geffen Records (nel 1984)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 70)
registrazione di:
Axel F (Beverly Hills Cop)
compositore:
Harold Faltermeyer
Harold Faltermeyer4.153:01
15Kokomo
tecnico e tecnico di missaggio:
Keith Wechsler
produttore:
Terry Melcher
basso :
Rod Clark (UK bassist) (dal 1988-03-22 al 1988-04-06)
batteria :
Jim Keltner (dal 1988-03-22 al 1988-04-06)
chitarra acustica :
Jeffrey Foskett (dal 1988-03-22 al 1988-04-06)
chitarra slide [electric slide guitar] :
Ry Cooder (dal 1988-03-22 al 1988-04-06)
fisarmonica :
Van Dyke Parks (dal 1988-03-22 al 1988-04-06)
sassofono contralto :
Joel Peskin (dal 1988-03-22 al 1988-04-06)
voce di accompagnamento:
Al Jardine (dal 1988-03-22 al 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (dal 1988-03-22 al 1988-04-06), Mike Love (Beach Boys) (dal 1988-03-22 al 1988-04-06) e Carl Wilson (Beach Boys) (dal 1988-03-22 al 1988-04-06)
voce principale:
Mike Love (Beach Boys) (dal 1988-03-22 al 1988-04-06) e Carl Wilson (Beach Boys) (dal 1988-03-22 al 1988-04-06)
esecutore:
The Beach Boys (American rock band) (dal 1988-03-22 al 1988-04-06)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (nel 1988) e Touchstone Pictures (nel 1988)
video musicali:
Kokomo di The Beach Boys (American rock band)
registrazione di:
Kokomo (dal 1988-03-22 al 1988-04-06)
autore:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher e John Phillips (The Mamas & The Papas)
editore:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. e Yamaha Music EH(CM)
The Beach Boys4.353:37
16Right Here
registrazione di:
Right Here
autore:
John Bettis, Brian Alexander Morgan e Steve Porcaro
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
SWV43:50
17Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:54
18Suicide Is Painless
voce:
John Bahler, Tom Bahler, Ian Freebairn‐Smith e Ron Hicklin
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980)
registrazione di:
Suicide Is Painless
paroliere:
Mike Altman
compositore:
Johnny Mandel (American composer and arranger)
editore:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
The Mash32:55
19I Don’t Know How to Love Him
registrazione cover di:
I Don’t Know How to Love Him
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) e Universal/MCA Music Ltd. (not for release label use!)
parte di:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Helen Reddy3:17
20Be
registrazione di:
Be
paroliere e compositore:
Neil Diamond (nel 1973)
parte di:
Jonathan Livingston Seagull
parte di:
The Odyssey
Neil Diamond3:20
21Ballad of Easy Rider
tecnico:
Jerry Hochman (engineer)
produttore:
Terry Melcher
produttore associato:
Jerry Hochman (engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
registrazione cover di:
Ballad of Easy Rider (il 1969-06-18)
paroliere e compositore:
Roger McGuinn
paroliere aggiunto:
Bob Dylan
editore:
Dwarf Music
The Byrds32:03
22I’m Forrest… Forrest Gump
tecnico di registrazione e tecnico di missaggio:
Dennis Sands (American sound engineer)
produttore:
Alan Silvestri (US score composer)
editor:
Kenneth Karman e Jacqueline Tager (editor)
direttore d'orchestra:
Alan Silvestri (US score composer)
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
mixata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Forrest Gump
compositore:
Alan Silvestri (US score composer)
parte di:
Forrest Gump
Alan Silvestri2:39
2▼CD
#TitoloArtistaValutazioneDurata
1I Don’t Want to Miss a Thing
assistente tecnico:
Alex Dejonge (engineer) e Rob Murphy (Engineer)
tecnico e tecnico di missaggio:
Dave Thoener
produttore:
Matt Serletic
arrangiatore archi :
Suzie Katayama
arrangiatore:
Matt Serletic
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
parte di:
BILLIONS CLUB e The Downloader’s Music Source Book (numero: 228)
registrazione di:
I Don’t Want to Miss a Thing
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs (conclusa), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 71st Academy Award for Best Original Song (numero: 2)
Aerosmith4.154:58
2Gotham City
assistente tecnico di registrazione:
Jason Bacher e Trey Fratt
tecnico di registrazione e programmazione:
Chris Brickley e Stephen George
produttore:
R. Kelly
produttore esecutivo:
Barry Hankerson (American record producer)
tecnico di missaggio:
Stephen George e R. Kelly
strumenti:
R. Kelly
tastiera [keyboards] aggiunto:
Lafayette Carthon
voce di accompagnamento:
Lafayette Carthon, The Chi-Towne Gospel Machine e Tyrones Kids
direttore d'orchestra:
Lafayette Carthon
arrangiatore:
R. Kelly
diritti fonografici (℗) detenuti da:
Zomba Recording Corp. (not strictly a label - avoid adding releases here) (nel 1997)
è stato produttore per:
Bass Productions Ltd.
registrata presso e mixata presso:
Chicago Trax in Chicago, Illinois, Stati Uniti
registrazione di:
Gotham City
autore:
R. Kelly
editore:
R. Kelly Publishing Inc. e Zomba Songs, Inc.
R. Kelly3.24:56
3License to Kill
produttore:
Narada Michael Walden
produttore associato:
Walter "Babylove" Afanasieff*
esecutore:
Gladys Knight
arrangiatore:
Narada Michael Walden
co-arrangiatore:
Walter "Babylove" Afanasieff*
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1989)
edit di:
Licence to Kill (extended version) di Gladys Knight
registrazione di:
Licence to Kill
autore:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) e Narada Michael Walden
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e SBK Songs Ltd. (nel 1989)
parte di:
James Bond themes
cita la musica di:
Goldfinger
Gladys Knight44:13
4Don’t Worry, Be Happy
diritti fonografici (℗) detenuti da:
EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1988)
video musicali:
Don't Worry Be Happy di Bobby McFerrin
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 31)
registrazione di:
Don’t Worry, Be Happy
paroliere e compositore:
Bobby McFerrin
autore:
Steve Sidwell (English composer & wind instrumentalist)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Probnoblem Music
Bobby McFerrin3:55
5Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:21
6Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
7Show Me Heaven
diritti fonografici (℗) detenuti da:
MCA (1967–2003; name as in imprint during 1972–1990) (nel 1990) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1990)
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:47
8The Sweetest Thing
esecutore:
Lauryn Hill e Refugee Camp Allstars
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1997)
Refugee Camp Allstars feat. Lauryn Hill4:52
9I Can Dream About You
tecnico di registrazione:
Dan Hartman
tecnico di registrazione aggiunto:
Shelly Yakus
tecnico aggiunto:
Gabe Veltri
assistente tecnico di missaggio:
Steve Krause (Steven A Krause)
tecnico di missaggio:
Humberto Gatica
basso elettrico :
Eddie N. Watkins Jr.
batteria aggiunto:
Art Wood (US session drummer/percussionist)
chitarra aggiunto:
Richie Zito
percussione :
Bobbye Hall
pianoforte :
Bill Payne
voce di accompagnamento:
Winston Ford, Dan Hartman e Joe Pizzullo
voce principale:
Dan Hartman
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1984) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1984)
registrazione di:
I Can Dream About You
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) e Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:09
10Maniac
produttore:
Phil Ramone e Michael Sembello
voce:
Michael Sembello (nel 1983)
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1983)
registrazione di:
Maniac (nel 1983)
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4.154:02
11The Shoop Shoop Song
produttore:
Peter Asher
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1990)
video musicali:
The Shoop Shoop Song (It’s in His Kiss) di Cher
registrazione cover di:
It’s in His Kiss (The Shoop Shoop Song)
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. e Trio Music Company
Cher3.22:47
12When I Fall in Love
produttore:
David Foster (Canadian music producer, arranger and composer)
tecnico di missaggio:
Humberto Gatica
voce:
Céline Dion e Clive Griffin
voce ospite:
Clive Griffin
arrangiatore:
Jeremy Lubbock
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1993)
mixata per:
Hum Inc. Productions
è stato produttore per:
Chartmaker Inc.
registrazione cover di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Céline Dion & Clive Griffin3.354:21
13The Way We Were
tecnico e tecnico di missaggio:
Al Schmitt
produttore:
Marty Paich
voce:
Barbra Streisand (il 1973-09-12)
remixer:
Tommy LiPuma
arrangiatore:
Marty Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1974)
registrata presso:
United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Hollywood Sound in Los Angeles, California, Stati Uniti
registrazione di:
The Way We Were (il 1973-09-12)
paroliere:
Alan Bergman (American lyricist) (nel 1973) e Marilyn Bergman (nel 1973)
compositore:
Marvin Hamlisch (nel 1973)
editore:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. e Colgems-EMI Music Inc. (nel 1973)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 46th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1973 winner)
parte di:
The Way We Were
Barbra Streisand53:31
14Childhood
produttore:
David Foster (Canadian music producer, arranger and composer)
registrazione di:
Childhood
paroliere e compositore:
Michael Jackson (“King of Pop”)
Michael Jackson3.54:29
15The John Dunbar Theme
registrazione di:
John Dunbar Theme (Dances With Wolves)
compositore:
John Barry (English score composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) e EMI Virgin Music Publishing
parte di:
Dances With Wolves
John Barry3:42
16Lovefool
tecnico e produttore:
Tore Johansson
batteria e percussione :
Bengt Lagerberg
chitarra :
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
chitarra basso :
Magnus Sveningsson
tastiera :
Lars-Olof Johansson
voce di accompagnamento:
Magnus Sveningsson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
voce principale:
Nina Persson
diritti fonografici (℗) detenuti da:
Stockholm Records e Universal Music AB (Swedish subsidiary of Universal Music Group)
lavorazione tecnica effettuata presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
prodotta presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
video musicali:
Lovefool di The Cardigans (Swedish rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 242)
registrazione di:
Lovefool
paroliere:
Nina Persson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
compositore:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
editore:
Stockholm Songs e Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:15
17The Living Daylights
produttore:
a‐ha (Norwegian synth‐pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce:
a‐ha (Norwegian synth‐pop band)
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
registrazione di:
The Living Daylights
autore:
Pal Waaktaar (guitarist, songwriter and singer)
compositore aggiunto:
John Barry (English score composer)
editore:
ATV Music e BMG Music
parte di:
James Bond themes
a‐ha44:15
18Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:48
19State of Love and Trust
registrazione dal vivo di:
State of Love and Trust (il 1992-02-22)
paroliere e compositore:
Jeff Ament, Mike McCready e Eddie Vedder
editore:
Innocent Bystander, Jumpin’ Cat Music, PRI Music, Inc., Scribing C-ment Songs e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Pearl Jam3:46

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