Perfect Jazz Collection II (There is a Europe version with a few discs replaced by different artists presumably for copyright reasons)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

A followup to the earlier 25 CD set titled Perfect Jazz Collection and containing 25 additional previously released jazz albums

Anmerkung zuletzt geändert am 2016-12-29 00:30 UTC.

Titelliste

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1▼CD: Ellington Uptown
Nr.TitelKünstlerBewertungLänge
1Skin Deep
recording engineer:
Bert Porter (am 1952-02-29)
Produzent(in):
Duke Ellington (US composer, pianist & jazz bandleader) (am 1952-02-29) und Mercer Ellington (am 1952-02-29)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1952-02-29)
alto saxophone und Klarinette:
Russell Procope (am 1952-02-29)
baritone saxophone und Bassklarinette:
Harry Carney (am 1952-02-29)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1952-02-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1952-02-29) und Billy Strayhorn (am 1952-02-29)
Kontrabass:
Wendell Marshall (am 1952-02-29)
Posaune:
Quentin Jackson (am 1952-02-29) und Britt Woodman (am 1952-02-29)
Schlagzeug:
Louie Bellson (am 1952-02-29)
Tenorsaxophon:
Paul Gonsalves (am 1952-02-29)
Trompete:
William “Cat” Anderson (am 1952-02-29), Willie Cook (US jazz trumpeter) (am 1952-02-29), Ray Nance (am 1952-02-29) und Clark Terry (American swing trumpeter) (am 1952-02-29)
Ventilposaune:
Juan Tizol (am 1952-02-29)
recording of:
Skin Deep (am 1952-02-29)
Komponist(in):
Louie Bellson
Duke Ellington6:50
2The Mooche
alto saxophone:
Hilton Jefferson (am 1952-07-01)
alto saxophone und Klarinette:
Russell Procope (am 1952-07-01)
baritone saxophone:
Harry Carney (am 1952-07-01)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1952-07-01)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1952-07-01) und Billy Strayhorn (am 1952-07-01)
Kontrabass:
Wendell Marshall (am 1952-07-01)
Posaune:
Quentin Jackson (am 1952-07-01) und Britt Woodman (am 1952-07-01)
Schlagzeug:
Louie Bellson (am 1952-07-01)
Tenorsaxophon:
Paul Gonsalves (am 1952-07-01)
Trompete:
William “Cat” Anderson (am 1952-07-01), Willie Cook (US jazz trumpeter) (am 1952-07-01), Ray Nance (am 1952-07-01) und Clark Terry (American swing trumpeter) (am 1952-07-01)
Ventilposaune:
Juan Tizol (am 1952-07-01)
recording of:
The Mooche (am 1952-07-01)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
Duke Ellington6:37
3Take The 'A' Train
alto saxophone:
Johnny Hodges (am 1952-06-30) und Hilton Jefferson (am 1952-06-30)
alto saxophone und Klarinette:
Russell Procope (am 1952-06-30)
baritone saxophone:
Harry Carney (am 1952-06-30)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1952-06-30)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1952-06-30) und Billy Strayhorn (am 1952-06-30)
Kontrabass:
Wendell Marshall (am 1952-06-30)
Posaune:
Quentin Jackson (am 1952-06-30) und Britt Woodman (am 1952-06-30)
Schlagzeug:
Louie Bellson (am 1952-06-30)
Tenorsaxophon:
Paul Gonsalves (am 1952-06-30)
Trompete:
William “Cat” Anderson (am 1952-06-30), Willie Cook (US jazz trumpeter) (am 1952-06-30), Ray Nance (am 1952-06-30) und Clark Terry (American swing trumpeter) (am 1952-06-30)
Ventilposaune:
Juan Tizol (am 1952-06-30)
Sologesang:
Betty Roché (am 1952-06-30)
Interpret(in):
Betty Roché (am 1952-06-30)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (am 1952-06-30)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington8:03
4A Tone Parallel To Harlem (Harlem Suite)
alto saxophone:
Russell Procope (am 1951-12-07) und Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1951-12-07)
baritone saxophone und Bassklarinette:
Harry Carney (am 1951-12-07)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1951-12-07)
Kontrabass:
Wendell Marshall (am 1951-12-07)
Posaune:
Quentin Jackson (am 1951-12-07), Juan Tizol (am 1951-12-07) und Britt Woodman (am 1951-12-07)
Rohrblattinstrumente:
Harry Carney (am 1951-12-07) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1951-12-07)
Saxophon:
Paul Gonsalves (am 1951-12-07), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1951-12-07), Russell Procope (am 1951-12-07) und Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1951-12-07)
Schlagzeug:
Louie Bellson (am 1951-12-07)
Tenorsaxophon:
Paul Gonsalves (am 1951-12-07)
Trompete:
Willie Cook (US jazz trumpeter) (am 1951-12-07), Harold Baker (am 1951-12-07), Ray Nance (am 1951-12-07), Clark Terry (American swing trumpeter) (am 1951-12-07), Dick Vance (US jazz trumpeter and arranger) (am 1951-12-07) und Francis Williams (trumpeter) (am 1951-12-07)
recording of:
A Tone Parallel to Harlem (The Harlem Suite) (am 1951-12-07)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1951)
Duke Ellington13:49
5Perdido
alto saxophone:
Hilton Jefferson (am 1952-07-01)
alto saxophone und Klarinette:
Russell Procope (am 1952-07-01)
baritone saxophone:
Harry Carney (am 1952-07-01)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1952-07-01)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1952-07-01) und Billy Strayhorn (am 1952-07-01)
Kontrabass:
Wendell Marshall (am 1952-07-01)
Posaune:
Quentin Jackson (am 1952-07-01) und Britt Woodman (am 1952-07-01)
Schlagzeug:
Louie Bellson (am 1952-07-01)
Tenorsaxophon:
Paul Gonsalves (am 1952-07-01)
Trompete:
William “Cat” Anderson (am 1952-07-01), Willie Cook (US jazz trumpeter) (am 1952-07-01), Ray Nance (am 1952-07-01) und Clark Terry (American swing trumpeter) (am 1952-07-01)
Ventilposaune:
Juan Tizol (am 1952-07-01)
recording of:
Perdido (original instrumental version) (am 1952-07-01)
Komponist(in):
Juan Tizol
Duke Ellington8:25
6The Controversial Suite | Before My Time (from ''Hi-Fi Ellington Uptown'' - 1956)
alto saxophone und Klarinette:
Russell Procope (am 1951-12-11)
baritone saxophone:
Harry Carney (am 1951-12-11)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1951-12-11)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1951-12-11)
Kontrabass:
Wendell Marshall (am 1951-12-11)
Posaune:
Quentin Jackson (am 1951-12-11) und Britt Woodman (am 1951-12-11)
Schlagzeug:
Louie Bellson (am 1951-12-11)
Tenorsaxophon:
Paul Gonsalves (am 1951-12-11)
Trompete:
Harold “Shorty” Baker (am 1951-12-11), Willie Cook (US jazz trumpeter) (am 1951-12-11), Ray Nance (am 1951-12-11), Clark Terry (American swing trumpeter) (am 1951-12-11) und Francis Williams (trumpeter) (am 1951-12-11)
Ventilposaune:
Juan Tizol (am 1951-12-11)
recording of:
The Controversial Suite, Part 1: Before My Time (am 1951-12-11)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington6:09
7The Controversial Suite | Later (from ''Hi-Fi Ellington Uptown'' - 1956)
recording of:
The Controversial Suite, Part 2: Later (am 1951-12-11)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington4:15
8The Liberian Suite | I Like The Sunrise (from ''Liberian Suite - Harlem Suite'' - 1956)
recording of:
Liberian Suite: I Like the Sunrise (am 1947-12-24)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
publisher:
Duke Ellington Music und Tempo Music, Inc. (Duke Ellington’s music publishing company)
Duke Ellington4:28
9The Liberian Suite | Dance No. 1 (from ''Liberian Suite - Harlem Suite'' - 1956)
recording of:
Liberian Suite: Dance no. 1 (am 1947-12-24)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
Duke Ellington4:50
10The Liberian Suite | Dance No. 2 (from ''Liberian Suite - Harlem Suite'' - 1956)
recording of:
Liberian Suite: Dance no. 2 (am 1947-12-24)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
Duke Ellington3:26
11The Liberian Suite | Dance No. 3 (from ''Liberian Suite - Harlem Suite'' - 1956)
recording of:
Liberian Suite: Dance no. 3 (am 1947-12-24)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
Duke Ellington3:45
12The Liberian Suite | Dance No. 4 (from ''Liberian Suite - Harlem Suite'' - 1956)
recording of:
Liberian Suite: Dance no. 4 (am 1947-12-24)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
Duke Ellington3:05
13The Liberian Suite | Dance No. 5 (from ''Liberian Suite - Harlem Suite'' - 1956)
recording of:
Liberian Suite: Dance no. 5 (am 1947-12-24)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
Duke Ellington5:08
2▼CD: Jazz Goes To College
Nr.TitelKünstlerBewertungLänge
1Balcony Rock
Produzent(in):
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
Klavier:
Dave Brubeck (in 1954-05)
Kontrabass:
Bob Bates (in 1954-05)
Schlagzeug:
Joe Dodge (in 1954-05)
aufgenommen bei:
University of Michigan in Ann Arbor, Michigan, Vereinigte Staaten (in 1954-05)
live recording of:
Balcony Rock (in 1954-05)
Komponist(in):
Dave Brubeck und Paul Desmond
Dave Brubeck11:55
2Out Of Nowhere
live instrumental recording of:
Out of Nowhere (in 1954-05)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Dave Brubeck8:04
3Le Souk
Produzent(in):
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
Klavier:
Dave Brubeck (in 1954-05)
Kontrabass:
Bob Bates (in 1954-05)
Schlagzeug:
Joe Dodge (in 1954-05)
aufgenommen bei:
Oberlin College in Oberlin, Ohio, Vereinigte Staaten (in 1954-05)
live recording of:
Le Souk (in 1954-05)
Komponist(in):
Dave Brubeck und Paul Desmond
Dave Brubeck4:36
4Take The 'A' Train
Produzent(in):
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
Klavier:
Dave Brubeck (in 1954-05)
Kontrabass:
Bob Bates (in 1954-05)
Schlagzeug:
Joe Dodge (in 1954-05)
aufgenommen bei:
University of Michigan in Ann Arbor, Michigan, Vereinigte Staaten (in 1954-05)
live recording of:
Take the “A” Train (original instrumental version) (in 1954-04)
Komponist(in):
Billy Strayhorn
Teil von:
The Real Book (compilation of jazz standards, Volume I)
live cover recording of:
Take the “A” Train (original instrumental version) (in 1954-05)
Komponist(in):
Billy Strayhorn
Teil von:
The Real Book (compilation of jazz standards, Volume I)
instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Dave Brubeck6:11
5The Song Is You
live instrumental recording of:
The Song Is You (in 1954-05)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
Dave Brubeck5:38
6Don't Worry 'Bout Me
Produzent(in):
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
Klavier:
Dave Brubeck (in 1954-05)
Kontrabass:
Bob Bates (in 1954-05)
Schlagzeug:
Joe Dodge (in 1954-05)
aufgenommen bei:
University of Michigan in Ann Arbor, Michigan, Vereinigte Staaten (in 1954-05)
live instrumental cover recording of:
Don’t Worry ’Bout Me (in 1954-05)
Texter:
Ted Koehler (in 1939)
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. und Redwood Music Ltd. (Carlin)
Dave Brubeck8:47
7I Want To Be Happy
live instrumental recording of:
I Want to Be Happy (No, No, Nanette) (in 1954-05)
Texter:
Irving Caesar und Otto Harbach
Komponist(in):
Vincent Youmans
Teil von:
No, No, Nanette
Dave Brubeck6:36
3▼CD: Satch Plays Fats: The Music of Fats Waller
Nr.TitelKünstlerBewertungLänge
1Honeysuckle Rose
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-26)
Produzent(in):
George Avakian (US 1940-90s record producer) (in 1955)
Klarinette:
Barney Bigard (in 1955, am 1955-04-26)
Klavier:
Billy Kyle (in 1955, am 1955-04-26)
Kontrabass:
Arvell Shaw (in 1955, am 1955-04-26)
Posaune:
Trummy Young (in 1955, am 1955-04-26)
Schlagzeug:
Barrett Deems (in 1955, am 1955-04-26)
Trompete:
Louis Armstrong (in 1955, am 1955-04-26)
vocals:
Louis Armstrong (in 1955, am 1955-04-26) und Velma Middleton (in 1955, am 1955-04-26)
recording of:
Honeysuckle Rose (am 1955-04-26)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
recording of:
Honeysuckle Rose (in 1955)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
cover recording of:
Honeysuckle Rose
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
Louis Armstrong2:56
2Blue Turning Grey Over You
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-27)
Produzent(in):
George Avakian (US 1940-90s record producer) (in 1955)
Klarinette:
Barney Bigard (in 1955, am 1955-04-27)
Klavier:
Billy Kyle (in 1955, am 1955-04-27)
Kontrabass:
Arvell Shaw (in 1955, am 1955-04-27)
Posaune:
Trummy Young (in 1955, am 1955-04-27)
Schlagzeug:
Barrett Deems (in 1955, am 1955-04-27)
Trompete:
Louis Armstrong (in 1955, am 1955-04-27)
vocals:
Louis Armstrong (in 1955, am 1955-04-27)
recording of:
Blue, Turning Grey Over You (am 1955-04-27)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
recording of:
Blue, Turning Grey Over You (in 1955)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
Louis Armstrong4:57
3I'm Crazy 'Bout My Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-27)
Produzent(in):
George Avakian (US 1940-90s record producer) (in 1955)
Klarinette:
Barney Bigard (in 1955, am 1955-04-27)
Klavier:
Billy Kyle (in 1955, am 1955-04-27)
Kontrabass:
Arvell Shaw (in 1955, am 1955-04-27)
Posaune:
Trummy Young (in 1955, am 1955-04-27)
Schlagzeug:
Barrett Deems (in 1955, am 1955-04-27)
Trompete:
Louis Armstrong (in 1955, am 1955-04-27)
vocals:
Louis Armstrong (in 1955, am 1955-04-27)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (am 1955-04-27)
Texter:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
Komponist(in):
Fats Waller
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (in 1955)
Texter:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
Komponist(in):
Fats Waller
Louis Armstrong4:29
4Squeeze Me
recorded in:
New York, New York, Vereinigte Staaten (am 1955-05-03)
Produzent(in):
George Avakian (US 1940-90s record producer) (in 1955)
Klarinette:
Barney Bigard (in 1955, am 1955-05-03)
Klavier:
Billy Kyle (in 1955, am 1955-05-03)
Kontrabass:
Arvell Shaw (in 1955, am 1955-05-03)
Posaune:
Trummy Young (in 1955, am 1955-05-03)
Schlagzeug:
Barrett Deems (in 1955, am 1955-05-03)
Trompete:
Louis Armstrong (in 1955, am 1955-05-03)
vocals:
Louis Armstrong (in 1955, am 1955-05-03) und Velma Middleton (in 1955, am 1955-05-03)
cover recording of:
Squeeze Me (am 1955-05-03)
Texter:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
Komponist(in):
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
recording of:
Squeeze Me (in 1955)
Texter:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
Komponist(in):
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Louis Armstrong5:06
5Keepin' Out Of Mischief Now
recorded in:
New York, New York, Vereinigte Staaten (am 1955-05-03)
Produzent(in):
George Avakian (US 1940-90s record producer) (in 1955)
Klarinette:
Barney Bigard (in 1955, am 1955-05-03)
Klavier:
Billy Kyle (in 1955, am 1955-05-03)
Kontrabass:
Arvell Shaw (in 1955, am 1955-05-03)
Posaune:
Trummy Young (in 1955, am 1955-05-03)
Schlagzeug:
Barrett Deems (in 1955, am 1955-05-03)
Trompete:
Louis Armstrong (in 1955, am 1955-05-03)
vocals:
Louis Armstrong (in 1955, am 1955-05-03)
cover recording of:
Keepin’ Out of Mischief Now (am 1955-05-03)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
recording of:
Keepin’ Out of Mischief Now (in 1955)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
Louis Armstrong3:22
6All That Meat And No Potatoes
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-27)
Produzent(in):
George Avakian (US 1940-90s record producer) (in 1955)
Klarinette:
Barney Bigard (in 1955, am 1955-04-27)
Klavier:
Billy Kyle (in 1955, am 1955-04-27)
Kontrabass:
Arvell Shaw (in 1955, am 1955-04-27)
Posaune:
Trummy Young (in 1955, am 1955-04-27)
Schlagzeug:
Barrett Deems (in 1955, am 1955-04-27)
Trompete:
Louis Armstrong (in 1955, am 1955-04-27)
vocals:
Louis Armstrong (in 1955, am 1955-04-27) und Velma Middleton (in 1955, am 1955-04-27)
recording of:
All That Meat and No Potatoes (am 1955-04-27)
Texter und Komponist(in):
Ed Kirkeby (also known as Ed Lloyd and Ted Wallace) und Fats Waller
recording of:
All That Meat and No Potatoes (in 1955)
Texter und Komponist(in):
Ed Kirkeby (also known as Ed Lloyd and Ted Wallace) und Fats Waller
Louis Armstrong5:17
7I've Got A Feeling I'm Falling
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-26)
Produzent(in):
George Avakian (US 1940-90s record producer) (in 1955)
Klarinette:
Barney Bigard (in 1955, am 1955-04-26)
Klavier:
Billy Kyle (in 1955, am 1955-04-26)
Kontrabass:
Arvell Shaw (in 1955, am 1955-04-26)
Posaune:
Trummy Young (in 1955, am 1955-04-26)
Schlagzeug:
Barrett Deems (in 1955, am 1955-04-26)
Trompete:
Louis Armstrong (in 1955, am 1955-04-26)
vocals:
Louis Armstrong (in 1955, am 1955-04-26)
cover recording of:
I’ve Got a Feeling I’m Falling (am 1955-04-26)
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Harry Link (US vaudeville actor & songwriter) und Fats Waller
recording of:
I’ve Got a Feeling I’m Falling (in 1955)
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Harry Link (US vaudeville actor & songwriter) und Fats Waller
Louis Armstrong3:13
8(What Did I Do To Be So) Black And Blue
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-26)
Produzent(in):
George Avakian (US 1940-90s record producer) (in 1955)
Klarinette:
Barney Bigard (in 1955, am 1955-04-26)
Klavier:
Billy Kyle (in 1955, am 1955-04-26)
Kontrabass:
Arvell Shaw (in 1955, am 1955-04-26)
Posaune:
Trummy Young (in 1955, am 1955-04-26)
Schlagzeug:
Barrett Deems (in 1955, am 1955-04-26)
Trompete:
Louis Armstrong (in 1955, am 1955-04-26)
vocals:
Louis Armstrong (in 1955, am 1955-04-26)
recording of:
Black and Blue (am 1955-04-26)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
recording of:
Black and Blue (in 1955)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
Louis Armstrong4:39
9Ain't Misbehavin'
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Louis Armstrong4:02
10Black And Blue (Edited Alternate Version)
recording of:
Black and Blue
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
Louis Armstrong4:54
11I'm Crazy 'Bout My Baby (Edited Alternate Version)
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-27)
Klarinette:
Barney Bigard (am 1955-04-27)
Klavier:
Billy Kyle (am 1955-04-27)
Kontrabass:
Arvell Shaw (am 1955-04-27)
Posaune:
Trummy Young (am 1955-04-27)
Schlagzeug:
Barrett Deems (am 1955-04-27)
Trompete:
Louis Armstrong (am 1955-04-27)
vocals:
Louis Armstrong (am 1955-04-27)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (am 1955-04-27)
Texter:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
Komponist(in):
Fats Waller
Louis Armstrong4:41
12Blue Turning Grey Over You (Edited Alternate Version)
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-27)
Klarinette:
Barney Bigard (am 1955-04-27)
Klavier:
Billy Kyle (am 1955-04-27)
Kontrabass:
Arvell Shaw (am 1955-04-27)
Posaune:
Trummy Young (am 1955-04-27)
Schlagzeug:
Barrett Deems (am 1955-04-27)
Trompete:
Louis Armstrong (am 1955-04-27)
vocals:
Louis Armstrong (am 1955-04-27)
recording of:
Blue, Turning Grey Over You (am 1955-04-27)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
Louis Armstrong4:57
13I've Got A Feeling I'm Falling (Edited Alternate Version)
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-26)
Klarinette:
Barney Bigard (am 1955-04-26)
Klavier:
Billy Kyle (am 1955-04-26)
Kontrabass:
Arvell Shaw (am 1955-04-26)
Posaune:
Trummy Young (am 1955-04-26)
Schlagzeug:
Barrett Deems (am 1955-04-26)
Trompete:
Louis Armstrong (am 1955-04-26)
vocals:
Louis Armstrong (am 1955-04-26)
cover recording of:
I’ve Got a Feeling I’m Falling (am 1955-04-26)
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Harry Link (US vaudeville actor & songwriter) und Fats Waller
Louis Armstrong3:18
14Squeeze Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-06-29)
Banjo:
Mancy "Peck" Carr (am 1928-06-29)
Klarinette:
Jimmy Strong (am 1928-06-29)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-06-29)
Posaune:
Fred Robinson (American trombonist) (am 1928-06-29)
Trompete:
Louis Armstrong (am 1928-06-29)
Hintergrundgesang:
Fred Robinson (American trombonist), Jimmy Strong und Earl Hines (jazz pianist and bandleader) (am 1928-06-29)
vocals:
Louis Armstrong (am 1928-06-29)
recording of:
Squeeze Me (am 1928-06-29)
Texter:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
Komponist(in):
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Louis Armstrong3:21
15(What Did I Do To Be So) Black And Blue
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Celesta [celeste]:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Tenorsaxophon:
Jimmy Strong (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
Black and Blue (am 1929-07-22)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
Louis Armstrong3:03
16Ain't Misbehavin'
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Louis Armstrong3:16
17Blue Turning Grey Over You
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klarinette:
Teddy Hill (am 1930-02-01), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
recording of:
Blue, Turning Grey Over You (am 1930-02-01)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
Louis Armstrong3:30
18Keepin' Out Of Mischief Now
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone (am 1932-03-11) und George James (US jazz saxophonist) (am 1932-03-11)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-11)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-11)
Kontrabass [bass]:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-11)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-11)
Schlagzeug:
Tubby Hall (am 1932-03-11)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-11)
Trompete:
Louis Armstrong (am 1932-03-11) und Zilner Randolph (am 1932-03-11)
vocals:
Louis Armstrong (am 1932-03-11)
cover recording of:
Keepin’ Out of Mischief Now (am 1932-03-11)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
Louis Armstrong3:32
19Sweet Savannah Sue
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Tenorsaxophon:
Jimmy Strong (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
Sweet Savannah Sue (am 1929-07-22)
Texter:
Andy Razaf
Komponist(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Fats Waller
Louis Armstrong3:14
20That Rhythm Man
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klarinette:
Jimmy Strong (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
That Rhythm Man (am 1929-07-22)
Verfasser(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Thomas Waller (Fats Waller)
Louis Armstrong3:09
4▼CD: 'Round About Midnight
Nr.TitelKünstlerBewertungLänge
1'Round Midnight
recording engineer:
Ray Moore (engineer, 1957–1995) (am 1956-09-10)
Produzent(in):
George Avakian (US 1940-90s record producer)
Klavier:
Red Garland (am 1956-09-10)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-09-10)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-09-10)
Tenorsaxophon:
John Coltrane (am 1956-09-10)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-09-10)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-09-10)
instrumental cover recording of:
’Round Midnight (am 1956-09-10)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Miles Davis3.655:58
2Ah-Leu-Cha
Techniker(in):
Ray Moore (engineer, 1957–1995) (am 1955-10-26)
Produzent(in):
George Avakian (US 1940-90s record producer)
Klavier:
Red Garland (am 1955-10-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-10-26)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1955-10-26)
Tenorsaxophon:
John Coltrane (am 1955-10-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1955-10-26)
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1955-10-26)
recording of:
Ah-Leu-Cha (am 1955-10-26)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Miles Davis45:53
3All of You
Techniker(in):
Ray Moore (engineer, 1957–1995)
Produzent(in):
George Avakian (US 1940-90s record producer)
Klavier:
Red Garland (am 1956-09-10)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-09-10)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-09-10)
Tenorsaxophon:
John Coltrane (am 1956-09-10)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-09-10)
arranger:
Gil Evans (Canadian–American jazz pianist and composer) und Teo Macero (American jazz saxophonist and composer)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-09-10)
instrumental cover recording of:
All of You (Silk Stockings musical) (am 1956-09-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
Miles Davis47:03
4Bye Bye Blackbird
Techniker(in):
Ray Moore (engineer, 1957–1995)
Produzent(in):
George Avakian (US 1940-90s record producer)
Klavier:
Red Garland (am 1956-06-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-06-05)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-06-05)
Tenorsaxophon:
John Coltrane (am 1956-06-05)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-06-05)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-06-05) und Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-06-05)
instrumental cover recording of:
Bye Bye Blackbird (am 1956-06-05)
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Miles Davis47:57
5Tadd's Delight
Techniker(in):
Ray Moore (engineer, 1957–1995)
Produzent(in):
George Avakian (US 1940-90s record producer)
Klavier:
Red Garland (am 1956-06-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-06-05)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-06-05)
Tenorsaxophon:
John Coltrane (am 1956-06-05)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-06-05)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-06-05) und Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-06-05)
recording of:
Tadd's Delight (am 1956-06-05)
Komponist(in):
Tadd Dameron
Miles Davis3.54:29
6Dear Old Stockholm
recording engineer:
Ray Moore (engineer, 1957–1995) (am 1956-06-05)
Produzent(in):
George Avakian (US 1940-90s record producer)
Klavier:
Red Garland (am 1956-06-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-06-05)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-06-05)
Tenorsaxophon:
John Coltrane (am 1956-06-05)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-06-05)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-06-05) und Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-06-05)
cover recording of:
Dear Old Stockholm (am 1956-06-05)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Stan Getz
Version von:
Ack, Värmeland, du sköna (Fryxell version)
Miles Davis47:52
7Two Bass Hit
Klavier:
Red Garland (am 1955-10-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-10-26)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1955-10-26)
Tenorsaxophon:
John Coltrane (am 1955-10-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1955-10-26)
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1955-10-26)
recording of:
Two Bass Hit (am 1955-10-26)
Komponist(in):
Dizzy Gillespie und John Lewis (pianist, member of Modern Jazz Quartet)
Miles Davis3:45
8Little Melonae
recorded in:
New York, New York, Vereinigte Staaten (am 1955-10-27)
Produzent(in):
George Avakian (US 1940-90s record producer)
Bass:
Paul Chambers (US jazz bassist) (am 1955-10-27)
Klavier:
Red Garland (am 1955-10-27)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1955-10-27)
Tenorsaxophon:
John Coltrane (am 1955-10-27)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1955-10-27)
Remaster von:
Little Melonae von Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Little Melonae (am 1955-10-27)
Komponist(in):
Jackie McLean (jazz saxophonist)
Miles Davis7:22
9Budo
Produzent(in):
George Avakian (US 1940-90s record producer)
Klavier:
Red Garland (am 1955-10-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-10-26)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1955-10-26)
Tenorsaxophon:
John Coltrane (am 1955-10-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1955-10-26)
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1955-10-26)
Remaster von:
Budo von Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Budo (am 1955-10-26)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Bud Powell
basiert auf:
Hallucinations
Miles Davis4:17
10Sweet Sue, Just You
Klavier:
Red Garland (am 1956-09-10)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-09-10)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-09-10)
Tenorsaxophon:
John Coltrane (am 1956-09-10)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-09-10)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-09-10)
recording of:
Sweet Sue, Just You (am 1956-09-10)
Texter:
Will J. Harris (early 1900s songwriter/lyricist)
Komponist(in):
Will J. Harris (early 1900s songwriter/lyricist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
instrumental cover recording of:
Sweet Sue, Just You (in 1956)
Texter:
Will J. Harris (early 1900s songwriter/lyricist)
Komponist(in):
Will J. Harris (early 1900s songwriter/lyricist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
Miles Davis3:40
5▼CD: The Sound of Jazz
Nr.TitelKünstlerBewertungLänge
1Wild Man Blues
Klarinette:
Pee Wee Russell (am 1957-12-08)
Klavier:
Nat Pierce (am 1957-12-08)
Kontrabass:
Milt Hinton (am 1957-12-08)
Posaune:
Vic Dickenson (am 1957-12-08)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-12-08)
Tenorsaxophon:
Coleman Hawkins (am 1957-12-08)
Trompete:
Henry “Red” Allen (jazz musician) (am 1957-12-08) und Rex Stewart (am 1957-12-08)
recording of:
Wild Man Blues (am 1957-12-08)
Komponist(in):
Louis Armstrong und Ferdinand Joseph LaMothe
The Henry "Red" Allen All-Stars4:49
2Rosetta
Klarinette:
Pee Wee Russell (am 1957-12-08)
Klavier:
Nat Pierce (am 1957-12-08)
Kontrabass:
Milt Hinton (am 1957-12-08)
Posaune:
Vic Dickenson (am 1957-12-08)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-12-08)
Tenorsaxophon:
Coleman Hawkins (am 1957-12-08)
Trompete:
Henry “Red” Allen (jazz musician) (am 1957-12-08) und Rex Stewart (am 1957-12-08)
recording of:
Rosetta (am 1957-12-08)
Texter:
William Henri Woode
Komponist(in):
Earl Hines (jazz pianist and bandleader)
The Henry "Red" Allen All-Stars5:00
3Fine and Mellow
Gitarre:
Danny Barker (am 1957-12-08)
Klavier:
Mal Waldron (American jazz pianist) (am 1957-12-08)
Kontrabass:
Jim Atlas (am 1957-12-08)
Posaune:
Vic Dickenson (am 1957-12-08)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-12-08)
Tenorsaxophon:
Coleman Hawkins (am 1957-12-08), Ben Webster (am 1957-12-08) und Lester Young (saxophonist) (am 1957-12-08)
Trompete:
Doc Cheatham (am 1957-12-08)
vocals:
Billie Holiday (am 1957-12-08)
recording of:
Fine and Mellow (am 1957-12-08)
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday with the Mal Waldron All-Stars6:22
4Blues
Gitarre:
Danny Barker (am 1957-12-08)
Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1957-12-08) und Pee Wee Russell (am 1957-12-08)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-12-08)
Jimmy Giuffre6:55
5I Left My Baby
alto saxophone:
Earle Warren (am 1957-12-08)
baritone saxophone:
Harry Carney (am 1957-12-08)
Gitarre:
Freddie Green (am 1957-12-08)
Klavier:
Count Basie (pianist) (am 1957-12-08)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-12-08)
Posaune:
Vic Dickenson (am 1957-12-08), Frank Rehak (US jazz trombonist) (am 1957-12-08) und Dicky Wells (am 1957-12-08)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-12-08)
Tenorsaxophon:
Coleman Hawkins (am 1957-12-08) und Lester Young (saxophonist) (am 1957-12-08)
Trompete:
Emmett Berry (am 1957-12-08), Doc Cheatham (am 1957-12-08), Roy Eldridge (am 1957-12-08) und Joe Newman (US jazz trumpeter) (am 1957-12-08)
vocals:
Jimmy Rushing (am 1957-12-08)
The Count Basie All-Stars4:29
6The Train and the River
baritone saxophone, Klarinette und Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1957-12-08)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1957-12-08)
Kontrabass:
Jim Atlas (am 1957-12-08)
recording of:
The Train and the River (am 1957-12-08)
Verfasser(in):
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
The Jimmy Giuffre Trio4:46
7Nervous
Klavier:
Mal Waldron (American jazz pianist) (am 1957-12-08)
Mal Waldron3:46
8Dickie's Dream
alto saxophone:
Earle Warren (am 1957-12-08)
baritone saxophone:
Harry Carney (am 1957-12-08)
Gitarre:
Freddie Green (am 1957-12-08)
Klavier:
Count Basie (pianist) (am 1957-12-08)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1957-12-08)
Posaune:
Vic Dickenson (am 1957-12-08), Frank Rehak (US jazz trombonist) (am 1957-12-08) und Dicky Wells (am 1957-12-08)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-12-08)
Tenorsaxophon:
Coleman Hawkins (am 1957-12-08) und Lester Young (saxophonist) (am 1957-12-08)
Trompete:
Emmett Berry (am 1957-12-08), Doc Cheatham (am 1957-12-08), Roy Eldridge (am 1957-12-08) und Joe Newman (US jazz trumpeter) (am 1957-12-08)
recording of:
Dickie’s Dream (am 1957-12-08)
Verfasser(in) und Komponist(in):
Count Basie (pianist) und Lester Young (saxophonist)
The Count Basie All-Stars5:55
9Wild Man Blues
recording of:
Wild Man Blues (am 1957-12-08)
Komponist(in):
Louis Armstrong und Ferdinand Joseph LaMothe
Henry "Red" Allen's All Stars8:43
6▼CD: Mingus Ah Um
Nr.TitelKünstlerBewertungLänge
1Better Git It in Your Soul
recorded in:
New York, New York, Vereinigte Staaten (am 1959-05-05)
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-05)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-05)
Kontrabass:
Charles Mingus (am 1959-05-05)
Posaune:
Jimmy Knepper (trombonist) (am 1959-05-05)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-05)
Tenorsaxophon:
Curtis Porter (am 1959-05-05) und Booker Ervin (tenor saxophonist) (am 1959-05-05)
recording of:
Better Git It in Your Soul (am 1959-05-05)
Komponist(in):
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus57:23
2Goodbye Pork Pie Hat
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-12)
Kontrabass:
Charles Mingus (am 1959-05-12)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-12)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1959-05-12) und John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-12)
recording of:
Goodbye Pork Pie Hat (instrumental) (am 1959-05-12)
Komponist(in):
Charles Mingus
publisher:
Adams Avenue, Flying Red Rhino, Jazz Workshop, Inc., Songs of Kobalt Music Publishing und The Mingus Music Werkshop
Charles Mingus55:44
3Boogie Stop Shuffle
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-12)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-12)
Kontrabass:
Charles Mingus (am 1959-05-12)
Posaune:
Willie Dennis (am 1959-05-12)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-12)
Tenorsaxophon:
Curtis Porter (am 1959-05-12) und Booker Ervin (tenor saxophonist) (am 1959-05-12)
recording of:
Boogie Stop Shuffle (am 1959-05-12)
Komponist(in):
Charles Mingus
Charles Mingus5:03
4Self-Portrait in Three Colors
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-12)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-12)
Kontrabass:
Charles Mingus (am 1959-05-12)
Posaune:
Willie Dennis (am 1959-05-12)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-12)
Tenorsaxophon:
Curtis Porter (am 1959-05-12) und Booker Ervin (tenor saxophonist) (am 1959-05-12)
recording of:
Self-Portrait in Three Colors (am 1959-05-12)
Komponist(in):
Charles Mingus
publisher:
Jazz Workshop (American label founded by Charles Mingus) und Jazz Workshop, Inc.
Charles Mingus3:10
5Open Letter to Duke
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Curtis Porter (am 1959-05-12) und John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-12)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-12)
Kontrabass:
Charles Mingus (am 1959-05-12)
Posaune:
Willie Dennis (am 1959-05-12)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-12)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1959-05-12)
recording of:
Open Letter to Duke (am 1959-05-12)
Komponist(in):
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus5:51
6Bird Calls
recorded in:
New York, New York, Vereinigte Staaten (am 1959-05-05)
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Curtis Porter (am 1959-05-05) und John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-05)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-05)
Kontrabass:
Charles Mingus (am 1959-05-05)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-05)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1959-05-05)
recording of:
Bird Calls (am 1959-05-05)
Komponist(in):
Charles Mingus
Charles Mingus6:18
7Fables of Faubus
recorded in:
New York, New York, Vereinigte Staaten (am 1959-05-05)
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-05)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-05)
Kontrabass:
Charles Mingus (am 1959-05-05)
Posaune:
Jimmy Knepper (trombonist) (am 1959-05-05)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-05)
Tenorsaxophon:
Curtis Porter (am 1959-05-05) und Booker Ervin (tenor saxophonist) (am 1959-05-05)
instrumental recording of:
Fables of Faubus (instrumental version) (am 1959-05-05)
Komponist(in):
Charles Mingus
publisher:
Jazz Workshop, Inc.
recording of:
Fables of Faubus (instrumental version)
Komponist(in):
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus8:14
8Pussy Cat Dues
recorded in:
New York, New York, Vereinigte Staaten (am 1959-05-05)
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
Klarinette:
John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-05)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-05)
Kontrabass:
Charles Mingus (am 1959-05-05)
Posaune:
Jimmy Knepper (trombonist) (am 1959-05-05)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-05)
Tenorsaxophon:
Curtis Porter (am 1959-05-05) und Booker Ervin (tenor saxophonist) (am 1959-05-05)
recording of:
Pussy Cat Dues (am 1959-05-05)
Komponist(in):
Charles Mingus
Charles Mingus9:15
9Jelly Roll
recorded in:
New York, New York, Vereinigte Staaten (am 1959-05-05)
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Curtis Porter (am 1959-05-05) und John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-05)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-05)
Kontrabass:
Charles Mingus (am 1959-05-05)
Posaune:
Jimmy Knepper (trombonist) (am 1959-05-05)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-05)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1959-05-05)
recording of:
Jelly Roll (am 1959-05-05)
Komponist(in):
Charles Mingus
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Charles Mingus6:17
10Pedal Point Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1959-05-05)
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-05)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-05)
Kontrabass und Klavier:
Charles Mingus (am 1959-05-05)
Posaune:
Jimmy Knepper (trombonist) (am 1959-05-05)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-05)
Tenorsaxophon:
Curtis Porter (am 1959-05-05) und Booker Ervin (tenor saxophonist) (am 1959-05-05)
recording of:
Pedal Point Blues (am 1959-05-05)
Komponist(in):
Charles Mingus
Charles Mingus6:31
11GG Train
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-12)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-12)
Kontrabass:
Charles Mingus (am 1959-05-12)
Posaune:
Willie Dennis (am 1959-05-12)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-12)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1959-05-12) und Shafi Hadi (am 1959-05-12)
recording of:
GG Train (am 1959-05-12)
Komponist(in):
Charles Mingus
Charles Mingus4:40
12Girl of My Dreams
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Curtis Porter (am 1959-05-12) und John Handy (US jazz alto saxophonist, born 1933) (am 1959-05-12)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-05-12)
Kontrabass:
Charles Mingus (am 1959-05-12)
Posaune:
Willie Dennis (am 1959-05-12)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-05-12)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1959-05-12)
recording of:
Girl of My Dreams (am 1959-05-12)
Texter und Komponist(in):
Charles Clapp (in 1927)
Charles Mingus4:08
7▼CD: Desmond Blue
Nr.TitelKünstlerBewertungLänge
1My Funny Valentine
Techniker(in):
Ray Hall (engineer) (am 1961-09-14)
Produzent(in):
George Avakian (US 1940-90s record producer) (am 1961-09-14)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962)
Harfe:
Gene Bianco (am 1961-09-14)
Kontrabass:
Milt Hinton (am 1961-09-14)
Saxophon:
Paul Desmond (am 1961-09-14)
Schlagzeug:
Connie Kay (am 1961-09-14)
Waldhorn:
Al Richmond (am 1961-09-14)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-14)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-14)
live instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (am 1961-09-14)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
Paul Desmond3:52
2Desmond Blue
Techniker(in):
Ray Hall (engineer) (am 1961-10-02)
Produzent(in):
George Avakian (US 1940-90s record producer) (am 1961-10-02)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-10-02)
Harfe:
Gloria Agostini (Harp) (am 1961-10-02)
Kontrabass:
Milt Hinton (am 1961-10-02)
Saxophon:
Paul Desmond (am 1961-10-02)
Waldhorn:
Al Richmond (am 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
Paul Desmond3:40
3Then I'll Be Tired of You
Techniker(in):
Ray Hall (engineer) (am 1961-10-02)
Produzent(in):
George Avakian (US 1940-90s record producer) (am 1961-10-02)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-10-02)
Kontrabass:
Milt Hinton (am 1961-10-02)
Saxophon:
Paul Desmond (am 1961-10-02)
Waldhorn:
Al Richmond (am 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
instrumental recording of:
Then I’ll Be Tired of You (am 1961-10-02)
Texter:
Yip Harburg
Komponist(in):
Arthur Schwartz
Paul Desmond4:06
4I've Got You Under My Skin
Techniker(in):
Ray Hall (engineer) (am 1961-10-02)
Produzent(in):
George Avakian (US 1940-90s record producer) (am 1961-10-02)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-10-02)
Harfe:
Gloria Agostini (Harp) (am 1961-10-02)
Kontrabass:
Milt Hinton (am 1961-10-02)
Saxophon:
Paul Desmond (am 1961-10-02)
Waldhorn:
Al Richmond (am 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (in 1962)
instrumental recording of:
I’ve Got You Under My Skin (am 1961-10-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Paul Desmond4:33
5Late Lament
Techniker(in):
Ray Hall (engineer) (am 1961-09-28)
Produzent(in):
George Avakian (US 1940-90s record producer) (am 1961-09-28)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-09-28)
Harfe:
Gloria Agostini (Harp) (am 1961-09-28)
Kontrabass:
Milt Hinton (am 1961-09-28)
Saxophon:
Paul Desmond (am 1961-09-28)
Waldhorn:
Al Richmond (am 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
recording of:
Late Lament (am 1961-09-28)
Komponist(in):
Paul Desmond
Paul Desmond4:09
6I Should Care
Techniker(in):
Ray Hall (engineer) (am 1961-09-28)
Produzent(in):
George Avakian (US 1940-90s record producer) (am 1961-09-28)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-09-28)
Harfe:
Gloria Agostini (Harp) (am 1961-09-28)
Kontrabass:
Milt Hinton (am 1961-09-28)
Saxophon:
Paul Desmond (am 1961-09-28)
Waldhorn:
Al Richmond (am 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
instrumental recording of:
I Should Care (am 1961-09-28)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Paul Desmond3:53
7Like Someone in Love
Techniker(in):
Ray Hall (engineer) (am 1961-09-28)
Produzent(in):
George Avakian (US 1940-90s record producer) (am 1961-09-28)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-09-28)
Harfe:
Gloria Agostini (Harp) (am 1961-09-28)
Kontrabass:
Milt Hinton (am 1961-09-28)
Saxophon:
Paul Desmond (am 1961-09-28)
Waldhorn:
Al Richmond (am 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
instrumental cover recording of:
Like Someone in Love (am 1961-09-28)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Desmond4:12
8Ill Wind (You're Blowin' Me No Good)
Techniker(in):
Ray Hall (engineer) (am 1961-10-02)
Produzent(in):
George Avakian (US 1940-90s record producer) (am 1961-10-02)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-10-02)
Harfe:
Gloria Agostini (Harp) (am 1961-10-02)
Kontrabass:
Milt Hinton (am 1961-10-02)
Saxophon:
Paul Desmond (am 1961-10-02)
Waldhorn:
Al Richmond (am 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
instrumental recording of:
Ill Wind (am 1961-10-02)
Texter:
Ted Koehler (in 1934)
Komponist(in):
Harold Arlen (in 1934)
Paul Desmond3:51
9Body and Soul
recording engineer:
Ray Hall (engineer)
Produzent(in):
George Avakian (US 1940-90s record producer)
instrumental recording of:
Body and Soul (am 1961-10-02)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Desmond5:02
10Autumn Leaves
recording engineer:
Ray Hall (engineer)
Produzent(in):
George Avakian (US 1940-90s record producer)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
Paul Desmond5:45
11Imagination
recording engineer:
Ray Hall (engineer)
Produzent(in):
George Avakian (US 1940-90s record producer)
Paul Desmond4:05
12Advise and Consent
Paul Desmond2:18
13Autumn Leaves (Take 1)
Paul Desmond5:51
14Autumn Leaves (Take 3)
Paul Desmond3:53
15Imagination (Take 4)
Paul Desmond5:10
16Advise and Consent (Take 4)
recording engineer:
Ray Hall (engineer)
Produzent(in):
George Avakian (US 1940-90s record producer)
Paul Desmond2:02
8▼CD: The Bridge
Nr.TitelKünstlerBewertungLänge
1Without A Song
recorded in:
New York, New York, Vereinigte Staaten (am 1962-02-14)
recording engineer:
Ray Hall (engineer)
Produzent(in):
George Avakian (US 1940-90s record producer) und Bob Prince (Jazz composer, arranger, conductor & producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-02-14)
Kontrabass:
Bob Cranshaw (am 1962-02-14)
Schlagzeug:
Ben Riley (American jazz drummer) (am 1962-02-14)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1962-02-14)
instrumental cover recording of:
Without a Song (am 1962-02-14)
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild und WB Music Corp. (1929–2019)
Teil von:
Great Day!
Sonny Rollins7:29
2Where Are You
recorded in:
New York, New York, Vereinigte Staaten (am 1962-02-13)
recording engineer:
Ray Hall (engineer)
Produzent(in):
George Avakian (US 1940-90s record producer) und Bob Prince (Jazz composer, arranger, conductor & producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-02-13)
Kontrabass:
Bob Cranshaw (am 1962-02-13)
Schlagzeug:
Ben Riley (American jazz drummer) (am 1962-02-13)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1962-02-13)
instrumental cover recording of:
Where Are You? (am 1962-02-13)
Texter:
Harold Adamson
Verfasser(in):
Harold Adamson und Jimmy McHugh (songwriter)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music und Leo Feist, Inc.
Sonny Rollins5:11
3John S.
recorded in:
New York, New York, Vereinigte Staaten (am 1962-02-13)
recording engineer:
Ray Hall (engineer) (am 1962-02-13)
Techniker(in):
Ray Hall (engineer) (in 1986-07)
Produzent(in):
George Avakian (US 1940-90s record producer) und Bob Prince (Jazz composer, arranger, conductor & producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-02-13)
Kontrabass und Kontrabass [bass]:
Bob Cranshaw (am 1962-02-13)
Schlagzeug:
Ben Riley (American jazz drummer) (am 1962-02-13)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1962-02-13)
aufgenommen bei:
RCA Victor Studio B (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1962-02-13)
recording of:
John S. (am 1962-02-13)
Komponist(in):
Sonny Rollins (American saxophonist)
named after artist:
John Coltrane
Sonny Rollins7:46
4The Bridge
recorded in:
New York, New York, Vereinigte Staaten (am 1962-02-14)
recording engineer:
Ray Hall (engineer)
Produzent(in):
George Avakian (US 1940-90s record producer) und Bob Prince (Jazz composer, arranger, conductor & producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-02-14)
Kontrabass:
Bob Cranshaw (am 1962-02-14)
Schlagzeug:
Ben Riley (American jazz drummer) (am 1962-02-14)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1962-02-14)
recording of:
The Bridge (am 1962-02-14)
Komponist(in):
Sonny Rollins (American saxophonist)
Sonny Rollins5:59
5God Bless The Child
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-30)
recording engineer:
Ray Hall (engineer) (am 1962-01-30)
Techniker(in):
Ray Hall (engineer) (in 1986-07)
Produzent(in):
George Avakian (US 1940-90s record producer) und Bob Prince (Jazz composer, arranger, conductor & producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962, am 1962-01-30)
Kontrabass:
Bob Cranshaw (am 1962-01-30)
Schlagzeug:
Harry T. Saunders (am 1962-01-30)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (in 1962, am 1962-01-30)
aufgenommen bei:
RCA Victor Studio B (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1962-01-30)
instrumental cover recording of:
God Bless the Child (am 1962-01-30)
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Sonny Rollins7:29
6You Do Something To Me
recorded in:
New York, New York, Vereinigte Staaten (am 1962-02-13)
recording engineer:
Ray Hall (engineer)
Produzent(in):
George Avakian (US 1940-90s record producer) und Bob Prince (Jazz composer, arranger, conductor & producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-02-13)
Kontrabass:
Bob Cranshaw (am 1962-02-13)
Schlagzeug:
Ben Riley (American jazz drummer) (am 1962-02-13)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1962-02-13)
instrumental cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (am 1962-02-13)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
Sonny Rollins6:49
9▶CD: Underground
10▶CD: Straight Life
11▶CD: Beyond The Blue Horizon
12▶CD: Birds of Fire
13▶CD: The Beginning And The End
14▶CD: She Was Too Good To Me
15▶CD: Carnegie Hall Concert
16▶CD: Thrust
17▶CD: Native Dancer
18▶CD: Concierto
19▶CD: Romantic Warrior
20▶CD: School Days
21▶CD: 8:30
22▶CD: Friday Night in San Francisco
23▶CD: Round Midnight
24▶CD: Carmen Sings Monk
25▶CD: Standard Time Vol. 3

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