Complete Decca & Philips Recordings 2

~ Release by Karl Böhm (see all versions of this release, 3 available)

Tracklist

| |
22▼CD: J. Strauss II: Die Fledermaus (Overture, Act One)
#TitleArtistRatingLength
1Die Fledermaus: Erster Akt. Ouvertüre
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss II8:44
2Die Fledermaus: Erster Akt. Nr. 1a Introduktion: “Täubchen, das entflattert ist / Nr. 1b Duettino: “Ach, ich darf nicht hin zu dir” (Alfred, Adele, Rosalinde, Blind, Eisenstein)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Adele]:
Renate Holm (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Alfred]:
Waldemar Kmentt (tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Dr. Blind]:
Erich Kuchar (Austrian tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt I. Nr. 1b Duett „Ach, ich darf nicht hin zu dir!…Du darfst heut' nicht zu ihr“ (Adele, Rosalinde) (from 1971-11-01 until 1971-11-05)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II4:35
3Die Fledermaus: Erster Akt. Nr. 2 Terzett: “Nein, mit solchen Advokaten” (Eisenstein, Rosalinde, Blind, Falke)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Dr. Falke]:
Heinz Holecek (austrian operatic bass-baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Dr. Blind]:
Erich Kuchar (Austrian tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt I. Nr. 2 Terzett „Nein, mit solchen Advokaten“ (Eisenstein, Rosalinde, Blind) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II4:23
4Die Fledermaus: Erster Akt. Nr. 3 Duett: “Komm mit mir zum Souper” (Falke, Eisenstein, Rosalinde, Adele)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Dr. Falke]:
Heinz Holecek (austrian operatic bass-baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Adele]:
Renate Holm (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt I. Nr. 3 Duett „Komm mit mir zum Souper“ (Falke, Eisenstein) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II3:43
5Die Fledermaus: Erster Akt. Nr. 4 Terzett: “So muss allein ich bleiben acht Tage ohne dich?” (Rosalinde, Eisenstein, Adele)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Adele]:
Renate Holm (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt I. Nr. 4 Terzett „So muß ich allein bleiben“ … „Oh je, oh je, wie rührt mich dies” (Rosalinde, Eisenstein, Adele) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II4:20
6Die Fledermaus: Erster Akt. Nr. 5 Finale I: “Trinke, Liebchen, trinke schnell” (Alfred, Rosalinde, Frank, Adele, Eisenstein)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Frank]:
Erich Kunz (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Adele]:
Renate Holm (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Alfred]:
Waldemar Kmentt (tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II11:25
23▼CD: J. Strauss II: Die Fledermaus (Act Two, Act Three)
#TitleArtistRatingLength
1Die Fledermaus: Zweiter Akt. Nr. 6 Chor und Ensemble: “Ein Souper heut uns winkt” (Chorus, Alfred, Rosalinde, Frank)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Frank]:
Erich Kunz (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
choir vocals:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Alfred]:
Waldemar Kmentt (tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1971-11-01 until 1971-11-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt II. Nr. 6 Chor und Ensemble „Ein Souper heut' uns winkt“ (Chor) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II1:32
2Die Fledermaus: Zweiter Akt. Nr. 7 Couplet: “Ich lade gern mir Gäste ein” (Orlofsky)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
tenor vocals [Prinz Orlofsky]:
Wolfgang Windgassen (tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt II. Nr. 7 Couplet „Ich lade gern mir Gäste ein“ (Orlofsky) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II3:10
3Die Fledermaus: Zweiter Akt. Nr. 8 Ensemble und Couplet: Ensemble: “Ach, meine Herr’n und Damen, hier gibt es einen Spaß! / Couplet: “Mein Herr Marquis” (Orlofsky, Falke, Adele, Eisenstein, Chor)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Dr. Falke]:
Heinz Holecek (austrian operatic bass-baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
choir vocals:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Adele]:
Renate Holm (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Prinz Orlofsky]:
Wolfgang Windgassen (tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1971-11-01 until 1971-11-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt II. Nr. 8a „Ach, meine Herren und Damen, hier gibt es einen Spaß!“ (Orlofsky, Falke, Chor, Adele, Eisenstein) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:40
4Die Fledermaus: Zweiter Akt. Nr. 9 Duett: “Dieser Anstand, so manierlich” (Eisenstein, Rosalinde)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt II. Nr. 9 Duett „Dieser Anstand, so manierlich“ (Eisenstein, Rosalinde) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:51
5Die Fledermaus: Zweiter Akt. Nr. 10 Csárdás: “Klänge der Heimat” (Rosalinde)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:35
6Die Fledermaus: Zweiter Akt. Nr. 11a Finale II: Ensemble und Chor: “Im Feuerstrom der Reben … “Brüderlein, Brüderlein und Schwesterlein” … “Herr Chevalier, ich grüße Sie” (Orlofsky, Eisenstein, Adele, Frank, Falke, Rosalinde, Chor)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Dr. Falke]:
Heinz Holecek (austrian operatic bass-baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
baritone vocals [Frank]:
Erich Kunz (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
choir vocals:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Adele]:
Renate Holm (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Prinz Orlofsky]:
Wolfgang Windgassen (tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1971-11-01 until 1971-11-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt II. Nr. 11a Finale „Im Feuerstrom der Reben“ (Orlofsky, Eisenstein, Rosalinde, Frank, Falke, Adele, Ida, Chor) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II8:23
7Die Fledermaus: Zweiter Akt. Unter Donner und Blitz, Polka op. 324
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
Johann Strauss II3:30
8Die Fledermaus: Zweiter Akt. Nr. 11c Finale II, Ensemble und Chor: “Genug damit, genug!” (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Chor)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Dr. Falke]:
Heinz Holecek (austrian operatic bass-baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
baritone vocals [Frank]:
Erich Kunz (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
choir vocals:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Adele]:
Renate Holm (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Prinz Orlofsky]:
Wolfgang Windgassen (tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1971-11-01 until 1971-11-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt II. Nr. 11c Finale „Genug, damit, genug!“ (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chor) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:47
9Die Fledermaus: Dritter Akt. Nr. 12 Entr’acte
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt III. Nr. 12 Entreakt (from 1971-11-01 until 1971-11-12)
lyricist:
Howard Dietz (librettist)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus: Akt III
Johann Strauss II1:04
10Die Fledermaus: Dritter Akt. Nr. 13 Melodram: “Na… so, oje, na, jetzt ist er drinnen” (Frank)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Frank]:
Erich Kunz (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt III. Nr. 13. Melodram „So, da wär’n wir ja zuhause im Vogelhaus“ … „Olga komm her, Ida auch“ (Frank) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II4:03
11Die Fledermaus: Dritter Akt. Nr. 14 Couplet: “Spiel’ ich die Unschuld vom Lande” (Adele)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
soprano vocals [Adele]:
Renate Holm (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt III. Nr. 14 Couplets „Spiel’ ich die Unschuld vom Lande“ (Adele, Ida, Frank) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II4:47
12Die Fledermaus: Dritter Akt. Nr. 15 Terzett: “Ich stehe voll Zagen” (Rosalinde, Alfred, Eisenstein)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Alfred]:
Waldemar Kmentt (tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt III. Nr. 15 Terzett „Ich steh’ voll Zagen“ (Rosalinde, Alfred, Eisenstein) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II7:43
13Die Fledermaus: Dritter Akt. Nr. 16 Finale III: “O Fledermaus, o Fledermaus” (Orlofsky, Rosalinde, Adele, Ida, Frank, Eisenstein, Falke, Alfred, Blind, Chor)
engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
John Mordler (producer)
baritone vocals [Dr. Falke]:
Heinz Holecek (austrian operatic bass-baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
baritone vocals [Frank]:
Erich Kunz (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
baritone vocals [Gabriel von Eisenstein]:
Eberhard Waechter (baritone) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
choir vocals:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Adele]:
Renate Holm (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Ida]:
Sylvia Lukan (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
soprano vocals [Rosalinde]:
Gundula Janowitz (soprano) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Alfred]:
Waldemar Kmentt (tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Dr. Blind]:
Erich Kuchar (Austrian tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
tenor vocals [Prinz Orlofsky]:
Wolfgang Windgassen (tenor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
conductor:
Karl Böhm (Austrian conductor) (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1971-11-01 until 1971-11-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-11-01 until 1971-11-05, from 1971-11-08 until 1971-11-12)
recording of:
Die Fledermaus: Akt III. Nr. 16 Finale „O Fledermaus, o Fledermaus!“ … „Champagner hat’s verschuldet” (Eisenstein, Falke, Orlofsky, Adele, Alfred, Rosalinde, Frank, Ida, Blind, Chor) (from 1971-11-01 until 1971-11-12)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II2:53
24▼CD: R. Strauss: Die Frau ohne Schatten (Act One)
#TitleArtistRatingLength
1Die Frau ohne Schatten, op. 65: Erster Aufzug. “Licht überm See” (Die Amme, der Geisterbote)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass vocals [Der Geisterbote]:
Kurt Böhme (operatic bass) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Licht überm See” (Die Amme, der Geisterbote) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss5:44
2Die Frau ohne Schatten, op. 65: Erster Aufzug. “Amme! Wachst du?” (Der Kaiser, die Amme)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Kaiser]:
Hans Hopf (Germanic tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Amme! Wachst du?” (Der Kaiser, die Amme) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss5:46
3Die Frau ohne Schatten, op. 65: Erster Aufzug. “Ist mein Liebster dahin, was weckst du mich früh?” (Die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Ist mein Liebster dahin, was weckst du mich früh?” (Die Kaiserin, Amme) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
librettist:
Hugo von Hofmannsthal
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss3:35
4Die Frau ohne Schatten, op. 65: Erster Aufzug. “Wie soll ich denn nicht weinen?” (Die Stimme des Falken, die Kaiserin, die Amme)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Stimme des Falken]:
Judith Hellwig (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Wie soll ich denn nicht weinen?” (Die Stimme des Falken, die Kaiserin, die Amme) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss3:42
5Die Frau ohne Schatten, op. 65: Erster Aufzug. “Amme, um alles, wo find’ ich den Schatten” (Die Kaiserin, die Amme)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau Ohne Schatten: I. Aufzug. "Amme, um alles, du weißt die Wege" (from 1955-11-28 until 1955-12-10)
Richard Strauss4:33
6Die Frau ohne Schatten, op. 65: Erster Aufzug. Erdenflug · Flight down to Earth · Vol vers la terre
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. Erdenflug (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss1:27
7Die Frau ohne Schatten, op. 65: Erster Aufzug. “Dieb! Da nimm!” (Der Einäugige, der Einarmige, der Bucklige)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass vocals [Der Einarmige]:
Oskar Czerwenka (operatic bass) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Der Einäugige]:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Bucklige]:
Murray Dickie (tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Dieb! Da nimm!” (Die Brüder: der Einäugige, der Einarmige, der Bucklige) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss2:41
8Die Frau ohne Schatten, op. 65: Erster Aufzug. “Sie aus dem Hause” (Die Frau, Barak)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Sie aus dem Hause” (Die Frau, Barak) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss8:13
9Die Frau ohne Schatten, op. 65: Erster Aufzug. “Dritthalb Jahr bin ich dein Weib” (Die Frau, Barak)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Dritthalb Jahr bin ich dein Weib” (Die Frau, Barak) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss5:05
10Die Frau ohne Schatten, op. 65: Erster Aufzug. “Was wollt ihr hier?” (Die Frau, die Amme, die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Was wollt ihr hier?” (Die Frau, die Amme, die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss6:39
11Die Frau ohne Schatten, op. 65: Erster Aufzug. “Ach, Herrin, süße Herrin!” (Die Dienerinnen, die Kaiserin, Stimme des Jünglings, die Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
contralto vocals [Diener]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Diener]:
Anny Felbermayer (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10) and Emmy Loose (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Die Erscheinung eines Jünglings]:
Karl Terkal (Austrian Tenor) (, from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. "Ach Herrin, süße Herrin!" (Dienerinnen, Kaiserin, Jüngling, Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss3:02
12Die Frau ohne Schatten, op. 65: Erster Aufzug. “Hat es dich blutige Tränen gekostet” (Die Amme, die Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Hat es dich blutige Tränen gekostet” (Die Amme, die Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss5:39
13Die Frau ohne Schatten, op. 65: Erster Aufzug. “Mutter, Mutter, laß uns nach Hause!” (Kinderstimmen, die Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) and Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. "Mutter, Mutter, laß uns nach Hause!" (Kinderstimmen, die Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss1:49
14Die Frau ohne Schatten, op. 65: Erster Aufzug. “Trag’ ich die Ware selber zu Markt” (Barak, die Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Trag’ ich die Ware selber zu Markt” (Barak, die Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss1:50
15Die Frau ohne Schatten, op. 65: Erster Aufzug. “Sie haben es mir gesagt” (Barak, Stimmen der Wächter)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
baritone vocals [Stimmen der Wächter]:
Alfred Poell (baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10) and Eberhard Wächter (baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass vocals [Stimmen der Wächter]:
Ljubomir Pantscheff (operatic bass) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Erster Aufzug. “Sie haben es mir gesagt” (Barak, Stimmen der Wächter) (from 1955-11-28 until 1955-12-10)
part of:
Die Frau ohne Schatten, op. 65: Erster Aufzug
Richard Strauss6:38
25▼CD: R. Strauss: Die Frau ohne Schatten (Act Two)
#TitleArtistRatingLength
1Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Komm bald wieder nach Haus, mein Gebieter” (Die Amme, die Frau, die Kaiserin, Chor)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
chorus master:
Richard Roßmayer
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Komm bald wieder nach Haus, mein Gebieter” (Die Amme, die Frau, die Kaiserin, Chor) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss6:59
2Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Was ist nun deine Rede, du Prinzessin” (Barak, die Brüder, Bettelkinder, die Frau, die Wächter)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass vocals [Der Einarmige]:
Oskar Czerwenka (operatic bass) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Der Einäugige]:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
choir vocals [Bettelkinder]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Bucklige]:
Murray Dickie (tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
chorus master:
Richard Roßmayer (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Was ist nun deine Rede, du Prinzessin” (Barak, die Brüder, Bettelkinder, die Frau, die Wächter) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss6:24
3Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Orchesterzwischenspiel · Orchestral Interlude
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. Verwandlung (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss4:04
4Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Falke, Falke, du Wiedergefundener” (Der Kaiser)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
tenor vocals [Der Kaiser]:
Hans Hopf (Germanic tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Falke, Falke, du Wiedergefundener” (Der Kaiser) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss5:35
5Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Stille – O weh, Falke, o weh!” (Der Kaiser)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
tenor vocals [Der Kaiser]:
Hans Hopf (Germanic tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Stille – O weh, Falke, o weh!” (Der Kaiser) (from 1955-11-28 until 1955-12-10)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss5:24
6Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Es gibt derer, die haben immer Zeit” (Die Frau, Barak, die Amme)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Es gibt derer, die haben immer Zeit” (Die Frau, Barak, die Amme) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss5:05
7Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Schlange, was hab’ ich mit dir zu schaffen?” (Die Frau, die Erscheinung eines Jünglings, die Amme, Barak)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Die Erscheinung eines Jünglings]:
Karl Terkal (Austrian Tenor) (, from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Schlange, was hab’ ich mit dir zu schaffen?” (Die Frau, die Erscheinung eines Jünglings, die Amme, Barak) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss3:36
8Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Ein Handwerk verstehst du sicher nicht” (Die Frau, Barak)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Ein Handwerk verstehst du sicher nicht” (Die Frau, Barak) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss5:23
9Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Wer da?” (Barak, die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Wer da?” (Barak, die Kaiserin) … "Ich, mein Gebieter, deine Dienerin!" (Die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss2:34
10Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Sieh, Amme, sieh” (Die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Sieh, Amme, sieh” (Die Kaiserin) (from 1955-11-28 until 1955-12-10)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. Verwandlung
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss4:04
11Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Zum Lebenswasser!” (Chor, Die Stimme des Falken)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
soprano vocals [Die Stimme des Falken]:
Judith Hellwig (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
chorus master:
Richard Roßmayer
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Zum Lebenswasser! Zur Schwelle des Todes!” (Chor, Die Stimme des Falken) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss1:49
12Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Wehe, mein Mann!” (Die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Wehe, mein Mann!” (Die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
librettist:
Hugo von Hofmannsthal
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss4:25
13Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Es dunkelt, daß ich nicht sehe zur Arbeit” (Barak, die Brüder, die Amme, die Kaiserin, die Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass vocals [Der Einarmige]:
Oskar Czerwenka (operatic bass) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Der Einäugige]:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Bucklige]:
Murray Dickie (tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Es dunkelt, daß ich nicht sehe zur Arbeit” (Barak, die Brüder, die Amme, die Kaiserin, die Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss1:56
14Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Es gibt derer, die bleiben immer gelassen” (Die Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Es gibt derer, die bleiben immer gelassen” (Die Frau, Barak) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss4:06
15Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Das Weib ist irre” (Barak, die Brüder, die Kaiserin, die Amme)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass vocals [Der Einarmige]:
Oskar Czerwenka (operatic bass) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Der Einäugige]:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Bucklige]:
Murray Dickie (tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Das Weib ist irre” (Barak, die Brüder, die Kaiserin, die Amme) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss1:36
16Die Frau ohne Schatten, op. 65: Zweiter Aufzug. “Barak, ich hab’ es nicht getan!” (Die Frau, die Brüder, die Amme)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Zweiter Aufzug. “Barak, ich hab’ es nicht getan!” (Die Frau, die Brüder, die Amme) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Zweiter Aufzug
Richard Strauss3:06
26▼CD: R. Strauss: Die Frau ohne Schatten (Act Three)
#TitleArtistRatingLength
1Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Schweigt doch, ihr Stimmen!” (Die Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Schweigt doch, ihr Stimmen!” (Die Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss8:12
2Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Mir anvertraut” (Barak, die Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Mir anvertraut, daß ich sie hege” (Barak, die Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss3:33
3Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Auf, geh nach oben, Mann” (Eine Stimme von oben, die Frau) / “Sie kommen!” (Dienende Geister, der Geisterbote)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass vocals [Der Geisterbote]:
Kurt Böhme (operatic bass) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
choir vocals [Dienende Geister]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
contralto vocals [Eine Stimme von oben]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
chorus master:
Richard Roßmayer (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Auf, geh nach oben, Mann” (Eine Stimme von oben, die Frau) / “Sie kommen!” (Dienende Geister, der Geisterbote) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss5:04
4Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Fort von hier!” (Die Amme, die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Fort von hier!” (Die Amme, die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss6:57
5Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Aus unsern Taten steigt ein Gericht!” (Die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Aus unsern Taten steigt ein Gericht!” (Die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss3:21
6Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Was Menschen bedürfen?” (Die Amme, die Stimme Baraks, die Stimme der Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Was Menschen bedürfen?” (Die Amme, die Stimme Baraks, die Stimme der Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss1:56
7Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Wehe, mein Kind” (Die Amme, der Geisterbote, Barak, die Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass vocals [Der Geisterbote]:
Kurt Böhme (operatic bass) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
mezzo-soprano vocals [Die Amme]:
Elisabeth Höngen (mezzosoprano / contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. "Wehe, mein Kind" (Amme, Sopranstimmen, Geisterbote, Stimme der Frau, Stimme Baraks) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss1:54
8Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Weh uns Armen!” (Barak, die Frau) / “Hab’ Ehrfurcht” (Dienende Geister, Menschenstimmen)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
choir vocals [Dienende Geister]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
chorus master:
Richard Roßmayer (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Weh uns Armen! Sterben, sterben!” (Barak, die Frau) / “Hab’ Ehrfurcht” (Dienende Geister, Menschenstimmen) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss4:55
9Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Vater, bist du’s?” (Die Kaiserin, eine Stimme von oben, die Stimme Baraks, die Stimme der Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
contralto vocals [Eine Stimme von oben]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Vater, bist du’s?” (Die Kaiserin, eine Stimme von oben, die Stimme Baraks, die Stimme der Frau) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss7:53
10Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Weh mir! Erfüllt der Fluch!” (Die Kaiserin, unirdische Stimmen, die Stimme Baraks, die Stimme der Frau)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
contralto vocals [Eine Stimme von oben]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
chorus master:
Richard Roßmayer
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Weh mir! Erfüllt der Fluch!” (Die Kaiserin, unirdische Stimmen, die Stimme Baraks, die Stimme der Frau) (from 1955-11-28 until 1955-12-10)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss1:57
11Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Wenn das Herz aus Kristall … Sind das die Cherubim” (Der Kaiser, die Stimmen der Ungeborenen, die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
contralto vocals [Ungeborene]:
Gertraud Bastezky (contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10) and Edith Priessner (contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Ungeborene]:
Ruthilde Boesch (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10), Liselotte Maikl (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10) and Berta Seidl (operatic soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Kaiser]:
Hans Hopf (Germanic tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Wenn das Herz aus Kristall … Sind das die Cherubim” (Der Kaiser, die Stimmen der Ungeborenen, die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss6:20
12Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Engel sind’s, die von sich sagen” (Die Kaiserin, der Kaiser)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Kaiser]:
Hans Hopf (Germanic tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
partial recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Wenn das Herz aus Kristall … Sind das die Cherubim” (Der Kaiser, die Stimmen der Ungeborenen, die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss3:14
13Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Trifft mich sein Lieben nicht” (Die Frau, Barak, die Stimmen der Ungeborenen, der Kaiser)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
contralto vocals [Ungeborene]:
Gertraud Bastezky (contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10) and Edith Priessner (contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Ungeborene]:
Ruthilde Boesch (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10), Liselotte Maikl (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10) and Berta Seidl (operatic soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Kaiser]:
Hans Hopf (Germanic tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Trifft mich sein Lieben nicht” (Die Frau, Barak, die Stimmen der Ungeborenen, der Kaiser) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss2:23
14Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Nun will ich jubeln” (Barak, der Kaiser, die Frau, die Stimmen der Ungeborenen, die Kaiserin)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
bass-baritone vocals [Barak, der Färber]:
Paul Schöffler (bass-baritone) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1955-11-28 until 1955-11-30)
contralto vocals [Ungeborene]:
Gertraud Bastezky (contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10) and Edith Priessner (contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Frau]:
Christel Goltz (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Die Kaiserin]:
Leonie Rysanek (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Ungeborene]:
Ruthilde Boesch (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10), Liselotte Maikl (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10) and Berta Seidl (operatic soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
tenor vocals [Der Kaiser]:
Hans Hopf (Germanic tenor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
chorus master:
Richard Roßmayer (from 1955-11-28 until 1955-11-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Nun will ich jubeln” (Barak, der Kaiser, die Frau, die Stimmen der Ungeborenen, die Kaiserin) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss4:19
15Die Frau ohne Schatten, op. 65: Dritter Aufzug. “Vater, dir drohet nichts” (Die Stimmen der Ungeborenen)
engineer:
Roy Wallace (recording engineer)
producer:
Peter Andry (producer)
contralto vocals [Ungeborene]:
Gertraud Bastezky (contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10) and Edith Priessner (contralto) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
soprano vocals [Ungeborene]:
Ruthilde Boesch (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10), Liselotte Maikl (soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10) and Berta Seidl (operatic soprano) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
conductor:
Karl Böhm (Austrian conductor) (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-11-28 until 1955-11-30, from 1955-12-01 until 1955-12-03, on 1955-12-07, on 1955-12-10)
recording of:
Die Frau ohne Schatten: Dritter Aufzug. “Vater, dir drohet nichts” (Die Stimmen der Ungeborenen) (from 1955-11-28 until 1955-12-10)
composer:
Richard Strauss (German composer) (from 1911 until 1917)
part of:
Die Frau ohne Schatten, op. 65: Dritter Aufzug
Richard Strauss2:02
27▼CD: Wagner: Das Rheingold (Scene 1, Scene 2, Scene 3 beginning) - Live in Bayreuth (1966)
#TitleArtistRatingLength
1Das Rheingold, WWV 86A: Erste Szene. Vorspiel · Prelude
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live recording of:
Das Rheingold: Scene I. Vorspiel (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
part of:
Das Rheingold, WWV 86A
recording of:
Das Rheingold: Scene I. Vorspiel
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
part of:
Das Rheingold, WWV 86A
Richard Wagner3:32
2Das Rheingold, WWV 86A: Erste Szene. “Weia! Waga! Woge du Welle!” (Woglinde, Wellgunde, Flosshilde, Alberich)
bass vocals [Alberich]:
Gustav Neidlinger (German bass-baritone) (in 1966)
mezzo-soprano vocals [Flosshilde]:
Ruth Hesse (mezzo-soprano, contralto) (in 1966)
soprano vocals [Wellgunde]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (in 1966)
soprano vocals [Woglinde]:
Dorothea Siebert (soprano) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene I (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene I
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner2:17
3Das Rheingold, WWV 86A: Erste Szene. “Garstig glatter glitschriger Glimmer!” (Alberich, Woglinde, Wellgunde, Flosshilde)
bass vocals [Alberich]:
Gustav Neidlinger (German bass-baritone) (in 1966)
mezzo-soprano vocals [Flosshilde]:
Ruth Hesse (mezzo-soprano, contralto) (in 1966)
soprano vocals [Wellgunde]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (in 1966)
soprano vocals [Woglinde]:
Dorothea Siebert (soprano) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene I (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene I
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner4:45
4Das Rheingold, WWV 86A: Erste Szene. “Wallala! Lalaleia! Leialalei!” (Woglinde, Wellgunde, Flosshilde, Alberich)
bass vocals:
Gustav Neidlinger (German bass-baritone) (in 1966)
choir vocals:
Chor der Bayreuther Festspiele (Bayreuth Festival Chorus) (in 1966)
mezzo-soprano vocals [Flosshilde]:
Ruth Hesse (mezzo-soprano, contralto) (in 1966)
soprano vocals [Wellgunde]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (in 1966)
soprano vocals [Woglinde]:
Dorothea Siebert (soprano) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene I (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene I
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner2:25
5Das Rheingold, WWV 86A: Erste Szene. “Lugt, Schwestern! Die Weckerin lacht in den Grund” (Woglinde, Wellgunde, Flosshilde, Alberich)
bass vocals [Alberich]:
Gustav Neidlinger (German bass-baritone) (in 1966)
mezzo-soprano vocals [Flosshilde]:
Ruth Hesse (mezzo-soprano, contralto) (in 1966)
soprano vocals [Wellgunde]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (in 1966)
soprano vocals [Woglinde]:
Dorothea Siebert (soprano) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene I (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene I
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner5:54
6Das Rheingold, WWV 86A: Erste Szene. “Der Welt Erbe gewänn’ ich zu eigen durch dich?” (Alberich, Woglinde, Wellgunde, Flosshilde)
bass vocals [Alberich]:
Gustav Neidlinger (German bass-baritone) (in 1966)
mezzo-soprano vocals [Flosshilde]:
Ruth Hesse (mezzo-soprano, contralto) (in 1966)
soprano vocals [Wellgunde]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (in 1966)
soprano vocals [Woglinde]:
Dorothea Siebert (soprano) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene I (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene I
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner1:34
7Das Rheingold, WWV 86A: Erste Szene. “Orchesterzwischenspiel · Orchestral Interlude · Interlude orchestral
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live recording of:
Das Rheingold: Orchesterzwischenspiel (between scenes I and II) (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
part of:
Das Rheingold, WWV 86A
recording of:
Das Rheingold: Orchesterzwischenspiel (between scenes I and II)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
part of:
Das Rheingold, WWV 86A
Richard Wagner2:21
8Das Rheingold, WWV 86A: Zweite Szene. “Wotan! Gemahl! Erwache!” (Fricka, Wotan)
bass vocals [Wotan]:
Theo Adam (German classical bass-baritone) (in 1966)
mezzo-soprano vocals [Fricka]:
Annelies Burmeister (contralto) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
compilation of:
Das Rheingold: "Wotan! Gemahl! Erwache!" by Theo Adam (German classical bass-baritone), Annelies Burmeister (contralto), Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Karl Böhm (Austrian conductor) and Das Rheingold: "Wotan! Gemahl! Erwache!" (cont.) by Theo Adam (German classical bass-baritone), Annelies Burmeister (contralto), Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Karl Böhm (Austrian conductor)
live partial recording of:
Das Rheingold: Scene II (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene II
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner3:30
9Das Rheingold, WWV 86A: Zweite Szene. “Nur Wonne schafft dir, was mich erschreckt?” (Fricka, Wotan, Freia)
bass vocals [Wotan]:
Theo Adam (German classical bass-baritone) (in 1966)
mezzo-soprano vocals [Fricka]:
Annelies Burmeister (contralto) (in 1966)
soprano vocals [Freia]:
Anja Silja (soprano) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene II (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene II
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner5:44
10Das Rheingold, WWV 86A: Zweite Szene. “Sanft schloß Schlaf dein Aug’” (Fasolt, Wotan, Fafner, Freia)
bass vocals [Fafner]:
Kurt Böhme (operatic bass) (in 1966)
bass vocals [Fasolt]:
Martti Talvela (operatic bass) (in 1966)
bass vocals [Wotan]:
Theo Adam (German classical bass-baritone) (in 1966)
soprano vocals [Freia]:
Anja Silja (soprano) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene II (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene II
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner6:55
11Das Rheingold, WWV 86A: Zweite Szene. “Zu mir, Freia!” (Froh, Donner, Fafner, Fasolt, Wotan, Freia, Fricka)
bass vocals [Donner]:
Gerd Nienstedt (bass-baritone) (in 1966)
bass vocals [Fafner]:
Kurt Böhme (operatic bass) (in 1966)
bass vocals [Fasolt]:
Martti Talvela (operatic bass) (in 1966)
bass vocals [Wotan]:
Theo Adam (German classical bass-baritone) (in 1966)
mezzo-soprano vocals [Fricka]:
Annelies Burmeister (contralto) (in 1966)
soprano vocals [Freia]:
Anja Silja (soprano) (in 1966)
tenor vocals [Froh]:
Hermin Esser (tenor) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene II (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene II
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner1:30
12Das Rheingold, WWV 86A: Zweite Szene. “Endlich Loge!” (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt)
bass vocals [Donner]:
Gerd Nienstedt (bass-baritone) (in 1966)
bass vocals [Fafner]:
Kurt Böhme (operatic bass) (in 1966)
bass vocals [Fasolt]:
Martti Talvela (operatic bass) (in 1966)
bass vocals [Wotan]:
Theo Adam (German classical bass-baritone) (in 1966)
mezzo-soprano vocals [Fricka]:
Annelies Burmeister (contralto) (in 1966)
tenor vocals [Froh]:
Hermin Esser (tenor) (in 1966)
tenor vocals [Loge]:
Wolfgang Windgassen (tenor) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene II (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene II
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner3:39
13Das Rheingold, WWV 86A: Zweite Szene. “Immer ist Undank Loges Lohn!” (Loge, Wotan, Fasolt, Fafner)
bass vocals [Fafner]:
Kurt Böhme (operatic bass) (in 1966)
bass vocals [Fasolt]:
Martti Talvela (operatic bass) (in 1966)
bass vocals [Wotan]:
Theo Adam (German classical bass-baritone) (in 1966)
tenor vocals [Loge]:
Wolfgang Windgassen (tenor) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene II (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene II
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner5:56
14Das Rheingold, WWV 86A: Zweite Szene. “Taugte Wohl des goldnen Tandes” (Fricka, Loge, Wotan, Donner, Froh)
bass vocals:
Kurt Böhme (operatic bass) (in 1966)
bass vocals [Donner]:
Gerd Nienstedt (bass-baritone) (in 1966)
bass vocals [Wotan]:
Theo Adam (German classical bass-baritone) (in 1966)
mezzo-soprano vocals [Fricka]:
Annelies Burmeister (contralto) (in 1966)
tenor vocals [Froh]:
Hermin Esser (tenor) (in 1966)
tenor vocals [Loge]:
Wolfgang Windgassen (tenor) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
compilation of:
Das Rheingold: "Taugte Wohl des goldnen Tandes" by Theo Adam (German classical bass-baritone), Annelies Burmeister (contralto), Kurt Böhme (operatic bass), Hermin Esser (tenor), Gerd Nienstedt (bass-baritone), Wolfgang Windgassen (tenor), Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Karl Böhm (Austrian conductor) and Das Rheingold: "Taugte Wohl des goldnen Tandes" (cont.) by Theo Adam (German classical bass-baritone), Annelies Burmeister (contralto), Kurt Böhme (operatic bass), Hermin Esser (tenor), Gerd Nienstedt (bass-baritone), Wolfgang Windgassen (tenor), Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Karl Böhm (Austrian conductor)
live partial recording of:
Das Rheingold: Scene II (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene II
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner4:19
15Das Rheingold, WWV 86A: Zweite Szene. “Hör’, Wotan, der Harrenden Wort!” (Fafner, Wotan, Fasolt, Freia, Froh, Donner, Fricka)
bass vocals [Donner]:
Gerd Nienstedt (bass-baritone) (in 1966)
bass vocals [Fafner]:
Kurt Böhme (operatic bass) (in 1966)
bass vocals [Fasolt]:
Martti Talvela (operatic bass) (in 1966)
bass vocals [Wotan]:
Theo Adam (German classical bass-baritone) (in 1966)
mezzo-soprano vocals [Fricka]:
Annelies Burmeister (contralto) (in 1966)
soprano vocals [Freia]:
Anja Silja (soprano) (in 1966)
tenor vocals [Froh]:
Hermin Esser (tenor) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene II (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene II
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner4:35
16Das Rheingold, WWV 86A: Zweite Szene. “Jetzt fand ich’s: Hört, was euch fehlt” (Loge, Fricka, Wotan, Donner, Froh)
bass vocals [Donner]:
Gerd Nienstedt (bass-baritone) (in 1966)
bass vocals [Wotan]:
Theo Adam (German classical bass-baritone) (in 1966)
mezzo-soprano vocals [Fricka]:
Annelies Burmeister (contralto) (in 1966)
tenor vocals [Froh]:
Hermin Esser (tenor) (in 1966)
tenor vocals [Loge]:
Wolfgang Windgassen (tenor) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene II (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene II
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner4:53
17Das Rheingold, WWV 86A: Zweite Szene. “Orchesterzwischenspiel: Abstieg nach Nibelheim
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live recording of:
Das Rheingold: Orchesterzwischenspiel. Fahrt nach Nibelheim (between scenes II and III) (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
part of:
Das Rheingold, WWV 86A
recording of:
Das Rheingold: Orchesterzwischenspiel. Fahrt nach Nibelheim (between scenes II and III)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
part of:
Das Rheingold, WWV 86A
Richard Wagner1:44
18Das Rheingold, WWV 86A: Dritte Szene. “Hehe! hehe! hieher!” (Alberich, Mime, Loge, Wotan)
bass vocals [Alberich]:
Gustav Neidlinger (German bass-baritone) (in 1966)
bass vocals [Wotan]:
Theo Adam (German classical bass-baritone) (in 1966)
tenor vocals [Loge]:
Wolfgang Windgassen (tenor) (in 1966)
tenor vocals [Mime]:
Erwin Wohlfahrt (tenor) (in 1966)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966)
conductor:
Karl Böhm (Austrian conductor) (in 1966)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966)
live partial recording of:
Das Rheingold: Scene III (in 1966)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene III
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner3:50
28▶CD: Wagner: Das Rheingold (Scene 3 conclusion, Scene 4) - Live in Bayreuth (1966)
29▶CD: Wagner: Die Walküre (Act One) - Live in Bayreuth (1967)
30▶CD: Wagner: Die Walküre (Act Two) - Live in Bayreuth (1967)
31▶CD: Wagner: Die Walküre (Act Three) - Live in Bayreuth (1967)
32▶CD: Wagner: Siegfried (Act One) - Live in Bayreuth (1966)
33▶CD: Wagner: Siegfried (Act Two) - Live in Bayreuth (1966)
34▶CD: Wagner: Siegfried (Act Three) - Live in Bayreuth (1966)
35▶CD: Götterdammerung (Prologue, Orchestral Interlude, Siegfried's Rhine Journey) - Live in Bayreuth (1967)
36▶CD: Götterdammerung (Act One) - Live in Bayreuth (1967)
37▶CD: Götterdammerung (Act Two) - Live in Bayreuth (1967)
38▶CD: Götterdammerung (Act Three) - Live in Bayreuth (1967)