Palmarès de l’année : Édition 1997

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Track 3-7 wrongly credited 3. Berceuse when it's actually the second part of op. 79a
Fatbox + Booklet in a paper card

Annotation last modified on 2024-10-09 03:39 UTC.

Tracklist

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1▼CD
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1Messe de Saint Antoine de Padoue : Sanctus
choir vocals:
Pomerium (US early music choral group)
conductor and chorus master:
Alexander Blachly (chorus master)
recording of:
Missa de S Anthonii de Padua: Sanctus
composer:
Guillaume Dufay (French 15th century composer)
part of:
Missa de S Anthonii de Padua
Guillaume Dufay7:37
2Officium Defunctorem: Absolutio: Libera me, Domine
orchestra:
Gabrieli Consort
conductor:
Paul McCreesh (conductor)
Tomás Luis de Victoria7:33
3Les Élémens : I. Le Cahos
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1994-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1994-01)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1994-01)
recording of:
Les Élémens: I. Le chaos (in 1994-01)
composer:
Jean‐Féry Rebel (or Jean-Ferry Rebel, French Baroque composer and violinist) (in 1737)
part of:
Les Élémens
Jean‐Féry Rebel6:14
4Pastorale en la majeur
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
editor:
Mark Buecker (engineer of classical recordings)
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Pastorale per la notte di natale, SeiH 242
composer:
Johann David Heinichen
part of:
Gustav Adolph Seibel: Das Leben des Königl. polnischen und Kurfürstl. sächs. Hofkapellmeisters Johann David Heinichen (number: S. 242)
Johann David Heinichen6:22
5Toccata et fugue en ré mineur, BWV 565 : Toccata
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (German organist) (on 1956-09-17)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (on 1956-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:36
6Toccata et fugue en ré mineur, BWV 565 : Fuge
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (German organist) (on 1956-09-17)
pipe organ:
Helmut Walcha (German organist)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge (on 1956-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach6:53
7Suite française no. 2 en ut mineur, BWV 813 : Allemande
piano:
Maria João Pires (pianist) (in 1995-01)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1995-01)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: I. Allemande (in 1995-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach3:28
8Suite française no. 2 en ut mineur, BWV 813 : Courante
piano:
Maria João Pires (pianist) (in 1995-01)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1995-01)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: II. Courante (in 1995-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach1:57
9Suite française no. 2 en ut mineur, BWV 813 : Sarabande
piano:
Maria João Pires (pianist) (in 1995-01)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1995-01)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: III. Sarabande (in 1995-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach4:01
10Suite française no. 2 en ut mineur, BWV 813 : Air
piano:
Maria João Pires (pianist) (in 1995-01)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1995-01)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: IV. Air (in 1995-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach1:26
11Suite française no. 2 en ut mineur, BWV 813 : Menuet
piano:
Maria João Pires (pianist) (in 1995-01)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1995-01)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: V. Menuet I (in 1995-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
recording of:
Französische Suite no. 3 h-Moll, BWV 814: VI. Menuet II - Menuet I da capo (in 1995-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 3 h-Moll, BWV 814 (French Suite No. 3 in B minor, BWV 814)
recording of:
Menuet in C minor, BWV 813a (optional Menuet II in French Suite no. 2) (in 1995-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 813a)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach1:44
12Suite française no. 2 en ut mineur, BWV 813 : Gigue
piano:
Maria João Pires (pianist) (in 1995-01)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1995-01)
recording of:
Französische Suite no. 2 c-Moll, BWV 813: VII. Gigue (in 1995-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach2:56
13Sonate pour piano en sol mineur, K 450
executive producer:
Hanno Rinke
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff
piano:
Ivo Pogorelich (pianist) (in 1991-09)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1991-09)
recording of:
Sonata in G minor, K 450, L 338: Allegrissimo (in 1991-09)
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 338) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 450)
Domenico Scarlatti3:33
14Sonate pour piano en mi majeur, K 135
executive producer:
Hanno Rinke
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff
piano:
Ivo Pogorelich (pianist) (in 1991-09)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1991-09)
recording of:
Sonata in E major, K 135, L 224: Allegro (in 1991-09)
composer:
Domenico Scarlatti (composer)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 135) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 224)
Domenico Scarlatti4:18
15Le nozze di Figaro, K. 492 : Air « Non piu andrai, farfallone amoroso » (Figaro)
bass-baritone vocals [Figaro]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-09)
orchestra:
Metropolitan Opera Orchestra (in 1994-09)
conductor:
James Levine (US conductor and pianist) (in 1994-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1994-08 until 1994-09)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1994-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:49
16Sonate pour piano no. 14 en ut dièse mineur, op. 27 no. 2 « Claire de lune » : I. Adagio sostenuto
executive producer:
Karl-Heinz Schneider (producer)
piano:
Wilhelm Kempff (pianist) (in 1956-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1956-05)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1956-05)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:24
17Symphonie no. 3 en mi bémol majeur, op. 55 « Eroica » : III. Scherzo
orchestra:
Los Angeles Philharmonic
conductor:
Carlo Maria Giulini (conductor)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven6:40
2▼CD
#TitleArtistRatingLength
1La Belle Meunière, D 795 : 1. Das Wandern
piano:
Aribert Reimann (German pianist, composer and musicologist)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1993-10)
recording of:
Die schöne Müllerin, D. 795: Nr. 1. Das Wandern
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Franz Schubert2:48
2Toccata pour piano en ut majeur, op. 7
executive producer:
Helmut Najda and Hans‐Peter Schweigmann (engineer)
producer:
Wolfgang Lohse and Hans Weber (producer/engineer)
piano:
Sviatoslav Richter (pianist) (from 1959-04-30 until 1959-05-01)
balance engineer:
Harro Hell Michna and Heinz Wildhagen (engineer, producer) (from 1959-04-30 until 1959-05-01)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1959-04-30 until 1959-05-01)
recording of:
Toccata in C major, op. 7 (from 1959-04-30 until 1959-05-01)
composer:
Robert Schumann (German classical composer) (from 1829 until 1833)
dedicated to:
Ludwig Schunke
part of:
Works of Robert Schumann by opus number (number: op. 7)
revision of:
Exercice pour le Pianoforte (earlier version of op. 7)
Robert Schumann6:39
3L’Amour et la vie d’une femme, op. 42 : No. 4 Du Ring an meinem Finger
piano:
Bengt Forsberg (pianist)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano)
Robert Schumann2:49
4Une symphonie sur « Faust » : Chœur final « Alles Vergängliche ist nur ein Gleichnis »
producer:
Werner Mayer (classical producer)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1995-04)
tenor vocals:
Vinson Cole (American tenor) (in 1995-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1995-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1995-04)
chorus master:
Hans-Dieter Pflüger (chorus master) (in 1995-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1995-04)
recorded at:
Semperoper in Dresden, Sachsen (Saxony), Germany (in 1995-04)
live recording of:
Eine Faust-Symphonie, S. 108: IV. Chorus mysticus (choral ending) (in 1995-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Eine Faust-Symphonie, S. 108 (A Faust Symphony)
Franz Liszt6:56
5Polonaise no. 3 en la majeur, op. 40 no. 1 « Militaire »
piano:
Lazar Berman (pianist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1979)
recording of:
Polonaise in A major, op. 40 no. 1 “Military”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1838)
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 3)
part of:
Polonaises, op. 40
Frédéric Chopin5:19
6Un requiem allemand, op. 45 : « Selig sind, die da Leid tragen »
producer:
Hans Weber (producer/engineer) (in 1987-06)
editor:
Klaus Scheibe (editor/engineer)
organ:
Rudolf Scholz (organist) (in 1987-06)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1987-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1987-06)
conductor:
Carlo Maria Giulini (conductor) (in 1987-06)
chorus master:
Walter Hagen-Groll (chorus master) (in 1987-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1987-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1987-06)
live recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (in 1987-06)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms10:34
7Symphonie no. 6 en la mineur « Tragique » : III. Andante
recording engineer:
Stephan Flock and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
associate producer:
Ewald Markl
producer:
Werner Mayer (classical producer)
editor:
Mark Bücker (recording engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-05)
conductor:
Pierre Boulez (composer and conductor) (in 1994-05)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-05)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (in 1994-05)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler14:54
8Symphonie no. 7 en mi majeur : III. Scherzo
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
Anton Bruckner10:15
9Une nuit sur le mont Chauve
orchestra:
RIAS‐Symphonie‐Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Ferenc Fricsay (conductor)
Modeste Moussorgsky10:09
10Joyeuse Marche
executive producer:
Ewald Markl and Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1995-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-03)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1995-03) and Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1995-03)
recording of:
Joyeuse marche (for orchestra) (in 1995-03)
composer:
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier3:34
3▼CD
#TitleArtistRatingLength
1Les Joyeuses Équipées de Till l’Espiègle, op. 28
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1943-11-16)
conductor:
Wilhelm Furtwängler (conductor) (on 1943-11-16)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (from 1965 to present)
recorded at:
Alte Philharmonie in Kreuzberg, Berlin, Germany (on 1943-11-16)
live recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (on 1943-11-16)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss15:05
2Som stjärnorma på himmelen
recording engineer:
Stephan Flock (in 1995-09)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock
piano:
Bengt Forsberg (pianist) (in 1995-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1995-09)
balance engineer:
Rainer Maillard (in 1995-09)
recorded at:
Kulturhuset i Ytterjärna in Södertälje, Stockholms län (Stockholm county), Sweden (in 1995-09)
recording of:
Som stjärnorn på himmelen, op. 5 no. 3 (in 1995-09)
lyricist:
H.
composer:
Wilhelm Peterson‐Berger (Swedish composer and music critic)
part of:
Fyra visor i svenska folkton, op. 5
Wilhelm Peterson‐Berger3:38
3Trois Nocturnes : No. 1 « Nuages »
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (in 1993-03)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:18
4La Valse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1993-03)
recording of:
La Valse (for orchestra) (in 1993-03)
composer:
Maurice Ravel (French composer) (from 1919 until 1920)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 72)
Maurice Ravel13:43
5Valse triste : Lento
engineer:
Lothar Hahn (from 1954-11-05 until 1954-11-06)
producer:
Heinz Reinicke
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1954-11-05 until 1954-11-06)
conductor:
Hans Rosbaud (conductor) (from 1954-11-05 until 1954-11-06)
balance engineer:
Alfred Steinke (from 1954-11-05 until 1954-11-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1955)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-11-05 until 1954-11-06)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 1954-11-05 until 1954-11-06)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius4:25
6Musique pour cordes, percussion et célesta, Sz. 106 : III. Adagio
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Helmut Elbl, Fred Hamel and Wolfgang Lohse
orchestra:
Radio-Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Ferenc Fricsay (conductor)
balance engineer:
Alfred Steinke and Karl-Heinz Westphal
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1953-06-17 until 1953-06-20)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók6:38
7Poésies populaires juives, op. 79a : 2. Une maman et une tante aux petits soins
executive producer:
Pål Christian Moe
producer:
Lennart Dehn
contralto vocals:
Nathalie Stutzmann (contralto and conductor) (in 1992-05)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-05)
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1992-05)
conductor:
Neeme Järvi (Estonian conductor) (in 1992-05)
balance engineer:
Michael Bergek (in 1992-05)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1992-05)
recording of:
From Jewish Folk-Poetry, op. 79a: 2. The Loving Mama And Auntie (in 1992-05)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1948)
part of:
From Jewish Folk-Poetry, op. 79a (for soprano, contralto, tenor and orchestra)
Dmitri Chostakovitch1:47
8Sonate pour violon seul en ré majeur, op. 115 : Moderato
producer:
Christian Gansch (conductor)
violin:
Gil Shaham (violinist) (in 1995-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1995-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-06)
recording of:
Sonata for Solo Violin in D major, op. 115: I. Moderato (in 1995-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1947)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Sikorski Musikverlage, Hamburg
part of:
Sonata for Solo Violin in D major, op. 115
Sergueï Prokofiev4:16
9Sonate pour violon seul en ré majeur, op. 115 : Tema e variazioni
producer:
Christian Gansch (conductor)
violin:
Gil Shaham (violinist) (in 1995-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1995-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-06)
recording of:
Sonata for Solo Violin in D major, op. 115: II. Andante dolce. Tema con variazioni (in 1995-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1947)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Sikorski Musikverlage, Hamburg
part of:
Sonata for Solo Violin in D major, op. 115
Sergueï Prokofiev3:20
10Sonate pour violon seul en ré majeur, op. 115 : Con brio
producer:
Christian Gansch (conductor)
violin:
Gil Shaham (violinist) (in 1995-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1995-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-06)
recording of:
Sonata for Solo Violin in D major, op. 115: III. Con brio. Allegro precipitato (in 1995-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1947)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Sikorski Musikverlage, Hamburg
part of:
Sonata for Solo Violin in D major, op. 115
Sergueï Prokofiev3:34
11Symphonie no. 3 « Liturgique » : III. Dona nobis pacem. Andante
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-09-23)
conductor:
Herbert von Karajan (conductor) (on 1969-09-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1969-09-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1969-09-23)
recording of:
Symphony no. 3 "Liturgique": III. Dona nobis pacem. Andante (on 1969-09-23)
composer:
Arthur Honegger (composer) (from 1945 until 1946)
part of:
Symphony no. 3 "Liturgique"
Arthur Honegger11:50
12Métaboles: V. Flamboyant
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1993-10)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1993-10)
recorded at:
Opéra Bastille: Salle Gounod in Paris, Île-de-France, France (in 1993-10)
recording of:
Métaboles: V. Flamboyant (in 1993-10)
composer:
Henri Dutilleux (French composer) (from 1963 until 1964)
part of:
Métaboles
Henri Dutilleux4:02