The Montgomeryland Sessions

~ Release by Wes Montgomery (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Finger Pickin'
recorded in:
Indianapolis, Indiana, United States (on 1957-12-30)
producer:
Richard Bock (record producer)
drums (drum set):
Paul Parker (jazz drummer) (on 1957-12-30)
electric bass guitar [Fender electric bass]:
Monk Montgomery (on 1957-12-30)
guitar:
Wes Montgomery (on 1957-12-30)
piano:
Joe Bradley (jazz pianist) (on 1957-12-30)
trumpet:
Freddie Hubbard (on 1957-12-30)
vibraphone:
Buddy Montgomery (on 1957-12-30)
recording of:
Finger Pickin' (on 1957-12-30)
writer:
Wes Montgomery
2:32
2Sound Carrier
recorded in:
Indianapolis, Indiana, United States (on 1957-12-30)
engineer and producer:
Richard Bock (record producer)
bass and electric bass guitar:
Monk Montgomery (on 1957-12-30)
drums (drum set):
Paul Parker (jazz drummer) (on 1957-12-30)
guitar:
Wes Montgomery (on 1957-12-30)
piano:
Joe Bradley (on 1957-12-30)
tenor saxophone:
Alonzo "Pookie" Johnson (saxophonist and flautist) (on 1957-12-30) and Waymon "Punchy" Atkinson (on 1957-12-30)
trumpet:
Freddie Hubbard (on 1957-12-30)
vibraphone:
Buddy Montgomery (on 1957-12-30)
phonographic copyright (℗) by:
キングレコード株式会社 (King Record Co., Ltd., record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label)
6:57
3Lois Ann
recorded in:
Indianapolis, Indiana, United States (on 1957-12-30)
producer:
Richard Bock (record producer)
bass:
Monk Montgomery (on 1957-12-30)
drums (drum set):
Paul Parker (jazz drummer) (on 1957-12-30)
guitar:
Wes Montgomery (on 1957-12-30)
piano:
Joe Bradley (on 1957-12-30)
tenor saxophone:
Alonzo "Pookie" Johnson (saxophonist and flautist) (on 1957-12-30) and Waymon "Punchy" Atkinson (on 1957-12-30)
trumpet:
Freddie Hubbard (on 1957-12-30)
vibraphone:
Buddy Montgomery (on 1957-12-30)
recording of:
Lois Ann (on 1957-12-30)
composer:
Buddy Montgomery
4:45
4Bud's Beaux Arts
recorded in:
Indianapolis, Indiana, United States (on 1957-12-30)
producer:
Richard Bock (record producer)
bass:
Monk Montgomery (on 1957-12-30)
drums (drum set):
Paul Parker (jazz drummer) (on 1957-12-30)
guitar:
Wes Montgomery (on 1957-12-30)
piano:
Joe Bradley (on 1957-12-30)
tenor saxophone:
Alonzo "Pookie" Johnson (saxophonist and flautist) (on 1957-12-30) and Waymon "Punchy" Atkinson (on 1957-12-30)
trumpet:
Freddie Hubbard (on 1957-12-30)
vibraphone:
Buddy Montgomery (on 1957-12-30)
7:33
5Bock to Rock
recorded in:
Indianapolis, Indiana, United States (on 1957-12-30)
engineer and producer:
Richard Bock (record producer)
drums (drum set):
Paul Parker (jazz drummer) (on 1957-12-30)
electric bass guitar:
Monk Montgomery (on 1957-12-30)
guitar:
Wes Montgomery (on 1957-12-30)
piano:
Joe Bradley (on 1957-12-30)
tenor saxophone:
Alonzo "Pookie" Johnson (saxophonist and flautist) (on 1957-12-30) and Waymon "Punchy" Atkinson (on 1957-12-30)
trumpet:
Freddie Hubbard (on 1957-12-30)
vibraphone:
Buddy Montgomery (on 1957-12-30)
phonographic copyright (℗) by:
キングレコード株式会社 (King Record Co., Ltd., record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label)
recording of:
Bock to Bock (on 1957-12-30)
composer:
Buddy Montgomery
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label)
10:08
6All the Things You Are
recorded in:
Indianapolis, Indiana, United States (on 1957-12-30)
producer:
Richard Bock (record producer)
bass:
Monk Montgomery (on 1957-12-30)
drums (drum set):
Paul Parker (jazz drummer) (on 1957-12-30)
guitar:
Wes Montgomery (on 1957-12-30)
piano:
Joe Bradley (on 1957-12-30)
tenor saxophone:
Alonzo "Pookie" Johnson (saxophonist and flautist) (on 1957-12-30) and Waymon "Punchy" Atkinson (on 1957-12-30)
trumpet:
Freddie Hubbard (on 1957-12-30)
vibraphone:
Buddy Montgomery (on 1957-12-30)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1957-12-30)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
43:59
7Billie's Bounce
recorded in:
Indianapolis, Indiana, United States (on 1957-12-30)
producer:
Richard Bock (record producer)
bass:
Monk Montgomery (on 1957-12-30)
drums (drum set):
Paul Parker (jazz drummer) (on 1957-12-30)
guitar:
Wes Montgomery (on 1957-12-30)
piano:
Joe Bradley (on 1957-12-30)
tenor saxophone:
Alonzo "Pookie" Johnson (saxophonist and flautist) (on 1957-12-30) and Waymon "Punchy" Atkinson (on 1957-12-30)
trumpet:
Freddie Hubbard (on 1957-12-30)
vibraphone:
Buddy Montgomery (on 1957-12-30)
recording of:
Billie’s Bounce (on 1957-12-30)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
4:42
8Far Wes
drums (drum set):
Tony Bazley (on 1958-04-18)
electric bass guitar:
Monk Montgomery (from 1958-04-18 until 1959-04-18)
guitar:
Wes Montgomery (on 1958-04-18)
piano:
Buddy Montgomery (from 1958-04 until 1959-10)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (from 1958-04 until 1959-10)
recording of:
Far Wes (on 1958-04-18)
composer:
Wes Montgomery (in 1958)
5:55
9Leila
drums (drum set):
Tony Bazley (on 1958-04-18)
electric bass guitar:
Monk Montgomery (on 1958-04-18)
guitar:
Wes Montgomery (on 1958-04-18)
piano:
Buddy Montgomery (on 1958-04-18)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1958-04-18)
recording of:
Leila (on 1958-04-18)
composer:
Wes Montgomery
publisher:
EMI Unart Catalog Inc., Taggie Music Co. (publisher) and Upam Music Co.
43:30
10Old Folks
drums (drum set):
Tony Bazley (on 1958-04-18)
electric bass guitar:
Monk Montgomery (on 1958-04-18)
guitar:
Wes Montgomery (on 1958-04-18)
piano:
Buddy Montgomery (on 1958-04-18)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1958-04-18)
instrumental recording of:
Old Folks (on 1958-04-18)
lyricist:
Dedette Lee Hill (in 1938)
composer:
Willard Robison (in 1938)
publisher:
Warner Bros., Inc. (not for release label use!)
46:38
11Wes' Tune
drums (drum set):
Tony Bazley (from 1958-04 until 1959-10)
electric bass guitar:
Monk Montgomery (from 1958-04 until 1959-10)
guitar:
Wes Montgomery (from 1958-04 until 1959-10)
piano:
Buddy Montgomery (from 1958-04 until 1959-10)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (from 1958-04 until 1959-10)
4:11
12Hymm to Carl
drums (drum set):
Tony Bazley (on 1958-04-18)
electric bass guitar:
Monk Montgomery (on 1958-04-18)
guitar:
Wes Montgomery (on 1958-04-18)
piano:
Buddy Montgomery (on 1958-04-18)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1958-04-18)
4:37
13Montgomeryland Funk
drums (drum set):
Tony Bazley (on 1958-04-18)
electric bass guitar:
Monk Montgomery (on 1958-04-18)
guitar:
Wes Montgomery (on 1958-04-18)
piano:
Buddy Montgomery (on 1958-04-18)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1958-04-18)
4:03
14Stompin' at the Savoy
drums (drum set):
Tony Bazley (on 1958-04-18)
electric bass guitar:
Monk Montgomery (on 1958-04-18)
guitar:
Wes Montgomery (on 1958-04-18)
piano:
Buddy Montgomery (on 1958-04-18)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1958-04-18)
recording of:
Stompin’ at the Savoy (on 1958-04-18)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:24
15Love for Sale
3:42
2▼CD
#TitleRatingLength
1Summertime
alto saxophone:
Pony Poindexter (on 1959-10-01)
drums (drum set):
Louis Hayes (on 1959-10-01)
electric bass guitar:
Monk Montgomery (on 1959-10-01)
guitar:
Wes Montgomery (on 1959-10-01)
piano:
Buddy Montgomery (on 1959-10-01)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1959-10-01)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
44:53
2Monk's Shop
alto saxophone:
Pony Poindexter (on 1959-10-01)
drums (drum set):
Louis Hayes (on 1959-10-01)
electric bass guitar:
Monk Montgomery (on 1959-10-01)
guitar:
Wes Montgomery (on 1959-10-01)
piano:
Buddy Montgomery (on 1959-10-01)
recording of:
Monk's Shop (on 1959-10-01)
composer:
Wes Montgomery
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc. and Taggie Music Co. (publisher)
43:57
3Falling in Love With Love
alto saxophone:
Pony Poindexter (on 1959-10-01)
drums (drum set):
Louis Hayes (on 1959-10-01)
electric bass guitar:
Monk Montgomery (on 1959-10-01)
guitar:
Wes Montgomery (on 1959-10-01)
piano:
Buddy Montgomery (on 1959-10-01)
instrumental recording of:
Falling in Love With Love (on 1959-10-01)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
46:16
4Renie
alto saxophone:
Pony Poindexter (on 1959-10-01)
drums (drum set):
Louis Hayes (on 1959-10-01)
electric bass guitar:
Monk Montgomery (on 1959-10-01)
guitar:
Wes Montgomery (on 1959-10-01)
piano:
Buddy Montgomery (on 1959-10-01)
recording of:
Mr. Walker (Renie) (on 1959-10-01)
composer:
Wes Montgomery
43:33
5Ouverture
6:40
6And This Is My Beloved
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
And This Is My Beloved (from the musical “Kismet”) (on 1958-04-22)
additional composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
composer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
St. Lawrence Music, Inc.
is based on:
String Quartet no. 2 in D major: III. Notturno. Andante
part of:
Kismet (full musical)
6:18
7Fate
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Fate (from the musical “Kismet”) (on 1958-04-22)
lyricist and composer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
is based on:
Symphony no. 2 in B minor: I. Allegro
part of:
Kismet (full musical)
5:01
8Stranger in Paradise
producer:
Richard Bock (record producer)
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (on 1958-04-22)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
4:55
9Baubles, Bangles and Beads
engineer and producer:
Richard Bock (record producer)
bass:
Monk Montgomery
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
guitar:
Wes Montgomery (in 1958-04)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
phonographic copyright (℗) by:
キングレコード株式会社 (King Record Co., Ltd., record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1958-04-22)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
3:29
10Not Since Nineveh
producer:
Richard Bock (record producer)
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Not Since Nineveh (from the musical “Kismet”) (on 1958-04-22)
lyricist and composer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
7:24
11A Good Git Together
alto saxophone:
Pony Poindexter (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
electric bass guitar [Fender electric bass]:
Monk Montgomery (in 1959)
electric guitar [guitar]:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
3:42
12Feed Me
producer:
Richard Bock (record producer) (in 1959)
alto saxophone:
Pony Poindexter (in 1959)
double bass [bass]:
Monk Montgomery (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
3:49
13Music in the Air
producer:
Richard Bock (record producer)
alto saxophone:
Cannonball Adderley (in 1959)
bass and electric bass guitar:
Monk Montgomery (in 1959)
cornet:
Nat Adderley (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
electric guitar [guitar] and guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
3:57
14Pretty Strange
producer:
Richard Bock (record producer)
alto saxophone:
Cannonball Adderley (in 1959)
bass and electric bass guitar:
Monk Montgomery (in 1959)
cornet:
Nat Adderley (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
electric guitar [guitar] and guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
recording of:
Pretty Strange (in 1959)
writer:
Jon Hendricks and Randy Weston
publisher:
Andante Music, Inc. (ASCAP‐affiliated)
2:53
15The Shouter
producer:
Richard Bock (record producer)
alto saxophone:
Cannonball Adderley (in 1959)
bass and electric bass guitar:
Monk Montgomery (in 1959)
cornet:
Nat Adderley (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
recording of:
The Shouter (in 1959)
composer:
Gildo Mahones
5:03
16Social Call
producer:
Richard Bock (record producer)
alto saxophone:
Cannonball Adderley (in 1959)
bass and electric bass guitar:
Monk Montgomery (in 1959)
cornet:
Nat Adderley (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
recording of:
Social Call (in 1959)
writer:
Gigi Gryce and Jon Hendricks
publisher:
Jacogg Publications, Inc.
2:22
17Out of the Past
producer:
Richard Bock (record producer)
alto saxophone:
Cannonball Adderley (in 1959)
cornet:
Nat Adderley (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
electric bass guitar:
Monk Montgomery (in 1959)
guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
recording of:
Out of the Past (in 1959)
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
4:54