Supreme Ladies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Desafinado
Trio Esperança3:47
2Love Me or Leave Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Nina Simone4.653:19
3This Can't Be Love
producer:
Jim West (canadian producer, Justin Time Records)
double bass [bass]:
John Clayton (US jazz and classical double bassist) (in 1992-10)
drums (drum set):
Jeff Hamilton (jazz drummer) (in 1992-10)
piano:
Diana Krall (in 1992-10)
vocals:
Diana Krall (in 1992-10)
cover recording of:
This Can’t Be Love (in 1992-10)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
Diana Krall4:27
4No Regrets
recording of:
No Regrets
lyricist and composer:
Gaby Moreno
Gaby Moreno2:21
5Take Care
acoustic guitar [nylon] and acoustic guitar [steel]:
Taofik Farah
Imany3:00
6He Needs Me
producer:
Steve Dawson (Canadian Guitarist, songwriter & producer)
vocals:
Ndidi Onukwulu
Ndidi Onukwulu3:49
7Let's Do It (Let's Fall in Love)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Eartha Kitt2:39
8Lullaby of Birdland
recorded in:
New York, New York, United States (on 1954-12-16)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1954-12-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-16)
flute:
Herbie Mann (on 1954-12-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-16)
tenor saxophone:
Paul Quinichette (on 1954-12-16)
trumpet:
Clifford Brown (trumpet) (on 1954-12-16)
conductor:
Ernie Wilkins
arranger:
Ernie Wilkins (on 1954-12-16)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1954-12-16)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan3:58
9Crawling Up a Hill
engineer:
Steve Sale
producer:
Mike Batt
lead vocals:
Katie Melua
arranger:
Mike Batt
phonographic copyright (℗) by:
Dramatico Entertainment Ltd. (not release label) (in 2003) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
cover recording of:
Crawling Up a Hill
lyricist and composer:
John Mayall
publisher:
TRO Essex Music Ltd.
Katie Melua43:22
10It Might as Well Be Spring
recording of:
It Might as Well Be Spring (State Fair) (in 2002)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Stacey Kent4:33
11Syracuse
recording engineer and mixer:
Dave Friedlander (from 2005-12 until 2006-12)
bongos, cymbal and timpani:
Martin Zarzar (from 2005-12 until 2006-12)
cello:
Phil Hansen (from 2005-12 until 2006-12) and Dieter Ratzlaf (from 2005-12 until 2006-12)
harp:
Maureen Love (from 2005-12 until 2006-12)
piano:
Thomas M. Lauderdale (from 2005-12 until 2006-12)
vibraphone:
Mike Horsfall (from 2005-12 until 2006-12)
viola:
Joël Belgique (American violist) (from 2005-12 until 2006-12) and Mara Lisa Gearman (from 2005-12 until 2006-12)
violin:
Julie Coleman (from 2005-12 until 2006-12), Paloma Griffin (from 2005-12 until 2006-12), Denise Huizenga (from 2005-12 until 2006-12) and Marty Jennings (from 2005-12 until 2006-12)
choir vocals:
David York Ensemble (from 2005-12 until 2006-12)
vocals:
China Forbes (from 2005-12 until 2006-12)
orchestra:
Harvey Rosencrantz Orchestra (from 2005-12 until 2006-12)
phonographic copyright (℗) by:
Heinz Records
recorded at and mixed at:
Kung Fu Bakery Recording Studios in Portland, Oregon, United States (from 2005-12 until 2006-12)
cover recording of:
Syracuse (from 2005-12 until 2006-12)
lyricist:
Bernard Dimey
composer:
Roland Dyens and Henri Salvador
Pink Martini3:42
12Sweet Dreams
cover recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Térez Montcalm4:02
13You Go to My Head
Anne Ducros6:18
14Manha de Carnaval
Elizeth Cardoso2:53
15Hymne à L'Amour
Liz McComb3:40
2▼CD
#TitleArtistRatingLength
1Fever
live cover recording of:
Fever (on 1961-03-08)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee3:16
2The Way I Feel
programming, engineer and producer:
Benjamin Constant
mixer:
Tchad Blake
bass:
Laurent Vernerey
clavinet, flugelhorn, piano and Rhodes piano [Rhodes]:
Benjamin Constant
electric guitar:
Roman Chelminski
membranophone:
Régis Ceccarelli
trombone:
Julien Chirol
arranger:
Benjamin Constant
engineered at:
Le Chantier Studio in Montreuil, Seine-Saint-Denis, Île-de-France, France
Aṣa34:54
3Four Women
engineer and mixer:
Pete Min (producer and engineer)
cover recording of:
Four Women
lyricist and composer:
Nina Simone
publisher:
EMI Tunes Ltd
Meshell Ndegeocello44:59
4Crazy Love
Marianne Faithfull3:58
5How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:14
6Cheek to Cheek
Sara Lazarus3:03
7Florzinha
Tania Maria4:31
8Everyday Is New
recording of:
Everyday Is New
lyricist and composer:
Tanita Tikaram
Tanita Tikaram44:49
9Eyes Without a Face
recording engineer:
Patrick Chenais and Antoine Karacostas
producer:
Mina Agossi
mixer:
Patrick Chenais and Mina Agossi
acoustic guitar:
Phil Reptil
bass guitar:
Eric Jacot
drums (drum set):
Ichiro Onoe
guitar:
Stéphane Guery
trumpet:
Sue Richardson
lead vocals:
Mina Agossi
recorded at:
Aéronef in Paris, Île-de-France, France
cover recording of:
Eyes Without a Face
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Mina Agossi5:00
10I'm So Lonesome I Could Cry
recorded in:
California, United States
assistant engineer:
Erik Reichers
producer:
Larry Klein
mixer:
Helik Hadar
bass:
David Piltch
guitar:
Dean Parks (American session guitarist)
keyboard [keyboards]:
Larry Goldings
membranophone:
Jay Bellerose (american drummer and percussionist)
trumpet:
Till Brönner (German trumpet player)
vocals:
Madeleine Peyroux (US jazz singer & songwriter)
phonographic copyright (℗) by:
Bam Bam Music
mixed at:
Market Street in Los Angeles, California, United States
cover recording of:
I’m So Lonesome I Could Cry
lyricist and composer:
Hank Williams (country music legend)
publisher:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (on 1949-10-31) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (from 2002 to present)
Madeleine Peyroux4:47
11What a Difference a Day
cover recording of:
What a Diff’rence a Day Made
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington2:27
12No Moon at All
Rebecca Martin4:35
13Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:51
14Something Cool
producer:
Lee Gillette
alto saxophone:
Bud Shank (on 1953-08-14)
baritone saxophone:
Chuck Gentry (on 1953-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1953-08-14)
flute and tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-08-14)
trombone:
Milt Bernhart (on 1953-08-14), Herbie Harper (on 1953-08-14) and Tommy Pederson (on 1953-08-14)
trumpet:
Maynard Ferguson (on 1953-08-14), Conrad Gozzo (on 1953-08-14) and Shorty Rogers (trumpet) (on 1953-08-14)
woodwind:
Bob Cooper (US jazz saxophonist) (on 1953-08-14)
vocals:
June Christy (on 1953-08-14)
conductor:
Pete Rugolo (on 1953-08-14)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-14)
recording of:
Something Cool (on 1953-08-14)
lyricist and composer:
Billy Barnes (composer and lyricist)
June Christy44:18
15I'm Through With Love
cover recording of:
I’m Through With Love
lyricist:
Gus Kahn
composer:
Fud Livingston and Matty Malneck
Marilyn Monroe2:35

Credits

Release

ASIN:FR: B0097RF7C8 [info]